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All Journal Humaniora Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora LiNGUA: Jurnal Ilmu Bahasa dan Sastra Jurnal Filsafat Lingua Cultura Jurnal Antropologi: Isu-Isu Sosial budaya Musawa : Jurnal Studi Gender dan Islam ProTVF MILLATI: Journal of Islamic Studies and Humanities Masyarakat, Kebudayaan dan Politik Journal of Language and Literature International Journal of Science and Applied Science: Conference Series Aksara Jurnal Filsafat Kandai English Language and Literature International Conference (ELLiC) Proceedings The Journal of Society and Media Kafa’ah: Journal of Gender Studies Paradigma: Jurnal Kajian Budaya Jurnal Bahasa, Sastra, dan Studi Amerika Dinika: Academic Journal of Islamic Studies. Aksara
Sri Kusumo Habsari
Fakultas Ilmu Budaya Universitas Sebelas Maret Surakarta
Religion Arts Humanities Chemistry Education Environmental Science Languange, Linguistic, Communication & Media Library & Information Science Mathematics Physics Social Sciences Other

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'Man in makeup': The new gender concept in James Charles' Instagram posts Saktiana Kharisma Ardiani; Sri Kusumo Habsari
Jurnal Bahasa, Sastra, dan Studi Amerika Vol 26, No 1 (2020)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/jbssa.v26i1.34892

Abstract

The rise of ‘man in makeup’ trend in online platforms has brought male makeup artists to break down the gender stereotype and discrimination in beauty industry. Here, the research focused on a male makeup artist, James Charles, on his Instagram account, who brings the concept of ‘man in makeup’ to reject the transgender label. The research examined the way James Charles presents his gender concept, ‘man in makeup’ through his cultural practices on Instagram. The research shows that James Charles has failed in following the male role norms. However, this failure cannot put James Charles to crisis of masculinity. This happens because James Charles has negotiated the male role norms with the self feminizing. Thus, the feminine notion of makeup is not contradictory with his feminized male body, gestures, and identity. At the end, this research argues that ‘man in makeup’ gender concept has been accepted by the Instagram users.
Watching “Wonder Woman”: Reception of an American Film by Youth in Indonesia Fatimah Az-Zahroh; Sri Kusumo Habsari
Jurnal Bahasa, Sastra, dan Studi Amerika Vol 28, No 1 (2022)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/jbssa.v28i1.43330

Abstract

The popularity of Wonder Woman (2017) movie worldwide is not only reached the western lands but also the eastern countries, including Indonesia. Wonder Woman offers western post-feminist idea which can bring various responses to the audiences in Indonesia. By using descriptive qualitative approach, this research explores how the young audiences in Indonesia take pleasure and make meaning to the element of feminism in the movie. This research finds that Gal Gadot’s Diana performance in the movie offers special spectacle to the audience through her feminine qualities, such as beautiful face, ideal female body, and gentle character, despite being a powerful female hero who also has the quality of courage, strong determination, athleticism, and skill in fighting. The duality of Diana’s character, the femininity and masculinity, is also noted by the audiences as one of the most notably signs which presented feminism in the movie. Although most of the audiences are Muslim and embrace eastern culture, they tend to be more open to the feminist signs in the movie, as they have often been familiarized themselves with western values by frequently watching Hollywood movies.
Javanese Language Representation: A Dialogue and Expression ala Kethoprak in the Film Nyumbang Purwoko Ajie; Sri Kusumo Habsari; Deny Tri Ardianto; Kundharu Saddhono
Lingua Cultura Vol. 17 No. 1 (2023): Lingua Cultura
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/lc.v17i1.9586

Abstract

The research aimed to examine the usage of the Javanese language to represent the discourse of nyumbang (donation) in the film Nyumbang produced by Montase Film Independen Yogyakarta. It focused on analyzing the discourse semantics of the Javanese dialogues, which took the style expression ala Kethoprak. The primary data are the Javanese dialogues in the film Nyumbang. At the same time, the supporting data were taken from journals, books, newspapers, websites, and supporting media (audiovisuals, interview results, and other documentation). Data analysis techniques included reduction, presentation, and verification of conclusions related to the research object. The results indicate the utilization of a strong Javanese accent, mostly found in Kethoprak's performance, to represent the problematic discourse of nyumbang. The actors who are the members of the Sanggar Kethoprak Merbabu Budaya, Magelang, speaking in Javanese with the Mataram accent, highlight the problematization of the ideology behind the discourse of nyumbang. The Mataram accent, which is the language style of Kethoprak, added with the helpless facial expressions of the actors, provides the interpretation of the raising question of the nyumbang tradition, which has been embedded in Javanese culture. Through some word choices that are exaggerated to produce a sense of helplessness, the tradition of nyumbang, formerly developed to help each other, becomes a social burden. Thus, the research finds that the film Nyumbang provides an effort to maintain the Kethoprak tradition without abandoning the characteristics of its traditional performances, which contain criticisms of tradition in modern life.
Social Media as Heterotopia: Exploring the Dynamics of Cancel Culture in the Gisella Anastasia Sex Video Scandal Wulandari, Nur Laily; Habsari, Sri Kusumo; Susanto, Susanto
Humaniora Vol 35, No 2 (2023)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jh.92669

Abstract

This study examines the phenomenon of cancel culture on social media, focusing on the controversy surrounding the case of Gisella Anastasia's nude video. Utilizing Michel Foucault's heterotopia theory, this research investigates how social media platforms such as Instagram serve as heterotopias that shape new norms and challenge social rules. The study analyzes Instagram's role in cancel culture, exemplified by the Gisella Anastasia case and netizens’ responses. It explores how digital spaces blur the distinction between reality and virtuality, impacting individual freedom and identity formation. Through text and content analysis, this research uncovers power dynamics within Gisella Anastasia's Instagram accounts, @hopsindonesia, and @rananews.id, over specific time frames. The findings indicate that social media functions as a heterotopic space where netizens contest societal norms and challenge the hegemony of identities. It also shows that anonymity encourages damaging comments and perpetuates cancel culture, acting as resistance against societal norms and identities. The absence of hierarchy in social media fosters unbounded behaviors among netizens, sometimes even leading to excessive brutality.
Foucault's Docile Bodies Perspective: The Figure of Seniwati's Feminism in the Wido Documentary Film Ajie, Purwoko; Habsari, Sri Kusumo; Ardianto, Deny Tri
Humanus Vol 22, No 2 (2023)
Publisher : Pusat Kajian Humaniora FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/humanus.v22i2.121761

Abstract

Discussion of docile bodies has been absent in film analysis. Most research is attracted to study gender representation in which women are frequently underrepresented. Thus, this study aims to examine the documentary film of Wido, a female artist, through Michel Foucault's theory of docility. This research is attracted to Widowati's narration as a Javanese woman artist who must be able to manage between her profession as an artist and a housewife respectfully. The data are the narration and scenes of Wido as both a female artist and a housewife in the documentary movie “Wido”. All data obtained are analysed textually, applying Foucault's notion of docile bodies. The research argues that the representation of Wido challenges the notion of docile bodies. Despite Widowati still glorifying her domestic roles, the feminine prescription of which women should be responsible for domestic chores, she subsequently exchanges the domestic responsibility with her husband to work in public as an artist. She also acknowledges that she is the family's breadwinner without diminishing her husband's primary responsibility as the head of the family. The fluidity of gender roles she performs contradicts the notion of docile bodies in which women are always taught and supervised to glorify their femininity.
Mononormativity Sentiment Towards Polygamous Ustadz on Social Media Muhammad Noval Abdul Rozak; Sri Kusumo Habsari; Eva Farhah
DINIKA : Academic Journal of Islamic Studies Vol. 9 No. 2 (2024)
Publisher : Universitas Islam Negeri Raden Mas Said Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22515/dinika.v9i2.9927

Abstract

Mononormativity widely embraced by societies, often leads to negative sentiment toward non-monogamous relationships. Polygamy, as a form of non-monogamy, challenges this norm, particularly when practiced consensually, revealing a divergence from assumptions that label such relationships as destructive. In Indonesia, where Islam predominates, polygamy is conditionally legitimate under religious law and mutual agreement. However, it frequently faces public criticism and rejection, especially on social media. Religious figures like Ustadz Hanan Attaki, who practice polygamy, often become targets of this negative sentiment, revealing the tension between cultural norms, religious legitimacy, and societal perceptions. This study aims to analyze how mononormativity functions as a form of knowledge-power in constructing negative sentiments towards polygamists, especially ustadz, on social media. Utilizing primary data from social media comments and secondary data from online media and supporting articles, the research employs an explanatory sequential mixed method, where quantitative data supports qualitative insights. Combining sentiment analysis using NVivo and Foucaldian discourse analysis, the paper uncovers how societal norms and power structures shape and reinforce negative sentiments towards polygamists. The quantitative data provides a broad understanding of public opinion, while the qualitative analysis delves deeper into the discourses that perpetuate mononormativity. Through this integration, the study highlights the significant influence of mononormative discourse in shaping societal attitudes and maintaining power dynamics that marginalize non-monogamous relationships.
TRADITION IN TRANSITION: UNVEILING SOCIAL REALITIES AND LOWER-CLASS OPPRESSION IN THE FILM NYUMBANG Ajie, Purwoko; Habsari, Sri Kusumo; Riyanti, Raden Roro Ratnasari Dwi; Pramadhanti, Dhelinta Fitri; Saputri, Fadhilah Mahanani
Paradigma: Jurnal Kajian Budaya Vol. 14, No. 3
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The tradition of nyumbang has long functioned as a social safety net within Javanese society. However, modernity has transformed the essence of nyumbang, a shift clearly portrayed in the film Nyumbang. This study investigates how the film captures the evolving discourse of nyumbang and its changing meaning over time. By employing Foucauldian Discourse Analysis (FDA), the research examines into how the film utilises discourse as a tool for both knowledge and power, thereby revealing underlying shifts in societal dynamics. This approach uniquely uncovers the interplay between power structures and cultural practices, aspects that might be overlooked by other methodologies. The analysis identifies both dominant and counter-discourses, particularly through the narratives and dialogues of the characters. Notably, characters from lower social strata challenge traditional nyumbang practice, signalling the emergence of counter-discourse. The dominant discourse portrays nyumbang as a social obligation enforced by prevailing cultural norms, while the counter-discourse advocates for a reevaluation of this practice in light of modern societal values. The study concludes that the film Nyumbang effectively addresses the complexities of maintaining tradition amidst the significant societal changes brought on by modernity, including the tensions between traditional expectations and the reality of economic reciprocity.
ORAL TRADITION OF SANSANA BANDAR OF DAYAK NGAJU IN KAPUAS WATERSHED CENTRAL KALIMANTAN/TRADISI LISAN SANSANA BANDAR DAYAK NGAJU DI DAS KAPUAS KALIMANTAN TENGAH Titik Wijanarti; Bani Sudardi; Mahendra Wijaya; Sri Kusumo Habsari
Aksara Vol 32, No 2 (2020): AKSARA, Edisi Desember 2020
Publisher : Balai Bahasa Provinsi Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29255/aksara.v32i2.513.235-246

Abstract

Abstract Sansana Bandar is one of the oral traditions of the Dayak Ngaju people of Central Kalimantan in the form of a story about Bandar. This study aims to examine the narrative of the Bandar by contextualizing all aspects of the story to the socio-cultural history of the Dayak ethnic group. This study used an ethno- graphic approach. Data collection techniques used were library research, interviews, staging, recording, and transcription. The data obtained were then analyzed semiotics. The results show that Sansana Bandar is still maintained by the Dayak Ngaju community in the Kapuas Regency. The purpose of staging Sansana Bandar is so that one’s ideals can be achieved. Sansana Bandar staging requires requirements and is carried out from afternoon to morning. Sansana Bandar’s text analysis shows the in uence of cultures outside the island of Kalimantan in the life of the Ngaju Dayak community. Keywords: oral tradition, Sansana Bandar, Dayak Ngaju, Kapuas wastershed, Central Kalimantan Abstrak Sansana Bandar adalah salah satu tradisi lisan masyarakat Dayak Ngaju Kalimantan Tengah yaitu berupa cerita tentang seorang tokoh bernama Bandar. Penelitian ini bertujuan untuk menganalisis narasicerita Bandar melalui seluruh aspek cerita yang dikaitkan dengan konteks social historis dan social budaya suku Dayak Ngaju. Penelitian ini menggunakan metode kualitatif dengan pendekatan etnogra . Teknik pengambilan data yang dilakukan adalah penelusuran pustaka, wawancara, pementasan, perekaman, dan transkripsi. Data yang diperoleh kemudian dianalisis secara semiotik. Hasil penelitian menunjuk- kan bahwa Sansana Bandar masih dipertahankan oleh masyarakat Dayak Ngaju di wilayah Kabupaten Kapuas. Tujuan pementasan Sansana Bandar bagi tuan rumah adalah supaya cita-cita berhajat dapat tercapai. Sansana Bandar dipentaskan memerlukan persyaratan dan dilakukan pada waktu sore sampai pagi hari. Analisis teks cerita Sansana Bandar menunjukkan adanya pengaruh kebudayaan luar pulau Kalimantan dalam kehidupan masyarakat Dayak Ngaju. Kata kunci: tradisi lisan, Sansana Bandar, Dayak Ngaju, DAS Kapuas, Kalimantan Tengah 
Persecution of Non-Monogamous Offenders in the Cancel Culture Phenomenon on Social Media Muhammad Noval Abdul Rozak; Sri Kusumo Habsari; Eva Farhah
The Journal of Society and Media Vol. 9 No. 1 (2025): Social Media Bridged the Gap
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/jsm.v9n1.p97-120

Abstract

Cancel culture is an act of mass cancellation or boycott experienced by public figures. Arawinda Kirana is one of the public figures who experienced cancel culture. She is considered to have committed an act of infidelity, which most netizens think is wrong. This research aims to reveal the form of power relations in the cancel culture phenomenon in social media. In Arawinda's case, data will be taken as screenshots in social media posts; then, a qualitative approach will be used to examine the data. This study found that cancel culture has a form of power relations between netizens and their targets. The netizen has the knowledge that tries to dominate the party, which is considered wrong. Generally, society is dominated by beliefs that believe that loyalty in intimate relationships is only in the form of monogamy. Infidelity as a form of non-monogamous relationship will be the target of public hatred. Therefore, if there are members of the public who are public figures, they will receive criticism, one of which is through cancel culture. The study employs thematic content analysis to classify collected data, revealing that cancel culture is driven by the belief that monogamous relationships are the only valid form.
Discursive Battle Over Belis: Online Debates on Bridewealth Tradition in Nusa Tenggara Timur Gesiradja, Asriyanti Saputri; Habsari, Sri Kusumo; Rais, Wakit Abdullah
Humaniora Vol 37, No 1 (2025)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jh.93862

Abstract

This study examines the discursive transformations and contested meanings of belis, a dowry tradition in East Nusa Tenggara, by analyzing how it is debated, redefined, and reinforced in digital spaces. Using Foucauldian Discourse Analysis, it interrogates the power relations, regimes of truth, and subject positions articulated in public discourse surrounding belis. Traditionally, belis served as a social contract symbolizing the union of two families through marriage and reinforcing communal bonds through the exchange of valuable items from the groom’s family to the bride’s. However, contemporary interpretations of belis have shifted under social, economic, and cultural transformations.. Drawing on data from YouTube broadcasts and user-generated comments, this research explores how digital platforms mediate public discourse on belis. The analysis reveals that online debates increasingly frame belis through the lens of economic logic and social prestige, often prioritizing material value over its metaphysical and symbolic significance. This discursive shift reflects a broader cultural reconfiguration in which traditional practices are questioned, redefined, or reinforced within digital spaces. Ultimately, the study argues that the transformation of belis illustrates how digital discourse contributes to the rearticulation of cultural meaning, exposing tensions between heritage and modernity, and between symbolic reciprocity and commodification.
Co-Authors Ajie, Purwoko Andrik Purwasito Bani Sudardi Bani Sudardi Della Eka Putri Deny Tri Ardianto Deny Tri Ardianto Devi Adlina Putri Diah Kristina Emil Dwi Febrian Eva Farhah Eva Farhah Farokhah, Fiqih Aisyatul Fatimah Az-Zahroh Fatkhu Rohmatin Febrian, Emil Dwi Fitria Akhmerti Primasita Fitria Akhmerti Primasita Gesiradja, Asriyanti Saputri Herry Nur Hidayat Istadiyantha Istadiyantha Karunia Purna Kusciati Kundharu Saddhono M. Taufik Al Makmum Mahendra Wijaya Mugijatna Mugijatna Mugijatna Mugijatna Mugijatna Mugijatna Mugijatna Mugijatna Mugijatna Mugijatna Mugijatna Muhammad Noval Abdul Rozak Pramadhanti, Dhelinta Fitri Prasetyo Adi Wisnu Wibowo Purwoko Ajie Putri, Devi Adlina Rais, Wakit Abdullah Ratna Kumalasari Riyanti, Raden Roro Ratnasari Dwi Sahid Teguh Widodo Saktiana Kharisma Ardiani Saputri, Fadhilah Mahanani Sofy Fawzia Munafidsyah Susanto Susanto Susanto Susanto Susanto Susanto Susanto Susanto Susanto, Susanto Titik Wijanarti Vici Duta Febriansyah Warto Warto Widya Nirmalawati Wulandari, Nur Laily Yunita Ariani Putri Yusuf Kurniawan