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All Journal Humaniora Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora LiNGUA: Jurnal Ilmu Bahasa dan Sastra Jurnal Filsafat Lingua Cultura Jurnal Antropologi: Isu-Isu Sosial budaya Musawa : Jurnal Studi Gender dan Islam ProTVF MILLATI: Journal of Islamic Studies and Humanities Masyarakat, Kebudayaan dan Politik Journal of Language and Literature International Journal of Science and Applied Science: Conference Series Aksara Jurnal Filsafat Kandai English Language and Literature International Conference (ELLiC) Proceedings The Journal of Society and Media Kafa’ah: Journal of Gender Studies Jurnal Kajian Seni Paradigma: Jurnal Kajian Budaya Jurnal Bahasa, Sastra, dan Studi Amerika Dinika: Academic Journal of Islamic Studies. Aksara Aksara
Sri Kusumo Habsari
Fakultas Ilmu Budaya Universitas Sebelas Maret Surakarta
Religion Arts Humanities Chemistry Education Environmental Science Languange, Linguistic, Communication & Media Library & Information Science Mathematics Physics Social Sciences Other

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Mononormativity Sentiment Towards Polygamous Ustadz on Social Media Muhammad Noval Abdul Rozak; Sri Kusumo Habsari; Eva Farhah
DINIKA : Academic Journal of Islamic Studies Vol. 9 No. 2 (2024)
Publisher : Universitas Islam Negeri Raden Mas Said Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22515/dinika.v9i2.9927

Abstract

Mononormativity widely embraced by societies, often leads to negative sentiment toward non-monogamous relationships. Polygamy, as a form of non-monogamy, challenges this norm, particularly when practiced consensually, revealing a divergence from assumptions that label such relationships as destructive. In Indonesia, where Islam predominates, polygamy is conditionally legitimate under religious law and mutual agreement. However, it frequently faces public criticism and rejection, especially on social media. Religious figures like Ustadz Hanan Attaki, who practice polygamy, often become targets of this negative sentiment, revealing the tension between cultural norms, religious legitimacy, and societal perceptions. This study aims to analyze how mononormativity functions as a form of knowledge-power in constructing negative sentiments towards polygamists, especially ustadz, on social media. Utilizing primary data from social media comments and secondary data from online media and supporting articles, the research employs an explanatory sequential mixed method, where quantitative data supports qualitative insights. Combining sentiment analysis using NVivo and Foucaldian discourse analysis, the paper uncovers how societal norms and power structures shape and reinforce negative sentiments towards polygamists. The quantitative data provides a broad understanding of public opinion, while the qualitative analysis delves deeper into the discourses that perpetuate mononormativity. Through this integration, the study highlights the significant influence of mononormative discourse in shaping societal attitudes and maintaining power dynamics that marginalize non-monogamous relationships.
TRADITION IN TRANSITION: UNVEILING SOCIAL REALITIES AND LOWER-CLASS OPPRESSION IN THE FILM NYUMBANG Ajie, Purwoko; Habsari, Sri Kusumo; Riyanti, Raden Roro Ratnasari Dwi; Pramadhanti, Dhelinta Fitri; Saputri, Fadhilah Mahanani
Paradigma: Jurnal Kajian Budaya Vol. 14, No. 3
Publisher : UI Scholars Hub

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Abstract

The tradition of nyumbang has long functioned as a social safety net within Javanese society. However, modernity has transformed the essence of nyumbang, a shift clearly portrayed in the film Nyumbang. This study investigates how the film captures the evolving discourse of nyumbang and its changing meaning over time. By employing Foucauldian Discourse Analysis (FDA), the research examines into how the film utilises discourse as a tool for both knowledge and power, thereby revealing underlying shifts in societal dynamics. This approach uniquely uncovers the interplay between power structures and cultural practices, aspects that might be overlooked by other methodologies. The analysis identifies both dominant and counter-discourses, particularly through the narratives and dialogues of the characters. Notably, characters from lower social strata challenge traditional nyumbang practice, signalling the emergence of counter-discourse. The dominant discourse portrays nyumbang as a social obligation enforced by prevailing cultural norms, while the counter-discourse advocates for a reevaluation of this practice in light of modern societal values. The study concludes that the film Nyumbang effectively addresses the complexities of maintaining tradition amidst the significant societal changes brought on by modernity, including the tensions between traditional expectations and the reality of economic reciprocity.
ORAL TRADITION OF SANSANA BANDAR OF DAYAK NGAJU IN KAPUAS WATERSHED CENTRAL KALIMANTAN/TRADISI LISAN SANSANA BANDAR DAYAK NGAJU DI DAS KAPUAS KALIMANTAN TENGAH Titik Wijanarti; Bani Sudardi; Mahendra Wijaya; Sri Kusumo Habsari
Aksara Vol 32, No 2 (2020): AKSARA, Edisi Desember 2020
Publisher : Balai Bahasa Provinsi Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29255/aksara.v32i2.513.235-246

Abstract

Abstract Sansana Bandar is one of the oral traditions of the Dayak Ngaju people of Central Kalimantan in the form of a story about Bandar. This study aims to examine the narrative of the Bandar by contextualizing all aspects of the story to the socio-cultural history of the Dayak ethnic group. This study used an ethno- graphic approach. Data collection techniques used were library research, interviews, staging, recording, and transcription. The data obtained were then analyzed semiotics. The results show that Sansana Bandar is still maintained by the Dayak Ngaju community in the Kapuas Regency. The purpose of staging Sansana Bandar is so that one’s ideals can be achieved. Sansana Bandar staging requires requirements and is carried out from afternoon to morning. Sansana Bandar’s text analysis shows the in uence of cultures outside the island of Kalimantan in the life of the Ngaju Dayak community. Keywords: oral tradition, Sansana Bandar, Dayak Ngaju, Kapuas wastershed, Central Kalimantan Abstrak Sansana Bandar adalah salah satu tradisi lisan masyarakat Dayak Ngaju Kalimantan Tengah yaitu berupa cerita tentang seorang tokoh bernama Bandar. Penelitian ini bertujuan untuk menganalisis narasicerita Bandar melalui seluruh aspek cerita yang dikaitkan dengan konteks social historis dan social budaya suku Dayak Ngaju. Penelitian ini menggunakan metode kualitatif dengan pendekatan etnogra . Teknik pengambilan data yang dilakukan adalah penelusuran pustaka, wawancara, pementasan, perekaman, dan transkripsi. Data yang diperoleh kemudian dianalisis secara semiotik. Hasil penelitian menunjuk- kan bahwa Sansana Bandar masih dipertahankan oleh masyarakat Dayak Ngaju di wilayah Kabupaten Kapuas. Tujuan pementasan Sansana Bandar bagi tuan rumah adalah supaya cita-cita berhajat dapat tercapai. Sansana Bandar dipentaskan memerlukan persyaratan dan dilakukan pada waktu sore sampai pagi hari. Analisis teks cerita Sansana Bandar menunjukkan adanya pengaruh kebudayaan luar pulau Kalimantan dalam kehidupan masyarakat Dayak Ngaju. Kata kunci: tradisi lisan, Sansana Bandar, Dayak Ngaju, DAS Kapuas, Kalimantan Tengah 
Persecution of Non-Monogamous Offenders in the Cancel Culture Phenomenon on Social Media Muhammad Noval Abdul Rozak; Sri Kusumo Habsari; Eva Farhah
The Journal of Society and Media Vol. 9 No. 1 (2025): Social Media Bridged the Gap
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/jsm.v9n1.p97-120

Abstract

Cancel culture is an act of mass cancellation or boycott experienced by public figures. Arawinda Kirana is one of the public figures who experienced cancel culture. She is considered to have committed an act of infidelity, which most netizens think is wrong. This research aims to reveal the form of power relations in the cancel culture phenomenon in social media. In Arawinda's case, data will be taken as screenshots in social media posts; then, a qualitative approach will be used to examine the data. This study found that cancel culture has a form of power relations between netizens and their targets. The netizen has the knowledge that tries to dominate the party, which is considered wrong. Generally, society is dominated by beliefs that believe that loyalty in intimate relationships is only in the form of monogamy. Infidelity as a form of non-monogamous relationship will be the target of public hatred. Therefore, if there are members of the public who are public figures, they will receive criticism, one of which is through cancel culture. The study employs thematic content analysis to classify collected data, revealing that cancel culture is driven by the belief that monogamous relationships are the only valid form.
Discursive Battle Over Belis: Online Debates on Bridewealth Tradition in Nusa Tenggara Timur Gesiradja, Asriyanti Saputri; Habsari, Sri Kusumo; Rais, Wakit Abdullah
Humaniora Vol 37, No 1 (2025)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jh.93862

Abstract

This study examines the discursive transformations and contested meanings of belis, a dowry tradition in East Nusa Tenggara, by analyzing how it is debated, redefined, and reinforced in digital spaces. Using Foucauldian Discourse Analysis, it interrogates the power relations, regimes of truth, and subject positions articulated in public discourse surrounding belis. Traditionally, belis served as a social contract symbolizing the union of two families through marriage and reinforcing communal bonds through the exchange of valuable items from the groom’s family to the bride’s. However, contemporary interpretations of belis have shifted under social, economic, and cultural transformations.. Drawing on data from YouTube broadcasts and user-generated comments, this research explores how digital platforms mediate public discourse on belis. The analysis reveals that online debates increasingly frame belis through the lens of economic logic and social prestige, often prioritizing material value over its metaphysical and symbolic significance. This discursive shift reflects a broader cultural reconfiguration in which traditional practices are questioned, redefined, or reinforced within digital spaces. Ultimately, the study argues that the transformation of belis illustrates how digital discourse contributes to the rearticulation of cultural meaning, exposing tensions between heritage and modernity, and between symbolic reciprocity and commodification.
Millennials’ Perceptions of the Belis Tradition in East Nusa Tenggara: A Foucauldian Discourse Analysis of Conversations on X (Twitter) Gesiradja, Asriyanti Saputri; Habsari, Sri Kusumo; Rais, Wakit Abdullah
Jurnal Antropologi: Isu-Isu Sosial Budaya Vol 27 No 1 (2025): June
Publisher : Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/jantro.v27.n1.p66-75.2025

Abstract

This research explores the perceptions of the millennial generation of the belis tradition in Nusa Tenggara Timur (NTT) on social media, particularly Twitter. Belis is a traditional dowry practice in East Nusa Tenggara, deeply rooted in cultural significance as a symbol of respect, social recognition, and the familial alliance between the bride and groom’s families. The belis tradition has recently faced scrutiny from the millennials, who question its relevance in the modern era. This research employs qualitative analysis, drawing on primary data from tweets featuring the hashtag #TradisiBelisNTT. These tweets were examined through Foucauldian Discourse Analysis (FDA) following the six stages as outlined by Willig (2008): (1) Discursive Construction, (2) Discourse, (3) Action Orientation, (4) Positioning, (5) Practice, (6) Subjectivity. The findings suggest that belis is frequently perceived as an economic burden for men, hindering financial equality in marriage and prompting individuals to seek alternatives arrangements. The discourse as expressed in X reveals intricate power dynamics, as the millennial challenges traditional cultural norms and calls for reform in more inclusive and equitable cultural practices. The findings highlight the tension between preserving heritage and advocating for change, offering insights into how digital spaces facilitate dialogue on cultural reform.
TRANSFORMATION OF ‘MOOIE INDIË’ VISUAL DISCOURSE THROUGH RADEN SALEH’S PAINTING ‘MERAPI, ERUPTION BY DAY’ Krisnambudi, Dionisius; Habsari, Sri Kusumo; Farhah, Eva
Jurnal Kajian Seni Vol 12, No 2 (2026): Jurnal Kajian Seni Vol 12 No 2 April 2025
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jksks.104551

Abstract

This study examines the transformation of the “beautiful Indies” (mooie Indië) visual discourse through Raden Saleh’s painting “Merapi, Eruption by Day”. The “beautiful Indies” style celebrated an idealized vision of the Dutch East Indies, raising questions about the influence of late-romantic European on Indigenous artists such as Raden Saleh. The research employs a qualitative and interpretive design grounded in Pierre Bourdieu’s theory of structuration. This framework enables a deconstruction of colonial aesthetic orders and the dynamics of symbolic power embedded in the ‘mooie Indië’ tradition. Methodologically, the study integrates heuristic and source criticism to contextualize colonial discourse, and montage analysis to reinterpret art elements of Raden Saleh’s painting, thereby exposing tensions between colonial ideology and artistic agency. Findings reveal that “Merapi, Eruption by Day” both appropriates and subverts the ‘mooie Indië’ aesthetic. Through the lens of Pierre Bourdieu, the painting demonstrates how Raden Saleh’s artistic practice can negotiates structures of domination while asserting symbolic capital for the colonized subject. At the same time, the Mount Merapi motif embodies the romantic sublime, destabilizing orientalist expectations of harmony and exotic natural beauty. Raden Saleh’s work thus transforms the colonial discourse of “the beautiful Indies” into a site of symbolic struggle, where visual strategies articulate resistance and intellectual agency within the colonial field of power.
MAKNA ‘INDAH’ LUKISAN ‘KEBAKARAN HUTAN’ RADEN SALEH SEBAGAI PERLAWANAN KONSEP PEMIKIRAN ‘<i>MOOIE INDIËM</i>' Krisnambudi, Dionisius; Habsari, Sri Kusumo; Farhah, Eva
Paradigma: Jurnal Kajian Budaya Vol. 16, No. 1
Publisher : UI Scholars Hub

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Abstract

The concept of "beautiful Indies" (mooie Indië) is understood as a project of visual discourse transformation in the Dutch East Indies. This study highlights Raden Saleh's painting "Forest Fire", which represents a romantic manifestation while simultaneously challenging colonial narratives about nature and society in the Indies. The aim of the research is to reveal the trans-cultural visual strategies employed by Raden Saleh in constructing a counter-discourse to colonial representation. The study adopts a qualitative-interpretative approach using heuristic methods, source criticism, and montage analysis, contextualized within Pierre Bourdieu's theoretical framework. Montage analysis is applied by juxtaposing and reassembling visual, symbolic, and socio-political elements of the painting, producing new readings of colonial power relations. Pierre Bourdieu's concepts of habitus, field, and capital are then used to interpret these montage findings, showing Raden Saleh's position as a Javanese artist shaped by European experience within the colonial art field. The results demonstrate that "Forest Fire" not only depicts nature, humans, and animals but also articulates a critique of colonial structures through symbolic construction. This work underscores the role of visual art as a medium capable of reshaping colonial representation by combining montage strategies with the social dynamics explained through Pierre Bourdieu's framework.
DIGISEXUALITY AND FICTOPHILIA IN ANALOG HORROR SHORT FILM “OURGIRLFRIENDMARIA.COM” Heidy Sisiliani Rindang; Sri Kusumo Habsari; Muhammad Taufiq Al Makmun
Aksara Vol 37, No 1 (2025): AKSARA, EDISI JUNI 2025
Publisher : Balai Bahasa Provinsi Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29255/aksara.v37i1.4971.233-246

Abstract

This study examines the representation of human–AI intimacy in the analog horror short film Ourgirlfriendmaria.com through the lenses of semiotics, digisexuality, and fictophilia. Focusing on the character of Christopher, a socially isolated NEET, the film depicts the escalation of a parasocial relationship with an AI companion into possessive desire and virtual violence. Using qualitative semiotic analysis, this research explores how visual and interactive signs such as simulated rejection and the final symbolic choice blur the boundaries between artificial agency and human emotion. Drawing on representation theory, the film is interpreted as a critique of digital isolation and the normalization of emotional dependency on feminized AI entities. The concepts of digisexuality and fictophilia reveal how second-wave digital intimacy destabilizes ethical “digihealth” principles and intensifies fictophilic attachment. The findings suggest that AI romance systems risk reinforcing objectification and control dynamics, extending their implications beyond virtual spaces. The film ultimately functions as a cautionary narrative, emphasizing the psychological risks of unchecked digital intimacy and the need for ethical AI design.
Nina's Love Betrayal in The Drama Script The Seagull by Anton Chekov Putri, Della Eka; Habsari, Sri Kusumo; Susanto, Susanto
International Journal of Science and Applied Science: Conference Series Vol 6, No 2 (2022): International Journal of Science and Applied Science: Conference Series
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/ijsascs.v6i2.73916

Abstract

Drama is a form of literary work that describes the reality of human life which is presented in the form of movement. In this case, one of the famous dramas "The Seagull" by Anton Chekhov who is a writer of short stories, non-fiction, and also a drama script is different from the majority of drama works in Russia in the 1800s which presented spectacle of comedy genre drama. Chekhov with his work The Seagull presents a drama genre tragedy or romantic tragedy. This study uses a qualitative research method with a descriptive qualitative analysis approach. Data collection will be carried out by means of in-depth interviews with predetermined sources, so this research will be seen the reason why Nina is betraying Constantine, even though Constantine loves Nina so much. Besides that is to find out more about the form or method used by Nina to get her wish.
Co-Authors Ajie, Purwoko Andrik Purwasito Az-Zahroh, Fatimah Bani Sudardi Bani Sudardi Deny Tri Ardianto Deny Tri Ardianto Devi Adlina Putri Diah Kristina Emil Dwi Febrian Eva Farhah Eva Farhah, Eva Farokhah, Fiqih Aisyatul Fatkhu Rohmatin Febrian, Emil Dwi Febriansyah, Vici Duta Fitria Akhmerti Primasita Fitria Akhmerti Primasita Gesiradja, Asriyanti Saputri Heidy Sisiliani Rindang Herry Nur Hidayat Istadiyantha Istadiyantha Karunia Purna Kusciati Krisnambudi, Dionisius Kundharu Saddhono M. Taufik Al Makmum Mahendra Wijaya Mugijatna Mugijatna Mugijatna Mugijatna Mugijatna Mugijatna Mugijatna Mugijatna Mugijatna Mugijatna Mugijatna Muhammad Noval Abdul Rozak Muhammad Taufiq Al Makmun Munafidsyah, Sofy Fawzia Pramadhanti, Dhelinta Fitri Prasetyo Adi Wisnu Wibowo Purwoko Ajie Putri, Della Eka Putri, Devi Adlina Rais, Wakit Abdullah Ratna Kumalasari Riyanti, Raden Roro Ratnasari Dwi Sahid Teguh Widodo Saktiana Kharisma Ardiani Saputri, Fadhilah Mahanani Susanto Susanto Susanto Susanto Susanto Susanto Susanto, Susanto Titik Wijanarti Warto Warto Widya Nirmalawati Wulandari, Nur Laily Yunita Ariani Putri Yusuf Kurniawan