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All Journal Humaniora Imaji: Jurnal Seni dan Pendidikan Seni Publika Budaya Jurnal Kawistara : Jurnal Ilmiah Sosial dan Humaniora LITERASI: Jurnal Ilmu-Ilmu Humaniora Mozaik Humaniora Lakon : Jurnal Kajian Sastra dan Budaya VIVID Journal of Language and Literature KARSA: Jurnal Sosial dan Budaya Keislaman (Journal of Social and Islamic Culture) EDULITE: Journal of English Education, Literature and Culture Panggung RETORIKA: Jurnal Bahasa, Sastra, dan Pengajarannya Proceeding of International Conference on Art, Language, and Culture Haluan Sastra Budaya LEKSIKA Indonesian Journal of English Language Teaching and Applied Linguistics Satwika : Kajian Ilmu Budaya dan Perubahan Sosial JENTERA: Jurnal Kajian Sastra Suar Betang Communicology: Jurnal Ilmu Komunikasi Pioneer: Journal of Language and Literature Paradigma: Jurnal Kajian Budaya Journal Of Humanities Community Empowerment Rolling Jurnal Pengkajian dan Penciptaan Film, Televisi, dan Media Kontemporer Journal of Social Sciences and Cultural Study Jurnal Kawistara Panggung Indonesian Journal of English Language Teaching and Applied Linguistics
Ikwan Setiawan
Fakultas Sastra Universitas Jember
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Astronomy Civil Engineering, Building, Construction & Architecture Computer Science & IT Decision Sciences, Operations Research & Management Education Environmental Science Languange, Linguistic, Communication & Media Library & Information Science Social Sciences

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Bisexual Identity in a Religious Environment in Christina Lauren’s Autoboyography A. Sasli, Siti Atiqahgania; Setiawan, Ikwan; Salikin, Hairus
MOZAIK HUMANIORA Vol. 24 No. 1 (2024): MOZAIK HUMANIORA VOL. 24 NO. 1
Publisher : Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20473/mozaik.v24i1.45231

Abstract

This study focuses on analyzing the representation of bisexual identity in Christina Lauren’s novel "Autoboyography." Through qualitative research, the aim is to reveal the discourse of bisexuality constructed by the acts and behaviors of other characters toward the male main characters using Stuart Hall’s theory of representation, with a particular focus on Michel Foucault’s discursive approach. Another objective of this study is to examine the critical position of Christina Lauren as the novel’s author towards the issue of bisexuality. The findings reveal that the author created characters who both oppose and support bisexuality, thereby highlighting the issue of bisexuality in the 21st century. Through their narrative, the author sheds light on the challenges faced by male individuals living as bisexuals in a religiously conservative environment. By doing so, Christina Lauren not only addresses social issues surrounding bisexuality but also illustrates the main character's struggles in accepting a bisexual identity in an environment influenced by religious beliefs.
Japanese diaspora in Margaret Dilloway's How to be an American Housewife Fitriani, Elok; Basuki, Imam; Setiawan, Ikwan; Supiastutik, Supiastutik
EduLite: Journal of English Education, Literature and Culture Vol 9, No 1 (2024): February 2024
Publisher : Universitas Islam Sultan Agung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30659/e.9.1.18-31

Abstract

In today's borderless world, people move quickly, forming diaspora communities with complex cultural lives. The culture shock that causes mental health disruption is common in these diaspora communities. Therefore, the study of this diaspora is crucial to be conducted. The novel entitled How to be an American Housewife represents the difficulties of becoming a diaspora subject in a new country with a new culture. This study focuses on the diaspora experience undergone by Shoko Morgan. The study aims to show the construction of diaspora identity, the condition of the Japanese diaspora community in America, and the author's critical position. This descriptive qualitative research utilized the cultural identity and diaspora theory proposed by Stuart Hall to unveil the diaspora identity in the novel. This research reveals that identity is always in some process of adaptation, transformation, and differences from new environments. The literary work under scrutiny shows the experience of Japanese immigrants at that time, such as feeling alienated, isolated, and discriminated against. Through this novel, Margaret Dilloway has represented her mother's challenging life experiences as a diaspora subject in the USA.
BUDAYA NASIONAL DI TENGAH PASAR: KONSTRUKSI, DEKONSTRUKSI, DAN REKONSTRUKSI Ikwan Setiawan
Jurnal Kawistara Vol 2, No 1 (2012)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/kawistara.3952

Abstract

In the Reformation period, the state regime still mobilizes traditional-ideal values as national culturewithout giving conceptual and operational explanations. In this article, I combine two approaches,cultural studies and postcolonial studies, for reading national culture as represented in some PresidentSoesilo Bambang Yudhoyono’s presidential speeches. I will analyze ideal-but-ambivalent constructionsof national culture in regime’s perspective as represented in those speeches, particularly, in the contextof continuous of national culture in regime’s perspective in those speeches, particularly, in the context ofthe government’s continuous mobilization of traditional meanings as the invisible power for Indonesianpeople, while, at the same time,placing emphasis on economic progress.Instead of a strategic culturalconstruction, national culture produces its own deconstruction and fails to be discursive formation.Further, I argue that the regime operates their governmentality by reconstructing newer nationalculture based on market economics as discursive constructions, which ideally can provide conceptualand material basis for state regime in conducting governance and for citizens in achieving welfare inneoliberal formation.
Poskolonialitas Jawa dalam Campursari: Dari Era Orde Baru hingga Reformasi Ikwan Setiawan; Albert Tallapessy; Andang Subaharianto
PANGGUNG Vol 30 No 2 (2020): Identitas Sosial Budaya dan Ekonomi Kreatif
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v30i2.948

Abstract

Artikel ini bertujuan menjelaskan dan mengkritisi konstruksi lokalitas Jawa pascakolonial dalam lagu campursari dari masa Orde Baru hingga Reformasi. Menggunakan pembacaan tekstual-kontekstual dengan perspektif poskololonial, kami akan menganalisis beberapa lagu campursari karya Nartosabdo, Manthous, dan Didi Kempot untuk mengungkap poskolonialitas Jawa dalam moda transformatif. Analisis tekstual akan menghasilkan wacana-wacana partikular lokalitas yang berhubungan dengan beberapa isu seperti nilai dan praktik kultural baru serta hubungan lelaki-perempuan di tengah-tengah modernitas dari masing-masing era. Kami, kemudian, akan memberikan penekanan yang lebih kritis terhadap wacana-wacana tersebut dengan menghubungkan mereka dengan kondisi kontekstual yang di dalamnya nilai dan praktik modern mulai mempengaruhi orang-orang Jawa. Kajian ini menunjukkan bahwa lagu-lagu campursari merepresentasikan transformasi lokalitas yang di dalamnya pencipta lagu membawa pandangan mereka terhadap perubahan kehidupan kultural dengan cara menegosiasikan budaya Jawa dengan paradigma yang lentur. Hal itu berarti pencipta lagu secara sadar merepresentasikan budaya lokal yang sudah berdialog dengan budaya modern serta sebagai usaha untuk menegosiasikan dan mentransformasi lokalitas ke-Jawa-an sekaligus sebagai strategi untuk mempopulerkan dan memasarkan campursari.
Transformation of The Giver Novel into Film by Phillip Noyce Sholihah, Alimah B.; Setiawan, Ikwan; Kusumayanti, Dina D.
Vivid: Journal of Language and Literature Vol. 13 No. 1 (2024)
Publisher : English Department, Faculty of Humanities, Andalas University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/vj.13.1.91-98.2024

Abstract

There are numerous ways to adapt a literary work. One of them is adaptingliterary work from the novel into the film. This article is about LoisLowry’s novel The Giver, which was adapted into a film with the sametitle by Phillip Noyce. During the adaptation process, transformations inthe intrinsic elements were discovered. This transformation can occur dueto differences in media, which was originally in the form of text (novel) toaudiovisual (film). This article aims to discover the transformations thatoccurred during adaptation as well as the motive of the adapter. Severalsteps were taken to accomplish this goal. The first step is to classify thediscovered differences into tables. The transformations are then analyzedin the second step to determine the visible ideology. Third, the adapter’smotives can be identified using the ideology that has been discovered. Thetheory of adaptation and mythology is the one employed in this article.In order to identify ideology, the mythology theory is used to analyzedifferences. Afterward, using the identified ideology, the adapter’s motivesare discovered using the adaptation theory. The final result of the adaptationof The Giver novel depicted several ideologies including totalitarianism,liberalism, and freedom. The visible motives are personal and politicalmotives and economic lures.
A Discourse of Orientalism in Kelly Yang's Parachutes Lidiana, Dwi Mery; Setiawan, Ikwan; Suwargono, Eko
Haluan Sastra Budaya Vol 8, No 2 (2024)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/hsb.v8i2.63022

Abstract

This research discusses the construction of orientalism in Parachutes novel. Stereotyping and superiority of the West toward the East were the focuses of the analysis as well as the author’s critical ideology. It applied Edward Said’s orientalism as the underlying theory and qualitative method as the type of the research. Narrative events, dialogues, settings are the collected data for textual analysis. Meanwhile, contextual analysis used related references to strengthen the argument. The result, it was found that orientalism in the form of cultural stereotyping and oppression by the West was still often experienced by Asians as the East in public or in a formal institution. Those related to as the West’s efforts to perpetuated and legitimized their superiority and domination. In addition, internalized orientalism occurs toward Asians society as they always glorified everything about the West.
Revealing The Local Wisdom of Madura in the Folk Songs Pajjhâr Lagghu and Tondu' Majhâng: An Ethnolinguistic Study SANTUSO, Santuso; SETIAWAN, Ikwan; BADRUDIN, Ali
Journal of Social Sciences and Cultural Study Vol. 2 No. 1 (2024): Journal of Social Sciences and Cultural Study (November - February 2025)
Publisher : PT Batara Swastika Harati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61857/jsscs.v1i3.107

Abstract

Folk songs are not merely a form of entertainment but also serve as a medium to understand the local wisdom embedded within a community. This study aims to uncover the local wisdom of Madura through the folk songs Pajjhâr Lagghu and Tondu' Majhâng. The research employs a qualitative descriptive method with an ethnolinguistic approach. The data consists of words, phrases, and clauses found in the two songs. Data sources include internet sites, YouTube, and textbooks. Data collection was conducted by downloading song videos from YouTube and reviewing song lyrics from websites and books. The collected data were analyzed using an extra lingual matching method. The findings reveal that the local wisdom in Pajjhâr Lagghu encompasses (a) values such as hope, high optimism, hard work, perseverance, resilience, independence, fighting spirit, courage, responsibility, dedication, and strong commitment; (b) knowledge and skills in agrarian enterprises; and (c) patriotism, including the willingness to sacrifice everything for the prosperity and glory of the homeland. Meanwhile, the local wisdom in Tondu' Majhâng includes (a) values such as courage, resilience, perseverance, hard work, togetherness, solidarity, hope, supportiveness, gratitude, and a strong work ethic; and (b) knowledge and skills related to maritime sciences.
Analysis of Body Shaming Construction on Women in the Film "Imperfect” Mustafa, Moch. Turdi; Sukarno, Sukarno; Setiawan, Ikwan
IJELTAL (Indonesian Journal of English Language Teaching and Applied Linguistics) Vol 9, No 2 (2024): Indonesian Journal of English Language Teaching and Applied Linguistics
Publisher : Universitas Islam Negeri Sultan Aji Muhammad Idris Samarinda

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21093/ijeltal.v9i2.1712

Abstract

The portrayal of body shaming against women in films is a social critique of the act of body shaming. Hence, the study of body shaming in films is intriguing for future investigation. The objective of this research is to uncover the portrayal of body shaming towards women in films. The research data comprised of words and phrases that encompassed body shaming and were examined utilizing Norman Fairclough's Critical Discourse Analysis approach. The data was acquired from the movie Imperfect: Karir, Cinta & Timbangan. This study is also classified as critical-qualitative research. The research findings indicate that the film “Imperfect: Karir, Cinta & Timbangan” portrays three types of body shaming, which include comparing, commenting, and insulating individuals based on their physical appearance. Furthermore, the film's production background is influenced by the film development genre in Indonesia, and the producer's background as a comedian aligns with the genre of the film. In addition, this also highlights that the film production is also considered to have some motives to depict body shaming in the film, including the commercial motive, social culture, and ideology to struggle.
Performances and Rituals for Environmental Campaigns: Structures, Discourses, and Postcolonial Ecocriticism: Setiawan, Ikwan; Suwargono, Eko; Zamroni, Muhammad; Suharto, Suharto; Hartanto, Denny Antyo
KARSA Journal of Social and Islamic Culture Vol. 31 No. 1 (2023)
Publisher : Universitas Islam Negeri Madura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19105/karsa.v31i1.7154

Abstract

This paper discusses some performing arts and rituals that carry the environmental theme in Jember. Artists and village governments respond creatively to environmental problems by creating several multi-form events, combining performances and certain rituals. We will use postcolonial ecocriticism as a theoretical framework to discuss some of their produced show events. Postcolonial ecocriticism emphasizes analysis to reveal how cultural texts present current ecological problems as a legacy of colonialism in aesthetic works that can function as advocacy and activism. The results of this study show that the performances and rituals develop critical awareness regarding environmental threats and problems in Jember and Indonesia. They bring the topic of the environment to invite the community to jointly maintain the sustainability of the human environment and criticize government policies to legitimize the destruction of nature in the name of development.
THE VOICE OF THE VOICELESS: COUNTERING THE FESTIVAL AND ELEVATING REYOG OBYOKAN AS CULTURAL CAPITAL Tallapessy, Albert; Setiawan, Ikwan
Paradigma: Jurnal Kajian Budaya Vol. 14, No. 3
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This article examines two performance models of Reyog Ponorogo: the festival model and the obyokan model. These two competing models represent differing perspectives on one side, the interests of the artists and the community, and on the other, the interests of the state. By applying cultural studies theories, particularly those of representation and hegemony, this study analyzes data collected through observations of Reyog performances at both festival and obyokan events, as well as interviews with artists and community members. The findings reveal that the obyokan model emphasizes an egalitarian spirit, allowing artists greater aesthetic freedom and providing the community with a sense of belonging in Reyog culture. In contrast, the festival model has historically been associated with the state's efforts to impose order on Reyogartists and choreographies, while simultaneously promoting tourism in Ponorogo.
Co-Authors A. Sasli, Siti Atiqahgania Agus Sariono Agustin, Yuli Ayu Albert Tallapessy Ali Badrudin Andang Subaharianto Andi Ahmad Fijai Asih Putri Wardhani Bangkit Sandy Pratama Bilqis, Bahiroh Chrisdianto Wibowo Kamandoko Dita Dwi Yulianti Eni Nurhayati Fajar Aji, Fajar Fitriani, Elok Ghanesya Hari Murti Ghassani Auliannnisa Widjajati Hairus Salikin Hartanto, Denny Antyo Hat Pujiati Imam Basuki Indah Wahyuningsih Irana Astutiningsih Kusumayanti, Dina D. Kusumayanti, Dina Dyah Lidiana, Dwi Mery M. Sukarno Muhamad Faizi Prayoga Muhamad Faizi Prayoga, Muhamad Faizi Muhammad Zamroni Mustafa, Moch. Turdi Ni Luh Ayu Sukmawati Nurin Nauvalia Ririn Fatmawati SANTUSO, Santuso Sholihah, Alimah B. Suharto Suharto Sukarno Supiastutik Supiastutik Sutarto . Suwargono, Eko Talapessy, Albert Tarisa Badzlin Amajida Yuyun Wahyuni