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All Journal Humaniora Imaji: Jurnal Seni dan Pendidikan Seni Publika Budaya Jurnal Kawistara : Jurnal Ilmiah Sosial dan Humaniora LITERASI: Jurnal Ilmu-Ilmu Humaniora Mozaik Humaniora Lakon : Jurnal Kajian Sastra dan Budaya VIVID Journal of Language and Literature EDULITE: Journal of English Education, Literature and Culture Panggung RETORIKA: Jurnal Bahasa, Sastra, dan Pengajarannya Proceeding of International Conference on Art, Language, and Culture Haluan Sastra Budaya LEKSIKA Satwika : Kajian Ilmu Budaya dan Perubahan Sosial Suar Betang Metahumaniora Communicology: Jurnal Ilmu Komunikasi Pioneer: Journal of Language and Literature Paradigma: Jurnal Kajian Budaya Journal Of Humanities Community Empowerment Rolling Jurnal Pengkajian dan Penciptaan Film, Televisi, dan Media Kontemporer Journal of Social Sciences and Cultural Study Jurnal Kawistara Panggung Language Circle : Journal of Language and Literature Indonesian Journal of English Language Teaching and Applied Linguistics JENTERA: Jurnal Kajian Sastra KARSA: Jurnal Sosial dan Budaya Keislaman (Journal of Social and Islamic Culture)
Ikwan Setiawan
Fakultas Sastra Universitas Jember
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Astronomy Civil Engineering, Building, Construction & Architecture Computer Science & IT Decision Sciences, Operations Research & Management Education Environmental Science Languange, Linguistic, Communication & Media Library & Information Science Social Sciences

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KEHIDUPAN DIASPORA DALAM NOVEL THE BEAUTIFUL THINGS THAT HEAVEN BEARS KARYA DINAW MENGESTU Yuyun Wahyuni; Ikwan Setiawan; Irana Astutiningsih
Publika Budaya Vol 3 No 2 (2015): Juli
Publisher : Fakultas Ilmu Budaya Universitas Jember

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Abstract

AbstrakThe Beautiful Things That Heaven Bears adalah novel pertama dari Dinaw Mengestu yang menggambarkan kondisi komunitas diaspora Afrika di Amerika Serikat. Pengarang melukiskan kesulitan-kesulitan yang hadapi oleh subjek diaspora dari Ethiopia yang hidup di Amerika Serikat yang terinsspirasi dari pengalamannya karena dia juga merupakan bagian dari komunitas diaspora. Pembahasan ini diharapkan mampu untuk mengatahui kondisi dari subjek diaspora Afrika di Amerika Serikat, rintangan-rintangan yang mereka hadapi dan strategi bertahan yang mereka terapkan dengan tujuan untuk dikenal dan diterima oleh masyarakat dominan. Permasalahan-permasalahan tersebut akan dianalisa melalui teori poskolonial tentang hibriditas dari Homi K. Bhabha. Teori ini sesuai untuk mendiskusikan topik pembahasan karena hidup dalam diaspora menyebabkan masyarakat to memiliki identitas ganda. Di samping itu, analisis poskolonial tidak hanya membahas masalah-masalah yang berhubungan dengan negara penjanjah dan negara jajahan, tetapi juga dapat diterapkan untuk membahas hubungan antara masyarakat minoritas dan mayoritas. Hasil dari pembahasan ini menujukkan bahwa menjadi hibrid di tengah-tengah budaya dominan bagi subjek-subjek diaspora adalah suatu keharusan dengan tujuan agar dapat diterima oleh masyarakat dominan. Dalam pembahasan ini menjadi hibrid berarti subjek diaspora dapat mengadaptasi budaya dominan tanpa kehilangan budaya lokal seluruhnya. Konstruksi hibriditas dalam kasus ini menjadikan budaya Amerika sebagai yang lebih dominan dan orientasi ideal bagi subjek diaspora yang direpresentasikan dalam novel. The Beautiful Things That Heaven Bears adalah suara dari Mengestu untuk menyampaikan bagaimana kondisi subjek diaspora Africa di Amerika Serikat.
THE OPERATION OF HEGEMONY IN A DYSTOPIAN SOCIETY IN LAUREN OLIVER'S DELIRIUM Bangkit Sandy Pratama; Ikwan Setiawan; Hat Pujiati
Publika Budaya Vol 5 No 2 (2017)
Publisher : Fakultas Ilmu Budaya Universitas Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/pb.v5i2.6152

Abstract

AbstractDelirium is a dystopian novel written by Lauren Oliver. In this novel, there is a depiction on how power and ruling position could be achieved by utilizing a process of negotiating beliefs and values rather than conducting a full coercive domination. The government as the dominant class in this novel initiates its attempt to gain power and ruling position from the people in the society through indoctrinating ideology by the apparatuses before finally gains the consensus from the dominated class. This study presents the elaboration on how hegemony works in a dystopian society which is influenced by the theme of physical-moral destruction, the embodiment of fear and the set of ultimate rules. As the theoretical framework to analyze the data in the novel, this study utilizes the theory of hegemony by Antonio Gramsci, the conception of ideology by Louis Althusser and the idea about coercive discipline by Michel Foucault. The purpose of this study is to delineate the stages of hegemony operation in a dystopian society and relates them to the actual hegemony of the United States as the alternate setting of the novel. The result of this study elaborates that hegemony is a process of gaining power in which the role of coercive elements in it is still needed in order to preserve the power and authority achieved by the dominant class after indoctrinating its ideology. This explains how both of the hegemony operation conducted by either the government in the novel or the United States is able to remain long and strong as it influences several important sectors such as economic, military, technology, culture and etc. From this result, it can be concluded that Delirium as a cultural product acts as one of the hegemonic apparatuses for the United States to strengthen its position as the beacon of the world.
MODERNITY, LOCALITY, AND POSTCOLONIALITY OF VILLAGERS IN THE 80S Ikwan Setiawan
LITERASI: Indonesian Journal of Humanities Vol 1 No 1 (2011)
Publisher : Faculty of Humanities, Jember University

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Abstract

Being modern in local sphere at the 80s was a complicated process. Local societies experienced and dreamed modern cultures as the dominant discursive formation caused by Green Revolution, but they still believed and practiced traditional cultures. The New Order regime’s developmentalism policy resulted socio-cultural shifting and change in both cities and villages. This article, by combining cultural studies and postcolonial studies, discusses genealogy of socio-cultural shifting and change in a village at the 80s when modern cultures came into peasants’ life--world through public television programs, education, and industrial products. However, I see the villagers could play in-between space to appropriate some modern cultures and negotiate some traditional cultures into their daily life. The cultural in-betweenness has represented the dynamics of village postcoloniality under direction of the New Order regime and has made modernity as ideological dream for the villagers in constructing their locality. Keywords: villagers, modernity, the 80’s, locality, postcoloniality
RAGAM TUBUH IDEOLOGIS: REPRESENTASI KELELAKIAN DAN KEPEREMPUANAN DALAM IKLAN DI MEDIA CETAK Ikwan Setiawan
Leksika: Jurnal Bahasa, Sastra dan Pengajarannya Vol 2, No 1 (2008)
Publisher : University of Muhammadiyah Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30595/lks.v2i1.2255

Abstract

The media industry opens shared access to man and woman in pursuing their career. The contestation of woman in media is perceived to be the liberation against the patriarchal ideology. The perception cannot be separated from the discourses  of the pubic. Man, since thousand years ago, has been viewed to be more logic and superior than his counterpart. Woman is believe to have no ability to use his logics more than her heart and emotion. This paper tries to focus on the images of woman represented by the advertisement. Employing the foucault’s  discourse theory and Roland Barthes’s  semiotic of myth, it is aimed to disclose how woman represented and the ideology works underlying the representation.     The analysis shows that the ads in the mass media cannot be blamed to be the means to maintain the patriarchal hegemony only. The ads, in fact, are the representation arena pursued by the competing forces of discourse in the society. They, besides functioned to market the product, may provide and offer some ideological content. It means the ads cannot be whole-generalized to be the patriarchal media : they than have a potential  subversive shocking the hegemonic ideology. The feminist discourse evoke in the ads offers the strategic role of woman in the contestation. In sum, the bodies of woman in the ads are the fragmented ideological bodies slice by the negotiation of varying discourses of ideology developing in the society.
Peran media “Tik Tok” dalam memperkenalkan budaya Bahasa Indonesia Nurin Nauvalia; Ikwan Setiawan
Satwika : Kajian Ilmu Budaya dan Perubahan Sosial Vol. 6 No. 1 (2022): April
Publisher : Universitas Muhammadiyah Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22219/satwika.v6i1.20409

Abstract

Upaya untuk melestarikan budaya harus dimulai dari bahasa daerah dimana dengan nilai-nilai budaya tersebut dapat dibagikan atau dikomunikasikan di antara anggota masyarakat. Tulisan ini bertujuan untuk mengetahui ragam bahasa daerah yang merujuk pada istilah dalam bahasa Indonesia dalam video “Tik Tok” serta peran media tersebut dalam memperkenalkan ragam Bahasa Daerah sebagai bentuk ekspresi budaya bangsa. Penelitian ini menggunakan perspektif dari new media untuk mendiskusikan persoalan tersebut. Metode penelitian menggunakan penelitian kualitatif. The source of the data obtained is from primary data in the form of a Tiktok video entitled: Compilation of regional languages. The data collection technique uses documentation techniques, namely identifying videos of various regional languages ​​in Tiktok. Data analysis technique using reduction technique. Hasil penelitian menunjukan ragam bahasa yang terdapat dalam video TikTok yang sudah dikumpulkan oleh peneliti, terdapat ragam bahasa dari Daerah Jawa, Sunda, Solo, Minang, Banyumas, dan Manado. Peran media sosial yaitu video tiktok terkait ragam bahasa atau penyebutan Bahasa Daerah dalam memperkenalkan budaya Bahasa Indonesia sehingga dapat menjadikan Bahasa Indonesia yang beragam menjadi populer, terwariskan atau ditirukan, dan diterima dilapisan masyarakat. Video tiktok sudah menjadikan budaya Indonesia yaitu Bahasa Indonesia menjadi populer diterima disetiap seluruh masyarakat baik negeri atau luar negeri.                Efforts to be with culture must start from the local language where the cultural values ​​can be shared or communicated among community members. This paper aims to find out the variety of regional languages ​​that refer to the terms in Indonesian in the video "Tik Tok" and the role of the media in introducing various regional languages ​​as a form of national cultural expression. For these problems, this study uses the perspective of new media. The research method uses qualitative research. The results show the variety of languages ​​contained in the TikTok videos that have been collected by researchers, there are various languages ​​from the Java, Sundanese, Solo, Minang, Banyumas, and Manado regions. The role of social media is tiktok videos related to various languages ​​or the mention of regional languages ​​in introducing Indonesian culture so that they can make various Indonesian languages ​​popular, inherited or imitated, and accepted in society. Tiktok videos have made Indonesian culture, namely the Indonesian language, become popular which is accepted by all people, both country and abroad.
THE CRISIS OF ECOLOGICAL MEANING IN TRADITIONAL RITUALS UNDER TOURISM REGIME IN POST-REFORMATION INDONESIA Ikwan Setiawan; Albert Tallapessy; Andang Subaharianto
Proceeding of International Conference on Art, Language, and Culture 2017: Proceeding of 2nd International Conference on Art, Language, and Culture
Publisher : Universitas Sebelas Maret

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Abstract

This paper aims to discuss the crisis of ecological significance that occurred in traditional rituals in the post-Reform era. Traditional rituals that genealogically seek to integrate human relationships with supernatural powers and natural harmony are massively incorporated into the tourism mechanism. To discuss the issue, we will combine Foucauldian and post-colonial exotic perspectives. The research data we took from our field research in Banyuwangi and news in online media. We analyze the data to find the hegemonic inclination in interpreting ritual under tourism regime. The results of this study indicate that the post-Reformation state regime increased ritual-based tourism activity to gain maximum financial benefits. Gradually, people are also affected by the hegemony of the discourse, so they begin to regularly celebrate rituals without emphasizing the ecological power in them. Under these conditions an eco-cultural movement is needed that can raise public awareness of the importance of returning to integrating rituals with ecological problems.
Attitude, Solidarity, and Social Change in Indonesian Presidential Debate 2019 Chrisdianto Wibowo Kamandoko; Sukarno Sukarno; Ikwan Setiawan
RETORIKA: Jurnal Bahasa, Sastra, dan Pengajarannya Vol 15, No 1 (2022)
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/retorika.v15i1.16412

Abstract

The research aimed to identify the solidarity and social change represented by the presidents’ attitudes in the debates. The research applied positive discourse analysis purposed by Martin (2004) and the appraisal framework, especially the attitude system purposed by Martin and White (2005). The results showed that Prabowo used more attitudes in his argument than Jokowi. Prabowo tended to use more judgements and appreciations to show his attitudes. On the other hand, Jokowi preferred to use affect, which is desire and trust, to express his attitude. Solidarities were performed in their attitudes by means of concern toward audiences and by means of respect between appraisers. Thus solidarities are responsible for bringing social changes such as habits, behavior, mindset, value, and norms, and also in terms of the developments of technology and transportation.
Poskolonialitas Jawa dalam Campursari: Dari Era Orde Baru hingga Reformasi Ikwan Setiawan; Albert Tallapessy; Andang Subaharianto
PANGGUNG Vol 30, No 2 (2020): Identitas Sosial Budaya dan Ekonomi Kreatif
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (53.184 KB) | DOI: 10.26742/panggung.v30i2.948

Abstract

Artikel ini bertujuan menjelaskan dan mengkritisi konstruksi lokalitas Jawa pascakolonial dalam lagu campursari dari masa Orde Baru hingga Reformasi. Menggunakan pembacaan tekstual-kontekstual dengan perspektif poskololonial, kami akan menganalisis beberapa lagu campursari karya Nartosabdo, Manthous, dan Didi Kempot untuk mengungkap poskolonialitas Jawa dalam moda transformatif. Analisis tekstual akan menghasilkan wacana-wacana partikular lokalitas yang berhubungan dengan beberapa isu seperti nilai dan praktik kultural baru serta hubungan lelaki-perempuan di tengah-tengah modernitas dari masing-masing era. Kami, kemudian, akan memberikan penekanan yang lebih kritis terhadap wacana-wacana tersebut dengan menghubungkan mereka dengan kondisi kontekstual yang di dalamnya nilai dan praktik modern mulai mempengaruhi orang-orang Jawa. Kajian ini menunjukkan bahwa lagu-lagu campursari merepresentasikan transformasi lokalitas yang di dalamnya pencipta lagu membawa pandangan mereka terhadap perubahan kehidupan kultural dengan cara menegosiasikan budaya Jawa dengan paradigma yang lentur. Hal itu berarti pencipta lagu secara sadar merepresentasikan budaya lokal yang sudah berdialog dengan budaya modern serta sebagai usaha untuk menegosiasikan dan mentransformasi lokalitas ke-Jawa-an sekaligus sebagai strategi untuk mempopulerkan dan memasarkan campursari.
The Changes in Ideology in the Adaptation of Riordan’s The Lightning Thief Dita Dwi Yulianti; Ikwan Setiawan; Dina Dyah Kusumayanti
SUAR BETANG Vol 18, No 1 (2023): June 2023
Publisher : Balai Bahasa Kalimantan Tengah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/surbet.v18i1.839

Abstract

This research aims to find some ideologies in the adaptation of a novel into a film that uses qualitative research methods and comparative methods. These ideologies lead us to find out the motive beyond the adaptation work. So, this research discusses two objects. The first object is how the transformations of The Lightning Thief adaptation (from novel to film) are. The second object is the motive beyond the adaptation of The Lightning Thief from a book into a film. This research uses Linda Hutchon’s theory of adaptation as a basis of theory, Roland Barthes’ Mythologies, and the theory film of mise-en-scene as the method to find out the ideology from both the novel and film. The results show some transformations of the ideologies from the book into a film. The novel brings the emergence of feminism, the motherhood role, collectivism, fantasy as the uniqueness of the story, and cultural universality. While the film changes into the emergence of patriarchal ideology, the fatherhood role, individualism, competitiveness, and freedom of American values. These results show three motives of adaptation: cultural capital, personal motive, and economic lures. AbstrakPenelitian ini bertujuan menemukan beberapa ideologi dalam adaptasi novel ke dalam film dengan menggunakan metode penelitian kualitatif dan metode komparatif. Ideologi ini membawa kita untuk menemukan motif dalam karya adaptasi. Jadi, penelitian ini membahas dua objek. Objek pertama adalah bagaimana transformasi adaptasi The Lightning Thief (dari novel ke film). Objek kedua adalah apa motif dibalik adaptasi The Lightning Thief dari sebuah novel menjadi sebuah film. Penelitian ini menggunakan teori adaptasi Linda Hutchon sebagai dasar teori,Mythologies Roland Barthes dan teori film mise-en-scene sebagai metode untuk menemukan ideologi baik dari novel maupun film. Hasilnya menunjukkan beberapa transformasi ideologi dari novel ke film. Novel membawa kemunculan feminisme, peran keibuan, kolektivisme, fantasi sebagai keunikan cerita, dan universalitas budaya. Sementara film berubah menjadi kemunculan ideologi patriarki, peran kebapakan, individualisme, daya saing, dan kebebasan sebagai nilai-nilai Amerika. Hasil ini menunjukkan tiga motif adaptasi, yaitu modal budaya, motif personal, dan iming-iming ekonomi.
Wacana Nasionalisme Kritis dalam Musik Banyuwangian pada Masa Orde Baru Tallapessy, Albert; Setiawan, Ikwan; Sariono, Agus; Suwargono, Eko
Paradigma: Jurnal Kajian Budaya Vol. 9, No. 3
Publisher : UI Scholars Hub

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Abstract

This article deals with the representation of critical nationalism discourse in Banyuwangian music in the New Order era. By juxtaposing representation and hegemony theory which emphasizes textual-contextual reading, we will analyze the constructions of local metaphors we assume supporting the establishment of nationalism. Such constructions intertwined with the mobilization of the uniqueness of local cultures that contributed to establishing the national culture through which nationalism got its “nutrition”. However, some songwriters constructed critical nationalism by representing unique metaphors related to the characteristics of subaltern subjects that in the midst of their problems songwriters still have, in their silence, critical view toward the ruling faction, without negating their responsibility to guard the nation. The representation of critical nationalism using local metaphors is a critique of the social and economic problems caused by the injustice of development programs as well as a creative strategy to negotiate Using cultures in the midst of modernity.
Co-Authors A. Sasli, Siti Atiqahgania Agus Sariono Agustin, Yuli Ayu Albert Tallapessy Ali Badrudin Amelia Ivana Limantra Andang Subaharianto Andi Ahmad Fijai Asih Putri Wardhani Bangkit Sandy Pratama Bilqis, Bahiroh Chrisdianto Wibowo Kamandoko Dita Dwi Yulianti Eni Nurhayati Fajar Aji, Fajar Fitriani, Elok Ghanesya Hari Murti Ghassani Auliannnisa Widjajati Hairus Salikin Hartanto, Denny Antyo Hat Pujiati Imam Basuki Indah Wahyuningsih Irana Astutiningsih Kusumayanti, Dina D. Kusumayanti, Dina Dyah M. Sukarno Muhamad Faizi Prayoga Muhamad Faizi Prayoga, Muhamad Faizi Muhammad Zamroni Mustafa, Moch. Turdi Ni Luh Ayu Sukmawati Nurhadianty Rahayu Nurin Nauvalia Ririn Fatmawati SANTUSO, Santuso Sholihah, Alimah B. Suharto Suharto Sukarno Supiastutik Supiastutik Sutarto . Suwargono, Eko Talapessy, Albert Tarisa Badzlin Amajida Tri Wijayanto, M. Ganjar Yuyun Wahyuni