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All Journal Humaniora Imaji: Jurnal Seni dan Pendidikan Seni Publika Budaya Jurnal Kawistara : Jurnal Ilmiah Sosial dan Humaniora LITERASI: Jurnal Ilmu-Ilmu Humaniora Mozaik Humaniora Lakon : Jurnal Kajian Sastra dan Budaya VIVID Journal of Language and Literature KARSA: Jurnal Sosial dan Budaya Keislaman (Journal of Social and Islamic Culture) EDULITE: Journal of English Education, Literature and Culture Panggung RETORIKA: Jurnal Bahasa, Sastra, dan Pengajarannya Proceeding of International Conference on Art, Language, and Culture Haluan Sastra Budaya LEKSIKA Indonesian Journal of English Language Teaching and Applied Linguistics Satwika : Kajian Ilmu Budaya dan Perubahan Sosial Suar Betang Communicology: Jurnal Ilmu Komunikasi Pioneer: Journal of Language and Literature Paradigma: Jurnal Kajian Budaya Journal Of Humanities Community Empowerment Rolling Jurnal Pengkajian dan Penciptaan Film, Televisi, dan Media Kontemporer Journal of Social Sciences and Cultural Study Jurnal Kawistara Panggung Language Circle : Journal of Language and Literature Indonesian Journal of English Language Teaching and Applied Linguistics JENTERA: Jurnal Kajian Sastra
Ikwan Setiawan
Fakultas Sastra Universitas Jember
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Astronomy Civil Engineering, Building, Construction & Architecture Computer Science & IT Decision Sciences, Operations Research & Management Education Environmental Science Languange, Linguistic, Communication & Media Library & Information Science Social Sciences

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EKSNOMINASI POLITIK DALAM NARASI: KONSEPTUALISASI PEMIKIRAN MITOLOGIS ROLAND BARTHES DAN IMPLIKASI METODOLOGISNYA DALAM KAJIAN SASTRA Ikwan Setiawan
JENTERA: Jurnal Kajian Sastra Vol 3, No 1 (2014): Jurnal Jentera
Publisher : Badan Pengembangan dan Pembinaan Bahasa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/jentera.v3i1.430

Abstract

This article deals with Roland Barthes’ mythological thinking and its methodological implication in literary studies. Its basic thinking is that in various modes of representation exist the dynamics of mythical signification using denotative signification as its basic and aims to address particular message to readers or viewers. Such signification intertwines with the complexity of discourses, histories, knowledge, and problems in the real life. Its final goal is to depoliticize and ex-nominates making something nameless dominant political interest in narrative naturally. Barthes also conceptualizes an idea on second myth that uses (the first) myth as its basis of signifying process to subvert the dominant class’ political interest. For explaining the contributions of these two mythological perspectives in literary studies, I give conceptualize method of analysis using both of them. As concluding remarks, I position Barthes’ mythological thinking as a theoretical framework which can avoid literary studies from over intervention of outside-literary factors political economy, general theories, etc. that make the studies seem losing their narrative base. Because Barthes’ perspective emphasizes on reading of narrative dynamics without negating exploration of discursive richness in signifying process, naturalization of ideological discourses, and ex-nomination of particular political interest.AbstrakTulisan ini membahas pemikiran mitologis Roland Barthes serta implikasi metodologisnya dalam kajian sastra. Inti dari pemikirannya adalah bahwa dalam beragam moda representasi berlangsung dinamika penandaan mitis yang menggunakan penandaan denotatif sebagai basisnya dan bertujuan menyampaikan pesan tertentu kepada pembaca ataupun penonton. Penandaan tersebut berjalin-kelindan dengan kompleksitas wacana, sejarah, pengetahuan, dan permasalahan dalam kehidupan nyata. Tujuan akhirnya adalah untuk mendepolitisasi dan mengeksnominasi menjadikan sesuatu tak bernama kepentingan politik dominan dalam narasi secara alamiah. Barthes juga mengkonseptualisasikan gagasan tentang mitos kedua yang menggunakan mitos (pertama) sebagai basis proses penandaan untuk mensubversi kepentingan politik kelas dominan. Untuk menjelaskan implikasi metodologis kedua perspektif mitologis tersebut dalam kajian sastra, saya mengkonseptuliasikan metode analisis dengan menggunakan keduanya. Sebagai simpulan, saya memosisikan pemikiran mitologis Barthes sebagai kerangka teoretis yang bisa menghindarkan kajian sastra dari intervensi berlebihan dari faktor-faktor di luar sastra faktor ekonomi-politik, teori-teori umum, dan lain-lain yang menjadikan kajian tersebut tampak kehilangan pijakan naratif. Karena perspektif Barthes menekankan kepada pembacaan dinamika naratif dalam kerangka penandaan tanpa mengabaikan eksplorasi kekayaan diskursif dalam proses penandaan, naturalisasi wacana ideologis, dan eks-nominasi kepentingan politik partikular. 
Class Struggle Seen in Ernest Jones’ Three Selected Poems: The Song of The Poor, The Song The Lower Classes, and A Song for People Andi Ahmad Fijai; Hat Pujiati; Ikwan Setiawan
JENTERA: Jurnal Kajian Sastra Vol 11, No 1 (2022): Jentera: Jurnal Kajian Sastra
Publisher : Badan Pengembangan dan Pembinaan Bahasa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/jentera.v11i1.2773

Abstract

This article discusses class struggle of the working class through Ernest Jones’ three selected poems: The Song of The Poor, The Song of The Lower Classes, and A Song for People in the Industrial Revolution era in England. Industrial Revolution is a shift in goods production from human power into mechanical power. This research uses Michael Riffaterre’s Semiotics of Poetry theory to find out the meaning and significance of the chosen poems and uses some opinions and history as hypogram to portray the class struggle of the workers in Industrial Revolution era. The result of this research shows that these poems articulate the voices of the working class in struggling to get justice against the ruling class. AbstrakArtikel ini membahas tentang perjuangan kelas pekerja di tiga puisi pilihan karya Ernest Jones: The Song of The Poor, The Song of The Lower Classes, dan A Song for People di era Revolusi Industri di Inggris. Revolusi Industri adalah perubahan cara produksi barang yang awalnya menggunakan tenaga manusia menjadi tenaga mekanik. Penelitian ini menggunakan teori Semiotika Puisi oleh Michael Riffaterre untuk mengetahui meaning (makna) dan significance (arti) puisi yang terpilih dan menggunakan beberapa opini dan sejarah sebagai hipogram untuk menggambarkan perjuangan kelas pekerja di era Revolusi Industri. Hasil penelitian ini mengeksplorasi perjuangan para pekerja di era Revolusi Industri. Jones melalui puisinya mengartikulasikan suara-suara kelas pekerja dalam perjuangannya mendapatkan keadilan melawan kelas pengusa.
THE CONSTRUCTION OF ORIENTALISM IN DAN BROWN’S DIGITAL FORTRESS Ghassani Auliannnisa Widjajati; Ikwan Setiawan; Supiastutik Supiastutik
Haluan Sastra Budaya Vol 6, No 1 (2022)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/hsb.v6i1.57158

Abstract

This article studies orientalism constructed in the novel of Digital Fortress that is written by Dan Brown. Orientalism discourse appears in the literary works through narrative events and conversations of the Western and the Eastern. Ensei Tankado, a Japanese character, will be presented in this study in the lens of Western. The aim is to explore orientalism discourse in the novel to get an understanding of the ideology interest as part of the Western power. Theory of Orientalism by Edward Said is applied in this study. It modifies Foucauldian discourse theory and Gramscian hegemony. The four concept of Orientalism discourse including political power, intellectual power, cultural power and moral power will be used in this study. How the Eastern subject is positioned by the Western in Digital Fortress becomes the focus. Japanese and the United States in the novel can be related to the contextual condition that cultural domination and hegemony still occur between Japan-USA since World War II. Orientalism in the literary works is a new imperialism. The goal of this study is to reveal that the novel brings cultural domination.
Cultural Identity Changes in The Girl with Seven Names: A Critical Analysis of An Immigrant’s Experiences Amelia Ivana Limantra; Ikwan Setiawan; Nurhadianty Rahayu
Language Circle: Journal of Language and Literature Vol. 20 No. 2 (2026): Regular Edition of April 2026
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/lc.v20i2.12720

Abstract

This study focuses on cultural identity and cultural changes that are experienced by the main character in the memoir The Girl with Seven Names written by Hyeonseo Lee. This study follows Hall's (1996) theory about cultural identity in the process of becoming rather than being. There are three scopes of study in analyzing cultural identity, including: how is the process of cultural identity constructed; the cultural disparities in achieving social status between South Korea and North Korea; and the criticism toward North Korea. Using a textual approach, the data were analyzed after the researchers did a series of close reading. The results reveal the struggle of the main character’s process of identity becoming as an immigrant in surviving the host culture to form a new identity as a North Korean defector. The findings also showed that this memoir was used as a form of criticism toward the North Korean government whose politics and class system restrict its people’s freedom.
Co-Authors A. Sasli, Siti Atiqahgania Agus Sariono Agustin, Yuli Ayu Albert Tallapessy Ali Badrudin Amelia Ivana Limantra Andang Subaharianto Andi Ahmad Fijai Asih Putri Wardhani Bangkit Sandy Pratama Bilqis, Bahiroh Chrisdianto Wibowo Kamandoko Dita Dwi Yulianti Eni Nurhayati Fajar Aji, Fajar Fitriani, Elok Ghanesya Hari Murti Ghassani Auliannnisa Widjajati Hairus Salikin Hartanto, Denny Antyo Hat Pujiati Imam Basuki Indah Wahyuningsih Irana Astutiningsih Kusumayanti, Dina D. Kusumayanti, Dina Dyah M. Sukarno Muhamad Faizi Prayoga Muhamad Faizi Prayoga, Muhamad Faizi Muhammad Zamroni Mustafa, Moch. Turdi Ni Luh Ayu Sukmawati Nurhadianty Rahayu Nurin Nauvalia Ririn Fatmawati SANTUSO, Santuso Sholihah, Alimah B. Suharto Suharto Sukarno Supiastutik Supiastutik Sutarto . Suwargono, Eko Talapessy, Albert Tarisa Badzlin Amajida Yuyun Wahyuni