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Empowering Archaeological Sites In The Mount Watangan Area To Become Special Interest Tourist Destinations Suwargono, Eko; Hari Murti, Ghanesya; Setiawan, Ikwan; Talapessy, Albert; Subaharianto, Andang
Journal Of Humanities Community Empowerment Vol. 2 No. 4 (2024): Journal of Humanities Community Empowerment
Publisher : Universitas Muhammadiyah Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32528/jhce.v2i4.2438

Abstract

Mount Watangan in Lojejer Village, Wuluhan District, Jember Regency holds many caves that were once inhabited by humans in the palaeolithic era about 20,000 years ago. There are about 22 caves identified and 8 of them have been studied. The caves are: Sumbersalak Cave, Marjan Cave, Sodong Cave, Macan Cave, Sebanen Cave 1 or Samadi Cave, Lawa Cave 1 and 2, and Maelang Waterfall Cave. With an ecocultural approach, Mount Watangan caves are developed into special interest tourist destinations. This community service activity conducts investigations and exploration of ancient caves to obtain important data related to their existence. The data obtained were discussed in the forum to find important materials as a reference for the implementation of the final activities of service activities. Making creative and strategic event designs for cultural arts as a navigation towards the creation of a tourist destination of special interest to Mount Watangan is the final activity of this service. From the discussion of the results of the investigation and exploration of ancient caves, cultural arts events were formulated that will construct the shape and face of Mount Watangan's special interest tourist destinations. The design of the cultural arts event is: exploring the ancient times; theater performances, / ancient dances; exploration and holding of ancient percussion music; ritual ceremonial activities; collaborative performances of ancient, classical, and modern-contemporary cultural arts; and activities to develop archaeological discourse, culture, and tourism. The implementation of these events is divided into 5 categories in a year, namely: incidental, monthly, quarterly, mid-yearly, and annual events
Representation of Madurese Ethnic Identity in The Film Laundry Show by Rizky Balki: A Semiotics Study SANTUSO, Santuso; SUKARNO, Sukarno; SETIAWAN, Ikwan
Journal of Social Sciences and Cultural Study Vol. 2 No. 2 (2025): Journal of Social Sciences and Cultural Study (March - June 2025)
Publisher : PT Batara Swastika Harati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61857/jsscs.v2i1.138

Abstract

Film is a mass media capable of constructing stereotypes of a culture while shaping reality according to the producer’s intent. This study aims to describe the representation of Madurese ethnic identity in the film Laundry Show (LS) by Rizki Balki. This research is qualitative descriptive, with data consisting of dialogues, character appearances, and other codes portrayed through the character Joni. The data source is the film LS produced by PT Tripar Multivision Plus. Data collection was carried out using documentation techniques, while data analysis employed John Fiske's semiotics method, consisting of three levels of representation. The results indicate that the film LS creates a new, more positive perspective on the Madurese ethnicity. At the identity level, Joni is depicted with a distinctive language style, modern naming, contextual clothing, attractive appearance, and traits such as being humorous, multi-talented, intelligent, friendly, empathetic, religious, and having a strong work ethic. At the representation level, the use of camera techniques, lighting, and music supports this portrayal. Meanwhile, at the ideological level, Joni's identity reflects values of hard work, humanism, and religiosity as representations of the Madurese ethnicity. This study confirms that films can be an effective medium for shaping new perspectives on certain cultures.
Dark Fantasy in Neil Gaiman's Coraline: An Analysis of Formulaic Structure Tarisa Badzlin Amajida; Setiawan, Ikwan; Wahyuningsih, Indah
Lakon : Jurnal Kajian Sastra dan Budaya Vol. 14 No. 1 (2025): JURNAL LAKON
Publisher : Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20473/lakon.v14i1.68462

Abstract

In the early 21st century, technology paranoia, a negative aspect of technological growth, was prevalent, particularly in the United Kingdom. This social problem coincided with an increase in popular culture toward the consumption of fantasy fiction, with the dark fantasy subgenre being revived by Neil Gaiman's Coraline. This study explores Coraline through the lens of John G. Cawelti’s formula theory to reveal the strategies resulting in its significant societal appeal. This study analyzes the novella's intrinsic elements—plot, characters and characterizations, setting, and illustrations—to identify Coraline as a dark fantasy that effectively combines horror and fantasy formulas. The use of dark fantasy aligns with Cawelti's four hypotheses, functioning as a cultural reflection, cultural solution, cultural boundaries, and cultural innovation that addresses technology paranoia.
Poskolonialitas Jawa dalam Campursari: Dari Era Orde Baru hingga Reformasi Setiawan, Ikwan; Tallapessy, Albert; Subaharianto, Andang
PANGGUNG Vol 30 No 2 (2020): Identitas Sosial Budaya dan Ekonomi Kreatif
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v30i2.948

Abstract

Artikel ini bertujuan menjelaskan dan mengkritisi konstruksi lokalitas Jawa pascakolonial dalam lagu campursari dari masa Orde Baru hingga Reformasi. Menggunakan pembacaan tekstual-kontekstual dengan perspektif poskololonial, kami akan menganalisis beberapa lagu campursari karya Nartosabdo, Manthous, dan Didi Kempot untuk mengungkap poskolonialitas Jawa dalam moda transformatif. Analisis tekstual akan menghasilkan wacana-wacana partikular lokalitas yang berhubungan dengan beberapa isu seperti nilai dan praktik kultural baru serta hubungan lelaki-perempuan di tengah-tengah modernitas dari masing-masing era. Kami, kemudian, akan memberikan penekanan yang lebih kritis terhadap wacana-wacana tersebut dengan menghubungkan mereka dengan kondisi kontekstual yang di dalamnya nilai dan praktik modern mulai mempengaruhi orang-orang Jawa. Kajian ini menunjukkan bahwa lagu-lagu campursari merepresentasikan transformasi lokalitas yang di dalamnya pencipta lagu membawa pandangan mereka terhadap perubahan kehidupan kultural dengan cara menegosiasikan budaya Jawa dengan paradigma yang lentur. Hal itu berarti pencipta lagu secara sadar merepresentasikan budaya lokal yang sudah berdialog dengan budaya modern serta sebagai usaha untuk menegosiasikan dan mentransformasi lokalitas ke-Jawa-an sekaligus sebagai strategi untuk mempopulerkan dan memasarkan campursari.
Analisis Semiotika Roland Barthes: Visualisasi Kelas Sosial dalam Sinematografi Film The Handmaiden (2016) Agustin, Yuli Ayu; Setiawan, Ikwan; Sukmawati, Ni Luh Ayu
ROLLING Vol. 8 No. 1 (2025): ROLLING Volume 8 Nomor 1 Tahun 2025
Publisher : Universitas Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/rolling.v8i1.53697

Abstract

The Handmaiden is an exotic-thriller film by Park Chan-wook which tells the story of Korean people who disguise themselves to deceive Japanese nobles. In the storyline regarding the fraud, there is a storyline that involves the issue of social class being an important thing in it. A social class is a group of people divided based on education, occupation, property ownership, and lifestyle. The purpose of this research is to show how social class is visualized in The Handmaiden film. The type of research used is qualitative research using Roland Barthes semiotic analysis method in film cinematography. The research focuses on how upper and lower social classes are visualized. The results show that the visualization of social classes is divided into 3 (three) categories. The first is visualisation of the upper social class who have power and lifestyle through clothing. Second, the visualisation of the lower social class that is highlighted very small in cinematography so that it represent the character as powerless or weak. Third, the representation of the lower social class that fights back by destroying the barrier between classes to save one of the upper-class characters.
Analysis of Body Shaming Construction on Women in the Film "Imperfect” Mustafa, Moch. Turdi; Sukarno, Sukarno; Setiawan, Ikwan
IJELTAL (Indonesian Journal of English Language Teaching and Applied Linguistics) Vol 9, No 2 (2024): Indonesian Journal of English Language Teaching and Applied Linguistics
Publisher : Universitas Islam Negeri Sultan Aji Muhammad Idris Samarinda

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21093/ijeltal.v9i2.1712

Abstract

The portrayal of body shaming against women in films is a social critique of the act of body shaming. Hence, the study of body shaming in films is intriguing for future investigation. The objective of this research is to uncover the portrayal of body shaming towards women in films. The research data comprised of words and phrases that encompassed body shaming and were examined utilizing Norman Fairclough's Critical Discourse Analysis approach. The data was acquired from the movie Imperfect: Karir, Cinta & Timbangan. This study is also classified as critical-qualitative research. The research findings indicate that the film “Imperfect: Karir, Cinta & Timbangan” portrays three types of body shaming, which include comparing, commenting, and insulating individuals based on their physical appearance. Furthermore, the film's production background is influenced by the film development genre in Indonesia, and the producer's background as a comedian aligns with the genre of the film. In addition, this also highlights that the film production is also considered to have some motives to depict body shaming in the film, including the commercial motive, social culture, and ideology to struggle.