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All Journal Humaniora Imaji: Jurnal Seni dan Pendidikan Seni Publika Budaya Jurnal Kawistara : Jurnal Ilmiah Sosial dan Humaniora LITERASI: Jurnal Ilmu-Ilmu Humaniora Mozaik Humaniora Lakon : Jurnal Kajian Sastra dan Budaya VIVID Journal of Language and Literature KARSA: Jurnal Sosial dan Budaya Keislaman (Journal of Social and Islamic Culture) EDULITE: Journal of English Education, Literature and Culture Panggung RETORIKA: Jurnal Bahasa, Sastra, dan Pengajarannya Proceeding of International Conference on Art, Language, and Culture Haluan Sastra Budaya LEKSIKA Indonesian Journal of English Language Teaching and Applied Linguistics Satwika : Kajian Ilmu Budaya dan Perubahan Sosial JENTERA: Jurnal Kajian Sastra Suar Betang Communicology: Jurnal Ilmu Komunikasi Pioneer: Journal of Language and Literature Paradigma: Jurnal Kajian Budaya Journal Of Humanities Community Empowerment Rolling Jurnal Pengkajian dan Penciptaan Film, Televisi, dan Media Kontemporer Journal of Social Sciences and Cultural Study Jurnal Kawistara Panggung Indonesian Journal of English Language Teaching and Applied Linguistics
Ikwan Setiawan
Fakultas Sastra Universitas Jember
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Astronomy Civil Engineering, Building, Construction & Architecture Computer Science & IT Decision Sciences, Operations Research & Management Education Environmental Science Languange, Linguistic, Communication & Media Library & Information Science Social Sciences

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CULTURAL HYBRIDITY AND ITS COMPLEXITY IN ESMERALDA SANTIAGO’S ALMOST A WOMAN IKWAN SETIAWAN
JENTERA: Jurnal Kajian Sastra Vol 9, No 2 (2020): Jentera: Jurnal Kajian Sastra
Publisher : Badan Pengembangan dan Pembinaan Bahasa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/jentera.v9i2.2495

Abstract

Abstrak. Tulisan ini mendiskusikan hibriditas dalam novel Almost A Woman karya Esmeralda Santiago. Novel ini menceritakan permasalahan kultural yang dialami Negi, tokoh utama, sebagai imigran Puerto Rico di New York, di mana ia harus mengapropriasi budaya Amerika agar bisa diterima oleh masyarakat induk. Untuk membahas permasalahan tersebut, kami akan menggunakan teori poskolonial Bhabha. Analisis tekstual digunakan untuk menjelaskan data terpilih dengan cara pandang poskolonial tanpa mengabaikan keterkaitan kontekstualnya dengan dinamika imigrasi dan diaspora. Hasil kajian ini menunjukkan bahwa tokoh utama harus menjalankan strategi kultural berupa mimikri dan hibriditas agar bisa diterima di masyarakat induk dan bisa mendukung impian modernnya. Meskipun menikmati budaya Amerika secara apropriatif, ia masih berusaha untuk tidak melupakan budaya Puerto Rico. Dengan strategi ini subjek diasporik bisa menegosiasikan kepentingannya di tengah-tengah masyarakat induk dan kuasa budaya dominan, tanpa harus meninggalkan sepenuhnya budaya Puerto Rico.   Abstract. This paper discusses hybridity in Esmeralda Santiago’s Almost A Woman. This novel tells about cultural problems experienced by Negi, the main character, as a Puerto Rican immigrant in New York, where she must appropriate American cultures in order to be accepted by the host community. To discuss this problem, we will apply Bhabha's postcolonial theory. Textual analysis is used to explain selected data from a postcolonial perspective without ignoring its contextual relationship with the dynamics of immigration and diaspora. The results of this study show that the main character must carry out a cultural strategy in the form of mimicry and hybridity in order to be accepted in the parent community and be able to support his modern dreams. Despite enjoying appropriately American culture, she still tries not to forget Puerto Rican cultures. With this strategy the diasporic subject can negotiate its interests in the midst of the host society and the dominant cultural power, without having to completely abandon Puerto Rican culture.
REVEALING THE GENDER INEQUALITY IN PATRICIA MC. CORMICK’S SOLD CRITICAL DISCOURSE ANALYSIS Ririn Fatmawati; Sukarno Sukarno; Ikwan Setiawan
Haluan Sastra Budaya Vol 1, No 1 (2017)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/hsb.v1i1.11112

Abstract

This study aims to reveal the gender inequality between male and female in the novel entitled Sold. It is the representation of Nepalese culture in social life. The data sources data are the novel of Sold. The data in this study are in the form of words, phrases, and sentences that found in the Sold which contains gender inequality. Critical discourse analysis by Van Dijk’s theory is applied in this study. The result of this study shows that male tends to dominate over female. Male points how irresponsibility they are to their own family. Moreover, women have limited decision powers. They will be abandoned by their husbands and they are not allowed to make their own choices due to cultural or religious instructions.Keywords: Gender inequality, critical discourse analysis, sold, domination.
AMERICAN MYSTICISM AND FEMINISM IN CASSANDRA CLARE'S CLOCKWORK ANGEL: A POSTMODERNIST FICTION Asih Putri Wardhani; Hat Pujiati; Ikwan Setiawan
Haluan Sastra Budaya Vol 4, No 1 (2020)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/hsb.v4i1.39343

Abstract

Postmodern as a stage of civilization after traditional and modern tends to accommodate the two previous stages with its newness. This article studies the postmodern strategies depicted in Cassandra Clare’s The Infernal Defices: Clockwork Angel in Brian McHale’s perspective which emphasize his idea of postmodernist fiction based on ontological dominant while the modernist is epistemological dominant. How the ontological is constructed in the novel become the aims to reveal in this article. Through Hrusovski’s three dimensional semiotics concept that is developed by McHale, this article starts the analysis of ontological landscape from words, worlds and construction of the novel. The result is that heterocosmos are built in intertextualzones  based on pre-Victorian, Victorian and post-Victorian poems which become the epigraph in every chapter of the novel using interpolation and superimposition strategies.Beyond the ontological landscape, this novel shows the spirit of American mysticism and feminism.
Attitude, Solidarity, and Social Change in Indonesian Presidential Debate 2019 Chrisdianto Wibowo Kamandoko; Sukarno Sukarno; Ikwan Setiawan
RETORIKA: Jurnal Bahasa, Sastra, dan Pengajarannya Vol 15, No 1 (2022)
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/retorika.v15i1.16412

Abstract

The research aimed to identify the solidarity and social change represented by the presidents’ attitudes in the debates. The research applied positive discourse analysis purposed by Martin (2004) and the appraisal framework, especially the attitude system purposed by Martin and White (2005). The results showed that Prabowo used more attitudes in his argument than Jokowi. Prabowo tended to use more judgements and appreciations to show his attitudes. On the other hand, Jokowi preferred to use affect, which is desire and trust, to express his attitude. Solidarities were performed in their attitudes by means of concern toward audiences and by means of respect between appraisers. Thus solidarities are responsible for bringing social changes such as habits, behavior, mindset, value, and norms, and also in terms of the developments of technology and transportation.
THE CONSTRUCTION OF ORIENTALISM IN DAN BROWN’S DIGITAL FORTRESS Ghassani Auliannnisa Widjajati; Ikwan Setiawan; Supiastutik Supiastutik
Haluan Sastra Budaya Vol 6, No 1 (2022)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/hsb.v6i1.57158

Abstract

This article studies orientalism constructed in the novel of Digital Fortress that is written by Dan Brown. Orientalism discourse appears in the literary works through narrative events and conversations of the Western and the Eastern. Ensei Tankado, a Japanese character, will be presented in this study in the lens of Western. The aim is to explore orientalism discourse in the novel to get an understanding of the ideology interest as part of the Western power. Theory of Orientalism by Edward Said is applied in this study. It modifies Foucauldian discourse theory and Gramscian hegemony. The four concept of Orientalism discourse including political power, intellectual power, cultural power and moral power will be used in this study. How the Eastern subject is positioned by the Western in Digital Fortress becomes the focus. Japanese and the United States in the novel can be related to the contextual condition that cultural domination and hegemony still occur between Japan-USA since World War II. Orientalism in the literary works is a new imperialism. The goal of this study is to reveal that the novel brings cultural domination.
Class Struggle Seen in Ernest Jones’ Three Selected Poems: The Song of The Poor, The Song The Lower Classes, and A Song for People Andi Ahmad Fijai; Hat Pujiati; Ikwan Setiawan
JENTERA: Jurnal Kajian Sastra Vol 11, No 1 (2022): Jentera: Jurnal Kajian Sastra
Publisher : Badan Pengembangan dan Pembinaan Bahasa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/jentera.v11i1.2773

Abstract

This article discusses class struggle of the working class through Ernest Jones’ three selected poems: The Song of The Poor, The Song of The Lower Classes, and A Song for People in the Industrial Revolution era in England. Industrial Revolution is a shift in goods production from human power into mechanical power. This research uses Michael Riffaterre’s Semiotics of Poetry theory to find out the meaning and significance of the chosen poems and uses some opinions and history as hypogram to portray the class struggle of the workers in Industrial Revolution era. The result of this research shows that these poems articulate the voices of the working class in struggling to get justice against the ruling class. AbstrakArtikel ini membahas tentang perjuangan kelas pekerja di tiga puisi pilihan karya Ernest Jones: The Song of The Poor, The Song of The Lower Classes, dan A Song for People di era Revolusi Industri di Inggris. Revolusi Industri adalah perubahan cara produksi barang yang awalnya menggunakan tenaga manusia menjadi tenaga mekanik. Penelitian ini menggunakan teori Semiotika Puisi oleh Michael Riffaterre untuk mengetahui meaning (makna) dan significance (arti) puisi yang terpilih dan menggunakan beberapa opini dan sejarah sebagai hipogram untuk menggambarkan perjuangan kelas pekerja di era Revolusi Industri. Hasil penelitian ini mengeksplorasi perjuangan para pekerja di era Revolusi Industri. Jones melalui puisinya mengartikulasikan suara-suara kelas pekerja dalam perjuangannya mendapatkan keadilan melawan kelas pengusa.
Poskolonialitas Jawa dalam Campursari: Dari Era Orde Baru hingga Reformasi Ikwan Setiawan; Albert Tallapessy; Andang Subaharianto
PANGGUNG Vol 30, No 2 (2020): Identitas Sosial Budaya dan Ekonomi Kreatif
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (53.184 KB) | DOI: 10.26742/panggung.v30i2.948

Abstract

Artikel ini bertujuan menjelaskan dan mengkritisi konstruksi lokalitas Jawa pascakolonial dalam lagu campursari dari masa Orde Baru hingga Reformasi. Menggunakan pembacaan tekstual-kontekstual dengan perspektif poskololonial, kami akan menganalisis beberapa lagu campursari karya Nartosabdo, Manthous, dan Didi Kempot untuk mengungkap poskolonialitas Jawa dalam moda transformatif. Analisis tekstual akan menghasilkan wacana-wacana partikular lokalitas yang berhubungan dengan beberapa isu seperti nilai dan praktik kultural baru serta hubungan lelaki-perempuan di tengah-tengah modernitas dari masing-masing era. Kami, kemudian, akan memberikan penekanan yang lebih kritis terhadap wacana-wacana tersebut dengan menghubungkan mereka dengan kondisi kontekstual yang di dalamnya nilai dan praktik modern mulai mempengaruhi orang-orang Jawa. Kajian ini menunjukkan bahwa lagu-lagu campursari merepresentasikan transformasi lokalitas yang di dalamnya pencipta lagu membawa pandangan mereka terhadap perubahan kehidupan kultural dengan cara menegosiasikan budaya Jawa dengan paradigma yang lentur. Hal itu berarti pencipta lagu secara sadar merepresentasikan budaya lokal yang sudah berdialog dengan budaya modern serta sebagai usaha untuk menegosiasikan dan mentransformasi lokalitas ke-Jawa-an sekaligus sebagai strategi untuk mempopulerkan dan memasarkan campursari.
The Changes in Ideology in the Adaptation of Riordan’s The Lightning Thief Dita Dwi Yulianti; Ikwan Setiawan; Dina Dyah Kusumayanti
SUAR BETANG Vol 18, No 1 (2023): June 2023
Publisher : Balai Bahasa Kalimantan Tengah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/surbet.v18i1.839

Abstract

This research aims to find some ideologies in the adaptation of a novel into a film that uses qualitative research methods and comparative methods. These ideologies lead us to find out the motive beyond the adaptation work. So, this research discusses two objects. The first object is how the transformations of The Lightning Thief adaptation (from novel to film) are. The second object is the motive beyond the adaptation of The Lightning Thief from a book into a film. This research uses Linda Hutchon’s theory of adaptation as a basis of theory, Roland Barthes’ Mythologies, and the theory film of mise-en-scene as the method to find out the ideology from both the novel and film. The results show some transformations of the ideologies from the book into a film. The novel brings the emergence of feminism, the motherhood role, collectivism, fantasy as the uniqueness of the story, and cultural universality. While the film changes into the emergence of patriarchal ideology, the fatherhood role, individualism, competitiveness, and freedom of American values. These results show three motives of adaptation: cultural capital, personal motive, and economic lures. AbstrakPenelitian ini bertujuan menemukan beberapa ideologi dalam adaptasi novel ke dalam film dengan menggunakan metode penelitian kualitatif dan metode komparatif. Ideologi ini membawa kita untuk menemukan motif dalam karya adaptasi. Jadi, penelitian ini membahas dua objek. Objek pertama adalah bagaimana transformasi adaptasi The Lightning Thief (dari novel ke film). Objek kedua adalah apa motif dibalik adaptasi The Lightning Thief dari sebuah novel menjadi sebuah film. Penelitian ini menggunakan teori adaptasi Linda Hutchon sebagai dasar teori,Mythologies Roland Barthes dan teori film mise-en-scene sebagai metode untuk menemukan ideologi baik dari novel maupun film. Hasilnya menunjukkan beberapa transformasi ideologi dari novel ke film. Novel membawa kemunculan feminisme, peran keibuan, kolektivisme, fantasi sebagai keunikan cerita, dan universalitas budaya. Sementara film berubah menjadi kemunculan ideologi patriarki, peran kebapakan, individualisme, daya saing, dan kebebasan sebagai nilai-nilai Amerika. Hasil ini menunjukkan tiga motif adaptasi, yaitu modal budaya, motif personal, dan iming-iming ekonomi.
Wacana Nasionalisme Kritis dalam Musik Banyuwangian pada Masa Orde Baru Tallapessy, Albert; Setiawan, Ikwan; Sariono, Agus; Suwargono, Eko
Paradigma: Jurnal Kajian Budaya Vol. 9, No. 3
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This article deals with the representation of critical nationalism discourse in Banyuwangian music in the New Order era. By juxtaposing representation and hegemony theory which emphasizes textual-contextual reading, we will analyze the constructions of local metaphors we assume supporting the establishment of nationalism. Such constructions intertwined with the mobilization of the uniqueness of local cultures that contributed to establishing the national culture through which nationalism got its “nutrition”. However, some songwriters constructed critical nationalism by representing unique metaphors related to the characteristics of subaltern subjects that in the midst of their problems songwriters still have, in their silence, critical view toward the ruling faction, without negating their responsibility to guard the nation. The representation of critical nationalism using local metaphors is a critique of the social and economic problems caused by the injustice of development programs as well as a creative strategy to negotiate Using cultures in the midst of modernity.
The Construction of Orientalism in Doris Lessing's The Grass is Singing Bilqis, Bahiroh; Setiawan, Ikwan; Supiastutik, Supiastutik
Pioneer: Journal of Language and Literature Vol 15 No 2 (2023)
Publisher : Faculty of Letters, Universitas Abdurachman Saleh Situbondo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36841/pioneer.v15i2.3165

Abstract

This article studies the construction of Orientalism in the novel The Grass is Singing by Doris Lessing. Doris Lessing is a British writer born in Persia who won the Nobel Prize for Literature in 2007. As a white writer, Lessing is known as a writer who fights for the rights of the black community. Still, in this novel, she sharpens the negative image of the blacks as described in the theory of Orientalism. Orientalism focuses on the West’s view of the East. In the novel, Orientalism was carried out by The West against The East, represented by Mary Turner as white people and Moses as the black. This study aims to dismantle the Orientalist discourse in the novel. The study applied the theory of Orientalism proposed by Edward Said (1979). The Orientalist discourse in The Grass is Singing is constructed in the form of stereotypes and oppression against the black people in Southern Rhodesia. Racism, colonialism, and the politics of Apartheid done by white people in the novel showcase the white superiority toward the inferior black.
Co-Authors A. Sasli, Siti Atiqahgania Agus Sariono Agustin, Yuli Ayu Albert Tallapessy Ali Badrudin Andang Subaharianto Andi Ahmad Fijai Asih Putri Wardhani Bangkit Sandy Pratama Bilqis, Bahiroh Chrisdianto Wibowo Kamandoko Dita Dwi Yulianti Eni Nurhayati Fajar Aji, Fajar Fitriani, Elok Ghanesya Hari Murti Ghassani Auliannnisa Widjajati Hairus Salikin Hartanto, Denny Antyo Hat Pujiati Imam Basuki Indah Wahyuningsih Irana Astutiningsih Kusumayanti, Dina D. Kusumayanti, Dina Dyah Lidiana, Dwi Mery M. Sukarno Muhamad Faizi Prayoga Muhamad Faizi Prayoga, Muhamad Faizi Muhammad Zamroni Mustafa, Moch. Turdi Ni Luh Ayu Sukmawati Nurin Nauvalia Ririn Fatmawati SANTUSO, Santuso Sholihah, Alimah B. Suharto Suharto Sukarno Supiastutik Supiastutik Sutarto . Suwargono, Eko Talapessy, Albert Tarisa Badzlin Amajida Yuyun Wahyuni