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All Journal Humaniora Imaji: Jurnal Seni dan Pendidikan Seni Publika Budaya Jurnal Kawistara : Jurnal Ilmiah Sosial dan Humaniora LITERASI: Jurnal Ilmu-Ilmu Humaniora Mozaik Humaniora Lakon : Jurnal Kajian Sastra dan Budaya VIVID Journal of Language and Literature KARSA: Jurnal Sosial dan Budaya Keislaman (Journal of Social and Islamic Culture) EDULITE: Journal of English Education, Literature and Culture Panggung RETORIKA: Jurnal Bahasa, Sastra, dan Pengajarannya Haluan Sastra Budaya LEKSIKA Indonesian Journal of English Language Teaching and Applied Linguistics Satwika : Kajian Ilmu Budaya dan Perubahan Sosial JENTERA: Jurnal Kajian Sastra Suar Betang Communicology: Jurnal Ilmu Komunikasi Pioneer: Journal of Language and Literature Paradigma: Jurnal Kajian Budaya Journal Of Humanities Community Empowerment Rolling Jurnal Pengkajian dan Penciptaan Film, Televisi, dan Media Kontemporer Journal of Social Sciences and Cultural Study Jurnal Kawistara Panggung Indonesian Journal of English Language Teaching and Applied Linguistics
Ikwan Setiawan
Fakultas Sastra Universitas Jember
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Astronomy Civil Engineering, Building, Construction & Architecture Computer Science & IT Decision Sciences, Operations Research & Management Education Environmental Science Languange, Linguistic, Communication & Media Library & Information Science Social Sciences

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Attitude, Solidarity, and Social Change in Indonesian Presidential Debate 2019 Chrisdianto Wibowo Kamandoko; Sukarno Sukarno; Ikwan Setiawan
RETORIKA: Jurnal Bahasa, Sastra, dan Pengajarannya Vol 15, No 1 (2022)
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/retorika.v15i1.16412

Abstract

The research aimed to identify the solidarity and social change represented by the presidents’ attitudes in the debates. The research applied positive discourse analysis purposed by Martin (2004) and the appraisal framework, especially the attitude system purposed by Martin and White (2005). The results showed that Prabowo used more attitudes in his argument than Jokowi. Prabowo tended to use more judgements and appreciations to show his attitudes. On the other hand, Jokowi preferred to use affect, which is desire and trust, to express his attitude. Solidarities were performed in their attitudes by means of concern toward audiences and by means of respect between appraisers. Thus solidarities are responsible for bringing social changes such as habits, behavior, mindset, value, and norms, and also in terms of the developments of technology and transportation.
Class Struggle Seen in Ernest Jones’ Three Selected Poems: The Song of The Poor, The Song The Lower Classes, and A Song for People Andi Ahmad Fijai; Hat Pujiati; Ikwan Setiawan
JENTERA: Jurnal Kajian Sastra Vol 11, No 1 (2022): Jentera: Jurnal Kajian Sastra
Publisher : Badan Pengembangan dan Pembinaan Bahasa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/jentera.v11i1.2773

Abstract

This article discusses class struggle of the working class through Ernest Jones’ three selected poems: The Song of The Poor, The Song of The Lower Classes, and A Song for People in the Industrial Revolution era in England. Industrial Revolution is a shift in goods production from human power into mechanical power. This research uses Michael Riffaterre’s Semiotics of Poetry theory to find out the meaning and significance of the chosen poems and uses some opinions and history as hypogram to portray the class struggle of the workers in Industrial Revolution era. The result of this research shows that these poems articulate the voices of the working class in struggling to get justice against the ruling class. AbstrakArtikel ini membahas tentang perjuangan kelas pekerja di tiga puisi pilihan karya Ernest Jones: The Song of The Poor, The Song of The Lower Classes, dan A Song for People di era Revolusi Industri di Inggris. Revolusi Industri adalah perubahan cara produksi barang yang awalnya menggunakan tenaga manusia menjadi tenaga mekanik. Penelitian ini menggunakan teori Semiotika Puisi oleh Michael Riffaterre untuk mengetahui meaning (makna) dan significance (arti) puisi yang terpilih dan menggunakan beberapa opini dan sejarah sebagai hipogram untuk menggambarkan perjuangan kelas pekerja di era Revolusi Industri. Hasil penelitian ini mengeksplorasi perjuangan para pekerja di era Revolusi Industri. Jones melalui puisinya mengartikulasikan suara-suara kelas pekerja dalam perjuangannya mendapatkan keadilan melawan kelas pengusa.
Poskolonialitas Jawa dalam Campursari: Dari Era Orde Baru hingga Reformasi Ikwan Setiawan; Albert Tallapessy; Andang Subaharianto
PANGGUNG Vol 30, No 2 (2020): Identitas Sosial Budaya dan Ekonomi Kreatif
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (53.184 KB) | DOI: 10.26742/panggung.v30i2.948

Abstract

Artikel ini bertujuan menjelaskan dan mengkritisi konstruksi lokalitas Jawa pascakolonial dalam lagu campursari dari masa Orde Baru hingga Reformasi. Menggunakan pembacaan tekstual-kontekstual dengan perspektif poskololonial, kami akan menganalisis beberapa lagu campursari karya Nartosabdo, Manthous, dan Didi Kempot untuk mengungkap poskolonialitas Jawa dalam moda transformatif. Analisis tekstual akan menghasilkan wacana-wacana partikular lokalitas yang berhubungan dengan beberapa isu seperti nilai dan praktik kultural baru serta hubungan lelaki-perempuan di tengah-tengah modernitas dari masing-masing era. Kami, kemudian, akan memberikan penekanan yang lebih kritis terhadap wacana-wacana tersebut dengan menghubungkan mereka dengan kondisi kontekstual yang di dalamnya nilai dan praktik modern mulai mempengaruhi orang-orang Jawa. Kajian ini menunjukkan bahwa lagu-lagu campursari merepresentasikan transformasi lokalitas yang di dalamnya pencipta lagu membawa pandangan mereka terhadap perubahan kehidupan kultural dengan cara menegosiasikan budaya Jawa dengan paradigma yang lentur. Hal itu berarti pencipta lagu secara sadar merepresentasikan budaya lokal yang sudah berdialog dengan budaya modern serta sebagai usaha untuk menegosiasikan dan mentransformasi lokalitas ke-Jawa-an sekaligus sebagai strategi untuk mempopulerkan dan memasarkan campursari.
The Changes in Ideology in the Adaptation of Riordan’s The Lightning Thief Dita Dwi Yulianti; Ikwan Setiawan; Dina Dyah Kusumayanti
SUAR BETANG Vol 18, No 1 (2023): June 2023
Publisher : Balai Bahasa Kalimantan Tengah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/surbet.v18i1.839

Abstract

This research aims to find some ideologies in the adaptation of a novel into a film that uses qualitative research methods and comparative methods. These ideologies lead us to find out the motive beyond the adaptation work. So, this research discusses two objects. The first object is how the transformations of The Lightning Thief adaptation (from novel to film) are. The second object is the motive beyond the adaptation of The Lightning Thief from a book into a film. This research uses Linda Hutchon’s theory of adaptation as a basis of theory, Roland Barthes’ Mythologies, and the theory film of mise-en-scene as the method to find out the ideology from both the novel and film. The results show some transformations of the ideologies from the book into a film. The novel brings the emergence of feminism, the motherhood role, collectivism, fantasy as the uniqueness of the story, and cultural universality. While the film changes into the emergence of patriarchal ideology, the fatherhood role, individualism, competitiveness, and freedom of American values. These results show three motives of adaptation: cultural capital, personal motive, and economic lures. AbstrakPenelitian ini bertujuan menemukan beberapa ideologi dalam adaptasi novel ke dalam film dengan menggunakan metode penelitian kualitatif dan metode komparatif. Ideologi ini membawa kita untuk menemukan motif dalam karya adaptasi. Jadi, penelitian ini membahas dua objek. Objek pertama adalah bagaimana transformasi adaptasi The Lightning Thief (dari novel ke film). Objek kedua adalah apa motif dibalik adaptasi The Lightning Thief dari sebuah novel menjadi sebuah film. Penelitian ini menggunakan teori adaptasi Linda Hutchon sebagai dasar teori,Mythologies Roland Barthes dan teori film mise-en-scene sebagai metode untuk menemukan ideologi baik dari novel maupun film. Hasilnya menunjukkan beberapa transformasi ideologi dari novel ke film. Novel membawa kemunculan feminisme, peran keibuan, kolektivisme, fantasi sebagai keunikan cerita, dan universalitas budaya. Sementara film berubah menjadi kemunculan ideologi patriarki, peran kebapakan, individualisme, daya saing, dan kebebasan sebagai nilai-nilai Amerika. Hasil ini menunjukkan tiga motif adaptasi, yaitu modal budaya, motif personal, dan iming-iming ekonomi.
Wacana Nasionalisme Kritis dalam Musik Banyuwangian pada Masa Orde Baru Tallapessy, Albert; Setiawan, Ikwan; Sariono, Agus; Suwargono, Eko
Paradigma: Jurnal Kajian Budaya Vol. 9, No. 3
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This article deals with the representation of critical nationalism discourse in Banyuwangian music in the New Order era. By juxtaposing representation and hegemony theory which emphasizes textual-contextual reading, we will analyze the constructions of local metaphors we assume supporting the establishment of nationalism. Such constructions intertwined with the mobilization of the uniqueness of local cultures that contributed to establishing the national culture through which nationalism got its “nutrition”. However, some songwriters constructed critical nationalism by representing unique metaphors related to the characteristics of subaltern subjects that in the midst of their problems songwriters still have, in their silence, critical view toward the ruling faction, without negating their responsibility to guard the nation. The representation of critical nationalism using local metaphors is a critique of the social and economic problems caused by the injustice of development programs as well as a creative strategy to negotiate Using cultures in the midst of modernity.
The Construction of Orientalism in Doris Lessing's The Grass is Singing Bilqis, Bahiroh; Setiawan, Ikwan; Supiastutik, Supiastutik
Pioneer: Journal of Language and Literature Vol 15 No 2 (2023)
Publisher : Faculty of Letters, Universitas Abdurachman Saleh Situbondo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36841/pioneer.v15i2.3165

Abstract

This article studies the construction of Orientalism in the novel The Grass is Singing by Doris Lessing. Doris Lessing is a British writer born in Persia who won the Nobel Prize for Literature in 2007. As a white writer, Lessing is known as a writer who fights for the rights of the black community. Still, in this novel, she sharpens the negative image of the blacks as described in the theory of Orientalism. Orientalism focuses on the West’s view of the East. In the novel, Orientalism was carried out by The West against The East, represented by Mary Turner as white people and Moses as the black. This study aims to dismantle the Orientalist discourse in the novel. The study applied the theory of Orientalism proposed by Edward Said (1979). The Orientalist discourse in The Grass is Singing is constructed in the form of stereotypes and oppression against the black people in Southern Rhodesia. Racism, colonialism, and the politics of Apartheid done by white people in the novel showcase the white superiority toward the inferior black.
Bisexual Identity in a Religious Environment in Christina Lauren’s Autoboyography A. Sasli, Siti Atiqahgania; Setiawan, Ikwan; Salikin, Hairus
MOZAIK HUMANIORA Vol. 24 No. 1 (2024): MOZAIK HUMANIORA VOL. 24 NO. 1
Publisher : Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20473/mozaik.v24i1.45231

Abstract

This study focuses on analyzing the representation of bisexual identity in Christina Lauren’s novel "Autoboyography." Through qualitative research, the aim is to reveal the discourse of bisexuality constructed by the acts and behaviors of other characters toward the male main characters using Stuart Hall’s theory of representation, with a particular focus on Michel Foucault’s discursive approach. Another objective of this study is to examine the critical position of Christina Lauren as the novel’s author towards the issue of bisexuality. The findings reveal that the author created characters who both oppose and support bisexuality, thereby highlighting the issue of bisexuality in the 21st century. Through their narrative, the author sheds light on the challenges faced by male individuals living as bisexuals in a religiously conservative environment. By doing so, Christina Lauren not only addresses social issues surrounding bisexuality but also illustrates the main character's struggles in accepting a bisexual identity in an environment influenced by religious beliefs.
Japanese diaspora in Margaret Dilloway's How to be an American Housewife Fitriani, Elok; Basuki, Imam; Setiawan, Ikwan; Supiastutik, Supiastutik
EduLite: Journal of English Education, Literature and Culture Vol 9, No 1 (2024): February 2024
Publisher : Universitas Islam Sultan Agung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30659/e.9.1.18-31

Abstract

In today's borderless world, people move quickly, forming diaspora communities with complex cultural lives. The culture shock that causes mental health disruption is common in these diaspora communities. Therefore, the study of this diaspora is crucial to be conducted. The novel entitled How to be an American Housewife represents the difficulties of becoming a diaspora subject in a new country with a new culture. This study focuses on the diaspora experience undergone by Shoko Morgan. The study aims to show the construction of diaspora identity, the condition of the Japanese diaspora community in America, and the author's critical position. This descriptive qualitative research utilized the cultural identity and diaspora theory proposed by Stuart Hall to unveil the diaspora identity in the novel. This research reveals that identity is always in some process of adaptation, transformation, and differences from new environments. The literary work under scrutiny shows the experience of Japanese immigrants at that time, such as feeling alienated, isolated, and discriminated against. Through this novel, Margaret Dilloway has represented her mother's challenging life experiences as a diaspora subject in the USA.
BUDAYA NASIONAL DI TENGAH PASAR: KONSTRUKSI, DEKONSTRUKSI, DAN REKONSTRUKSI Ikwan Setiawan
Jurnal Kawistara Vol 2, No 1 (2012)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/kawistara.3952

Abstract

In the Reformation period, the state regime still mobilizes traditional-ideal values as national culturewithout giving conceptual and operational explanations. In this article, I combine two approaches,cultural studies and postcolonial studies, for reading national culture as represented in some PresidentSoesilo Bambang Yudhoyono’s presidential speeches. I will analyze ideal-but-ambivalent constructionsof national culture in regime’s perspective as represented in those speeches, particularly, in the contextof continuous of national culture in regime’s perspective in those speeches, particularly, in the context ofthe government’s continuous mobilization of traditional meanings as the invisible power for Indonesianpeople, while, at the same time,placing emphasis on economic progress.Instead of a strategic culturalconstruction, national culture produces its own deconstruction and fails to be discursive formation.Further, I argue that the regime operates their governmentality by reconstructing newer nationalculture based on market economics as discursive constructions, which ideally can provide conceptualand material basis for state regime in conducting governance and for citizens in achieving welfare inneoliberal formation.
Poskolonialitas Jawa dalam Campursari: Dari Era Orde Baru hingga Reformasi Ikwan Setiawan; Albert Tallapessy; Andang Subaharianto
PANGGUNG Vol 30 No 2 (2020): Identitas Sosial Budaya dan Ekonomi Kreatif
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v30i2.948

Abstract

Artikel ini bertujuan menjelaskan dan mengkritisi konstruksi lokalitas Jawa pascakolonial dalam lagu campursari dari masa Orde Baru hingga Reformasi. Menggunakan pembacaan tekstual-kontekstual dengan perspektif poskololonial, kami akan menganalisis beberapa lagu campursari karya Nartosabdo, Manthous, dan Didi Kempot untuk mengungkap poskolonialitas Jawa dalam moda transformatif. Analisis tekstual akan menghasilkan wacana-wacana partikular lokalitas yang berhubungan dengan beberapa isu seperti nilai dan praktik kultural baru serta hubungan lelaki-perempuan di tengah-tengah modernitas dari masing-masing era. Kami, kemudian, akan memberikan penekanan yang lebih kritis terhadap wacana-wacana tersebut dengan menghubungkan mereka dengan kondisi kontekstual yang di dalamnya nilai dan praktik modern mulai mempengaruhi orang-orang Jawa. Kajian ini menunjukkan bahwa lagu-lagu campursari merepresentasikan transformasi lokalitas yang di dalamnya pencipta lagu membawa pandangan mereka terhadap perubahan kehidupan kultural dengan cara menegosiasikan budaya Jawa dengan paradigma yang lentur. Hal itu berarti pencipta lagu secara sadar merepresentasikan budaya lokal yang sudah berdialog dengan budaya modern serta sebagai usaha untuk menegosiasikan dan mentransformasi lokalitas ke-Jawa-an sekaligus sebagai strategi untuk mempopulerkan dan memasarkan campursari.
Co-Authors A. Sasli, Siti Atiqahgania Agus Sariono Agustin, Yuli Ayu Albert Tallapessy Ali Badrudin Andang Subaharianto Andi Ahmad Fijai Asih Putri Wardhani Bangkit Sandy Pratama Bilqis, Bahiroh Chrisdianto Wibowo Kamandoko Dita Dwi Yulianti Eni Nurhayati Fajar Aji, Fajar Fitriani, Elok Ghanesya Hari Murti Hairus Salikin Hartanto, Denny Antyo Hat Pujiati Imam Basuki Indah Wahyuningsih Irana Astutiningsih Kusumayanti, Dina D. Kusumayanti, Dina Dyah Lidiana, Dwi Mery M. Sukarno Muhamad Faizi Prayoga Muhamad Faizi Prayoga, Muhamad Faizi Muhammad Zamroni Mustafa, Moch. Turdi Ni Luh Ayu Sukmawati Nurin Nauvalia Ririn Fatmawati SANTUSO, Santuso Sholihah, Alimah B. Suharto Suharto Sukarno Supiastutik Supiastutik Sutarto . Suwargono, Eko Talapessy, Albert Tarisa Badzlin Amajida Widjajati, Ghassani Auliannnisa Yuyun Wahyuni