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All Journal E-Journal Home Economic and Tourism Gorga : Jurnal Seni Rupa Edutech Teknobuga : Jurnal Teknologi Busana dan Boga Jurnal Penelitian Pendidikan IPA (JPPIPA) Home Economics Journal SELAPARANG: Jurnal Pengabdian Masyarakat Berkemajuan NUSANTARA : Jurnal Ilmu Pengetahuan Sosial JURNAL PENDIDIKAN TAMBUSAI Journal of Education Technology Jurnal Ilmiah Dikdaya Jurnal Pendidikan Seminar Nasional Teknologi Informasi Komunikasi dan Administrasi [SEMINASTIKA] Jurnal Pendidikan dan Keluarga Jurnal Ilmiah Profesi Pendidikan PAKAR Pendidikan Jurnal Teknologi Pendidikan : Jurnal Penelitian dan Pengembangan Pembelajaran Jurnal Riset dan Inovasi Pembelajaran JURNAL SOCIA AKADEMIKA Humantech : Jurnal Ilmiah Multidisiplin Indonesia Indonesian Journal Of Educational Research and Review Journal of Community Service Pesona.
Weni Nelmira
Universitas Negeri Padang
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Biochemistry, Genetics & Molecular Biology Chemical Engineering, Chemistry & Bioengineering Chemistry Computer Science & IT Control & Systems Engineering Economics, Econometrics & Finance Education Electrical & Electronics Engineering Engineering Environmental Science Health Professions Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Mathematics Medicine & Pharmacology Nursing Physics Public Health Social Sciences Other

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KESESUAIAN POLA DASAR LUCIA MORS DE CASTRO PADA BENTUK TUBUH WANITA IDEAL Agusti, Riri; Zahri, Wildati; Nelmira, Weni
Journal of Home Economics and Tourism Vol 8, No 1 (2015): Periode Maret 2015
Publisher : Faculty of Tourism and Hospitality - Universitas Negeri Padang

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Abstract

The basic pattern Lucia Mors De Castro came from Germany, which iscontained in Basic Pattern Making book. The basic pattern Lucia Mors De Castrohas never been used or investigated by the lacturer and students of KesejahteraanKeluarga FT UNP on the pattern of Indonesian women's clothing, especially for theideal female body shape. The purpose of this study is to describe a weakness, howto repair a weakness, and the suitability of basic pattern, sleves, and skirts of LuciaMors De Castro on the Indonesian ideal female body shape. The method of researchis applied research. The object of research is the basic pattern Lucia Mors De Castrowere tested on students Kesejateraan Keluarga ideal stature height of 165 cm,weight 55.25 cm, at the age of 22 years. Instrument of the research is the assessmentformat. Assessment carried out by 5 panelists are lecturers dressmaking fittingmanner. The analysis data technique used is descriptive statistics. The resultsshowed that the basic pattern Lucia Mors De Castro for the ideal body shape, hasseveral disadvantages including: 1) bust circumference looks loose, 2) waistcircumference looks loose, 3) bust depth appears to rise, 4) back height appears torise, 5) back width seems less appropriate, 6) armhole diameter look lessappropriate, 7) concave arm circumference seem cramped, 8) darts at the front ofthe skirt does not appropriate location, 9) darts rear skirt looks not appropriatelocation. Of research Lucia Mors De Castro can be adjusted to the ideal femalebody shape Indonesia, namely by doing some repairs on how to make a pattern.This can be seen from the results of the analysis of data on fitting to II, mode was 4,median was 4, and the percentage was 99,7.Kata kunci: Kesesuain pola dasar Lucia Mors De Castro, Wanita Indonesiabertubuh ideal.
STUDI TENTANG TENUNAN PANDAI SIKEK DI RUMAH TENUN PUSAKOKECAMATAN X KOTOKABUPATEN TANAH DATAR Meyliona, Geby; Adriani, Adriani; Nelmira, Weni
Journal of Home Economics and Tourism Vol 4, No 3 (2013): Periode September 2013
Publisher : Faculty of Tourism and Hospitality - Universitas Negeri Padang

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Abstract

CleverweavingSikekproducthas undergonemany changesincludingin terms ofcolors and patternsareused, resulting in the erosion ofcultural values​​containedinwovensongket. CleverweavingSikekonethat still retainsits originalshapeisPusakoWeavingHouse. The purposeof this studyistodescribe themotifwovensongketSikekClever, meaningmotif, weavingtechniquesandtypes ofproductson the HomeWeavingPusako. The method usedin this studyis aqualitativemethod. Typesof datain the form ofprimary and secondary data. Techniques ofdata collectionthrough observations, interviewsanddocumentation. Techniquesof dataanalysiswas done by usingan interactivemodel ofanalysisrelating to thesubject matterthat isthemodel ofdata reduction, data presentation, and conclusion. The results showedwovenmotifPusakoWeavingCleverHomesSikekderivedfromflora(plants), fauna(animals) andother objects. WeavingwovenmotifPusakoCleverHomesSikekthere are 35types. Eachmotifhas adifferent meaning. Meaning ofthemotifin the form ofdeliveringcustommessages, bothdoctrineandproceduresandcustomarylegal orderis the referenceorpegangganMinangpeoplelivingin daily life. WovensongketweavingtechniquesonPusakoWeavingCleverHomesSikekinitially isprovidingKasali, Turak, pancukiaandpalapah. After that juststartedweaving. The products producedby the HouseWeavingCleverPusakoSikekiscompletethe formsalendangcustom clothing, gloves, cawek, sisamping, tangkuluakandsaluak. Kata Kunci: Tenunan, motif, makna motif, teknik menenun, jenis produk, Rumah Tenun Pusako
PENGEMBANGAN MODUL MENGGAMBAR PROPORSI TUBUH MATA KULIAH GAMBAR ANATOMI JURUSAN IKK FAKULTAS PARIWISATA DAN PERHOTELAN UNIVERSITAS NEGERI PADANG Mawaddah, Khamilah; Ernawati, Ernawati; Nelmira, Weni
Journal of Home Economics and Tourism Vol 15, No 2 (2017): Periode September 2017
Publisher : Faculty of Tourism and Hospitality - Universitas Negeri Padang

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Abstract

The purpose of the research as an effort to solve the college students problem in Gambar Anatomi lectures at drawing the proportions of the body, because students have difficulty in drawing body proportions. This research is a research and development known as Research and Development (R & D) which aims to produce a learning media valid and practical.The research procedures include define, design and develop stages. The data was from validity test, small group and big group of college students practicallity test, and advisor of Gambar Anatomi leature subject. The validity test given to 4 validator, practicallity test given to 10 college students, big group practicallity test given to 40 college students and given to 1 advisor of Textile Analysis lectures subject. Based validity test the researcher got score 4,54 which categorized as valid. The result of practicallity test from small group was got score 84,19% which categorized as very practical, big group test was got score 82,75% which categorized as very practical and test from advisor of lectures subject was got score 90,00% which categorized as very practical. So this module is proper to use as learning media.Keyword : Pengembangan Modul, Menggambar Proporsi Tubuh
BORDIR KERANCANG DI KOTA PADANG PANJANG Rasyid, Ranny; Nazar, Ernawati ,; Nelmira, Weni
Journal of Home Economics and Tourism Vol 14, No 1 (2017): Periode Maret 2017
Publisher : Faculty of Tourism and Hospitality - Universitas Negeri Padang

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Abstract

Padang Panjang has Kerancang embroidery very beautiful and charming. This study aimed to describe Kerancang embroidery designs, embroidery Kerancang forms, tools and materials used in the manufacture of embroidery Kerancang and manufacturing technique of embroidery Kerancang in Padang Panjang. This research method is descriptive qualitative. Data was collected using interview, observation and documentation. Data analysis techniques are data reduction, data presentation, and conclusions. The validity of the data with the extension of 3observation, improved observations and triangulation. The study states that the embroidery Kerancang in Padang Panjang has a decorative shape naturalist, geometric shapes, and decorative shapes. Kerancang form of embroidery used were 16 shapes. Tools and materials used in making embroidery Kerancang pencils, paper rolls, erasers, carbon, fabric, sewing machine manual that has been tuned to make embroidery Kerancang, needle machine brand singer number 11 and number 9, sikoci, ram, embroidery scissors and yarn branded embroidery double penguin. The technique of making embroidery Kerancang a sewing machine sewn manual or dikerancang directly. Stage manufacturing embroidered Kerancang, starting from trace motif, small suji delicate motif and shearing, start mengkerancang, then the process of finishing with smoothed Kerancang.Keywords: Embroidery Kerancang, Embroidery Motif, Kerancang Form, Tools And Materials Used In The Manufacture Of Embroidery Kerancang, Technique Embroidery.
PERSEPSI MAHASISWA D3 TATA BUSANA FAKULTAS PARIWISATA DAN PERHOTELAN UNIVERSITAS NEGERI PADANG UNTUK BERWIRAUSAHA Yulandari, Cristya; Ernawati, Ernawati; Nelmira, Weni
Journal of Home Economics and Tourism Vol 14, No 1 (2017): Periode Maret 2017
Publisher : Faculty of Tourism and Hospitality - Universitas Negeri Padang

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Abstract

This study aims to determine students' perceptions of D3 dressmaking Faculty of Tourism and Hospitality University of Padang on entrepreneurship with a sample of 55 students of D3 dressmaking class of 2012 - 2014. The perception of entrepreneurship using three indicators: awareness, impact, and desire entrepreneurship. This research is quantitative descriptive by calculating the mean, median, mode, frequency distribution and classification techniques. Results of research students' perceptions D3 dressmaking for entrepreneurship in terms of awareness of entrepreneurship from 55 respondents 17 respondents are in the high category with a percentage (30.91%), Tourism and Hospitality in terms of impact of entrepreneurship 26 respondents at high category with a percentage (47.27%) and in terms of the desire for entrepreneurship 23 respondents at high category with a percentage (41.82%). It can be concluded that the D3 dressmaking student of the Faculty of University of Padang have the perception that high in terms of awareness, impact, and desire to entrepreneurship. Keywords: perception, entrepreneurship, awareness, impact, desire.
Bordir Kerancang di Kota Bukittinggi (Studi Kasus di Usaha Sulaman Ambun Suri) Hervilas, Vivi; Adriani, Adriani; Nelmira, Weni
Journal of Home Economics and Tourism Vol 13, No 3 (2016): Priode September 2016
Publisher : Faculty of Tourism and Hospitality - Universitas Negeri Padang

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Abstract

The oldest and famous embroidery business in Bukittinggi is Sulaman Ambun Suri. This study aimed to describe embroidery motifs, forms and techniques of making embroidery kerancang in Ambun Suri. The method used is a qualitative descriptive. The type of data in the form of primary data and secondary data. Informant are the leaders and craftsmen in Ambun Suri. The technique of collecting data through observation, interviews and documentation. Data analysis techniques are data reduction, data presentation, and conclusions. Extension of the validity of the data with observations, increased observation and triangulation. The study states that the embroidery motifs in Ambun Suri are very diverse which are inspired by nature. Embroidery has a decorative motif with naturalistic shapes, geometric shapes, and decorative shapes made up of the main motif, complementary motifs, and patterns filler. There are 23 shapes of kerancang used. The making of the embroidery is done by using a manual sewing machine by sewing it directly using embroidery thread branded „double penguin‟. The stage of making embroidered kerancang is starting from tracing the motif, mengkuku thatch or mensuji motif, cutting, embroidering and the last thing is finishing process by smoothing embroidery.Keywords: Bordir Kerancang, Motif Bordir, Bentuk Kerancang, Teknik Pembuatan Bordir1Prodi Pendidikan
STUDI TENTANG BORDIR DI KOTA SUNGAI PENUH PROVINSI JAMBI Hardianti, Witria; Adriani, Adriani; Nelmira, Weni
Journal of Home Economics and Tourism Vol 9, No 2 (2015): priode Juni 2015
Publisher : Faculty of Tourism and Hospitality - Universitas Negeri Padang

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Abstract

This research is a descriptive research with qualitative approach, which the is aims to describe the of embroidery in Sungai Penuh City, Jambi Province. The research inludes the shape of motifs, the pattern of motifs and color combinations of embroidery in Sungai Penuh City, Jambi province. Results of study revealed that: 1) Forms of embroidary motifs in the Sungai Penuh City, Jambi Province is naturalist form consists of kaluak paku, betel leaf, flower coffee, coffee leaves. 2) The decorative shape is the pattern of motifs that incung Kerinci. The patterns of motifs used in embroidery in the Sungai Penuh City, Jambi province sow ornamental paterns, decorative patterns periphery (periphery stands, periphery dependent, periphery run), free ornamental patterns and decorative patterns field. 3) The combinations of colors embroidery in the Sungai Penuh City, Jambi Province is the combinations of contrasting colors, the combinations of harmonious colors and, the combinations colors of polikromatis. Kata kunci: embroidery, Sungai Penuh City, Jambi province
ATURAN PAKAIAN UNTUK MENGHADIRI BARALEK PERKAWINAN BAGI WANITA DI KENAGARIAN VII KOTO TALAGO KECAMATAN GUGUAK KABUPATEN LIMA PULUH KOTA Efriani, Rimelda; Nazar, Ernawati; Nelmira, Weni
Journal of Home Economics and Tourism Vol 15, No 2 (2017): Periode September 2017
Publisher : Faculty of Tourism and Hospitality - Universitas Negeri Padang

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Abstract

The purpose of research is describethe rule, shape and meaning of clothing philosophy attended the wedding event for woman in Kenagarian VII Koto Talago Kecamatan Guguak Kabupaten Lima Puluh Kota. This study is a descriptive kualitatif study. Object this study is rule, shape and meaning of clothing philosophy attended the wedding event for woman in Kenagarian VII Koto Talago Kecamatan Guguak Kabupaten Lima Puluh Kota. Data collection techniques with observation, interview and documentation. Analysis techniques with reduction data, display of data and conclusion. The results showed that rules about attending marriage attire have written rules socialized, clothing used by Bundo Kanduang used kuruang basiba clotch, tingkuluak kompong, salempang, saruang2jao and slipper which is closed on the front. The meaning of philosophy contained in kuruang basiba clotch is women must be careful field, not selfish, can accept input from others, open and willing to associate with anyone. Tingkuluak kompong has a meaning, minang women are people who are customary and religious. The sling describes Bundo Kanduang as having a great responsibility towards her husband and child. Sarung batik with a cloth head placed on the back contains meaning, wherever he goes should always remember the child and her husband waiting at home. Slipper that are closed on the front of the model means that the wearing can keep a secret .Keywords : Wedding, Baju Kuruang, in Kenagarian VII Koto Talago
Sulaman Terawang di kecamatan Ampek Angkek Kabupaten Agam Roza, Silvia; Nelmira, Weni
Jurnal Pendidikan Tambusai Vol. 5 No. 1 (2021): 2021
Publisher : LPPM Universitas Pahlawan Tuanku Tambusai, Riau, Indonesia

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Abstract

Sulaman terawang di Nagari Panampuang merupakan sulaman yang dikembangkan turun temurun. Sulaman terawang didaerah ini diwadahi oleh usaha Pinjaik Patah Kecamatan Ampek Angkek. Keunikan sulaman salah satunya pada bentuk jarum tangan dimana jarum sengaja dipatahkan dengan ukuran kira-kira 2cm agar memudahkan dalam proses menyulam. Penelitian ini bertujuan untuk mendeskripsikan sulaman terawang di Nagari Panampuang ditinjau dari bentuk motif, alat dan bahan serta teknik pembuatan sulaman. Metode penelitian yang digunakan yaitu metode deskriptif kualitatif. Data terdiri atas data primer dan data sekunder dengan teknik pengumpulan data melalui observasi, wawancara, dan dokumentasi. Data dianalis dengan tahapan reduksi data, penyajian data, dan penarikan kesimpulan. Hasil penelitian menunjukkan bahwa bentuk motif sulaman terawang pada usaha Pinjaik Patah berupa motif naturalis dan geometris berupa flora dan fauna dan motif geometris berupa motif segi empat, segitiga, lingkaran dan prisma. Sulaman terawang yang ada pada usaha Pinjaik Patah Kecamatan Ampek Angkek Kabupaten Agam dikenal dengan nama sulaman terawang villet, terawang kasiak, terawang banduang, terawang pusek, dan terawang bungo lado. Alat dan bahan yang digunakan yaitu pemidangan, jarum sulam, benang jahit dan benang sulam, serta gunting. Teknik pembuatan sulaman terawang yaitu dimulai dengan penentuan letak motif, menentukan ukuran motif, mencabut benang, mengikat benang sesuai motif dan dilanjutkan dengan mengisi sesuai bentuk motif.
Desain Motif, Alat dan Proses Pembuatan Kerajinan Bordir Kerancang Bukittinggi Nelmira, Weni; Adriani, Adriani; Halmawati, Halmawati
Jurnal Pendidikan Tambusai Vol. 5 No. 1 (2021): 2021
Publisher : LPPM Universitas Pahlawan Tuanku Tambusai, Riau, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (350.102 KB) | DOI: 10.31004/jptam.v5i1.978

Abstract

Sumatera Barat terkenal memiliki kerajinan bordir yang indah, khas dan pengerjaan yang halus serta dikerjakan dengan telaten oleh tangan-tangan terampil. Salah satu daerah penghasilnya adalah Kota Bukittinggi, namun hasil karya tersebut belum terinventaris dengan lengkap dan didokumentasikan sebagai suatu aset daerah.Penelitian ini merupakan penelitian deskriptif kualitatif. Teknik pengumpulan data dalam penelitian ini adalah; observasi, wawancara dan dokumentasi. Prosedur analisa data menggunakan analisis interpretasi yang dideskripsikan dengan melakukan triangulasi.Triangulasi yang dilakukan menguji keabsahan data dengan mengkaji berbagai teori dan sumber yang relevan. Tahapan analisis data dimulai dari display data, reduction datadanpenarikan kesimpulan.Penelitian ini dirancang untuk dapat mengumpulkan, menginventaris serta mendokumentasikan desain motif, alat serta proses pembuatan bordir kerancang di Bukittinggi.Hasil penelitian menunjukkan bahwa desain bordir kerancang di Bukittinggi bersumber dari bentuk-bentuk naturalis dan geometris yang dikelompokkan menjadi 25 bentukdesain motif bordir. Alat yang digunakan mencakup alat utama, alat pendukung dan alat pelengkap. Proses pembuatan kerajinan bordir dimulai dari proses persiapan, proses membordir dan proses finishing produk. Hasil penelitian diharapkan dapat dijadikan sebagai acuan bagi pengembangan industri bordir kerancang serta bahan kajian pada pembelajaran bordir di lembaga pendidikan formal ataupun lembaga pendidikan non formal bidang bordir.
Co-Authors A.R, Sannia Lauren Abdullah, MT, Dr. Rijal Abidah, Zhafira Suci Adriani ADRIANI ADRIANI Adriani Adriani Afaf, Zafirah Afnur Saputri. Ys Afria, Reni Afrianti, Dewi Agusti, Riri Agustin, Vita Aulya Aini, Lihuri Aksari, Khairani Almagita, Rachmy Bunga Ambiyar, Ambiyar Amelia, Desry Ananda, Putri Annisa Suryani Aprilia, Nova Azizah Suwandi Azka Hayati Azzahra, Raudhatul Chairani, Vici Syahril Deviani Deviani DEWI RAHMAWATI Dewi, Liyan Puspita Diah Cahyani Dini Rahayu Efriani, Rimelda Elliza, Fidya Ernawati Ernawati Ernawati Ernawati Nazar Febriana, Vina Fia Andani Fithri, Aulya Fitri, Yulianda Geby Meyliona Hadiastuti, Hadiastuti Hadzirotun Nadawiyah Hafidza , Hikmah Halmawati, Halmawati Hardianti, Witria Hasanah, Nursanti Hastuti, Meidina Hazri Lathifatun Nisa Hervilas, Vivi Indriani, Suci Ira Syafrina Irdha Yusra Juwita, Syahrida KH, YUSNIMAR Khairani Aksari Khairani, Fitranada Ihsanul Khairani, Riva Khalishah Rezky Muharrani Kholizah Kholizah Kholizah, Kholizah Lestari, Syawalia Mardalena, Tari Novelia Marna, Jean Elikal Mauli Datul Gustia Mawaddah, Khamilah Misnawati, Tri Muharrani, Khalishah Rezky Ningsih, Tri Osvira Nisa, Hazri Lathifatun Nita Sahara Nizwardi Jalinus Nopri Yulia Novrita, Sri Zulfia Novrita, Sri Zulvia Nurfadhila, Emi Nurul Aflah Oktarina, Silvi Pratiwi, Dara Mia Pratiwi, Mala Maulidina Puji Hujria Suci PUSPANELI, PUSPANELI Putri Ananda Putri, Azizah Dwi Putri, Zahwa Miffia Rafikah Husni Rahmadani, Latifa Rahman, Wulandari Mulia Rahmona Dinayu Rasyid, Ranny Reni Fitria RESTI UTAMI Riani, Aqsya Ridwan Riska Savitri Roza, Silvia Rusda, Rusda Saputri, Rien Ana Savitri, Riska Sri Ayu Ramadhani Susana Anggraini Susmelly, Sri Suwandi, Azizah Syafriati Syafriati Turrahmah, Diah Utami, Rima Agustia Wari, Felmi Waskito Widi Aliffa Izzara Wihandira Wihandira Wildati Zahri Wulan Dari, Ponda Tiara Wulandari Mulia Rahman Yasnidawati Yasnidawati Yulandari, Cristya Zafirah Afaf Zanil, Ilham