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JANTURAN JEJER PERTAMA DALAM PERGELARAN WAYANG KULIT: ANALISIS GEOCRITICISM BERTRAND WESTPHAL Rokhim, Mukhammad Nur; Nugroho, Yusro Edy
Tambo: Journal of Manuscript and Oral Tradition Vol. 1 No. 1 (2023): TAMBO
Publisher : Pusat Riset Manuskrip, Literatur, dan Tradisi Lisan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55981/tambo.2023.1813

Abstract

In the first row of shadow puppet performances, distinctive differences exist in presenting regional differentiation between India and Java. Therefore, a geocentric study is necessary to analyse geosphere differences in wayang kulit sequences. This research aims to describe geographical and geophilosophical concepts in the narrative of the first line of a shadow puppet performance. This study uses a qualitative approach, while the data is reviewed from the perspective of geocriticism theory. Survey of data using a note-taking model from recordings of shadow puppet performances, as well as analysis of text interpretations that focus on the first line of the principal kingdoms, namely Amarta-Astina (Mahabharata) and Pancawati-Alengka (Ramayana). From this analysis, it can be concluded that the narrative of the first line of a wayang kulit performance, such as the expression flanked by the ocean (ginapit ing samodra), having a large harbour (ngayunaken Bandaran Ageng), and pasir wukir (coast and mountains) describes the geography of Java. The spatiotemporal aspects in first ‘jejer’ of the Mahabharata and Ramayana have similarities, namely, the life of urban society in the royal capital and rural communities. The element of transgressiveness is manifested in the geophilosophical application of empire for prosperity. Referentiality is influenced by the essential dissimilarity of wayang stories, which are more Javanese-centric.
Pilkades as A Political Representation of Village Society in the Novel Desa Sajeroning Ombak Sofia Nur Laeli; Edy Nugroho, Yusro; Ari Widihastuti, Rahma
Sutasoma : Jurnal Sastra Jawa Vol. 13 No. 2 (2025): Sutasoma: Jurnal Sastra Jawa
Publisher : Program Studi Sastra Jawa, Fakultas Bahasa dan Seni, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/sjsj.v13i2.30488

Abstract

Literature and politics are an interesting combination. Not only as entertainment, but literature is also a means of critiquing societal issues. Desa Sajeroning Ombak is one of  Sela Istighfari's novels that describes the process of community politics in the village and the conflicts that arise during its implementation. Therefore, this study aims to identify (1) the forms of political conflict during village elections, and (2) the factors causing political conflict during village elections in the novel Desa Sajeroning Ombak. This study employs a mimetic approach and utilizes Ian Watt's literary sociology theory as its theoretical framework. The data collected includes characters, plot, and setting sourced from the novel Desa Sajeroning Ombak by Sela Istighfari. The analysis was conducted using hermeneutic techniques. The findings show that the village head election process in the novel Desa Sajeroning Ombak involves three forms of conflict: (1) conflict between individuals, between Pak Surya and Haidar; (2) conflict between groups, between traditional fishermen and industrial workers; and (3) conflict between the village government and the village community. In addition, the factors causing the conflicts are (1) competition, (2) differences in interests, (3) loss of public trust, and (4) natural disasters. In the implementation of the village head election, the conflicts that arise cause divisions within the community.
Ecofeminism Interpretations of Women’s Transformation in Indonesian Folktales Lestari, Citra Rizky; Nuryatin, Agus; Doyin, Mukh; Nugroho, Yusro Edy
DISASTRA: PENDIDIKAN BAHASA DAN SASTRA INDONESIA Vol 8, No 1 (2026): JANUARI
Publisher : Universitas Islam Negeri Fatmawati Sukarno Bengkulu

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29300/disastra.v8i1.8786

Abstract

This study examines how Indonesian folktales present female characters transforming in response to social or cultural expectations. From an ecofeminist perspective, these narratives reflect deeper critiques of the intertwined marginalization of women and nature. Specifically, the study examines recurring motifs of female transformation into natural elements in three folktales: Nini dan Puteri Ikan, Asal Usul Kota Banyuwangi, and Legenda Ikan Patin. These stories portray women who, due to betrayal, grief, or societal pressure, undergo symbolic metamorphosis, particularly through transformations into fish or through symbolic fusion with water. The research employs a descriptive qualitative approach, applying thematic analysis with NVivo-style coding to identify patterns across texts. The analysis highlights three key themes: bodily transformation as a form of resistance or consequence, the weight of patriarchal expectations that restrict female agency, and spiritual or mystical symbolism that elevates the transformation beyond mere punishment. The findings suggest that these transformations function as both acts of protest and modes of renewal, expressing loss, liberation, and transcendence. Through this lens, the tales reveal cultural perspectives on women, morality, and human-nature relationships. Ultimately, the study contributes to gender and folklore scholarship by showing how narratives of female transformation encode socio-cultural anxieties and aspirations, offering alternative understandings of identity, power, and ecological interconnectedness.
Structure Register of Javanese Preachers in Social Media Miji Lestari, Prembayun; Mujimin, Mujimin; Nugroho, Yusro Edy; Irawati, Retno Purnama
International Journal of Multidisciplinary Sciences Vol. 3 No. 4 (2025)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/ijms.v3i4.3899

Abstract

Language variations that correlate with social variations in society are interesting and important studies to do. One of the social variations that shows the dynamics of language is the use of Javanese by religious preachers. This study aims to describe and classify the structure and characteristics of registers used by Javanese preachers in social media. The theory used is the language register theory from Halliday and discourse structure. The source of the data comes from the utterances of Javanese-language preachers on Youtube, especially on the Anza channel. KH. Anwar Zahid. The research was conducted using a descriptive qualitative approach. The process of collecting data through observation and listening methods with note-taking techniques. The research data is in the form of words containing registers that show the structure and characteristics of Javanese preachers on YouTube social media. The results of the study show that there is a structure and register characteristics used by Javanese preachers on social media, especially on the anza channel KH. Anwar Zahid. The structure of the register of Javanese-language preachers on the social media Youtube channel KH. Anwar Zahid can be seen in the opening structure, content or core structure, and closing structure. Each of these structures has a register shape that is not the same. The structure of the registers of Javanese preachers studied show that dominant vocabulary or discourse related to Islamic religion emerges and Javanese culture. In addition, it was found that there were specific greeting words, unique abbreviations, humor or jokes that showed the closeness between the congregation and the preacher, namely KH. Anwar Zahid.
Anomali Konsep Pola Pengasuhan Anak dalam Naskah Luput ing Pamulang Nugroho, Yusro Edy; Supriyadi, Didik; Widodo; Fuadhiyah, Ucik
Jurnal IKADBUDI Vol. 14 No. 3 (2025): Jurnal Ikadbudi : Jurnal Ilmiah Bahasa, Sastra, dan Budaya Daerah
Publisher : Fakultas Bahasa Seni dan Budaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/ikadbudi.v14i2.91749

Abstract

Naskah Luput ing Pamulang merupakan salah satu karya sastra Jawa yang memuat nilai-nilai pedagogis tentang pengasuhan anak menurut kultur Jawa. Artikel ini menyajikan gambaran pola pengasuhan anak dalam budaya Jawa yang tidak selazimnya dipahami dan dimengerti oleh masyarakat saat itu. Pola pengajaran yang disajikan lebih menekankan pada hal-hal yang terlepas dari kelaziman pola pengasuhan anak pada masa itu. Beberapa hal penting yang ditemukan sebagai anomali adalah adanya pola pengasuhan yang selama ini diyakini sebagai: (1) pengabaian emosional, (2) eksploitasi anak, (3) kurangnya disiplin dalam pola pengasuhan, dan (4) peran gender yang kaku. Pola pengasuhan yang ditawarkan dalam naskah Luput ing Pamulang merupakan sebuah alternatif inovatif yang lebih cermat dalam interaksi hubungan orang tua dan anak.