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All Journal Gorga : Jurnal Seni Rupa AMALIAH: JURNAL PENGABDIAN KEPADA MASYARAKAT Adi Widya: Jurnal Pendidikan Dasar Jurnal Nawala Visual Jurnal SASAK : Desain Visual dan Komunikasi Berajah Journal ADMA: Jurnal Pengabdian dan Pemberdayaan Masyarakat International Journal of Social Science, Educational, Economics, Agriculture Research, and Technology (IJSET) KNOWLEDGE: Jurnal Inovasi Hasil Penelitian dan Pengembangan ANUBHAVA: Jurnal Ilmu Komuniksi Hindu Prima Magistra: Jurnal Ilmiah Kependidikan Jurnal Ilmu Sosial dan Humaniora Jurnal Ilmiah Pengabdian dan Inovasi Jurnal Pengabdian kepada Masyarakat IPTEKS J-CEKI Anima Rupa: Jurnal Animasi TERAS: Jurnal Pengabdian Masyarakat Sosial Budaya Jurnal Pengabdian Pada Masyarakat IPTEKS
I Nyoman Miyarta Yasa
Universitas Bumigora
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Journal : Jurnal Nawala Visual

 1 
TANDA VERBAL PADA FILM ANIMASI “El Empleo” Nyoman Miyarta Yasa; Hasbullah Hasbullah
Jurnal Nawala Visual Vol 2 No 1 (2020): Jurnal Nawala Visual Mei 2020
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat (LPPM) Institut Desain dan Bisnis Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35886/nawalavisual.v2i1.77

Abstract

"El Empleo" is a silent animated film that won 102 Awards. This animated film is only equipped with sound effects, so that makes it alive. This film is very important to be investigated when viewed from the uniqueness that is located in a strange visual, humans are used as tools and objects around their residence. This animated film, communicates messages through verbal signs However, not everyone understands the meaning of the sign. Therefore, the problem that arises in this research is about how the verbal signs are displayed in the animated film " El Empleo ". The purpose of this study is to analyze in-depth in the first, middle and end scenes of verbal signs, the intent that the animator communicates in the animated film. The method used is qualitative interpretative with the foundation of Charles S. Pierce's semiotics theory. The results of this study are verbal signs in the form of icons of men living as bosses; human symbolized as a seat, vehicle (taxi), traffic signs, and as a toilet mat; index contained in the expression of the face of the character/character that indicates power and oppression. In conclusion, at the level of verbal signs in the first, middle, and final scenes, they can be divided into icons depicting a man living a boss; humans as subordinates are symbolized as seats, vehicles, traffic signs, even as footwear in front of the toilet door, the index looks at the boss's facial expression, and subordinates that indicate oppression. The purpose and objectives as a symbolic message that signifies power are not always owned, but on the contrary the power will be oppressed.
Co-Authors Arfa, Muhammad Ashar Banyu Lazuardi Biagi, I Wayan Kusuma Di christofer satria Dedi Aprianto Dewi Puspita Ningsih Dewi, Ni Putu Sinta Gita sispratiwi Faja HARYONO Haryono Haryono Hasbullah Hasbullah Hasbullah Hasbullah I Gde Anjas kharisma Nata I Gede Anjas Kharisma Nata I Gede Anjas Kharismana Nata I Wayan Kusuma Di Biagi I Wayan Kusuma Di Biagi Ihsan Ihsan Irfan Hidayat Irfan Hidayat, Irfan Lalu Zazuli Azhar Mardedy Mardedi, Lalu Zazuli Azhar Mohamad Yudisa Putrajip Muhammad Alief Wardana, Lalu Nakzim Khalid Siddiq Nata, I Gede Anjas Kharisma Ni Luh Kadek Mei Ananda Sari Ni Putu Sinta Dewi Perdana, Sasa Bella Cintia Riski Puspita Dewi, Puspita Putrajip, Mohamad Yudisa Qatrunnada Qatrunnada, Qatrunnada Randa Januario Pratama Risyaf Kudus Pranasa Sasih Gunalan Sinta Dewi, Ni Putu Sirojul Hadi Siti Soraya Suriadi Ardiansyah Suryadmaja, Galih Susi Handayani Syamsiar, Syamsiar Utari, Retno Wahyu Kamil Syarifaturrahman Yunika, Regina Pricilia Zainudin Abdussamad