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All Journal Craft Local Wisdom : Jurnal Ilmiah Kajian Kearifan Lokal Panggung Visualita : Jurnal Online Desain Komunikasi Visual Jurnal Telematika International Journal of Cultural and Art Studies (IJCAS) Wimba: Jurnal Komunikasi Visual Jurnal Seni dan Reka Rancang: Jurnal Ilmiah Magister Desain Bhumidevi : Journal Of Fashion Design Serat Rupa: Journal of Design Dinamika Kerajinan dan Batik: Majalah Ilmiah
Yan Yan Sunarya
Craft Department, Faculty of Art and Design, Bandung Institute of Technology, Jalan Ganesa No.10, Bandung 40132
Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Education Electrical & Electronics Engineering Engineering Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Social Sciences

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Analisis Visual Citra Kota dan Proses Kreasi Motif Batik Marunda Jakarta Dyah Woelandhary, Ayoeningsih; Damayanti, Nuning Yanti; Sunarya, Yan Yan; Adriati, Ira
PANGGUNG Vol 35 No 1 (2025): Wacana Seni dalam Identitas, Simbol, Pendidikan Karakter, Moral Spiritual dan Pr
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v35i1.3757

Abstract

Penelitian ini mengangkat Batik Marunda sebagai representasi produsen batik yang mengusung identitas Jakarta masa kini melalui motif bertema urban. Sebelumnya, kajian mengenai batik cenderung berfokus pada budaya Betawi, sementara objek kota Jakarta, dengan segala kompleksitas visual dan narasinya, jarang menjadi perhatian. Penelitian ini bertujuan untuk mengeksplorasi bagaimana elemen visual direpresentasikan dan diintegrasikan ke dalam motif batik, menggunakan teori Kevin Lynch sebagai kerangka analisis. Dengan pendekatan kualitatif, penelitian ini mengurai proses kreasi motif yang melibatkan lima elemen path, edge, district, node, dan landmark, untuk memastikan setiap elemen visual ditempatkan secara strategis dan bermakna. Hasil penelitian ini diharapkan memberikan pemahaman baru bagi perancang batik mengenai pentingnya mengangkat citra kota secara holistik dalam proses kreatif, sehingga mampu menghadirkan karya yang tidak hanya estetis, tetapi juga relevan dengan identitas budaya dan visual dengan tema kota.
Padma Flower Ornaments on the Gedhe Kauman Mosque in Yogyakarta and Its Transformation Wiyono, Erina; Damayanti, Nuning Yanti; Destiarmand, Achmad Haldani; Sunarya, Yan Yan
Local Wisdom Jurnal Ilmiah Kajian Kearifan Lokal Vol. 17 No. 1 (2025): January 2025
Publisher : University of Merdeka Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26905/lw.v17i1.13170

Abstract

The pride in the identity of a nation which is associated with the long history can be transformed into a valuable asset for both the present and the future. This can be achieved through the development of cultural heritage in the form of the artifacts owned. The diverse traditions associated with past legacies establish an inseparable connection between Indonesia and cultural history. An example of cultural heritage are the buildings that serve as evidence of the activities conducted in the past. Moreover, the influence of cultural, religious, and social systems caused by acculturation is evident in different forms of mosque buildings in Indonesia, specifically on Java Island. This can be observed from the adoption of ornaments in the Western period, starting from the 16th century. An example was the adoption of Padma Flower also known as the Lotus and Red Lotus by mosque buildings during the early introduction of Islam. The flower is also found in the house of worship, the Gedhe Kauman Mosque in Yogyakarta, built in 1773 AD by Sri Sultan Hamengku Buwono 1. Therefore, this research aimed to explain (1) the form of Padma Flower ornaments based on the shape, and (2) the changes in the form with subsequent influence on the present design. A qualitative method with a Visual Adaptation strategy was used to describe and analyze the form of the flower to determine the formulation process. The adaptation of Padma Flower ornaments in different places was expected to assist the process of using motif as a reference in the field of art and design.
Visualization of Pitch in Slendro and Diatonic Scales Parung, Christabel; Saidi, Acep Iwan; Sunarya, Yan Yan; Sihombing, Riama Maslan
PANGGUNG Vol 35 No 2 (2025): Representasi, Transformasi, dan Negosiasi Budaya dalam Media, Seni, dan Ruang So
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v35i2.3874

Abstract

This study investigates the visual representation of pitch in two musical scales: the diatonic scale and the Javanese Slendro scale. This research shows how scales are perceived and depicted visually by engaging five young adults in a free-drawing study. Using Jakobson’s intersemiotic translation for analysis, participants were provided with sound stimuli first and asked to draw their visualization of scales using lines, form, and color. The results revealed that the diatonic scale was consistently represented with structured and sequential visuals, indicating familiarity and linearity. On the other hand, Slendro was visualised with more significant variability and fluidity. This study shows that the visual representation of the musical element of pitch does not stand alone but is also influenced by the musical scale and the listener’s familiarity with it.
EXPLORATION OF JELAMI TECHNIQUES USING NATURAL DYES OF TINGI WOOD (CERIOPS TAGAL) AND JASMINE (JASMINUM SAMBAC) IN ATBM SILK WEAVING FABRIC INTO ENVIRONMENTALLY FRIENDLY TEXTILES Savitri, Savitri; Damayanti, Nuning Yanti; Sunarya, Yan Yan; Widiawati, Dian
Wimba : Jurnal Komunikasi Visual Vol. 16 No. 1 (2025): Wimba: Jurnal Komunikasi Visual
Publisher : KK Komunikasi Visual & Multimedia Fakultas Seni Rupa dan Desain Institut Teknologi Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/jkvw.2024.16.1.1

Abstract

This paper discusses the results of research related to exploration and innovation in utilizing the potential of nature and environmentally friendly technology in creating textile motifs through the Jelami technique (Natural Footprint), which is a way of transferring traces of motifs and colors on fabric, using jasmine flowers as a motif builder and natural dyes of high wood as a form of color traces. This innovation is related to the rapid progress of Indonesia's textile industry, which is considered positive. Still, there are problems with environmental pollution caused by the increasing use of environmentally unfriendly materials, namely chemicals, which are very harmful to the ecosystem of human life and biodiversity. To address this issue, it is essential to anticipate potential problems by exploring alternatives in the textile industry's production process one alternative is research on the use of environmentally friendly materials. The method used is exploratory qualitative research. The initial stage is observation, literature study, and documentation, then the stage is determining jasmine flowers (Jasminum sambac) and natural dyes from high wood (Ceriobs candolleana) applied to ATBM silk fabrics through the jelami technique. The next stage is to experiment and explore the process of the jelami technique on fabrics to get a standard formulation to produce jasmine motifs that are consistent in shape and color. The stages of applying and designing motifs with jelami techniques use a craft creation approach (Gustami, 2006), namely the design, embodiment, and evaluation stages. Munsell's theory expresses color in three dimensions: taste, value and intensity. The result of the study is the novelty of jasmine motifs with natural dyes of high wood through the process of jelami techniques in the form of textiles to be applied to a variety of used objects that have high economic value and are environmental friendly
Decoding community murals as visual representations of multiculturalism in Suryatmajan tourism kampong Oentoro, Kristian; Sunarya, Yan Yan; Nugraha, Adhi; Ihsan, Muhammad
International Journal of Culture and Art Studies Vol. 9 No. 2 (2025): International Journal of Culture and Art Studies (IJCAS)
Publisher : Talenta Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32734/ijcas.v9i2.21137

Abstract

Community murals, as participatory public art projects, express local identities and cultural influences within society. Situated in the heart of Yogyakarta, the community mural in Suryatmajan tourist village conveys a visual message about unity in diversity while promoting a multicultural ideology. Therefore, this study aims to analyze the signs on these community murals as visual representations of multiculturalism. Employing Roland Barthes' semiotic analysis, this research decodes the signs and layered meanings in four murals placed at the different entrance gates. These murals visually represent four distinct cultural influences, from local to global: Javanese, Chinese, Japanese, and American (popular culture). These cultural influences are identified through images of prominent figures or icons associated with each culture. They generate denotative and connotative meanings for each mural according to its story. As a manifestation of community engagement, the diversity in this mural representation reflects social conditions, cultural history, and residents' preferences. These murals also demonstrate the community's tolerance for cultural differences and foster multiculturalism. By prioritizing the value of harmony (guyub), Suryatmajan tourism kampong emphasizes unity in cultural diversity as a mural narrative. This research concludes that the community mural in tourism kampong is more than simply decoration; it serves as a collective expression, attracts tourists, and fosters multiculturalism within the society.
Revitalisasi Desain Motif Pelo Ati Rifa’iyah Berdasarkan Data Hasil Analisis Selera Generasi Milenial Lesmana, Handi Hermawan; Sunarya, Yan Yan
Serat Rupa: Journal of Design Vol 9 No 1 (2025): SRJD - JANUARI
Publisher : Faculty of Humanities and Creative Industries, Maranatha Christian University (formerly Faculty of Fine Arts and Design)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.28932/srjd.v9i1.9287

Abstract

Indonesian Batik was recognized by UNESCO on October 2, 2009, as an Intangible Cultural Heritage (ICH) during the UNESCO session in Abu Dhabi. This art form must, of course, be preserved to prevent it from disappearing. This research aims to revitalize the Pelo Ati motif of Rifa'iyah batik in Batang Regency by developing and renewing existing batik designs. The new batik designs are tailored to the target market of the millennial generation. This research uses the ATUMICS method, supported by questionnaire data. This method is used as part of the revitalization process to analyze and understand market conditions. This is crucial for preserving existing values. The research results are design recommendations that create new compositions for the batik motifs, targeting the millennial generation. 
Budaya Tradisi Sebagai Identitas dan Basis Pengembangan Keramik Sitiwangun di Kabupaten Cirebon Yana, Deni; Dienaputra, Reiza D; Suryadimulya, Agus S; Sunarya, Yan Yan
PANGGUNG Vol 30 No 2 (2020): Identitas Sosial Budaya dan Ekonomi Kreatif
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v30i2.1045

Abstract

Penelitian ini dilatarbelakangi oleh kondisi sentra kerajinan keramik Sitiwinangun di Kecamatan Jamblang Kabupaten Cirebon yang produknya saat ini semakin menurun baik secara kualitas maupun  kuantitas. Keadaan ini  merupakan hal yang ironis mengingat sentra tersebut memiliki potensi sumber daya alam, manusia dan budaya yang cukup kuat. Tujuan penelitian ini adalah untuk mengembangkan produk kerajinan keramik    Sitiwinangun melalui pemanfaatan  budaya tradisi lokal sebagai penguatan identitas dan basis pengembangan produknya. Penelitian ini menggunakan pendekatan budaya dan estetika melalui teori morfologi estetik dan metode ATUMICS dengan tahapan identifikasi, analisis, pengembangan desain, aplikasi desain dan evaluasi. Hasil dari penelitian ini berupa produk keramik yang lebih modern dalam bentuk karya seni, hias dan fungsi dengan identitas budaya tradisi lokal Cirebon. Budaya tradisi dalam konteks  konservasi dan revitalisasi kerajinan keramik secara umum dapat menjadi alternatif sebagai basis pengembangan dan penguatan identitas lokal produknya.Kata kunci : budaya, cirebon,keramik, sitiwinangun, tradisi. 
“Mbok Mase” dan “Mbok Semok”: Reinterpretasi Karakter Perempuan Jawa dalam Kultur Batik Nurcahyanti, Desy; Sachari, Agus; Destiarmand, Achmad Haldani; Sunarya, Yan Yan
PANGGUNG Vol 31 No 3 (2021): Budaya Ritual, Tradisi, dan Kreativitas
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v31i3.1096

Abstract

Stigma masyarakat tentang karakter perempuan Jawa digambarkan sebagai sosok marginal yang tunduk pada kekuatan laki-laki, pengabdi, penurut, pelayan, bertutur kata lemah lembut, dan bergerak pelan dengan wajah menunduk. Deskripsi tersebut berubah secara dinamis dan mengalami reinterpretasi melalui peristiwa sejarah terkait peran perempuan Jawa dalam perjuangan penyetaraan hak dengan kaum laki-laki. Pemaknaan ulang karakter perempuan Jawa terjadi pada lingkup pengrajin batik di Girilayu, Karanganyar, Jawa Tengah. Mereka bersepakat membentuk pencitraan untuk ciri khas produk batik dengan istilah “Mbok Semok”. Analisis perspektif sosio-kultural memperlihatkan bahwa karakter, kekuatan, dan peran para perempuan pengrajin batik tersebut sebagai motor penggerak perekonomian di Girilayu. Uraian tersebut memiliki kesamaan dengan karakter, kekuatan, dan peran perempuan juragan di Laweyan, Surakarta (Solo) dengan sebutan “Mbok Mase”, sebagai kunci keberhasilan perjalanan sebuah usaha batik keluarga. Penelitian ini bersifat kualitatif dengan pendekatan antropologi budaya, analisis menggunakan metode komparatif berdasarkan konsep teori reinterpretasi dari Melville J. Herskovits. Hasil penelitian berupa deskripsi, latar belakang serta bentuk-bentuk reinterpretasi karakter perempuan Jawa dengan komparasi antara “Mbok Mase” di Laweyan, Surakarta dengan “Mbok Semok” di Girilayu, Karanganyar. Temuan penelitian adalah karakter, kekuatan, peran, sikap bahkan sistem di Girilayu dan Laweyan yang mereinterpretasi karakter perempuan Jawa merupakan etos kultur batik.
Industri Kreatif Unggulan Produk Kriya Pandan Mendukung Kawasan Ekowisata Pangandaran, Jawa Barat Hendriyana, Husen; Putra, I Nyoman Darma; Sunarya, Yan Yan
PANGGUNG Vol 30 No 2 (2020): Identitas Sosial Budaya dan Ekonomi Kreatif
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v30i2.1202

Abstract

ABSTRACTPangandaran is known as one of many famous tourist destinations in West Java Province that possesspotential beautiful natural marine resources. This coastal area which streches 91 km and has sloping steeprocky beaches. Grows overabundant pandan (pandanus tectorius) plants, however conditions are verydamaged and there is no concern for good governance from the local government. This research aims toproduce eminent products of craft in supporting tourism by increasing the natural resources potentialand the local craftsmen resources from the surrounding areal environment. This article is result of appliedresearch in a type of practice-led research with a focus on the creative industries of craft products thatsupport tourism through the eco-design and eco-tourism approach. This research uses design-thinkingmethod, with Participation Action Research (PAR) approach and the Hexa Helix system. The result is aeminent product prototypes and start up business of craft art creative industries that support eco-designand eco-tourism park.Keywords: Creative Industry, Pangandaran Area, Pandan-based Craft, EcotourismABSTRAKPangandaran dikenal sebagai salah satu destinasi wisata di Provinsi Jawa Barat yang memilikipotensi alam laut yang indah. Wilayah pantai membentang sepanjang 91 km terdiri dari kawasanpantai pasir yang landai dan pantai berbatu curam. Di wilayah Pangandaran banyak ditumbuhitanaman pandan (pandanus tectorius), namun kondisinya sangat rusak dan tidak ada kepeduliaantata kelola yang baik dari pemerintah setempat. Penelitian ini bertujuan menghasilkan produkprodukseni kriya unggulan daerah untuk menunjang pariwisata dengan mengangkat potensisumber daya alam dan sumber daya perajin dari lingkungan masyarakat setempat. Artikel inimerupakan salah satu hasil penelitian terapan jenis practice-led research dengan fokus industrikreatif produk seni kriya yang mendukung pariwisata melalui pendekatan eco-design dan ecotourism.Penelitian ini menggunakan metode design thinking, dengan pendekatan ParticipationAction Research (PAR) dan sistem Hexa Helix. Hasil dari penelitaian ini berupa prototipe produkunggulan dan terwujudnya start up-start up bisnis industri kreatif seni kriya pendukungekowisata berbasis kawasan.Kata Kunci: Industi Kreatif, Kawasan Pangandaran, Kriya Pandan, Ekowisata
Respon Kreatif Perajin Pandan dalam Mendukung Lingkungan, Nilai Tambah Ekonomi Masyarakat, dan Pelestarian Sumber Daya Alam Hendriyana, Husen; Putra, I Nyoman Darma; Rinestu, Tyas; Sunarya, Yan Yan
PANGGUNG Vol 31 No 3 (2021): Budaya Ritual, Tradisi, dan Kreativitas
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v31i3.1673

Abstract

Pangandaran Jawa Barat adalah daerah pantai pasir dan bukit berbatu membentang sepanjang 91 km yang separohnya, 44,85 km, ditumbuhi tanaman pandan (pandanus tectorius). Potensi kekayaan alam itu menginspirasi tumbuhnya pekerjaan baru dari mayoritas penduduk Pangandaran petani padi, kelapa, gula kelapa, serta nelayan. Artikel ini bertujuan untuk mengkaji respons individu dan kelompok masyarakat terhadap budaya kreatif untuk membuat produk kreatif berbasis material pandan. Uraian difokuskan pada respon psikologis individu dan atau kelompok terhadap sumber daya lingkungan, respons psikologis terhadap sumber daya lingkungan dalam membentuk hubungan antar-kelompok, dan menggambarkan pemahaman kelompok perajin terhadap pengetahuan dan keterampilan desain yang memperhatikan kelestarian sumber daya lingkungan. Penelitian ini menggunakan metode design thinking, dengan pendekatan Participation Action Research (PAR), eco-design, eco-friendly product, environmental design melalui sinergisitas unsur-unsur pengampu kepentingan. Hasil penelitian menunjukkan timbulnya kesadaran kreatif baru bagi masyarakat Pangandaraan untuk membuat produk kriya berbasis pandan yang tidak saja bernilai ekonomi tetapi dapat mendukung program masyarakat mengurangi sampah plastik. Lewat berbagai produk olahan berbasis pandan seperti eco-friendly shopping bag (tas belanja ramah lingkungan), proses dan karya kreatif mereka pelan-pelan juga menimbulkan kesadaran baru untuk menjaga sumber daya pandan agar bisa menyediakan bahan baku secara berkelanjutan.     Kata Kunci:  pandanus tectorius; perajin pandan Pangandaraan Jawa Barat; produk ramah lingkungan, sampah plastik
Co-Authors Acep Iwan Saidi Achmad Haldani Destiarmand Adhi Nugraha Agung Eko Budi Waspada Agus Sachari Alamsjah, Fitri Aridanti Amanda Rahmadhani Chandra Tresnadi Cikita Wildainy Deni Yana Deny Willy Dian Widiawati Dyah Woelandhary, Ayoeningsih Elda Franzia Jasjfi Enrico Enrico Evan Raditya Pratomo Fadhila Ardanindita Arimurti Ganal Rudiyanto, Ganal Gandung Anugrah Kalbuadi Hafiz Aziz Ahmad Hismanto, AG. Andi Husen Hendriyana I Nyoman Darma Putra Ira Adriati Krishna Hutama, Krishna Kristian Oentoro Laksitarini, Ike Niken Larasya Nayenggita Laurencia, Jessica Lesmana, Handi Hermawan Muhammad Ihsan Natalia, Zoya Nuning Yanti Damayanti Nurcahyanti, Desy Parung, Christabel Pramono, Firdyanza Prayogi, Candra Putri, Kiki Rizky Soetisna Rahayu Budhi Handayani Reiza D. Dienaputra Riama Maslan Sihombing Rinestu, Tyas Ruly Darmawan Santoso, Sandi Savitri Savitri, Savitri Suprapto, Tusita Metadevi Jayamangalani Suryadimulya, Agus S Sutapa, Widasapta Udiyani, Ni Made Santi Wegig Murwonugroho Wiyono, Erina