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All Journal Sabda: Jurnal Kajian Kebudayaan HUMANIKA Jurnal Bahasa dan Sastra Poetika: Jurnal Ilmu Sastra ELTIN Journal: Journal of English Language Teaching in Indonesia JURNAL KONFIKS Journal of Language and Literature KREDO : Jurnal Ilmiah Bahasa dan Sastra Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Kiryoku: Jurnal Studi Kejepangan Japanese Research on Linguistics, Literature, and Culture JENTERA: Jurnal Kajian Sastra Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Cakrawala: Jurnal Pendidikan Jumantara: Jurnal Manuskrip Nusantara Wicara
Ken Widyatwati
Fakultas Ilmu Budaya
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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NILAI-NILAI KEPEMIMPINAN SULTAN AGUNG DALAM BABAD SULTAN AGUNG: KAJIAN STRUKTURALISME LEVI-STRAUSS Wardani, Diah Ayu; Widyatwati, Ken
JURNAL KONFIKS Vol 12 No 3 (2025): KONFIKS
Publisher : LEMBAGA PENELITIAN DAN PENGABDIAN PADA MASYARAKAT

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26618/qbh68v08

Abstract

Penelitian ini membahas nilai-nilai kepemimpinan Sultan Agung sebagaimana dikonstruksi dalam Babad Sultan Agung, menggunakan pendekatan strukturalisme Lévi-Strauss. Isu utama yang diangkat adalah bagaimana figur Sultan Agung dibentuk bukan semata-mata melalui legitimasi politik dan garis keturunan, melainkan melalui narasi simbolik dan spiritual dalam teks sastra tradisional Jawa. Tujuan penelitian adalah mengidentifikasi dan menguraikan struktur naratif serta oposisi biner dalam Babad Sultan Agung yang mencerminkan nilai-nilai kepemimpinan ideal menurut kosmologi Jawa. Metode yang digunakan adalah kualitatif-deskriptif dengan teknik studi pustaka dan pembacaan mendalam terhadap teks babad. Analisis difokuskan pada tahapan transformasi tokoh (separation, transition, incorporation) serta pola oposisi seperti politik–spiritual, duniawi–ilahi, pusat–pinggiran, dan legitimasi biologis–spiritual. Hasil penelitian menunjukkan bahwa Sultan Agung dikonstruksikan sebagai pemimpin yang dipilih secara ilahiah, memiliki kecerdasan dan kebijaksanaan luar biasa, menjalani asketisme yang mendalam, menjunjung tinggi keadilan, serta berperan sebagai otoritas keagamaan. Nilai-nilai kepemimpinan tersebut tidak hanya memperkuat posisi Sultan Agung sebagai raja politik, tetapi juga sebagai pemimpin spiritual dalam tradisi Islam-Jawa. Simpulan dari penelitian ini adalah bahwa Babad Sultan Agung menyajikan model kepemimpinan yang holistik, di mana kekuasaan politik diselaraskan dengan legitimasi spiritual dan tanggung jawab moral, membentuk figur raja ideal dalam pandangan budaya Jawa.
Social Conflict of the Main Character in Web Series Jingga dan Senja by Kuntz Agus: Sociological Study of Literature on Character Ari) Fitriyani, Akna; Widyatwati, Ken; Suryadi, M
KREDO : Jurnal Ilmiah Bahasa dan Sastra Vol 9, No 1 (2025): JURNAL KREDO VOL 9 NO 1 TAHUN 2025
Publisher : Universitas Muria Kudus

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24176/kredo.v9i1.15835

Abstract

This study aims to examine the social conflict experienced by the main character named Ari in the web series “Jingga dan Senja” through a sociological approach to literature, based on conflict theory. The purpose of this study is to identify the forms of conflict experienced by Ari's character and analyze the factors underlying the conflict. The research method used is descriptive qualitative. Data analysis is done through identification and classification of data related to types of social conflict. The main data source in this research is the web series “Jingga dan Senja” by Kuntz Agus, while secondary data includes literature studies on literary sociology, social conflict theory, and articles relevant to the web series “Jingga dan Senja”. The data collection technique is done through observation. Note-taking was done to document relevant data, including scene descriptions and transcripts of important dialogues. This research results in the finding that Ari's character faces various types of conflicts. The types of social conflicts that occur in the web series “Jingga dan Senja” include conflicts between individuals, conflicts between groups, conflicts of interest, and conflicts of social institutions. The factors that trigger conflict include internal factors and external factors. Internal factors that trigger conflict include emotional factors, unfaithfulness factors, and perspective factors. Meanwhile, external factors consist of status or position factors and dysfunctional family environment factors that underlie these conflicts.
Bentuk ketidakadilan gender dan perlawanan tokoh Kinanti dalam novel Layangan Putus (kajian feminisme eksistensialisme Simone de Behaviour) Meivitasari, Yessy; Widyatwati, Ken
Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 6 No 4 (2023)
Publisher : Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/diglosia.v6i4.798

Abstract

The purpose of this research is to analyze gender injustice and the form of resistance of Kinanti's character in the novel “Layangan Putus” based on Simone de Behaviour's Existentialism Feminism theory. The approach used in this research is the feminism approach. The auxiliary theory used is Simone de Behaviour's existentialism theory. The research method used is descriptive qualitative. In this research, the type of literature research is used. The data analysis technique in this research focuses on Kinanti's character. The results showed forms of gender injustice and discriminatory behavior towards Kinanti's character. Furthermore, there is resistance from Kinanti's character as a form of existence. The change of thought in Kinanti's character at the beginning of the story, which was deepening religious knowledge to obey the head of the family, became Kinanti, who is currently supporting herself with the title she has. The resistance carried out by the character Kinanti is a form of proof of the injustice she felt during her time as Aris's wife.
The Instability of Meaning: Deconstructing Visual Beauty in Seno Gumira’s “Gubrak!” Wardani, Diah Ayu; Noor, Redyanto; Suryadi, Muhammad; Widyatwati, Ken
POETIKA Vol 13, No 2 (2025): Issue 2
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v13i2.110685

Abstract

This study examines the representation of female beauty in Seno Gumira Ajidarma’s short story Gubrak! through Jacques Derrida’s deconstruction approach. The short story tells the story of a woman with extraordinary beauty who causes mass panic, social chaos, and the destruction of the city. The main character experiences psychological burdens and alienation due to excessive social judgment of her physical appearance. The main issue examined is how the short story deconstructs conventional standards of beauty that have been legitimized by patriarchal views and visual culture. Using Jacques Derrida’s theory of deconstruction, this study examines how the text shakes the stable meaning of “beautiful” attached to women’s bodies based on the binary oppositions. The method used is qualitative descriptive analysis with deconstructive reading techniques. The analysis was conducted by identifying linguistic, narrative, and symbolic signs that indicate the instability of the meaning of “beautiful.” The results of the analysis show that beauty in the short story Gubrak! is not presented as a symbol of glory or happiness, but rather as a source of suffering and destruction. The meaning of “beautiful” in this text is not fixed and essential, but rather full of differences and contradictions. Excessive beauty causes alienation, social burdens, and collective chaos, thereby challenging patriarchal assumptions that worship physical beauty as a measure of a woman’s value. Thus, Gubrak! represents a critique of visual cultural constructs that reduce women to objects of gaze and affirms the function of literature as a space of resistance against the domination of singular meanings.
Bentuk Kehilangan dan Tahap Berduka dalam Novel Lost Karya Rizal Afif dan Nia Janiar Berliana, Dyna; Widyatwati, Ken; Widyawati, Marta
Sabda: Jurnal Kajian Kebudayaan Vol 15, No 2: 2020
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/sabda.15.2.%p

Abstract

Loss is almost always experienced by individuals, resulting in difficulties in going through the stages of grieving. This research examines the novel Lost (2015) by Rizal Afif and Nia Janiar entitled Lost. In conducting the analysis, the author uses narrative structure theory (Burhan Nurgiyantoro) and Kubler Ross's theory of grief. This research is qualitative research that uses the literature study method. The forms of loss in these two stories are the loss of a mother, the loss of a friend, the loss of a father's role, and the loss of a husband. The stages that the main characters go through in dealing with the loss of a loved one include denial, anger, bargaining, depression, and acceptance. Losing a loved one happens to every individual regardless of gender, age and profession. This novel wants to convey that after experiencing loss, each individual needs to try to reach the stage of acceptance as a form of self-recovery, although in their own way and time period.Kehilangan hampir selalu dialami oleh individu hingga berdampak pada kesulitan untuk melewati tahapan berduka. Penelitian ini mengkaji novel Lost (2015) karya Rizal Afif dan Nia Janiar yang berjudul Lost. Dalam melakukan analisis, penulis menggunakan teori struktur naratif (Burhan Nurgiyantoro) dan teori dukacita (grief) dari Kubler Ross. Penelitian ini merupakan penelitian kualitatif yang menggunakan metode studi pustaka Bentuk - bentuk kehilangan dalam dua cerita ini, yaitu kehilangan ibu, kehilangan sahabat, kehilangan peran ayah, dan kehilangan suami. Tahapan yang dilalui tokoh-tokoh utama dalam menghadapi kehilangan orang yang dicintai tersebut berupa penolakan, marah, tawar-menawar, depresi, dan penerimaan. Kehilangan orang yang dicintai terjadi pada setiap individu tanpa mengenal gender, usia, dan profesi. Novel ini ingin menyampaikan bahwa setelah mengalami kehilangan, tiap individu perlu berusaha untuk sampai pada tahap penerimaan sebagai bentuk recovery diri meskipun dengan cara dan jangka waktunya masing – masing
Ambition and Self-Actualization of Modern Women in The Queen’s Gambit: A Hierarchy of Needs Perspective Malika Putri, Nadya; Suryadi, M.; Widyatwati, Ken; Rinjani, Annisa
Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Vol. 11 No. 4 (2025): Penulis dari 3 negara (Indonesia, Jerman dan Turki)
Publisher : Universitas Cokroaminoto Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30605/onoma.v11i4.7172

Abstract

This study examines the ambition of the main female character, Beth Harmon, in The Queen's Gambit series through Abraham Maslow's hierarchy of needs theory. This study analyzes how the main character's journey reflects the fulfillment of five levels of human needs: physiological, safety, love and belonging, esteem, and self-actualization. This study contributes to broadening the insight into modern women's ambitions through the representation of fictional characters in popular media. The method used is descriptive-qualitative with a character analysis and narrative approach. Data are analyzed based on the psychological development of the character and the social challenges she faces in the male-dominated chess world. Each level of need shows complex emotional and social dynamics. Beth successfully demonstrates perseverance, courage, and a competitive spirit that reflect women's ambition today in pursuing education and careers amidst gender challenges. This study found that modern women's ambitions relate to achievement and seeking identity and recognition in social and professional spaces.
Nilai-Nilai Pendidikan Multikulturalisme dalam Film Ngeri-Ngeri Sedap Karya Bene Dion Rajagukguk Nugroho, Ponco Adi; Suryaningsih, Sukarni; Widyatwati, Ken; Suryadi, M.; Anggraeni, Rezki Amelia
Cakrawala: Jurnal Pendidikan Vol. 19 No. 2 (2025): Education, Multiculturalism and Management
Publisher : Universitas Pancasakti Tegal

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24905/cakrawala.v19i2.518

Abstract

This study aims to analyze the values of multicultural education in the film Ngeri-Ngeri Sedap directed by Bene Dion Rajagukguk. The film portrays the social and cultural dynamics within a Batak family, highlighting diversity and intergenerational conflicts related to the acceptance of culture and identity. Ngeri-Ngeri Sedap was selected for its explicit exploration of diversity within the family context, depicting how family members with different backgrounds navigate differences in worldview, culture, and identity. The multiculturalism approach is employed to understand how the film addresses issues of diversity and serves as a medium for fostering social awareness in society. This research utilizes Stuart Hall’s theory of representation to analyze how the values of multicultural education are depicted in Ngeri-Ngeri Sedap. The analysis refers to the five multicultural values proposed by Wakano: (1) inclusivity, representing acceptance of differences; (2) prioritization of dialogue as a means of achieving mutual understanding; (3) humanism, which emphasizes the dignity of each individual; (4) appreciation of diversity; and (5) patriotism, stressing the importance of unity in diversity. The findings of this study are expected to contribute to the fields of literature and cultural studies, and to enhance understanding of the role of media in promoting multicultural education values in Indonesia, particularly within the context of family and pluralistic society.
Adaptasi Psikologi Tokoh Kuramoto Hari dalam Film Kudakechiru Tokoro Wo Misete Ageru Karya Sutradara Sabu (Kajian Psikologi Sastra) Fetiadi, Shella Silvia; Nur Ridha, Dian Annisa; Widyatwati, Ken; Suryadi, M
KIRYOKU Vol 9, No 1 (2025): Kiryoku: Jurnal Studi Kejepangan
Publisher : Vocational College of Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/kiryoku.v9i1.319-330

Abstract

This study aims to analyze developmental stages of Kuramoto Hari's character in Kudakechiru Tokoro Wo Misete Ageru in terms of Erik Erikson's personality development theory. This research is a literature study. The method used in this research is literary sociology, because the formal object in this research is related to the psychological aspects of the character. The theories used in this research are narrative structure theory and Erik Erikson's personality development theory to analyze the personality development experienced by the main character Kuramoto Hari in Kudakechiru Tokoro Wo Misete Ageru by director Sabu. Based on the analysis in this study, there are of Kuramoto Hari's personality development using Erik Erikson's theory of personality development which consists of eight stages. This movie tells the story of Kuramoto Hari's time in high school aged around 15 years old until Kuramoto Hari becomes a mother aged around 40 years old. So that the author only analyzes three stages of Erik Erikson's personality development, namely from stage five aged 12-18 years, stage six aged 18-35 years, and stage seven 35-64 years. Kuramoto Hari successfully passed all three stages.
Social Conflict of the Main Character in Web Series Jingga dan Senja by Kuntz Agus: Sociological Study of Literature on Character Ari) Fitriyani, Akna; Widyatwati, Ken; Suryadi, M
KREDO : Jurnal Ilmiah Bahasa dan Sastra Vol. 9 No. 1 (2025): JURNAL KREDO VOL 9 NO 1 TAHUN 2025
Publisher : Universitas Muria Kudus

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24176/kredo.v9i1.15835

Abstract

This study aims to examine the social conflict experienced by the main character named Ari in the web series “Jingga dan Senja” through a sociological approach to literature, based on conflict theory. The purpose of this study is to identify the forms of conflict experienced by Ari's character and analyze the factors underlying the conflict. The research method used is descriptive qualitative. Data analysis is done through identification and classification of data related to types of social conflict. The main data source in this research is the web series “Jingga dan Senja” by Kuntz Agus, while secondary data includes literature studies on literary sociology, social conflict theory, and articles relevant to the web series “Jingga dan Senja”. The data collection technique is done through observation. Note-taking was done to document relevant data, including scene descriptions and transcripts of important dialogues. This research results in the finding that Ari's character faces various types of conflicts. The types of social conflicts that occur in the web series “Jingga dan Senja” include conflicts between individuals, conflicts between groups, conflicts of interest, and conflicts of social institutions. The factors that trigger conflict include internal factors and external factors. Internal factors that trigger conflict include emotional factors, unfaithfulness factors, and perspective factors. Meanwhile, external factors consist of status or position factors and dysfunctional family environment factors that underlie these conflicts.
Co-Authors Anggraeni, Rezki Amelia Baihaqy, Muhammad Rayhan Berliana, Dyna Dian Annisa Nur Ridha Falah, Fajrul Fetiadi, Shella Silvia Fitriyani, Akna Indah Palupi Indah Wahyuni Isnayani, Ulfa Mutiara Kinanti, Dzulhi Rossa Komariya, Siti Laura Andri Retno Martini M Suryadi M. Suryadi, M. Malika Putri, Nadya Meivitasari, Yessy Mukafi, Muhammad Hamdan Ni'mah, Nur Khasanatun Nugroho, Ponco Adi Prakoso, Rosaria Arum Pujiati, Shinta Puspitasari, Shochifah Diyah REDYANTO NOOR Rinjani, Annisa Setiyoningsih, Ika Bekti Suryadi, Muhammad Suryaningsih, Sukarni Wahyuningsih, Sari Puspita Wardani, Diah Ayu Widyawati, Marta