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THE DISCOVERY OF REGISTERS IN ENGLISH NEWSPAPER OF BALI TRAVEL NEWS Ni Luh Eka Trisna Dewi; Desak Putu Eka Pratiwi; IGA Sri Rwa Jayantini
LITERA : Jurnal Bahasa Dan Sastra Vol. 8 No. 1 (2022): LITERA : Jurnal Litera Bahasa Dan Sastra
Publisher : LPPM Universitas Dhyana Pura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36002/litera.v8i1.1748

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ABSTRACTThis study aims to discuss the discovery of registers in the newsletter Bali Travel Newsaccording to Biber and Conrad theory (2009) which states that registers are variationsrelated to certain usage situations. The existence of newspapers in the form of printedmedia is still in great demand by the public. This newspaper is written in English andcontains articles that do occur in tourism in Bali without age restrictions to readers. Ingeneral, newspapers often used informal words rather than formal words according totheir lexical and grammatical characteristics which are very interesting and entertaining.The register description includes three main components: context of situation, linguisticfeatures, and functional interpretation between the first and two components. The data isanalyzed with descriptive qualitative method. Linguistic features included word selectionsuch as the use of pronouns, lexical and active as well as passive voice. Results arepresented through formal and informal methods.Keywords: register, context of situation, linguistic features.ABSTRAKPenelitian ini bermaksud untuk membahas temuan register pada surat kabar Bali TravelNews menurut teori Biber dan Conrad (2009) yang menyatakan bahwa register adalahvariasi yang berkaitan dengan situasi penggunaan tertentu. Keberadaan surat kabardalam bentuk media cetak masih banyak diminati oleh masyarakat. Koran inimenggunakan bahasa Inggris dan berisi artikel yang terjadi di Pariwisata di Bali tanpaadanya batasan umur bagi pembacanya. Pada umumnya, surat kabar lebih seringmenggunakan kata-kata informal daripada kata-kata formal sesuai dengan ciri leksikaldan gramatikal yang sangat menarik dan menghibur. Deskripsi register mencakup tigakomponen utama: konteks situasi, fitur linguistik, dan interpretasi fungsional antarakomponen pertama dan dua. Itu dianalisis dengan metode deskriptif kualitatif. Cirikebahasaan termasuk pemilihan kata seperti penggunaan kata ganti, leksikal dan aktifserta suara pasif. Hasil disajikan melalui metode formal dan informal.Kata kunci: register, konteks situasi, ciri kebahasaan
UNCOVERING THE MEANINGS OF FIGURATIVE LANGUAGE USED IN SELECTED TAYLOR SWIFT SONGS Dominikus Ngadu; Desak Putu Eka Pratiwi; Komang Dian Puspita Candra
LITERA : Jurnal Bahasa Dan Sastra Vol. 8 No. 1 (2022): LITERA : Jurnal Litera Bahasa Dan Sastra
Publisher : LPPM Universitas Dhyana Pura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36002/litera.v8i1.1750

Abstract

ABSTRACTSongs can often cheer someone us up when listening to it. However, a song does not forget thefigurative language used by the songwriters to make it sound appealing to the listeners. Thepurpose of this study is to find and analyze the meanings of the figurative language used inselected Taylor Swift song lyrics. The data in this study were taken from Taylor Swift's songs.The study utilized the qualitative method by presenting an overview of the data. Data collectionwas carried out using the observation method with the following steps: downloading songlyrics, then selecting data using figurative language. In data analysis, two theories were usedby researchers to analyze figurative language and its meanings, and these theories are theFigurative Language theory from Knickerbocker and Reninger (1963) and the Meaning theoryused is the theory proposed by Leech (1974). From the results of the study obtained 29 datawhich include: metaphor (7 items or 23,33%), personification (5 items or 16,16%), simile (5items or 16,66%), hyperbole (5 items or 16,66%), metonymy (2 items or 6,66%), paradox (2item or 6,66%), synecdoche (1 item or 3,33%), irony (1 item or 3,33%), and allusion (1 item or6,66%). The dominant figurative language used is metaphor for comparing two different thingsso that they can become a unified whole.Keywords: song lyrics, meaning, figurative languageABSTRAKLagu adalah salah satu hal yang dapat membuat kita semangat saat mendengarkannya.Namun, sebuah lagu tidak melupakan bahasa kiasan yang digunakan oleh penulisnya untukmembuatnya terdengar menarik bagi pendengarnya. Tujuan dari penelitian ini adalah untukmengetahui dan menemukan makna dari bahasa kiasan yang digunakan dalam lirik laguTaylor switt. Data dalam penelitian ini diambil dari lagu Taylor Swift. Penelitian dilakukandengan menggunakan metode kualitatif dengan penyajian gambaran data. Pengumpulan datadilakukan dengan metode observasi dengan langkah-langkah sebagai berikut: mengunduh liriklagu, kemudian memilih data menggunakan bahasa kiasan. Dalam analisis data, ada dua teoriyang digunakan peneliti dalam penelitian ini untuk menemukan bahasa kiasan dan maknanya,dan teori tersebut adalah teori Bahasa Kiasan dari Knickerbocker dan Reninger (1963:367)dan teori Arti yang digunakan adalah teori dari Knickerbocker dan Reninger (1963:367).Lintah (1974). Dari hasil penelitian diperoleh 29 data yang meliputi: metafora (7 item atau20%), personifikasi (5 item atau 16,66%), simile (5 item atau 16,66%), hiperbola (5 item atau16,66%), metonimi (2 item atau 6,66%), paradoks (2 item atau 6,66%), synecdoche (1 itematau 3,33%), ironi (1 item atau 3,33%), dan kiasan (1 item atau 3,33%. Bahasa kiasan yangdominan adalah metafora karena penulis membandingkan dua hal yang berbeda sehinggamenjadi satu kesatuan yang utuh.Kata kunci: lirik lagu, makna, bahasa kiasan
AN ANALYSIS OF FIGURATIVE LANGUAGE FOUND IN TWILIGHT SAGA POEM BY STEPHENIE MEYERS Ni Made Pratiwi Rusadi; Desak Putu Eka Pratiwi; I Dewa Ayu Devi Maharani Santika
LITERA : Jurnal Bahasa Dan Sastra Vol. 8 No. 1 (2022): LITERA : Jurnal Litera Bahasa Dan Sastra
Publisher : LPPM Universitas Dhyana Pura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36002/litera.v8i1.1759

Abstract

ABSTRACTLiterary work is a work in which the writer aims to present her work that has anaesthetic impression. There are literary works such as prose, poetry or drama. To make a poemmore beautiful and easy to understand, a writer needs to understand the rules of making a goodpoem. This study aimed to analyze the types of figurative language found in Twilight Saga’sPoem and the meaning of the figurative language found in Twilight Saga’s poems. The datawere taken from the Twilight Saga poem adapted from the novel of Stephanie Meyers. Thedata were collected by using observation methods with the following steps: downloading andreading the poem, and then selecting the data which use figurative language. The data wereanalyzed by using qualitative method. Regarding the analysis, there are two theories used inthis research: theory of Figurative Language by Perrine (1977) and theory of Meaning by Leech(1981). For the results, there was found 17 data, includes: simile (2 items or 12,5%), metaphor(1 items or 6,3%), personification (2 items or 12,5%), synecdoche (2 item or 12,5%), symbol(4 items or 25%), hyperbole (3 item or 18,7%) and irony (2 item or 12,5%). The dominanttypes of figurative language are symbol and hyperbole because the author places moreemphasis in choosing beautiful words to make the poems more interesting and meaningful.Keywords: figurative language, meaning, poemABSTRAKKarya sastra adalah suatu karya yang bertujuan untuk menyajikan karyanya yangberkesan estetik, ada karya sastra seperti prosa, puisi atau drama. Agar puisi lebih indah danmudah dipahami, penulis perlu memahami aturan pembuatan puisi yang baik. Penelitian inibertujuan untuk menganalisis jenis bahasa kiasan yang ditemukan dalam Puisi Twilight Sagadan makna bahasa kiasan yang terdapat dalam puisi Twilight Saga. Data ini diambil dari puisiberjudul Twilight Saga yang diadaptasi dari novel Stephanie Meyers. Metode yang digunakandalam penelitian ini adalah metode kualitatif dengan menyajikan gambaran data.Pengumpulan data dilakukan dengan metode observasi dengan langkah-langkah sebagaiberikut: mengunduh dan membaca puisi, kemudian memilih data yang menggunakan bahasakiasan. Dalam analisis data, ada dua teori yang digunakan dalam penelitian ini yaitu teoriFigurative Language oleh Perrine (1977) dan teori Meaning oleh Leech (1981). Dari hasilpenelitian didapatkan 17 data yang meliputi: simile (2 items or 12,5%), metaphor (1 items or6,3%), personification (2 items or 12,5%), synecdoche (2 item or 12,5%), symbol (4 items or25%), hyperbole (3 item or 18,7%) and irony (2 item or 12,5%). Jenis bahasa kiasan yangdominan adalah simbol dan hiperbola karena penulis lebih menekankan pada pemilihan katakatayang indah untuk membuat puisinya menjadi menarik dan penuh makna.Kata Kunci: bahasa kiasan, makna, puisi
FIGURATIVE LANGUAGE USED IN ED SHEERAN’S SELECTED SONGS Monika Heni; Desak Putu Eka Pratiwi; I Dewa Ayu Devi Maharani Santika
LITERA : Jurnal Bahasa Dan Sastra Vol. 8 No. 2 (2022): LITERA : Jurnal Litera Bahasa Dan Sastra
Publisher : LPPM Universitas Dhyana Pura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36002/litera.v8i2.2013

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ABSTRACTThis study concern with the descriptive analysis of figurative language found in EdSheeran’s selected songs. The study's objective is to describe the types of figurativelanguage and to analyze the meaning of figurative language. This study is expected toobtain the result that will be useful for the reader especially in knowing what figurativelanguage is and what types of figurative language are. The researcher used a descriptivequalitative method to classify and analyze based on the theory of Figurative LanguageProposed by Knickerbocker and Reninger (1963) and also the theory of Meaningproposed by Leech (1974). The result found that there are 14 sentences of six kinds offigurative language used in Ed Sheeran’s Selected songs, such as simile with 2 or 14%, ametaphor with 1 or 8%, personification with 3 or 21%, metonymy with 1or 8%, hyperbolewith 5 or 35%, irony with 2 or 14%,. It can be indicated that the dominant type offigurative language in the song lyrics is hyperbole. The meaning of figurative languageis also stated clearly. It can be concluded that figurative language has important roles increated the song lyric. Using figurative language makes the song more interesting. Thatis why the author used sentences that have figurative language in the song.Keywords: Figurative language, song lyrics and meaningABSTRAKPenelitian ini membahas tentang analisis deskriptif bahasa kiasan yang ditemukan dalamlagu-lagu pilihan Ed Sheeran. Tujuan penelitian ini adalah untuk mendeskripsikan jenisjenisbahasa kiasan dan menganalisis makna dari bahasa kiasan. Penelitian inidiharapkan memperoleh hasil yang bermanfaat bagi pembaca khususnya dalammengetahui apa itu bahasa kiasan dan apa saja jenis-jenis bahasa kiasan. Penelitimenggunakan metode deskriptif kualitatif untuk mengklasifikasi dan menganalisisberdasarkan teori Bahasa Figuratif yang dikemukakan oleh Knickerbocker dan Reninger(1963) dan juga teori Arti yang dikemukakan oleh Leech (1974).Hasil penelitianmenemukan bahwa terdapat 14 kalimat dari enam jenis bahasa kiasan yang digunakandalam lagu-lagu Ed Sheeran Selected, seperti simile dengan 2 atau 14%, metaforadengan 1 atau 8%, personifikasi dengan 3 atau 21%, metonimi dengan 1 atau 8%,hiperbola dengan 5 atau 35%, ironi dengan 2 atau 14%. Dapat diindikasikan bahwa jenismajas yang dominan dalam lirik lagu adalah hiperbola. Makna bahasa kiasan juga dapatdinyatakan dengan jelas. Dapat disimpulkan bahwa bahasa kiasan memiliki peranpenting dalam menciptakan lirik lagu. Menggunakan bahasa kiasan membuat lagu lebihmenarik. Itulah sebabnya penulis menggunakan kalimat-kalimat yang memiliki bahasakiasan dalam lagu tersebut.Kata Kunci: Bahasa kiasan, lirik lagu dan maknanya
AN ANALYSIS OF FIGURATIVE LANGUAGE FOUND IN THE BIBLE NEW TESTAMENT Yosefa Amung; Desak Putu Eka Pratiwi; I Wayan Juniartha
LITERA : Jurnal Bahasa Dan Sastra Vol. 9 No. 1 (2023): LITERA : Jurnal Litera Bahasa Dan Sastra
Publisher : LPPM Universitas Dhyana Pura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36002/litera.v9i1.2543

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Penelitian ini bertujuan untuk menganalisis bahasa kiasan yang terdapat dalam AlkitabPerjanjian Baru. Tujuan dari penelitian ini untuk mengetahui jenis-jenis bahasa kiasan danartinya dalam Alkitab Perjanjian Baru. Ada dua teori yang digunakan dalam penelitian ini yaituteori pertama yang dikemukakan oleh Knickerbocker dan Reninger (1974) yang berjudulInterpreting Literature dan teori kedua yang dikemukakan oleh Leech (1981) berjudulSemantic: The Study of Meaning. Metode yang digunakan dalam pengumpulan data adalahmetode observasi. Penulis mengumpulkan data-data Alkitab Perjanjian Baru dengan membacadan memahami Alkitab Perjanjian Baru pada buku “The Gideon’s International”, sertamencatat dan mengklasifikasikan frasa dan kalimat yang mengandung bahasa kiasan. Penulismenganalisis data secara deskriptif dengan menggunakan metode kualitatif. Setelahmenganalisis kalimat-kalimat dalam Alkitab, penulis menemukan beberapa bahasa kiasan yangdigunakan dalam Alkitab Perjanjian Baru. Ada tujuh jenis bahasa kiasan yang digunakandalam Alkitab Perjanjian Baru, yaitu 9 dari Metafora (32%), 4 dari Simile (14%), 1 dariPersonifikasi (4%), 4 dari Synecdoche (14%), 2 dari Metonymy (7%), 6 dari Hiperbola (22%),dan 2 dari Irony (10%). Ada dua makna yang ditemukan dari tujuh jenis makna, yaitu maknakonseptual dan makna konotatif.
Beyond the Surface: Investigating Concealed Meanings in Drug Posters through Semiotic Analysis Desak Putu Eka Pratiwi; I Komang Sulatra; I Made Andika Dwi Jaya
RETORIKA: Jurnal Ilmu Bahasa Vol. 10 No. 2 (2024)
Publisher : Program Studi Magister Ilmu Linguistik Universitas Warmadewa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55637/jr.10.2.7207.455-465

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Drug posters are intricate communicative artifacts that carry hidden connotations, myths, and ideologies. This article employs semiotic analysis to explore the layers of symbolism in these posters. By examining both verbal and visual signs, this study aims to uncover the connotative meanings embedded in drug posters and reveal the underlying myths and ideologies. Using Saussure's semiotic theory and Barthes' theory of meaning as frameworks, various drug posters were analyzed qualitatively. The findings highlight the complex interplay between verbal and visual signs, uncovering connotations, myths, and ideologies. This research enhances our understanding of the persuasive strategies in drug posters, offering insights into their socio-cultural impact. Verbal signs often conveyed warnings about the negative impacts of drug use, while visual signs reinforced these messages with additional layers of meaning
Semiotic Perspectives of Indonesian Horror Movie Posters Komang Widya Udiani Dewi; Desak Putu Eka Pratiwi
RETORIKA: Jurnal Ilmu Bahasa Vol. 10 No. 3 (2024)
Publisher : Program Studi Magister Ilmu Linguistik Universitas Warmadewa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55637/jr.10.3.10231.707-720

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This research investigates the semiotic dimensions of horror movie posters and how they use signs and pictures to communicate their genre-specific messages. The poster was selected for a popular horror movie in Indonesia. The verbal and visual signs on these posters were analyzed using semiotic theory as explained by Chandler (2007), studying the meaning of verbal and visual signs in terms of connotative and denotative meaning by Barthes (1968) and Cerrato's (2012) theory for interpreting the meaning of colors. Observation and note-taking techniques were used to collect data for this study. The data of this research was analyzed using the descriptive qualitative method. This research shows that selected posters effectively use dark, sinister imagery and bold, jagged typography to convey their horror themes. For instance, the use of a giant skull formed by twelve wrapped corpses in the “Siksa Kubur” poster creates a ghoulish and creepy image that resonates with cultural fears of death and the supernatural. The posters expressed both connotative and denotative meanings. Combining these elements creates a persuasive and engaging narrative that resonates with the cultural and supernatural themes prevalent in Indonesian horror. The posters, beyond being elements of the story, also act as marketing tools, effectively capturing and holding the audience's attention by using meaningful cultural symbols and emotions. These discoveries have important implications for filmmakers and marketers, indicating that a thorough grasp of cultural semiotics can improve horror films' narrative impact and market appeal.
The Verbal and Non-verbal Signs of “For Women by Women: IDÔLE Lancôme” Advertisement Ni Made Candra Sandita Dewi; Desak Putu Eka Pratiwi; Ni Wayan Suastini
Austronesian: Journal of Language Science & Literature Vol. 1 No. 2 (2022): Austronesian: Journal of Language Science & Literature
Publisher : CV Wahana Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (384.341 KB) | DOI: 10.59011/austronesian.1.2.2022.84-93

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The study is intended to identify the verbal and non-verbal signs used in the advertising “For Women by Women: IDÔLE Lancôme.” Humans employ both verbal and non-verbal communication techniques to engage, including messages, sounds, visuals, and gestures. This study is designed using a descriptive qualitative method. Data is gathered through observation methods. The analysis of verbal and non-verbal signs is done based on Saussure’s semiotic theory. As a result, there are three verbal and three non-verbal signs found. Besides that, the advertiser also wants to provide the audience with a relevant message or piece of advice, emphasizing that ladies should have the courage to follow their vast aspirations. The commercial has nonverbal that may be examined in the form of an image or graphic and appear in terms of color. Through this study, researchers recommend scholars research to explore the vocabulary and grammatical use in advertisements.
Verbal and Non-verbal Signs of “AQUA Life: Care for Nature, Nature Cares for You” Ni Nyoman Sayun Trinadi; Desak Putu Eka Pratiwi; I Made Perdana Skolastika
Austronesian: Journal of Language Science & Literature Vol. 1 No. 1 (2022): Austronesian: Journal of Language Science & Literature
Publisher : CV Wahana Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (364.821 KB) | DOI: 10.59011/austronesian.1.1.2022.38-46

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This study aims to analyze the verbal and non-verbal signs as well as the meaning contained in the “AQUA Life: Care for Nature, Nature Cares for You” Advertisement. This study used a qualitative method. An observation method was used to collect the data. The data were taken from the YouTube platform. In analysing the verbal and non-verbal signs based on the Saussure’s semiotic theory while in analyzing the meaning of the verbal and non-verbal signs based on the Barthes’s theory. In addition, the study of colors was done using the approach of color term submitted by Cerrato. As the result, the researchers found three verbal signs and three non-verbal signs in this advertisement. The advertiser highlighted the advertised product in this advertisement, attempting to persuade the viewers that using 100% recycled products is one of the essential things to protect this planet. Furthermore, this advertisement also emphasized the importance of consuming mineral water for body health. From the analysis, it can be concluded that the “AQUA Life: Care for Nature, Nature Cares for You” advertisement employed meaningful sentences to gain the attention of their target consumers.
Verbal and Non-verbal Signs of “Scream” Movie Posters Ni Putu Mirah Handayani; Desak Putu Eka Pratiwi; I Gusti Ayu Vina Widiadnya Putri
Austronesian: Journal of Language Science & Literature Vol. 1 No. 2 (2022): Austronesian: Journal of Language Science & Literature
Publisher : CV Wahana Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (277.954 KB) | DOI: 10.59011/austronesian.1.2.2022.94-102

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This study aims to analyze the verbal and non-verbal signs and to figure out the meaning of verbal and non-verbal signs in Scream movie posters. An observation method was used to collect the data. The data were taken from two Scream movie posters downloaded from https://m.imdb.com. The method used is a qualitative approach. To analyze verbal and non-verbal signs, researchers used Saussure's semiotic theory, while to analyze the meaning, researchers used the theories of Barthes and Cerrato. As a result, the researchers found eight verbal and five non-verbal signs in these Scream movie posters. The creator's message is usually conveyed implicitly, requiring the viewers to interpret the meaning of the movie posters. The presence of both verbal and non-verbal signs in the movie poster serves to highlight the creator's message to the audience. Furthermore, a movie poster tends to promote a movie, provide information, and persuade the audience to watch the movie.
Co-Authors Andina, A.A. Diah Trisna Andriani, Ria Ariyaningsih, Ni Nyoman Deni Arnadi, I Wayan Redi Asako Shiohara Astawan, I Made Agus Astini, Ni Luh Putu Nur Sri Ayu Pujiastuti, Ni Komang Bagul, Apolinarius Bamagin Fatwansyah Barung, Lodovikus Budiantini, Ni Kadek Novita Casmita, Putu Devi Maharani Santika I Dewa Ayu Dewi, Ni Luh Putu Septiadewi Dominikus Ngadu Enos Bodu Saga Evantri Ngailo Ferdinal, Ferdinal Gusti Ayu Arlinda Liestya Devi I Dewa Ayu Devi Maharani Santika I Gede Agus Dewangga I Gede Dayuh Suryantara I Gede Suardana I Gusti Agung Sri Rwa Jayantini I Gusti Ayu Vina Widiadnya I Gusti Ayu Vina Widiadnya Putri I Kadek Adi Panaji I Kadek Bayu Parmawan I Komang Sulatra I Komang Sulatra I Made Andika Dwi Jaya I Made Perdana Skolastika I Made Tobi Arinata I Putu Ade Pratama I Putu Andri Permana I Putu Andri Permana I Wayan Arka I Wayan Juniarta I Wayan Juniartha I Wayan Restu Widiarta Ida Ayu Mela Tustiawati Ida Ayu Putri Gita Ardiantari IGA Sri Rwa Jayantini Janggur, Oktavianus Jaya, Made Dhaniswara Kadek Darmapratiwi Komang Dian Puspita Candra Komang Dian Puspita Candra, Komang Dian Puspita Komang Widya Udiani Dewi Komang Yoshika Pratama Putra Lajar, Yakobus Adriano Legawa, I Gede Aditya Cipta Lembu, Eufronius Sarino Listaningsih, Ni Putu Heni Lutfiana, Dina Made Perdana Sekolastika Maria Alvita Nai Modok Monika Heni Ni Kadek Ayu Putri Ni Kadek Debi Puspita Manggalita Ni Kadek Dian Trisnawati Ni Kadek Dian Trisnawati Ni Kadek Kurnia Nareswari Dewi Ni Kadek Widya Putri Ni Ketut Ria Agustina Ni Komang Ayu Suardani Ni Luh Eka Trisna Dewi Ni Luh Emi Puspita Sari Ni Luh Gede Elsa Wiyanti Ni Made Ayu Widiantari Ni Made Candra Sandita Dewi Ni Made Desi Trisnayanti Ni Made Pratiwi Rusadi Ni Made Sri Wahyuni Ni Made Verayanti Utami Ni Nyoman Sayun Trinadi Ni Nyoman Tri Jayanti Ni Putu Adik Mariani Ni Putu Mirah Handayani Ni Putu Risma Cahyani Ni Putu Wina Damayanti Ni Wayan Alan Mirani NI WAYAN SUASTINI Ni Wayan Suastini Oktavianus Oktavianus Padmi, Ni Luh Indriyani Patrisia Adma Renda Putri Utami, Ni Putu Cahyani Putu Diah Puspita Dewi Putu Nur Ayomi Rika, Ni Wayan Silvester Aman Sri Rwa Jayantini, I Gusti Agung Stefanus Dendy Prasetya Bere Sudarmini, Ni Kadek Ayu Sulatra I Komang Suwitri, Ni Luh Nita System, Administrator Utami, Ni Putu Cahyani Putri Wiyanti, Ni Luh Gede Elsa Yohanes Kapistrano Agung Yosefa Amung Yugiastari Yustina Juita Simarmata