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All Journal DIKSI Jurnal Sosioteknologi ATAVISME JURNAL ILMIAH KAJIAN SASTRA Journal of Language and Literature Panggung METASASTRA: Jurnal Penelitian Sastra Kandai Suar Betang Metahumaniora Studies in English Language and Education Paradigma: Jurnal Kajian Budaya Majalah Ilmiah Bahasa dan Sastra
Lina Meilinawati Rahayu, Lina Meilinawati
Program Pascasarjana, Fakultas Ilmu Budaya, Universitas Padjadjaran, Bandung
Arts Humanities Education Engineering Languange, Linguistic, Communication & Media Library & Information Science Social Sciences Other

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KEMATIAN DAN PERASAAN KEHILANGAN: KONSTRUKSI IDENTITAS QUEER DALAM EMPAT KARYA YOSHIMOTO (Death And Sense of Loss: Queer Identity Construction in Four Yoshimoto’s Works) syukur, andi abd khaliq; Priyatna, Aquarini; Rahayu, Lina Meilinawati
METASASTRA: Jurnal Penelitian Sastra Vol 8, No 2 (2015)
Publisher : Balai Bahasa Jawa Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26610/metasastra.2015.v8i2.193-210

Abstract

Empat novelet Yoshimoto, yaitu Kitchen (1988), Moonlight Shadow (1988), Hardboiled (2001), dan Hardluck (2001) menghadirkan kematian dan perasaan kehilangan di awal narasi. Kematian dan perasaan kehilangan membuka probabilitas baru sebagai bagian konstruksi identitas queer, seperti kematian sebagai pemutusan matrix heteroseksual, perasaan kehilangan sebagai perubahan identitas gender, penerimaan orang asing sebagai anggota keluarga, hubungan bersifat inses, homoseksualitas perempuan, transgenderisme, dan perubahan peran dalam anggota keluarga. Penelitian ini dilakukan untuk menganalisis cara kematian dan perasaan kehilangan membuka probabilitas identitas queer dalam narasi Yoshimoto. Sedangkan untuk melihat bentuk identitas queer, penelitian ini menggunakan teori performativitas dari Butler untuk menunjukkan ketaksaan identitas gender dan seks.Hasil penelitian menunjukkan kematian dapat membuka probabilitias yang mengarah pada penghadiran identitas queer dan performativitas identitas queer menyajikan performativitas tokoh yang terus-menerus berubah, bergerak, dan tidak memiliki pusat.Abstract: Four novelettes of Yoshimoto’s, which are Kitchen (1988), Moonlight Shadow (1988), Hardboiled (2001), and Hard Luck (2001) bring death and sense of loss in the beginning of the narrative. The death and sense of loss give new probabilities as parts of the queer identity constructions, for instance the death as the partition of the heterosexual matrix, the loss feelings as a gender identity alteration, agree to accept foreigners as members of the family, the relationship tend to be incest, female homosexuality, transgenderism, and change the family members role. This study conducted to analyze the way of death and loss feelings give probabilities of queer identity in the Yoshimoto’s narration.As for seeing theshape ofqueeridentity, The research applies Butler’s thinking on gender performativity to analyze how ambiguous sexual and gender identities are presented. The research finds that the probabilityof deathcanopen upleads toqueeridentity and  the analysis of queer identity’s performativity on character’s performativity in the novelettes renders it possible for sexual and gender construction to be constantly changing and everlastingly displaced performances.
REINTERPRETASI DAN REKONSTRUKSI DONGENG JAKA TARUB DALAM DRAMA KARYA AKHUDIAT: SEBUAH PEMBACAAN NEW HISTORICISM Rahayu, Lina Meilinawati; Priyatna, Aquarini; Budhyono, Rasus
SUAR BETANG Vol 14, No 1 (2019)
Publisher : Balai Bahasa Kalimantan Tengah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/surbet.v14i1.108

Abstract

Tulisan ini bermaksud untuk mengkaji transformasi  dongeng Jaka Tarub menjadi drama Jaka Tarub karya Akhudiat.  Tujuan penelitian ini untuk  mengetahui perubahan interpretasi dan rekonstruksi ke dalam sastra Indonesia kontemporer. Dongeng Jaka Tarub yang ada dalam Babad Tanah Jawi bertransformasi ke dalam bentuk drama. Jaka Tarub  karya Akhudiat merupakan drama parodi yang terdiri atas dua babak. Drama ini memenangkan lomba naskah drama versi Dewan Kesenian Jakarta, tahun 1974. Hasil transformasi akan  dianalisis menggunakan pendekatan new historicism. Hasil kajian ingin membuktikan bahwa sejarah sebuah bangsa dapat dibaca melalui karya sastra. New Historicism  berkeyakinan bahwa selalu ada kaitan antara teks dan sejarah. Pemikiran ini memberi persfektif bahwa “kenyataan sejarah” tidak lagi tunggal dan absolut, tetapi bisa bermacam-macam versi dan sudut pandang. Hasil reinterpretasi dan rekonstruksi dongeng Jaka Tarub merepresentasikan Indonesia tahun 70-an.  Dalam konteks demikian teks sastra Indonesia yang merefleksikan sejarah dapat diposisikan sebagai pembacaan sejarah dari versi yang lain. Oleh karena itu, perspektif new historicism menjadi tepat digunakan untuk mendedah fenomena teks sastra yang demikian: yakni, dengan cara menyuguhkan kenyataan-kenyataan di luar teks sejarah yang mainstream.   
PEMBENTUKAN IDENTITAS BARU TOKOH IMIGRAN DALAM EMPAT CERPEN KARYA DUA PENGARANG BERLATAR BELAKANG IMIGRAN WLADIMIR KAMINER DAN DILEK GüNGӧR Hawa, Andina Meutia; Rahayu, Lina Meilinawati; Purnomowulan, N. Rinaju
ATAVISME Vol 20, No 2 (2017): ATAVISME
Publisher : Balai Bahasa Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1508.345 KB) | DOI: 10.24257/atavisme.v20i2.404.155-167

Abstract

This research aims to reveal the depiction of formation of the new identity of immigrant characters in four short stories written by two immigrant authors in contemporary German literature, Wladimir Kaminer and Dilek Güng?r. This study discusses how the immigrant characters build their new identities and their self-subjectivities in four short stories, namely ?Schlechte Vorbilder?, ?Deutsch-russisch Kulturjahr?,  "Geld oder Leben? and ?Blondes Barbie?. This study applies Hall?s (1990) identity theory and Bhabha?s (1994) hybridity theory. This study uses the qualitative approach with the descriptive-analytics method. The result of this study argues that the identity formation of immigrant characters is performed by imitating other cultures and presenting the past memory of the immigrant characters in their present lives as an effort to liberate the immigrant characters from their otherness and to build their self-subjectivities. In addition, the depiction of formation of the immigrant characters? new identities also shows that identity is a fluid concept, and a means of rejection of the two immigrant authors towards the essentialism concept of identity.
KONSTRUKSI IDENTITAS DIRI TOKOH UTAMA DALAM NOVEL HEBI NI PIASU DAN HAIDORA KARYA KANEHARA HITOMI Friandini, Asri Rizki; Rahayu, Lina Meilinawati; Saleha, Amaliatun
ATAVISME Vol 22, No 2 (2019): ATAVISME
Publisher : Balai Bahasa Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1188.322 KB) | DOI: 10.24257/atavisme.v22i2.580.129-143

Abstract

Seseorang membentuk identitas bukan hanya dari pengaruh lingkungan sosial saja namun juga kecemasan. Penelitian ini bertujuan untuk mengungkap konstruksi identitas diri tokoh utama di dalam 2 novel Jepang yang berjudul ?Hebi ni Piasu? dan ?Haidora? karya Kanehara Hitomi. Novel ini mendeskripsikan pembentukan identitas diri dan ditampilkan melalui tubuh serta busana yang mana pembentukan ini dipengaruhi oleh lingkungan sosial serta kecemasan. Terlebih lagi, di Jepang dikenal istilah ikizurasa yang digunakan untuk menggambarkan perasaan kosong dan terisolir. Metode penelitian yang digunakan dalam penelitian ini adalah metode deskriptif analisis. Data dalam analisis ini didapatkan dari dua novel karya Kanehara Hitomi yang berjudul ?Hebi ni Piasu? dan ?Haidora?. Pendekatan yang digunakan dalam analisis ini adalah teori identitas diri. Hasil penelitian menunjukkan konstruksi identitas diri tokoh utama terbentuk karena pengaruh dari diri dan kecemasan serta lingkungan sosial. Tokoh utama kedua novel juga menunjukkan bahwa mereka menggunakan konstruksi identitas diri ini sebagai alat untuk bertahan hidup.
PERBANDINGAN MOTIF NOVEL MEMOIRS OF A GEISHA KARYA ARTHUR GOLDEN DENGAN PRIMADONA KARYA N. RIANTIARNO Wulandari, Anastasia Dewi; Priyatna, Aquarini; Rahayu, Lina Meilinawati
ATAVISME Vol 18, No 1 (2015): ATAVISME, Edisi Juni 2015
Publisher : Balai Bahasa Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (159.026 KB) | DOI: 10.24257/atavisme.v18i1.36.119-128

Abstract

Penelitian ini bertujuan untuk menganalisis hubungan intertekstual antara Primadona dan Memoirs of a Geisha. Kedua karya sastra tersebut dipilih karena kemiripan yang menimbulkan asumsi bahwa terdapat kaitan intertekstual antara kedua karya itu. Sumber data penelitian ini adalah novel Memoirs of a Geisha (2002) karya Arthur Golden dan Primadona (2006) karya R. Riantiarno. Penelitian ini menghasilkan temuan bahwa novel Memoirs of A Geisha dan Primadona mempunyai kemiripan pada beberapa aspek penting pembangun cerita, yakni motif dan penokohan. Primadona sebagai teks yang muncul terlebih dahulu diduga sebagai teks yang melatarbelakangi lahirnya Memoirs of a Geisha. Berdasarkan perbandingan motif-­motif dan penokohan ditemukan adanya relasi intertekstual antara Memoirs of A Geisha dan Primadona. Abstract: This research aims to analyze the intertextuality between Primadona and Memoirs of a Geisha. Memoirs of a Geisha and Primadona were selected by an assumption that some texts were present inside another text. The source data of this study are Arthur Golden?s Memoirs of a Geisha (2002) and N. Riantiarno?s Primadona (2006). The result of this research is the spell out of motif and character. Primadona as a novel that publish previously was expected as the text that underlying the birth of Memoirs of a Geisha. Beside, with the comparison of the similar aspects, relation the both of Memoirs of a Geisha and Primadona. Key Words: Memoirs of a Geisha; Primadona; intertext
Negosiasi Wacana Femininitas Melalui Film-Film Animasi Putri Disney Arby, Sella Putri; Rahayu, Lina Meilinawati; Mulyadi, R M
Paradigma: Jurnal Kajian Budaya Vol. 12, No. 2
Publisher : UI Scholars Hub

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Abstract

Negotiation Discourse of Femininity Through Disney Princesses’ Movies. Femininity tends to be explained as a condition ‘to be a woman’, making it an ideology that gives limitations to women. Mills uses discourse theory to explain femininity, stating femininity is a process that is constructed and negotiated in every interaction. Disney Princesses show changes through times and each animation film, showing a negotiation of what defines femininity. The data collection was carried out by qualitative method narrative study, with Performativity of Gender by Judith Butler and Negotiation Discourse of Femininity theory by Sara Mills. Thirteen Disney Princesses were used as researched objects to show the slow changing of femininity. The results of this study show a change in Disney Princesses, through long negotiations based on the wave of feminism that occurred with the Disney Princess characters featured. Indications have shown through the Disney Princess characters who initially showed only stereotypes of feminine elements—such as being passive, gentle, not leaving their safe zone, becoming a Disney Princess who also showed stereotypical masculinity elements— such as being physically active, not easily afraid to discover new things, and showing bravery. This slow shift does not change the identity of Disney Princesses as a princess and as a woman.
REKONSTRUKSI SEJARAH DALAM KUMPULAN PUISI DARI BATAVIA SAMPAI JAKARTA MELALUI PEMBACAAN JAUH BERBASIS KORPUS Bintang Purwaramdhona, Ananda; Hidayatullah, Mochamad Irfan; Rahayu, Lina Meilinawati
Paradigma: Jurnal Kajian Budaya Vol. 13, No. 2
Publisher : UI Scholars Hub

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Abstract

By applying the mixed research methods combining new historicism and digital humanities with AntConc-assisted distant reading techniques, this research aims to explore a reconstruction of Jakarta's history offered in From Batavia to Jakarta (1619–1999), a collection of poems by Zeffry J. Alkatiri. Results show that history can be reconstructed through the physical structure of narrative poetry represented by the dominant usage of pronoun "they" and intra-sentence conjunctions and prepositions such as "and", "in", and "the" instead of licentia poetica which can violate language rules. However, in the structural analysis, AntConc was not able to detect several linguistic aspects such as typography, figures of speech, metaphors, hyperboles, and personifications in several subchapters, so manual analysis was still required. Results show that the reconstruction of Jakarta’s history by Alkatiri revolves around four main themes, i.e. violence, the struggle against colonialism, Betawi and peranakan cultures, and Jakarta as a city, each of which is imbued with issues pertaining to identity, such as race, class, and urban lifestyle. This reconstruction also features the words "child" and "person" as markers of certain identities.
KESENYAPAN NARASI KOLONIALISME DALAM NOVEL-NOVEL SUNDA RENTANG 1914—1940: WACANA MENGINGAT DAN MELUPAKAN (The Silent of Colonialism Narratives in Sundanese Novels Circa 1914—1940: Memory Discourse about Remembering and Forgetting) Hudayat, Asep Yusup; Rahayu, Lina Meilinawati; Muhtadin, Teddi A.N.
Kandai Vol 19, No 1 (2023): KANDAI
Publisher : Kantor Bahasa Provinsi Sulawesi Tenggara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/jk.v19i1.4402

Abstract

In the early 20th century circa 1914–1940 were Sundanese novels almost "silent" from the colonialism narratives. This condition shows that memories were forgotten, suppressed, ignored, or even omitted in literary works because of the domination of the Dutch East Indies. However, the colonial traces can be revealed through how the narratives are constructed and presented. Through their works, the authors (from the middle class and educated) told about social reality and themselves in the challenges of social change in the early 20th century. This paper aims to reveal the memory selection process of Sundanese novelists in the early 20th century in producing their works under the dominant forces influences: feudal and colonial. The data analysis techniques were as follows, (a) data instrumens: narrative tools, special expressions, projection, and contruction (b) describing the data instrumens, (c) interpreting the data, (d) conclusions. The analysis results are: (1) the authors positioning (as teachers, natives, and employees of the Balai Pustaka) had an affects on the memories selections that were used to constructing narratives about domination and power, (2) the narratives of colonialism memories in five novels are built in three ways: suppressed, diverted, and even erased, (3) The voices behind the colonialism-narratives silent are expressed through the metaphorical traces of power, the pre-colonial and colonial memories as background, and indigenous marginal discourse. Pada awal abad ke-20 sekitar tahun 1914—1940 novel-novel Sunda nyaris “diam” dari narasi kolonialisme. Kondisi ini menunjukkan bahwa ingatan dilupakan, ditekan, diabaikan, atau bahkan dihilangkan dalam karya sastra karena dominasi Hindia Belanda. Namun, jejak kolonial dapat terungkap melalui bagaimana narasi dibangun dan disajikan. Melalui karya-karyanya, para pengarang (dari kelas menengah dan terpelajar) bercerita tentang realitas sosial dan diri mereka sendiri dalam tantangan perubahan sosial di awal abad ke-20. Tulisan ini bertujuan untuk mengungkap proses seleksi ingatan para novelis Sunda di awal abad 20 dalam menghasilkan karya-karyanya di bawah pengaruh kekuatan dominan: feodal dan kolonial. Teknik analisis data adalah sebagai berikut, (a) instrumen data: alat naratif, ungkapan khusus, proyeksi, dan konstruksi (b) mendeskripsikan instrumen data, (c) menafsirkan data, (d) kesimpulan. Hasil analisis adalah: (1) positioning pengarang (sebagai guru, pribumi, dan pegawai Balai Pustaka) berpengaruh terhadap pemilihan memori yang digunakan untuk mengkonstruksi narasi tentang dominasi dan kekuasaan, (2) narasi memori kolonialisme dalam lima novel dibangun melalui tiga cara: ditekan, dialihkan, dan bahkan dihapus, (3) suara-suara di balik narasi-narasi kolonialisme diekspresikan melalui jejak metaforis kekuasaan, kenangan pra-kolonial dan kolonial sebagai latar, dan marginalisasi pribumi.
HOMEIRA QADRI’S DANCING IN THE MOSQUE (2020): REPRESENTING CULTURAL NORMS IN CONSTRUCTING GENDER STEREOTYPES Mohammadi, Noria; Rahayu, Lina Meilinawati; Saleha, Amaliatun
Metahumaniora Vol 14, No 3 (2024): METAHUMANIORA, DESEMBER 2024
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/metahumaniora.v14i3.58658

Abstract

Homeira Qaderi’s memoir, Dancing in the Mosque (2020), portrays how cultural norms construct gender expectations and perpetuate stereotypes. Using a dual narrative structure that intertwines Shah Pesar’s magical adventures with Qaderi’s poignant reflections illustrates how Qaderi skillfully employs focalization to shed light on the cultural limitations imposed on Afghan women, blending realistic storytelling elements. This study utilizes Bal’s theory of focalization alongside Genette’s concept of zero focalization to analyze the narrative shift from an omniscient narrator to a first-person perspective. By applying these theories, we examine how the shift in perspective highlights emotional intricacies and sharp feminist critique, while also revealing the narrative control and the lens through which the characters’ experiences are portrayed. We investigate the marginalization of women through the issues of constrained mobility, loss of identity, and legal disenfranchisement. By centering on Qaderi’s perspective, the text critiques societal and legal structures that diminish women’s value while foregrounding their struggle for agency and self-definition in a patriarchal society. This study underscores the broader ramifications of gender narratives in Afghanistan, highlighting the resilience of women as they resist cultural suppression.
Is the throne still for the people? A sociocultural linguistic analysis of Menanam adalah Melawan Safrina, Raden; Novianti, Nita; Rahayu, Lina Meilinawati
Studies in English Language and Education Vol 11, No 3 (2024)
Publisher : Universitas Syiah Kuala

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24815/siele.v11i3.40890

Abstract

Tahta untuk Rakyat Throne for the People, which is the principle that the highly respected Hamengkubuwono IX lived by as a democratic and nationalist King of Kesultanan Ngayogyakarta Hadiningrat, embodies the concept of the people, by the people, for the people. Under his rule, Kesultanan Ngayogyakarta Hadiningrat (Yogyakarta Sultanate in Indonesia) was committed to placing the people first. Nevertheless, the book Menanam adalah Melawan, or Planting is Resisting, challenges the very principle and questions the commitment of the present-day sultanate. The article explores the activist book, which contains the notes of an activist farmer who reflected on and wrote about his journeys and experiences as a farmer-turned-activist after the village where he farmed was claimed by the authorities, including the sultanate, and was planned to be made into a mining site. Faircloughs sociocultural linguistics frames the analysis, and more specifically through Critical Discourse Analysis (CDA). The results indicate that at the micro level, Widodos writing uses emotive and technical language to construct a collective identity of marginalized farmers, opposing powerful entities like the sultanate and corporations. At the meso-level, the text challenges dominant power structures and neoliberal policies, advocating for social justice and a responsive monarchy, while emphasizing the need for transparency and genuine community partnership. The article indicates that the concern about the marginalized should take into account non-mainstream texts such as those produced by the marginalized so that social injustice can be minimized.
Co-Authors Adipurwawidjana, Ari J. Adji, Muhammad Aksa, Yati Amalia, Sira Kamila Dewanti Amaliatun Saleha Anastasia Dewi Wulandari Aquarini Priyatna Arby, Sella Putri Ari Jogaiswara Adipurwawidjana Asep Yusup Hudayat Banita, Baban Bintang Purwaramdhona, Ananda Deri - Hudaya, Deri - Friandini, Asri Rizki Hawa, Andina Meutia Hazbini, Hazbini Hidayatullah, M. Irfan Hidayatullah, Mochamad Irfan Kamilah, Aflaz Maosul Kathryn, Kezia Kencana, Sekar Maryam Luqman, Arief Mayasari, Gilang Hanita Mohammadi, Noria Muhtadin, Teddi A.N. Mulyadi, R M Mumtazah, Jauza Maryam N Rinaju Purnomowulan Nita Novianti, Nita Nurhayati, Nita Permata, Denti Rasus Budhyono Safrina, Raden Sisilia, Nurul Maria syukur, andi abd khaliq