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All Journal DIKSI Jurnal Sosioteknologi ATAVISME JURNAL ILMIAH KAJIAN SASTRA Journal of Language and Literature Panggung METASASTRA: Jurnal Penelitian Sastra Kandai Suar Betang Metahumaniora Studies in English Language and Education Paradigma: Jurnal Kajian Budaya Majalah Ilmiah Bahasa dan Sastra

Lina Meilinawati Rahayu, Lina Meilinawati

Program Pascasarjana, Fakultas Ilmu Budaya, Universitas Padjadjaran, Bandung

Author-ID : 541122

Arts Humanities Education Engineering Languange, Linguistic, Communication & Media Library & Information Science Social Sciences Other

Published : 26 Documents Claim Missing Document

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KONSTRUKSI IBU DALAM SERIAL TELEVISI DRAMA KOREA BIRTHCARE CENTER Amalia, Sira Kamila Dewanti; Priyatna, Aquarini; Rahayu, Lina Meilinawati
PANGGUNG Vol 35 No 2 (2025): Representasi, Transformasi, dan Negosiasi Budaya dalam Media, Seni, dan Ruang So
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v35i2.3910

Birthcare Center merupakan serial televisi drama korea yang mendiskusikan beragam tokoh ibu, yakni ibu bekerja, ibu rumah tangga, ibu dengan usia tua, dan ibu dengan usia muda. Para tokoh ibu menarasikan gagasan mengenai peran, identitas, serta ruang bagi ibu. Penelitian ini bertujuan untuk menguraikan cara Birthcare Center mempermasalahkan pengategorian ibu berdasarkan konstruksi ibu normatif dan konstruksi ibu nonnormatif melalui sudut pandang konstruksi gender. Penelitian ini menggunakan teori struktur narasi film dan teori konstruksi ibu. Metode penelitian ini adalah metode interpretatif. Serial televisi drama Korea Birthcare Center menarasikan konstruksi ibu normatif, konstruksi ibu nonnormatif, dan gagasan alternatif dalam konstruksi ibu. Melalui sudut pandang tokoh, Birthcare Center menentang gagasan biner antara standar ibu yang baik dan ibu yang buruk. Birthcare Center menawarkan gagasan alternatif dalam konstruksi ibu yang dapat memberikan kuasa kepada tokoh ibu untuk mengambil keputusan atas dirinya sendiri. Serial televisi ini memberikan ruang bagi ekspresi ibu dengan mengakui adanya perbedaan pengalaman tokoh ibu.

SEKSUALITAS DAN RELASI LAKI-LAKI PEREMPUAN DALAM SAJAK "PERSETUBUHAN KUNTHI" KARYA GOENAWAN MOHAMAD Banita, Baban; Rahayu, Lina Meilinawati; Adipurwawidjana, Ari J.
Diksi Vol. 28 No. 1: DIKSI MARET 2020
Publisher : Fakultas Bahasa, Seni, dan Budaya, Universitas Negeri Yogyakarta

(Title: Sexuality and Relation Man's and Woman's in the Poem "Persetubuhan Bumi" by Goenawan Mohamad). Inequality between woman and man in asexual relationship appear many time in Indonesia's poetry. Women are often being put in a second position even though they have the same competence and power with men. It also happens in relationship on daily activities, both at public space or at home. Women are often connected to a domestic work and have to do many things as away to prove her devotion to men. This affected even to the most private relation between men and women. Women often positioned as a tool to satisfy men's sexual desire. In Goenawan Mohamad's poems, he displays sexuality and relation between men and women in a unique and beautiful way. In this relationship, women are still put in second position, althought the woman genuinely enjoy and satisfied from the sexual activity. Women are shown as a passive body in the hand of men's power. This research is using theory of intertextual and gender. This research shows that there are many factors that created inequality between men and women in a subject of sexual relationship. Keywords: sexuality, relation, intertextual, feminist.

IDENTITAS KEINDONESIAAN DALAM DRAMA NYANYI SUNYI REVOLUSI KARYA AMIR HAMZAH Rahayu, Lina Meilinawati
Diksi Vol. 28 No. 2: DIKSI SEPTEMBER 2020
Publisher : Fakultas Bahasa, Seni, dan Budaya, Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/diksi.v28i2.33104

(Title: Indonesian Identity in Drama's Nyanyi Sunyi Revolusi by Amir Hamzah).This paper will examine the beginning period of Indonesia which is represented in the drama. The past events which occurred more than seventy years ago are now retold, not only to re-establish who Amir Hamzah was, but also to explain the Indonesian identity and the roles he played in building a nationality. Amir Hamzah, one of the great authors of Indonesia who also contributed in formulating the archipelago as Indonesia, who advocated Malay language as the language of unity of Indonesia, should be killed by several young men because he was a sultan's nephew. Those young men considered the Sultans and their families as Dutch henchmen. The tragic story of Amir Hamzah's life was staged in a drama titled "Nyanyi Sunyi Revolusi" (trans. The Quiet Singing of Revolution)which with the scripts was written by Ahda Imran. Socio-political conditions give rise to the need to define "˜self'. This requires serious rethinking. This drama also illustrates the identity of Indonesia after independence. In other words, literature describes history from a different view. By using the principle of New Historicism, this paper will explain the complex problem that occurred in Indonesia after independence until the 50s. Besides, it also will describe "Indonesian Identity" in the drama "Nyanyi Sunyi Revolusi". In this context, Indonesian literary texts which reflect Indonesian history can be positioned as historical reading from a different version.Keywords: identity, Indonesian, revolution, new historicism.

Self-Otherings and Reimaginings of Postcolonial African Women in Chimamanda Ngozi Adichie’s Americanah (2013) Mumtazah, Jauza Maryam; Rahayu, Lina Meilinawati; Adipurwawidjana, Ari Jogaiswara
Journal of Language and Literature Vol 25, No 1 (2025): April
Publisher : Universitas Sanata Dharma

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24071/joll.v25i1.10545

Chimamanda Ngozi Adichie’s Americanah (2013) presents a narrative that shifts between different temporalities and spaces, a movement that is particularly experienced by its main character, Ifemelu, as she navigates through her Nigerian, American, and her newly found black identity. Similarly, the novel’s narrative attempts to showcase other postcolonial African women like Ifemelu, as well as their ambiguous identities and othered representations. Through this article, we examine the workings of Ifemelu’s narration as it shifts from one space to another, specifically from Nigeria to America and vice versa, through a narratological method. We will then focus on how these specific spaces occupied by Ifemelu and other African women, or what Ogundipe-Leslie calls “women’s spaces and modes, " work with the bodily experiences of the women and the black Atlantic world at large. Throughout the novel, the hair salon is the women’s space that the narration keeps returning to, serving as a bridge between the story’s past and present. However, a more constant form of women’s spaces also occurs through the narrative body itself, specifically through the narrative form of online blogs that showcase Ifemelu’s attempt to find familiarities with other black people of the diaspora. From this article’s analysis, we argue that the hair salon and the narration of the online blogs, as “micro-African” spaces, serve as mediums to reclaim and re-write the contingent and negotiated identities of postcolonial African in the new black Atlantic world.

UNSUR BUDAYA DALAM KUMPULAN CERPEN MELINTASI MALAM KARYA KORRIE LAYUN RAMPAN Kamilah, Aflaz Maosul; Rahayu, Lina Meilinawati; Banita, Baban
Salingka Vol 19, No 2 (2022): SALINGKA: Edisi Desember 2022
Publisher : Balai Bahasa Sumatra Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/salingka.v19i2.747

Penelitian ini membahas unsur budaya, kearifan lokal, dan dampak pelanggaran nilai-nilai lokalitas dalam kumpulan cerpen Melintasi Malam karya Korrie Layun Rampan dengan metode analisis deskripstif. Penelitian ini menggunakan antropologi sastra sebagai model pendekatan untuk memberikan gambaran terhadap tema-tema yang akan dibahas dalam objek penelitian. Berdasarkan hasil analisis, unsur budaya yang terdapat dalam kumpulan cerpen Melintasi Malam ini yaitu, (1) sistem bahasa berupa kosakata lokal suku Dayak Benuaq; (2) sistem pengetahuan berupa pengetahuan terhadap alam flora, fauna, serta bahan mentah; (3) sistem organisasi sosial berupa sistem kekerabatan dan kepemimpinan; (4) sistem peralatan hidup dan teknologi berupa alat-alat produksi, senjata, wadah, makanan, tempat berlindung, dan alat-alat transportasi; (5) sistem mata pencaharian berupa bercocok tanam di ladang serta berburu dan meramu; (6) sistem religi berupa sistem keyakinan dan upacara; serta (7) sistem kesenian berupa seni patung dan seni musik. Bentuk-bentuk kearifan lokal terdiri dari lou, upacara belian, kegiatan merunti, upacara kematian, sistem pertanian huma, berburu, serta sistem kepemimpinan berupa kepala adat dan petinggi. Adapun dampak pelanggaran nilai-nilai lokalitas terdiri dari kerusakan hutan, kemiskinan, konflik antarkampung, dan kutukan.

Norma dan Negosiasi dalam Fandom Plave Indonesia di X Kencana, Sekar Maryam; Rahayu, Lina Meilinawati; Prabasmoro, Tisna
Jurnal Sosioteknologi Vol. 24 No. 3 (2025): NOVEMBER 2025
Publisher : Fakultas Seni Rupa dan Desain ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/sostek.itbj.2025.24.3.3

In virtual idol fandoms, fans often follow shared norms that shape how they interact with one another. This research draws on fandom, norms, and negotiation theories to explore how such norms emerge and are negotiated within the Plli fandom on social media X, focusing on the figure of “Terra Plave” as the controlling presence behind Plave’s virtual idol avatar. Based on data from phenomenological interviews with four Indonesian fans, the study identifies two central aspects of these norms: the types of accounts fans use and their responses to provocative posts and doxxing. The findings suggest that the norms surrounding Terra Plave reflect an ongoing process of negotiation among fans, aimed at resolving internal conflicts triggered by official statements from Plave’s label.

Co-Authors Adipurwawidjana, Ari J. Adji, Muhammad Aksa, Yati Amalia, Sira Kamila Dewanti Amaliatun Saleha Anastasia Dewi Wulandari Aquarini Priyatna Arby, Sella Putri Ari Jogaiswara Adipurwawidjana Asep Yusup Hudayat Banita, Baban Bintang Purwaramdhona, Ananda Deri - Hudaya, Deri - Friandini, Asri Rizki Hawa, Andina Meutia Hazbini, Hazbini Hidayatullah, M. Irfan Hidayatullah, Mochamad Irfan Kamilah, Aflaz Maosul Kathryn, Kezia Kencana, Sekar Maryam Luqman, Arief Mayasari, Gilang Hanita Mohammadi, Noria Muhtadin, Teddi A.N. Mulyadi, R M Mumtazah, Jauza Maryam N Rinaju Purnomowulan Nita Novianti, Nita Nurhayati, Nita Permata, Denti Rasus Budhyono Safrina, Raden Sisilia, Nurul Maria syukur, andi abd khaliq

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