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All Journal Humaniora Lensa: Kajian Kebahasaan, Kesusastraan, dan Budaya DIKSI LITERASI: Jurnal Ilmu-Ilmu Humaniora JURNAL PESONA Jurnal Sosioteknologi ATAVISME JURNAL ILMIAH KAJIAN SASTRA FKIP e-PROCEEDING Journal of Language and Literature Panggung Patanjala : Jurnal Penelitian Sejarah dan Budaya METASASTRA: Jurnal Penelitian Sastra Jurnal Invensi (Jurnal Penciptaan dan Pengkajian Seni) Kandai Al-Tsaqafa: Jurnal Ilmiah Peradaban Islam Satwika : Kajian Ilmu Budaya dan Perubahan Sosial Deiksis SALINGKA Arkhais - Jurnal Ilmu Bahasa dan Sastra Indonesia Suar Betang Metahumaniora Journal Albion : Journal of English Literature, Language, and Culture UNDAS: Jurnal Hasil Penelitian Bahasa dan Sastra MEDAN MAKNA: Jurnal Ilmu Kebahasaan dan Kesastraan Jurnal Ide Bahasa Budapest International Research and Critics Institute-Journal (BIRCI-Journal): Humanities and Social Sciences Studies in English Language and Education Paradigma: Jurnal Kajian Budaya PROSIDING SEMINAR NASIONAL DAN INTERNASIONAL HIMPUNAN SARJANA-KESUSASTRAAN INDONESIA Panggung Majalah Ilmiah Bahasa dan Sastra
Lina Meilinawati Rahayu
Universitas Padjadjaran
Religion Arts Humanities Economics, Econometrics & Finance Education Engineering Languange, Linguistic, Communication & Media Library & Information Science Social Sciences Other

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REPRESENTASI BUDAYA DALAM NOVEL HUJAN BULAN JUNI KARYA SAPARDI DJOKO DAMONO Amelia, Nenden Rizky; Rahayu, Lina Meilinawati; Aksa, Yati
JURNAL PESONA Vol 3, No 1 (2017)
Publisher : JURNAL PESONA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26638/jp.299.2080

Abstract

This paper is determine representation about culture in the Hujan Bulan Juni novel by Sapardi Djoko Damono. This paper based in the issue that comes from the novel related to the chracteristic of Javanese and Manado culture. The aim of this paper is to describe culture representation that shows by the concept of this novel. This explanation based on the theory about Javanese people’s characteristic from Geertz, Manado people’s characteristic from Sumampow and concept culuture identity from Hall and Woodward. The result of  the analysis shows that the novel displays the cultural characteristics of Java wich is different for each character. The ‘ethok-ethok’ (pretend), ‘wedi’(afraid),’ isin’(shame), dan ‘sungkan’ attitude displayed by the character that has the constancy of identity. While being open, straight foward and aggressive attitude. While Manado characters are represented through characters steady by showing agrressive attitude, overt, brave, culinary practice, character name and Christianity. Different cultural characteristics to each person indicate the liquid identity. 
Subjektivitas Perempuan dalam Cerpen “Cenana” Karya Oka Rusmini Rojak, Mohamad Abdul; Rahayu, Lina Meilinawati; Priyatna, Aquarini
JURNAL PESONA Vol 3, No 2 (2017)
Publisher : JURNAL PESONA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26638/jp.440.2080

Abstract

Abstract This paper examines female subjectivity contained in the short-story "Cenana" by Oka Rusmini. This short story is part of a collection of short-stories "Sagra" which tells the efforts of female protagonists out of oppression patriarchal system. The method used in this research is feminist study. This study is based on the female subjectivity approach of Beauvoir reinterpreted by Tori Moi. The short-story of "Cenana" shows womens dominant issues in the depiction of womens experiences in an attempt to challenge the patriarchal system. The results of the analysis show that the female protagonist character is presented as a subjectivity that plays the body as an important role in its relation to male characters within the project of heterosexuality.Keyword: Oka Rusmini, female subjectivity, body, short-story. 
REPRESENTASI IDENTITAS SUNDA DALAM CERPEN ABAH JEUNG LAPTOP KARYA HIKMAT NUGRAHA Nurullah, Maria Fiducia; Rahayu, Lina Meilinawati; Priyatna, Aquarini
JURNAL PESONA Vol 3, No 1 (2017)
Publisher : JURNAL PESONA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26638/jp.294.2080

Abstract

This research described Sundanese identity on “Abah jeung Laptop” by Hikmat Nugraha. The research analised narrative struckture and setting on the short story. This study aimed to describe how the representasion of Sundanese identity on contemporary literature. This research used qualitative method and literature study for collecting the data. In analyzing the data, the researcher used narrative struckture method by Mieke Bal to describe how narrator and fokalisator on the short story affected how Sundanese identity be representasion on this story. The analysis showed the representasion of Sundanese identityon the actors on story changed because of modernize. The struggle which representing by the actors showed how shifting of identities was very difficult but identities always changed because of history and cultures change.
Perlawanan Perempuan dalam Novel Sunda Sandekala Karya Godi Suwarna Maryanti, Sri; Rahayu, Lina Meilinawati; Aksa, Yati
JURNAL PESONA Vol 3, No 2 (2017)
Publisher : JURNAL PESONA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26638/jp.446.2080

Abstract

Abstract Female figures position in a Sundanese novel entitled Sandekala is in accordance with the concept of docile bodies which is stated by Michael. In general, the novel tends to present obedient women. The female figures are disclosed passively and gagged with the result that oppression undergone is blurred due to less resistance. Some argument prompt this research, particularly in relation to women issue. The other supporting issue is concerned with women represented in Sundanese social condition and Sundanese women attitude who is willing to discharge from being inferior. The most interesting of the novel is when the main character named Dewi, is accentuated. She is depicted as a college student and an activist who struggles similarly as men do. The presence of Dewi is peculiar in the novel. Since she is portrayed differently from other female characters. The novel exposes the character of Dewi as a symbol of women resistance.Key words:  female, oppression, resistance
PARODI CALON ARANG DALAM NOVEL JANDA DARI JIRAH KARYA COK SAWITRI Mulyawati, Netari; Rahayu, Lina Meilinawati; Saidi, Acep Iwan
JURNAL PESONA Vol 3, No 1 (2017)
Publisher : JURNAL PESONA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26638/jp.296.2080

Abstract

This research described characters parody in the novel Janda dari Jirah by Cok Savitri. Parodi appears indicating that the glorification of Calon Arang. This research method uses descriptive analytical with the theory of parody as part of intertextuality. Parody which appears also associated with feminine and masculine leadership style defined by Parker. This study shows that there is a glorification through figures and depictions of feminine leadership style Candidate Arang.
DIASPORA PADA TOKOH PEREMPUAN PEKERJA MIGRAN DALAM KUMPULAN CERPEN PEREMPUAN DI NEGERI BETON Sisilia, Nurul Maria; Rahayu, Lina Meilinawati; Aksa, Yati
METASASTRA: Jurnal Penelitian Sastra Vol 9, No 1 (2016)
Publisher : Balai Bahasa Jawa Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26610/metasastra.2016.v9i1.95-108

Abstract

Penelitian ini membahas situasi diaspora yang dialami perempuan pekerja migran di Hong Kong dalam kumpulan cerpen karya perempuan pekerja migran di Hong Kong berjudul Perempuan di Negeri Beton.  Situasi diaspora tersebut dianalisis melalui ingatan tokoh terhadap tanah air, serta norma-norma dan budaya Indonesia yang mengingatkan tokoh terhadap Indonesia.Ingatan tokoh perempuan terhadap tanah air membuat tokoh meresistensi dan bernegosiasi dengan budaya Hong Kong.Dalam penelitian ini, penulis menggunakan konsep diaspora dari Rogers Brubaker dan James Clifford untuk menganalisis diaspora dan konsep unhomely dari Homi K. Bhabha untuk menjelaskan konsep home.
Aktualisasi Mitos “Sangkuriang” dan “Lutung Kasarung” dalam Novel “Déng” Karya Godi Suwarna Hudaya, Deri; Rahayu, Lina Meilinawati; Hazbini, Hazbini Hazbini
PANGGUNG Vol 25, No 4 (2015): Representasi, Transformasi, Identitas dan Tanda Dalam Karya Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v25i4.44

Abstract

ABSTRACTMyth and novel are two kinds of literatures which are different. Myth arised from oral tradition, spiritual art, and primordial of human belief. While novel arised from written tradition that grows from modern culture which identifies the rasio. This research is conducted to see the relationship between myth and Sundanesses novel, and also to know the actualization of myth Sangkuriang and Lutung Kasarung which are retold by Déng’s novel from Godi Suwarna.Keyword: lutung kasarung, sangkuriang, déng, myth, novel ABSTRAKMitos dan novel merupakan dua bentuk karya sastra yang berbeda. Mitos berangkat dari tradisi lisan, seni spiritual, dan kepercayaan masyarakat primordial. Sementara Novel berangkat dari tradisi tulis, berakar pada kebudayaan modern yang bercirikan rasio. Penelitian ini dilakukan untuk melihat pertemuan antara mitos dan novel Sunda, aktualisasi mitos Sangkuriang dan Lutung Kasarung yang diartikulasikan melalui novel Déng karya Godi Suwarna.Kata kunci: lutung kasarung, sangkuriang, déng, mitos, novel
REINTERPRETASI DAN REKONSTRUKSI CERITA SI KABAYAN DAN SANGKURIANG DALAM KESUSASTRAAN INDONESIA MODERN (Si Kabayan and Sangkuriang: Reinterpretation and Reconstruction in Modern Indonesian Literature) Rahayu, Lina Meilinawati
METASASTRA: Jurnal Penelitian Sastra Vol 8, No 2 (2015)
Publisher : Balai Bahasa Jawa Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26610/metasastra.2015.v8i2.261-274

Abstract

Penelitian yang berjudul “Reinterpretasi dan Rekonstruksi Cerita Si Kabayan dan Sangkuriang dalam Kesusastraan Indonesia Modern” dimaksudkan untuk mengkaji transformasi kisah Sangkuriang dan Si Kabayan dengan tujuan  mengetahui perubahan interpretasi dan rekonstruksi kedua cerita lisan tersebut ke dalam sastra Indonesia kontemporer. Cerita Sangkuriang dan Si Kabayan yang pada mulanya merupakan cerita lisan, tidak hanya ditransformasikan ke dalam bentuk tulis oleh banyak sastrawan, tetapi juga bertransformasi ke dalam bentuk drama hingga film. Dalam penelitian ini digunakan enam teks transformasi, yaitu: (1) Sang Kuriang karya Utuy Tatang Sontani,(2) Lelaki yang Terus mencintai Sumbi karya Hermawan Aksan, (3) Kesadaran Sangkuriang karya Dian Hartati, (4) Si Kabayan karya Utuy T. Sontani,(5) Si Kabayan Nongol di Zaman Jepang karya Achdiat K. Mihadrja, (6)  Si Kabayan Jadi Wartawan karya Muchtar ibn Thalab. Dengan menggunakan prinsip sastra bandingan dan teori transformasi ditemukan bahwa Sangkuriang dalam ketiga teks transformasinya digunakan untuk penyampaian ideologi. Sementara itu, Si Kabayan dalam ketiga teks transformasinya digunakan sebagai alat penyampai kritik terhadap berbagai ketimpangan yang terjadi di masyarakat.Abstract: The research aims to study “The transformation of Si Kabayan and Sangkuriang stories and how they are reinterpreted and reconstructed in contemporary Indonesian literature”. These originally oral stories have been transformed not only into written texts, but also into drama and film by different authors. The research focuses on six texts, namely  (1) Sang Kuriang by Utuy Tatang Sontani,(2) Lelaki yang Terus mencintai Sumbi by Hermawan Aksan, (3) Kesadaran Sangkuriangby Dian Hartati, (4) Si Kabayanby Utuy T. Sontani,(5) Si Kabayan Nongol di Zaman Jepangby Achdiat K. Mihadrja and (6)Si Kabayan Jadi Wartawanby Muchtar ibn Thalab, all of which are written transformations of the stories. Using principles of comparative literature and transformation theory to approach the texts, the study finds that in the first three texts, the transformation of Sangkuriang story is intended to convey an ideology, whereas in the latter, the transformation of Kabayan story is intended as a means to critize injustice and inequality that occurs in the society.
IDENTITAS KESUNDAAN SASTRA INDONESIA: ZAMAN KOLONIAL DAN KONTEMPORER (The Sundanese Identity in Indonesian Literature: Colonial and Contemporary Period) Rahayu, Lina Meilinawati
METASASTRA: Jurnal Penelitian Sastra Vol 7, No 1 (2014)
Publisher : Balai Bahasa Jawa Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26610/metasastra.2014.v7i1.47-62

Abstract

Penelitian ini memetakan identitas kesundaan dalam dua periode perkembangan sastra Indone- sia. Pemetaan ini dilakukan pada karya sastra yang ditulis pada zaman kolonial  dan zaman kontemporer untuk memperoleh gambaran yang menyeluruh tentang cara-cara identitas kesundaan ditampilkan dalam sastra Indonesia dari masa ke masa. Objek penelitian zaman kolonial, yaitu dua cerita karya Tirto Adhi Soerjo (TAS) dan zaman kontemporer diwakili oleh karya Remy Sylado dan Beni Setia. Hasil penelitian menunjukkan, keempat teks menghadirkan perubahan wacana identitas manusia yang signifikan. Pada era kolonial identitas manusia Sunda hadir sebagai bentuk perlawanan terhadap stereotip yang telah berkembang sebelumnya. Pada era kontemporer terlihat upaya manusia Sunda untuk keluar dari wacana-wacana besar yang sedang berkembang. Meskipun demikian, hal tersebut seringkali tidak bisa dilawan dan menimbulkan sikap ambivalen pada diri manusia Sunda itu sendiri.Abstract:This research divides Sundanese identity into two mapping periods of Indonesian liter- ary development. The mapping is conducted on literary works written during the two periods: colonial and contemporary. It is intended to obtain a comprehensive picture on the ways of Sundanese identity  described in Indonesian literature from time to time. The research centers on colonial period represented by Tirto Adhi Soerjo’s two short stories (TAS) and contemporary pe- riod represented by Remy Sylado’s and Beni Setia’s. The results show that the four texts present changes of situation in significant human identities. In the colonial period, the Sundanese identity was  as a form of resistance to the previously developed stereotypes. While in the contemporary period, there was Sundanese  effort to get out from  big developing situations.  The matter, how- ever,  could not be resisted. Indeed, it  created an ambivalent attitude within the Sundanese them- selves.
IDENTITAS TOKOH PEREMPUAN LINTAS BUDAYA DALAM KUMPULAN CERPEN MALAM TERAKHIR KARYA LEILA S. CHUDORI (The Cross Cultural Identity of Female Protagonist in Leila S. Chudori’s Short Stories Compilation Malam Terakhir) Nurhayati, Nita; Priyatna, Aquarini; Rahayu, Lina Meilinawati
METASASTRA: Jurnal Penelitian Sastra Vol 8, No 1 (2015)
Publisher : Balai Bahasa Jawa Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26610/metasastra.2015.v8i1.61-76

Abstract

Tulisan ini mengkaji identitas tokoh perempuan lintas budaya yang terdapat dalam kumpulan cerpen Malam Terakhir karya Leila S. Chudori. Kajian ini menggunakan teori identitas, lintas budaya, dan naratologi. Pendekatan yang digunakan dalam penelitian ini adalah pendekatan struktural yang menganalisis struktur narasi yang membangun konstruksi identitas tokoh perempuan lintas budaya. Metode yang digunakan dalam penelitian ini adalah metode deskriptif analitis. Hasil analisis menunjukkan bahwa identitas tokoh perempuan lintas budaya dalam cerpen-cerpen karya Chudori ditampilkan sebagai identitas yang cair, identitas yang dapat berubah sesuai dengan konteks sosial dan budaya tempat tokoh perempuan berada. Gambaran tokoh perempuan lintas budaya dapat dilihat melalui ciri-ciri fisik tokoh yang dapat dibedakan dengan penduduk setempat dan pendatang, interaksi tokoh dengan penduduk setempat, dan keterasingan yang dialami tokoh perempuan. Selain itu, identitas perempuan lintas budaya juga dapat ditunjukkan melalui penggambaran latar yang terdapat dalam cerpen-cerpen karya Chudori.Abstract:This paper examines cross cultural identities of female protagonist in Chudori’s short stories compilation “Malam Terakhir”. The study uses the theory of identity, cross-cultural theory, and naratology. The approach applied in the research is   structural%it  analyzes narrative struc- ture which builds  cross-cultural construction of female identity. The method used in this research is analytic descriptive method. The results of the research show that cross-cultural identity of fe- male characters in Chudori’s short stories compilation are fluid identity, the identity of a female protagonist which can change   according to the social and cultural context where the female character lives. The image of cross cultural identitiy of female protagonist can be seen through physical characteristics which can be distinguished from the natives and settlers, interaction with the native, and the alienation experienced by the female protagonist. In addition, cross-cultural identity of female protagonist can be seen through setting description in Chudori’s short stories compilation.
Co-Authors Adipurwawidjana, Ari J. Adji, Muhammad Aflaz Maosul Kamilah Aksa, Yati Aksa, Yati Amalia, Sira Kamila Dewanti Amaliatun Saleha Amelia, Nenden Rizky Anastasia Dewi Wulandari Anastasia Dewi Wulandari Aquarini Priyatna Arby, Sella Putri Ari Jogaiswara Adipurwawidjana Asep Yusup Hudayat Baban Banita Banita, Baban Bintang Purwaramdhona, Ananda Dade Mahzuni Deri - Hudaya, Deri - Dessyratna Putry Dewi Kuraesin Dhena Maysar Aslam Fajar Hanif Mubarok Friandini, Asri Rizki Hawa, Andina Meutia Hazbini Hazbini Heri Isnaini Hidayatullah, M. Irfan Ida Farida Sachmadi Kamilah, Aflaz Maosul Kathryn, Kezia Kencana, Sekar Maryam Luqman, Arief Maryanti, Sri Mayasari, Gilang Hanita Mochamad Irfan Hidayatullah Mohammadi, Noria Muhamad Adji Mulyadi, R M Mulyawati, Netari Mumtazah, Jauza Maryam N Rinaju Purnomowulan Naflah Fakhira Maulida Nita Novianti, Nita Nurhayati, Nita Nurullah, Maria Fiducia Permata, Denti Rasus Budhyono Resa Restu Pauji Ripki, Mochamad Ritma Fakhrunnisa Rojak, Mohamad Abdul Rostianti, Feni Safrina Noorman Safrina, Raden Saidi, Acep Iwan Sisilia, Nurul Maria syukur, andi abd khaliq Teddi Muhtadin Tisna Prabasmoro Zulfikar Alamsyah