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All Journal IBDA` : Jurnal Kajian Islam dan Budaya Ulul Albab: Jurnal Studi Islam El-HARAKAH : Jurnal Budaya Islam Geoplanning : Journal of Geomatics and Planning SINEKTIKA: Jurnal Arsitektur Religious: Jurnal Studi Agama-Agama dan Lintas Budaya Arsitektura : Jurnal Ilmiah Arsitektur dan Lingkungan Binaan Humaniora Bahasa: Jurnal Keilmuan Pendidikan Bahasa dan Sastra Indonesia J-ADIMAS (Jurnal Pengabdian kepada Masyarakat) Jurnal Berdaya Mandiri International Journal of Multi Discipline Science (IJ-MDS) Journal of Social Research IBDA': Jurnal Kajian Islam dan Budaya BAHASTRA Jurnal Komunikasi Indonesia Jurnal bahasa, sastra, seni, dan pengajarannya
Titis Srimuda Pitana, Titis Srimuda
Universitas Sebelas Maret, Surakarta Jl. Ir. Sutami No. 36 A (+62-271) 646624 Surakarta 57126
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Budaya Nomad dalam Pertarungan Wacana Musik Industri Indonesia Studi Kasus: Boy-Girl Band Nofer, Dolly; Pitana, Titis Srimuda; Susanto, Dwi
Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Vol. 47, No. 2
Publisher : citeus

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Abstract

Boy-girl band K-Pop music appearing in Indonesian music industry is a discourse contruction, teritorial or music life style which is brought by pop culture and Korean culture industry. The intrance of this music culture then cause a few problems which are the battle of discourse and the construction of the K-Pop music discourse itself, which does the culture migration for any purpose. For, this research is due to solve the problems, (1) boy-girl band as once of music life style discourse, (2) boy-girl band music discourse in battle arena of music life style, and (3) impact of K-Pop discourse construction through boy-girl band. The perspective which is used in discussing those problems are concepts of territori and discourse in Cultural Studies. The data used are aesthetic discourse—surrounds the K-Pop boy-girl band. The result of this research shows that K-pop boy-girl band is a battle arena of music life style in context popular culture, consumerism, and identity struggle of Korean culture. Then, it causes the impact to music discourse in Indonesian music industry, which internalizes K-pop values—locality is other subject in Indonesian music industry discourse.
Register role and function in the arena of sociocultural practice (critical study of sociocultural practice) Sujarwa, Sujarwa; Purwasito, Andrik; Habsari, Sri Kusuma; Pitana, Titis Srimuda
BAHASTRA Vol. 43 No. 1 (2023): BAHASTRA
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26555/bs.v43i1.342

Abstract

This paper is entitled "The Role and Function of the Register in the Arena of Sociocultural Practices". This theme was raised because in the arena of sociocultural communication practices there is a hidden peculiarity in the form of deception, which is often inconsistent between linguistic aspects and sociocultural behavior. The use of the register as a style of communication rhetoric is built not without reason but contains the motives, intentions, achievements to be achieved. This paper aims to reveal: the form of the register, the role and function of the register, as well as the symbolic meaning of the register in the arena of sociocultural communication practices in the cattle trade. For this reason, a qualitative descriptive method is needed, which attempts to substantially describe aspects of the meaning of the data with in-depth analysis related to the subject matter. In order to arrive at an in-depth interpretation, the following theoretical knowledge is used: sociocultural, sociolinguistic, capitalism, hegemony, hegemonic, and hermeneutic as a strategic method for understanding texts whose meaning must be interpreted. The results of the study indicate: there are forms of oratorical, deliberative, consultative, casual, intimate registers. The function of the register is to act as an instrument of conative and emotive manipulation to influence, weaken, subdue, and restrain hegemonic control or domination. The register has a symbolic meaning of feudalism relations in the form of a phenomenon in the arena of sociocultural communication practices influenced by the discourse on capitalist cultural domination.
Co-Authors A.A. Ketut Agung Cahyawan W Adi Putra Surya Wardhana Adi Surya Kusumo, Adi Surya Adityaningrum, Dewi Afiliasi Ilafi, Afiliasi Ananda, Wildan Purbo Andrik Purwasito Ari Prasetyo Ariwibowo, Widodo Badriah, Maulida Nabilah Bani Sudardi Budi Setiyono Deny Tri Ardianto Dody Ariawan Dwi Susanto Ernawati, Nurul Erwin Herlian Faviansyah, Okta Arkana Ferdiansyah Ali Firmansyah, Yusuf Gunawan Gunawan Habsari, Sri Kusuma Hikmawati, Hanifah Kamila, Aisyah Rahma Kirana Wahyu Kinanti, Kirana Wahyu Made Suastika Majid, Imam Abdul Mohammad Masykuri Musyawaroh Musyawaroh, Musyawaroh Nandariyah, Nandariyah Nofer, Dolly Nurul Muhayat Paramanandana, Satrya Prasetyo, Alif Datu Pratama, Yuwanda Budi Putri, Salsabila Adinda Rachmawati, Julianne Indah Saputro, Muhammad Handri Aris Septi Anggita Kriskartika Slamet Subiyantoro Sri Yuliani Sugara, Badra Sujarwa, Sujarwa Sulistyaningati, Endah Sunarmi Sunarmi Susanto Susanto Syamsul Hadi Tri Joko Daryanto Virgie, Arrley Warto - Warto Warto Wiwik Setyaningsih Zuhriah, Nur Azizah