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All Journal Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora Ulul Albab: Jurnal Studi Islam El-HARAKAH : Jurnal Budaya Islam DeKaVe Geoplanning : Journal of Geomatics and Planning Channel : Jurnal Komunikasi Mozaik Humaniora SINEKTIKA: Jurnal Arsitektur Religious: Jurnal Studi Agama-Agama dan Lintas Budaya International Journal of Science and Applied Science: Conference Series Proceeding of International Conference on Art, Language, and Culture Journal of Architectural Research and Design Studies Proceeding Humaniora Bahasa: Jurnal Keilmuan Pendidikan Bahasa dan Sastra Indonesia J-ADIMAS (Jurnal Pengabdian kepada Masyarakat) Jantra Jurnal Berdaya Mandiri Budimas : Jurnal Pengabdian Masyarakat International Journal of Multi Discipline Science (IJ-MDS) Journal of Social Research IBDA': Jurnal Kajian Islam dan Budaya BAHASTRA Jurnal Komunikasi Indonesia Al-Mabsut: Jurnal Studi Islam dan Sosial Jurnal bahasa, sastra, seni, dan pengajarannya KARSA: Jurnal Sosial dan Budaya Keislaman (Journal of Social and Islamic Culture)
Titis Srimuda Pitana, Titis Srimuda
Architecture Study Program Of Sebelas Maret University, Indonesia
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The Discourse of Noble Soul in Serat Kawruh Mahnitisme Manuscript Septi Anggita Kriskartika; Titis Srimuda Pitana; Susanto Susanto
Humanus: Jurnal Ilmiah Ilmu-ilmu Humaniora Vol 19, No 1 (2020)
Publisher : Pusat Kajian Humaniora FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1102.483 KB) | DOI: 10.24036/humanus.v19i1.102542

Abstract

This study aims at understanding and describing the discourse clarity, how the discourse is constructed and the implication of discursion of noble soul in sêrat kawruh mahnitismê manuscript in Javanese’s people life. The Sêrat Kawruh Mahnitismê will be written as SKM in this essay. This manuscript is in manuscript song form which consists of 13 pupuh ‘lyric’, and written using Javanese alphabet and in Javanese language that have been both translated and transcribed into Latin language. The manuscript is stored in Kerataon Surakarta Hadiningrat library Sasanapustaka containing teachings about how a person gets a perfection and used it as a tool to fulfill his dreams. This research is done in the area of Cultural Studies with qualitative data analysis and descriptive and interpretative analysis techniques that use a hermeneutic approach. This research use content analysis and library studies as method of data collection. The theory use is Michael Foucault discourse theory. The results show that: (1) the cause of discourse of noble soul in SKM manuscript that resulted hegemony; (2) the construction process in discourse of noble soul in SKM manuscript happens from ideal becomes humanist and (3) the implication of the discourse of noble soul in SKM manuscript in the millennial era
A Discourse of Drupadi Character in Javanese Puppetry in “Feminism Perspective” Dwi Purbo Cahyono Nuswantoro; Titis Srimuda Pitana; Susanto Susanto
International Journal of Science and Applied Science: Conference Series Vol 6, No 2 (2022): International Journal of Science and Applied Science: Conference Series
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/ijsascs.v6i2.74072

Abstract

Javanese puppetry story is still dominated by masculine perspective, in which men have higher degree than women. It creates a social construction that the position of women is under that of men and women has not control over their body. From this representation of ideology, women’s feminism spirit grows to get equality and control or power over themselves. Drupadi character symbolizes a Javanese woman subjected to the man’s power. It contains internal interpretation on a strongly constructed awareness that the position of women is under that of men. The discourse was constructed through the life journey of Drupadi character who was always subjected to her husband’s command. Drupadi tried to do all of his husband’s command and decision toughly and indirectly Drupadi no longer has control over her body. The research method used was qualitative research and data analysis technique used was descriptive one with hermeneutic approach. This research will operate the conception and its relation to the text interpretation. Using this research analysis method, discourse and feminism theories will be used to study the character of Drupadi in Javanese puppetry. Meanwhile, data validation was carried out using triangular data through: firstly comparing the data of observation and data of interview; secondly, comparing information coming from one source with that coming from another; and thirdly, comparing interview with relevant document.
Forms and Meaning of Laku Prihatin for Javanese Women in Ngadi Sarira Tradition Roudhotul Munawaroh; Titis Srimuda Pitana; Warto Warto
International Journal of Science and Applied Science: Conference Series Vol 6, No 2 (2022): International Journal of Science and Applied Science: Conference Series
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/ijsascs.v6i2.74087

Abstract

The philosophy of the Javanese women’s beauty trilogy, namely ngadi sarira, ngadi busana, and unggah-ungguh (manners) displays an attractive image for Javanese women. Education about traditional beauty care procedures for Javanese women can be seen through a tradition called ngadi sarira. Actually, what is the uniqueness of Javanese women in terms of beauty and self care? Based on the concept of beauty in the style of the princess of the Surakarta Sultanate Palace, this study tries to reveal 1) The forms of laku prihatin performed by Javanese women in the ngadi sarira tradition, and 2) The meaning of laku prihatin for Javanese women in the ngadi sarira tradition. This research is a qualitative research using Clifford Geertz’s theory of interpretation of meaning. This study aims to review the forms and meanings of caring behavior to obtain the beauty of the female body from inside and outside in the ngadi sarira tradition. The results showed that the forms of laku prihatin performed by Javanese women in the ngadi sarira tradition, namely ngudhup mlathi, mutih, adus bengi, and turu sepisan. The meaning of inner beauty, religious meaning, ritual meaning, and economic meaning.
Register role and function in the arena of sociocultural practice (critical study of sociocultural practice) Sujarwa Sujarwa; Andrik Purwasito; Sri Kusuma Habsari; Titis Srimuda Pitana
BAHASTRA Vol. 43 No. 1 (2023): BAHASTRA
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26555/bs.v43i1.342

Abstract

This paper is entitled "The Role and Function of the Register in the Arena of Sociocultural Practices". This theme was raised because in the arena of sociocultural communication practices there is a hidden peculiarity in the form of deception, which is often inconsistent between linguistic aspects and sociocultural behavior. The use of the register as a style of communication rhetoric is built not without reason but contains the motives, intentions, achievements to be achieved. This paper aims to reveal: the form of the register, the role and function of the register, as well as the symbolic meaning of the register in the arena of sociocultural communication practices in the cattle trade. For this reason, a qualitative descriptive method is needed, which attempts to substantially describe aspects of the meaning of the data with in-depth analysis related to the subject matter. In order to arrive at an in-depth interpretation, the following theoretical knowledge is used: sociocultural, sociolinguistic, capitalism, hegemony, hegemonic, and hermeneutic as a strategic method for understanding texts whose meaning must be interpreted. The results of the study indicate: there are forms of oratorical, deliberative, consultative, casual, intimate registers. The function of the register is to act as an instrument of conative and emotive manipulation to influence, weaken, subdue, and restrain hegemonic control or domination. The register has a symbolic meaning of feudalism relations in the form of a phenomenon in the arena of sociocultural communication practices influenced by the discourse on capitalist cultural domination.
Presenting Local Wisdom: A Multimodal Analysis of Sedekah Gunung Merapi Video as a Tourism Promotion in Boyolali Regency Rachmawati, Julianne Indah; Warto, Warto; Pitana, Titis Srimuda
JURNAL KOMUNIKASI INDONESIA Vol. 7, No. 3
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Upacara tradisional Sedekah Gunung adalah salah satu kearifan lokal yang dimiliki oleh masyarakat Desa Lencoh, Selo, Kabupaten Boyolali. Upacara ini bertujuan untuk mengungkapkan rasa terima kasih penduduk desa dan meminta perlindungan Tuhan dari bencana. Upacara ini memiliki potensi karena sering menjadi daya tarik wisata. Liputan media diperlukan untuk menyebarkan konten dan informasi tentang upacara ini. Salah satu contoh liputan media tentang tradisi ini adalah video yang diunggah di situs berbagi video YouTube bernama Sedekah Gunung merapi. Tulisan ini menganalisis beberapa aspek: (1) Apa sarana yang digunakan dalam video Sedekah Gunung Merapi untuk menghadirkan Sedekah Gunung sebagai objek wisata Kabupaten Boyolali? (2) Bagaimana penyajian kearifan lokal Boyolali dalam video Sedekah Gunung Merapi mempromosikan pariwisata Kabupaten Boyolali? (3) Apa makna penyajian kearifan lokal dalam video Sedekah Gunung merapi sebagai promosi pariwisata di Kabupaten Boyolali? Metode yang digunakan dalam penelitian ini adalah nalisis multimodal yang dikembangkan oleh Kress dan van Leeuwen. Video yang diteliti mengandung lebih dari dua sistem semiotik yang terdiri dari linguistik, visual, audio, gestural, dan spasial. Penelitian ini menemukan bahwa wacana tentang kearifan lokal dibangun untuk menonjolkan kekayaan budaya yang dimiliki oleh komunitas Boyolali. Wacana dikemas dan disebarluaskan melalui video untuk mengkomersialkan pariwisata kabupaten Boyolali. The traditional ceremony of Sedekah Gunung is one of the local wisdoms possessed by the community of Lencoh Village, Selo, Boyolali Regency. The ceremony aims to express the villagers’ gratitude and requests the protection of God from disasters. This ceremony has potency as it often becomes a tourist attraction. media coverages are needed to disseminate contents and information about this ceremony. one example of existing media coverages on the tradition is a video uploaded on video-sharing website YouTube named Sedekah Gunung Merapi. This paper analyzes several aspects: (1) What are the means used in the Sedekah Gunung Merapi video to present Sedekah Gunung as a tourist attraction of Boyolali Regency? (2) How does the presentation of Boyolali’s local wisdom in Sedekah Gunung merapi video promotes Boyolali Regency’s tourism? (3) What is the meaning of presenting local wisdom in Sedekah Gunung Merapi video as tourism promotion in Boyolali Regency? The method used in this research is multimodal analysis developed by Kress and van Leeuwen. The studied video contains more than two semiotic systems consisting of linguistic, visual, audio, gestural, and spatial. The research finds that discourses on local wisdom are constructed to accentuate the cultural richness possessed by Boyolali’s community. discourses are packaged and disseminated through the video to commercialize the regency’s tourism.
THE DISCOURSE OF ISLAMIC BOARDING SCHOOL RESISTANCE SYSTEM ON THE THEOLOGY IN THE SCHOOL IN “PUISI UNTUK ADIK” BY WIJI THUKUL Alfian Setya Nugraha; Andrik Purwasito; Haris Supratno; Titis Srimuda Pitana
Al-Mabsut: Jurnal Studi Islam dan Sosial Vol 13 No 1 (2019): MARET
Publisher : Institut Agama Islam Ngawi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56997/almabsut.v13i1.342

Abstract

AbstractThe Islamic boarding school is a place to get the theology. It such an educational place needed to developing an educational system to supply the students to in order to following the development era. Moreover today the Islamic boarding schoollook at that religious learning in the public schools are very lacking, the next generation of young people only get about two hours of religious subject. It has cause to the emergence of resistance in the Islamic boarding school society to open a public school but also it combined with the religion. This article applies thediscourse theory, semiotic, and resistance in the theologyin Indonesia, especially in the Islamic boarding school area. This research methodused the qualitative method to describe the resistance discourse phenomena in the theology in the Islamic Boarding school.Keywords: Discourse, Resistance, Islamic boarding school
PKM Pemetaan dan Dokumentasi Cagar Budaya Desa Genggelang Untuk Peningkatan Kesadaran Budaya Kamila, Aisyah Rahma; Virgie, Arrley; Sulistyaningati, Endah; Badriah, Maulida Nabilah; Ernawati, Nurul; Faviansyah, Okta Arkana; Putri, Salsabila Adinda; Ananda, Wildan Purbo; Firmansyah, Yusuf; Pratama, Yuwanda Budi; Pitana, Titis Srimuda
J-ADIMAS (Jurnal Pengabdian Kepada Masyarakat) Vol 12, No 2 (2024)
Publisher : (STKIP) PGRI Tulungagung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29100/j-adimas.v12i2.6551

Abstract

Sebagai bagian dari Program Kuliah Kerja Nyata (KKN) UNS 102 dan 104 di Desa Genggelang, Lombok Utara, proyek ini berfokus pada pemetaan dan dokumentasi situs cagar budaya dari 30 Juli hingga 20 Agustus 2024. Inisiatif ini bertujuan untuk mengidentifikasi dan melestarikan artefak budaya serta situs bersejarah di desa. Proyek ini mencakup pendataan artefak di rumah-rumah warga, katalogisasi barang-barang di museum desa, serta observasi dan pendataan makam bersejarah dan petilasan. Selain itu, koordinasi dengan lembaga adat setempat juga dilakukan. Hasil dari upaya ini adalah pembuatan buku "Situs Cagar Budaya Desa Genggelang Vol 1", yang memberikan catatan rinci mengenai warisan budaya Desa Genggelang. Dokumentasi ini penting untuk meningkatkan kesadaran budaya dan melestarikan warisan sejarah desa.Kata kunci:    Warisan budaya; pemetaan situs; Desa Genggelang; dokumentasi artefak; pelestarian budaya.
The New Museology Discourse at the Radyapustaka Surakarta Museum Sugara, Badra; Warto, Warto; Pitana, Titis Srimuda
International Journal of Multi Discipline Science (IJ-MDS) Vol 7, No 2 (2024): Volume 7 Number 2 August 2024
Publisher : STKIP Singkawang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26737/ij-mds.v7i2.6634

Abstract

This qualitative descriptive research, within the field of cultural studies, aims to explore the practice of New Museology discourse at the Radyapustaka Museum in Surakarta. The data sources included: informants, namely museum managers and visitors; the event location, the Radyapustaka Surakarta Museum; and relevant documents and references. Data collection was carried out through field observation, document studies, literature review, and interviews with selected informants using purposive and snowball sampling techniques. Data validity was ensured through triangulation, and data analysis was performed using interpretive techniques based on generalized propositions. The results of this study showed that activities carried out at the museum, such as exhibitions, workshops, and similar events, are practices of The New Museology discourse at the Radyapustaka Surakarta Museum.
The Symbolism of The Ruwat Banyu Panguripan Tradition: Culture and Religion Integration Perspective Ilafi, Afiliasi; Sudardi, Bani; Subiyantoro, Slamet; Pitana, Titis Srimuda
IBDA` : Jurnal Kajian Islam dan Budaya Vol. 22 No. 2 (2024): IBDA': Jurnal Kajian Islam dan Budaya
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat, Universitas Islam Negeri Profesor Kiai Haji Saifuddin Zuhri Purwokerto Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24090/ibda.v22i2.12267

Abstract

This study aims to explore the symbols in the tradition of Ruwat Banyu Panguripan in the integration of culture and religion in commemorating the Islamic New Year in Pemalang Regency. Banyu panguripan literally means water of life. This tradition reflects a harmonious combination of cultural values and community beliefs correlated with the Islam adhered to. The Ruwat Banyu Panguripan ruwat tradition exists in the Pulosari District, especially at the Manunggal Jati Utama College. This study uses a qualitative approach with a qualitative descriptive method in collecting data through observation, interviews, and literature related to the tradition of Ruwat Banyu Panguripan. This research shows that the tradition of Ruwat Banyu Panguripan in Pulosari is not exclusively organized by the Wong Gunung Festival but also by the Manunggal Jati Utama College, which was formerly a member of the Prabasari Padepokan. The Ruwat Banyu Panguripan tradition aims to deliver each individual's wishes to God. In the process of Ruwat Banyu Panguripan, water intake comes from four directions of the compass (the west, west, south, and north). For several months, verses of the Qur'an were chanted by members of the College until, at the time of this unification, the Prophet's prayer was recited. It shows that preserving local culture is integrated with the routine of the Muslim community, specifically reading the Qur'an and praying to the Prophet in a clean and holy state.
Hiperrealitas Nostalgia dalam Video Klip Sakura Abadi Karya Diskoria Bersama Laleilmanino dan Neida Paramanandana, Satrya; Pitana, Titis Srimuda; Ardianto, Deny Tri
Bahasa: Jurnal Keilmuan Pendidikan Bahasa dan Sastra Indonesia Vol 7, No 2 (2025): Bahasa: Jurnal Keilmuan Pendidikan Bahasa dan Sastra Indonesia
Publisher : ppjbsip

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/bahasa.v7i2.1489

Abstract

The trend of returning to the past or retro—particularly in the realm of music—has recently gained popularity on social media. This phenomenon has grown rapidly since the Covid-19 pandemic, with the 1980s being the chosen decade. One of the music groups that initiated this trend in Indonesia is Diskoria. This DJ duo has revived the creative pop genre of the 1980s in the present day, reproducing nostalgia in a way that can be enjoyed across generations. Sakura Abadi is one of Diskoria's music videos on YouTube that embodies this concept both in audio and visual aspects. This study aims to explore the hyperreality of nostalgia constructed by Diskoria through the music video and its impact on viewers, as reflected in the comments section. This research employs a netnographic method and is analyzed using Baudrillard’s concept of hyperreality and Boym’s theory of nostalgia. The findings reveal that Sakura Abadi is a pastiche of Fariz RM’s 1980 song Sakura and TVRI programs such as Selekta Pop and Aneka Ria Safari. The use of neon fonts, VHS recording effects, and fashion in the video also draw inspiration from 1980s pop culture. Meanwhile, YouTube users’ responses to the video show that they experience a sense of nostalgia, as if returning to the 1980s. Thus, it can be concluded that Sakura Abadi successfully evokes a hyperreality of nostalgia for its audience. Abstrak Tren kembali ke masa lalu atau retro, terutama di bidang musik belakangan populer di media sosial. Fenomena ini berkembang pesat sejak pandemi Covid-19 dan periode yang dipilih adalah dekade 1980-an. Salah satu grup musik yang memulai tren ini di Indonesia adalah Diskoria. Grup DJ ini menghidupkan kembali genre pop kreatif dari dekade 1980-an di masa kini dan mereproduksi nostalgia sehingga dapat dinikmati lintas generasi. Sakura Abadi adalah salah satu video klip musik karya Diskoria di YouTube yang mewakili konsep tersebut baik dari aspek audio maupun visual. Penelitian ini bertujuan untuk mengetahui tentang hiperrealitas nostalgia yang dibangun Diskoria melalui video klip tersebut dan dampaknya bagi penontonnya dalam kolom komentar. Penelitian ini menggunakan netnografi kemudian dianalisis dengan konsep hiperrealitas Baudrillard dan nostalgia Boym. Hasil penelitian menunjukkan bahwa Sakura Abadi merupakan pastische terhadap lagu Sakura karya Fariz RM (1980) dan program TVRI seperti Selekta Pop dan Aneka Ria Safari. Font neon, efek rekaman VHS dan fesyen dalam video klip tersebut juga mengadaptasi dari budaya populer dekade 1980-an. Sementara respons pengguna YouTube yang melihat video klip tersebut menunjukkan bahwa mereka merasakan nostalgia seperti kembali ke dekade 1980-an. Oleh karena itu, dapat disimpulkan bahwa Sakura Abadi berhasil menghadirkan hiperrealitas nostalgia bagi para penikmat video klip mereka.
Co-Authors A.A. Ketut Agung Cahyawan W Adi Putra Surya Wardhana Adi Surya Kusumo, Adi Surya Adityaningrum, Dewi Afiliasi Ilafi, Afiliasi Agnes Serfozo Ahmad Adib Masruri Alfian Setya Nugraha Ananda, Wildan Purbo Andrik Purwasito Andrik Purwasito Andrik Purwasito Andrik Purwasito Andrik Purwasito Anita Dianingrum Ari Prasetyo Ari Prasetyo Aries Adenata Ariwibowo, Widodo Badriah, Maulida Nabilah Bani Sudardi Budi Setiyono Deny Tri Ardianto Desi Nur Aini Dewi Adityaningrum Dody Ariawan Dolly Nofer Dwi Aries Himawanto Dwi Purbo Cahyono Nuswantoro Dwi Susanto Ernawati, Nurul Erwin Herlian Fauzan Ali Ikhsan Faviansyah, Okta Arkana Ferdiansyah Ali Firmansyah, Yusuf Galih Putra Pamungkas Gatut Wicaksono Gunawan Gunawan Haris Supratno Hikmawati, Hanifah Imam Abdul Majid Julianne Indah Rachmawati Julianne Indah Rachmawati Kamila, Aisyah Rahma Kirana Wahyu Kinanti, Kirana Wahyu Kusumaningdyah Nurul Handayani Made Suastika Majid, Imam Abdul Marlina, Avi Maya Andria Nirawati Mohamad Muqoffa Mohammad Masykuri Muhammad Handri Aris Saputro Muhayat, Nurul Musyawaroh Musyawaroh, Musyawaroh Nandariyah, Nandariyah Nofer, Dolly Nur Azizah Zuhriah Nurul Muhayat Pande Made Sukerta Paramanandana, Satrya Prasetyo, Alif Datu Pratama, Yuwanda Budi Pratiwi Anjar Sari Putri, Salsabila Adinda Rachmawati, Julianne Indah Roudhotul Munawaroh Septi Anggita Kriskartika Setyaningsih, Wiwik Situ Asih Slamet Subiyantoro Sri Kusuma Habsari Sri Kusuma Habsari Sri Yuliani Sugara, Badra Sujarwa Sujarwa Sujarwa Sujarwa Sulistyaningati, Endah Sunarmi Sunarmi Sunarmi Sunarmi Susanto Susanto Susanto Susanto Susanto, Susanto Syamsul Hadi Syamsul Hadi Tri Joko Daryanto Triguna, IBG Yudha Virgie, Arrley Wakit Abdullah Rais Warto - Warto Warto Widodo Aribowo Widodo Ariwibowo Winny Astuti Wiwik Setyaningsih Zuhriah, Nur Azizah