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All Journal English Language and Literature International Journal of Nusantara Islam REKAYASA Ilmu Dakwah: Academic Journal for Homiletic Studies ISLLAC : Journal of Intensive Studies on Language, Literature, Art, and Culture CaLLs : Journal of Culture, Arts, Literature, and Linguistics Jurnal JTIK (Jurnal Teknologi Informasi dan Komunikasi) CALL Interference: Journal of Language, Literature, and Linguistics Journal of Electrical Engineering and Computer (JEECOM) Journal of English Language and Education Jurnal Neraca Peradaban AKSARA: Jurnal Bahasa dan Sastra Kajian Linguistik dan Sastra Mardibasa: Jurnal Pembelajaran Bahasa dan Sastra Indonesia Saksama: Jurnal Sastra Indonesian Journal of Innovation Multidisipliner Research Argopuro: Jurnal Multidisiplin Ilmu Bahasa Suara Bahasa: Jurnal Bahasa dan Sastra Jurnal Pengabdian Sosial International Journal of Nusantara Islam Jurnal Manajemen Pesisir dan Laut Indonesian Journal of Innovation Multidisipliner Research Sujud: Jurnal Agama, Sosial dan Budaya Argopuro : Jurnal Multidisiplin Ilmu Bahasa
Nurholis Nurholis, Nurholis
Mahasiswa Program Studi Agronomi dan Hortikultura. Sekolah Pascasarjana, Institut Pertanian Bogor
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ANALYSIS OF THE USE OF ALLEGORY IN GEORGE ORWELL’S “ANIMAL FARM” Rodhiatammardiyah, Bella; Rabbani, Beril; Putra, Muhammad Dzaky Maulana; Nurholis, Nurholis
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 5 No. 1 (2024): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v5i1.8412

Abstract

George Orwell's Animal Farm is a highly satirical allegory of the Russian Revolution and the rise of the totalitarianism under Joseph Stalin. Through the revolt of farm animals against their owner, Mr. Jones, Orwell criticizes the corruption of revolutionary ideals, illustrating how a noble intention can turn into an oppressive regime. The characters in the novel symbolize key figures in history, such as Napoleon as Stalin and Snowball as Trotsky, allowing readers to explore the power dynamics and betrayal. The analysis uses formalist and a sociological method to examine how allegorical elements, propaganda, and character portrayals reflect broader social and political themes. In the end, Animal Farm emphasizes the dangers of absolute power and the importance of accountability in leadership.
POWER AND CONSEQUENCES SYMBOLISM IN FRANKENSTEIN Perdiansyah, Rifky Ali; Afghani, Muhammad Al; Taufik, Elza Salsabillah Arriyaha Lawaqih; Nurholis, Nurholis
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 5 No. 1 (2024): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v5i1.8445

Abstract

This paper discusses the use of symbolism in Mary Shelley’s Frankenstein, illustrates how Shelley uses various symbols as a form of social criticism of the moral degradation when scientific exploration is separated from ethical considerations. Through several symbols, the novel highlighting the dangers of ambition uncontrolled by moral limitations. The symbol that show on the monster, represent dangerous consequences of uncontrolled scientific ambition. Victor Frankenstein, as the creator, crosses moral and ethical boundaries by creating life without considering his responsibilities. Also, the nature elements that Shelley uses is shown as an example how the quest for knowledge can lead to disaster, warning readers of the moral responsibility that comes with science. This study explores how the novel uses symbols to reflects concept of man and the responsibility of the creator emphasize how important it is to consider the moral and social implications of every action.
ANALYZING TOTALITARIANISM IN GEORGE ORWELL’S ‘1984’: PROPAGANDA, SURVEILLANCE, CONTROL, HISTORY, FEAR, AND SUPPRESSION Putri, Apsari Eka; Nabila, Najwa Zayra; Faturrahman, Yanwar; Nurholis, Nurholis
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 5 No. 1 (2024): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v5i1.8542

Abstract

George Orwell's 1984 is a dystopian novel that depicts a bleak future, incorporating elements of political totalitarianism. Where the society is fully controlled by the ruling regime. This is a fairly extreme political school, where a state fully controls all the personal lives of its citizens. This analysis focuses on the society in 1984. Propaganda carried out by the ruling party tries to shape the government according to its will and tries to erase the freedom of thought of its people. Surveillance of the people, starting from the content of thoughts, is under the control of the ruling regime. The manipulation of information and language is aimed at silencing the people from resisting the party. The violent terror portrayed in the novel is to enforce submission. George Orwell succeeded in illustrating how the politics of totaliarism, namely the bad consequences that will occur if this kind of political system is followed.
PATRIARCHY AND POWERLESS: THE HIERARCHY IN THE CRYING OF LOT 49 Dinie, Nida Najah; Fauziyyah, Nurkhalistiani; Anugrah, Zidni Dinia; Nurholis, Nurholis
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 5 No. 4 (2024): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v5i4.8886

Abstract

The Crying of Lot 49 is one of Thomas Pynchon’s novel that offers a detailed analysis of power, conspiracy, and hierarchy within contemporary society, investigating how concealed systems influence individual lives. The story follows Oedipa Maas, who uncovers a realm filled with secret symbols and clandestine networks, particularly the Trystero postal system, which challenges established views on societal control. The narrative emphasizes hierarchical themes related to gender, class, and authority, linking them to the societal transformations following World War II and the manipulation of power dynamics. Pynchon critiques conventional gender roles through Oedipa's portrayal as a passive housewife and examines patriarchy in her interactions with male figures of authority. Symbols like the "Tupperware party" illustrate gender disparities, while affluent characters such as Pierce Inverarity critique capitalist hierarchies. The Trystero network embodies resistance from the lower classes, and the novel further explores social stratification and alienation among marginalized communities. Ultimately, This novel presents the world of power, conspiracy, and personal struggles in a non-linear or fragmented and ambiguous world.
CLASS STRUGGLE IN 1984 BY GEORGE ORWELL Mandai, Disyela Apriswa; Astuti, Rengganis Elung Naafi; Ekayani, Ridha; Nurholis, Nurholis
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 5 No. 5 (2024): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v5i5.8947

Abstract

This article researches the complicated class structure of George Orwell's dystopian masterpiece, which is the novel titled "1984." By examining the clear and stark divisions within Oceania's society, this analysis aims to uncover the underlying social commentary that is on the text. The article will be focusing on two different classes, the classes are Bourgeois and Proletarian. Through a close examination of these classes' roles, privileges, and oppression, this study will reveal how Orwell makes use of class stratification to give a critique about the dangers of totalitarianism and the annihilation of individual freedom. This research will also focus more on showing the correlation and difference between the Bourgeois and Proletarian class, and how unfair the treatment the lower class will get meanwhile the higher class having a decent life. Ultimately, this exploration shows the lasting relevance of "1984" as a warning tale about the consequences of unchecked power and the timeless struggle for social justice.
FIKSI DAN KEBENARAN, KEPENGARANGAN, GENDER, KELAS, DAN RAS DALAM NOVEL THE CRYING OF LOT 49 KARYA THOMAS PYNCHON Arifin, Nadiah Zalfa Nur; Fharaz, Sohibul; Nurholis, Nurholis
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 6 No. 1 (2024): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v6i1.9317

Abstract

Studi ini bertujuan untuk menyelidiki hubungan antara fiksi dan kebenaran dalam novel Crying of Lot 49 karya Thomas Pynchon, yang diterbitkan pada tahun 1967. Menggunakan pendekatan analisis kualitatif, penelitian ini mengkaji pengaruh faktor-faktor seperti kepemilikan, gender, kelas, dan ras dalam membentuk narasi dan karakter dalam karya tersebut. Novel ini mengeksplorasi tema kompleks mengenai realitas dan fiksi, serta bagaimana konstruksi sosial memengaruhi persepsi individu terhadap kebenaran. Hasil analisis menunjukkan bahwa representasi gender dan kelas di dalam novel menciptakan lapisan makna yang memperkaya pemahaman pembaca tentang dinamika sosial. Penelitian ini menyimpulkan bahwa Crying of Lot 49 tidak hanya sebagai karya fiksi, tetapi juga sebagai refleksi kritis terhadap kebenaran yang dibentuk oleh struktur sosial dan kekuasaan.
SIMBOLISME DALAM "THE CRYING OF LOT 49" KARYA THOMAS PYNCHON: ANALISIS MAKNA DAN KONTEKS Saputra, Farhan Januar; Ramadhan, Ghifari Ilham; Hidayah, Irna Inayatul; Nurholis, Nurholis
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 6 No. 2 (2024): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v6i2.9586

Abstract

Novel The Crying of Lot 49 karya Thomas Pynchon merupakan salah satu karya sastra postmodern yang penuh dengan kompleksitas simbolis dan narasi ambigu. Artikel ini menganalisis makna simbol-simbol utama dalam novel tersebut serta menghubungkannya dengan konteks sosial, budaya, dan ekonomi masyarakat modern. Dengan mengkaji simbolisme Tristero, Lot 49, berbagai objek, dan karakter-karakter utama, artikel ini mengungkap bagaimana Pynchon menggunakan simbolisme untuk mengkritik sistem kapitalis, menyentil kegagalan komunikasi, serta menggambarkan absurditas dan ketidakpastian kehidupan di era modern. Hasil analisis menunjukkan bahwa novel ini tidak hanya menantang pembaca untuk mempertanyakan sistem yang ada, tetapi juga menawarkan refleksi filosofis tentang pencarian makna dalam dunia yang penuh ambiguitas.
PARANOIA IN THOMAS PYNCHON'S “THE CRYING OF LOT 49” Oktaviani, Naila Dwinanda; Haurani, Najwa Djafira; Utami, Regita Permata; Nurholis, Nurholis
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 6 No. 3 (2025): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v6i3.9704

Abstract

This paper explores the enduring theme of Paranoia in Thomas Pynchon’s novel “The Crying of Lot 49,” with a particular emphasis on the protagonist, Oedipa Maas. In the story, Paranoia arises as a reaction to the intricate and uncertain nature of the modern world portrayed by Pynchon. Through symbols such as the muted post horn and Tristero’s conspiratorial network, Oedipa is caught up in a never-ending search for meaning. As Oedipa delves deeper into her investigation, she experiences a mental crisis characterized by paranoia and disorientation. The more Oedipa gathers information about Tristero, the higher her paranoid levels become. She feels that everything she sees, smells, dreams and remembers will be interwoven into Tristero. This creates a tension between what is real and what is imagined. She wonders if all these clues really exist or are just imaginary. This creates a strong internal debate, making it difficult for her to believe in anything. With this discussion of paranoia in the novel, we as readers can explore how paranoia not only affects Oedipa’s perception of the world around her, but also illustrates Pynchon’s critique of social and political structures that oppress individuals.
EXPLORING INNEQUALITY AND CLASS STRUGGLES IN THE ADVENTURES OF HUCKLEBERRY FINN Hanifah, Cahyarani Triayu; Oktavani, Deliana Fazra; Kamila, Nasywa; Nurholis, Nurholis
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 6 No. 3 (2025): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v6i3.9777

Abstract

Mark Twain's The Adventures of Huckleberry Finn serves as a profound critique of the class and racial inequalities entrenched in 19th-century American society. Through the characters of Huck Finn, a poor white boy, and Jim, an escaped slave, Twain illuminates the struggles faced by those at the bottom of the social hierarchy. Jim's journey for freedom symbolizes the broader fight against systemic injustice that characterized his time. As a black man in a society that dehumanizes him, Jim embodies the plight of individuals denied their basic rights and dignity. His aspirations for family, financial stability, and freedom from discrimination reflect a natural right to liberty that society systematically denies him. Huck's moral development is central to the narrative, as he grapples with societal norms that dictate racial superiority and class distinctions. Initially conditioned by the prejudices of his environment, Huck experiences a transformation as he befriends Jim. This relationship challenges his ingrained beliefs and compels him to confront the hypocrisy of a society that claims to be civilized while perpetuating slavery and inequality [5][7]. Huck's internal conflict highlights the tension between societal expectations and personal conscience, ultimately leading him to reject social hierarchies in favor of empathy and human connection. Twain's portrayal of these characters not only critiques institutional racism but also underscores the necessity of personal integrity in the quest for equality. The novel advocates for a moral awakening that transcends class and race, suggesting that true freedom and dignity can only be achieved through compassion and the rejection of oppressive societal constructs [6][8]. In this way, The Adventures of Huckleberry Finn remains a powerful commentary on the enduring issues of inequality and class struggle.
THE ROLE OF PARADOX IN MARY SHELLEY’S FRANKENSTEIN PERAN PARADOKS DALAM FRANKENSTEIN OLEH MARY SHELLEY Latief , Abdul; Herlambang, Diaz Billy; Putri, Kayla Rania; Nurholis, Nurholis
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 6 No. 4 (2025): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v6i4.9802

Abstract

Mary Shelley’s Frankenstein is a piece of Gothic literature which has lasted in popularity until the modern age. There are numerous interesting aspects to analyze from this book. One such aspect is the use of paradoxes in this novel and its execution in the story. This paper aims to analyze four types of paradoxes present in Mary Shelley's novel Frankenstein: Situational Paradox, Verbal Paradox, Character Paradox, and Thematic Paradox. The Situational Paradox highlights the contradictions between the intentions of Victor Frankenstein and the disastrous outcomes of his experiments. The Verbal Paradox examines instances of language that convey conflicting meanings, reflecting the complexity of the characters' experiences. The Character Paradox explores the duality within the characters, particularly in Victor and his creation, as they navigate their desires and identities. Finally, the Thematic Paradox addresses the broader moral and ethical dilemmas presented in the novel, showcasing the conflicts between ambition, responsibility, and the nature of humanity. This study will approach these issues from a mainly posmodern point of view which explores the complexity of these paradoxes. The results of this analysis revealed new insights into how these paradoxes not only serve as narrative elements but also reflect the ethical and philosophical dilemmas of the era. It can be concluded that Shelley employs paradoxes in various forms­ situational, character, verbal, and thematic-to highlight the complexities of her narrative and deepen the understanding of her characters and themes. Frankenstein oleh Mary Shelley adalah karya sastra Gotik yang tetap populer hingga zaman modern. Ada banyak aspek menarik yang dapat dianalisis dari buku ini. Salah satu aspek tersebut adalah penggunaan paradoks dalam novel ini dan pelaksanaannya dalam cerita. Makalah ini bertujuan untuk menganalisis empat jenis paradoks yang ada dalam novel Frankenstein karya Mary Shelley: Paradoks Situasional, Paradoks Verbal, Paradoks Karakter, dan Paradoks Tematik. Paradoks Situasional menyoroti kontradiksi antara niat Victor Frankenstein dan hasil eksperimennya yang membawa bencana. Paradoks Verbal meneliti contoh-contoh bahasa yang menyampaikan makna yang saling bertentangan, yang mencerminkan kompleksitas pengalaman para tokoh. Paradoks Karakter mengeksplorasi dualitas dalam diri para tokoh, khususnya dalam diri Victor dan ciptaannya, saat mereka menavigasi keinginan dan identitas mereka. Terakhir, Paradoks Tematik membahas dilema moral dan etika yang lebih luas yang disajikan dalam novel, yang memperlihatkan konflik antara ambisi, tanggung jawab, dan sifat manusia. Studi ini akan membahas isu-isu tersebut dari sudut pandang posmodern yang mengeksplorasi kompleksitas paradoks tersebut. Hasil analisis ini mengungkapkan wawasan baru tentang bagaimana paradoks tersebut tidak hanya berfungsi sebagai elemen naratif tetapi juga mencerminkan dilema etika dan filosofis pada era tersebut. Dapat disimpulkan bahwa Shelley menggunakan paradoks dalam berbagai bentuk situasional, karakter, verbal, dan tematik untuk menyoroti kompleksitas narasinya dan memperdalam pemahaman karakter dan temanya.
Co-Authors Achmad Djunaedy Afghani, Muhammad Al Alawiyah, Siti Dilla Alia, Regina Putri Alya Hasya Azqia Andri, Rival Ani Listriyana Anindya, Raissa Talitha Anugrah, Zidni Dinia Arifin, Nadiah Zalfa Nur Asriani, Risa Astuti, Rengganis Elung Naafi Asy Syamil, Muhammad Fikri Azam, Zidan Khairul Azzahra, Ratna A’ida, Wanda Nur Buana, Lintang Indra Chaniago, Ricka Hidayati Creani Handayani Debiliya, Debiliya Dhaniswara, Erwin Dinie, Nida Najah Ekayani, Ridha Erlan Aditya Ardiansyah Fadilah, Nizam Fakhruddin, Rifki Muhamad Faturrahman, Yanwar Fauziah Fauziah Fauziyyah, Nurkhalistiani Fazrin, Okti Winarti Aulia Fhadilla, Ghulam Ikhwan Fharaz, Sohibul Hanifah, Cahyarani Triayu Haurani, Najwa Djafira Herlambang, Diaz Billy Hidayah, Irna Inayatul Ice Sariyati Ismiyanti Agustina Kamila, Nasywa Khaeruman, Badri Latief , Abdul Mandai, Disyela Apriswa Marjuki Marjuki Mayanti, Zahra Tinaendah Misrudi, Misrudi Muafalah, Siti Muhammad Fadhlurrahman Nabila, Najwa Zayra Natashia, Novi Dian Oktavani, Deliana Fazra Oktaviani, Naila Dwinanda Pahlewi, Anita Diah Perdiansyah, Rifky Ali Pratiwi, Nabila Putri Priyawan, Pepen Putra, Muhammad Dzaky Maulana Putri, Apsari Eka Putri, Helmilia Putri, Kayla Rania Rabbani, Beril Ramadani, Tri Ramadani, Yasinta Sahla Ramadhan, Alfarish Ramadhan, Ghifari Ilham Rendy Febrianto Rodhiatammardiyah, Bella Rosidah, Siti Zulfah Sabrina Satriawati Sabrina, Silvany Haifa Salsabila, Socha Saputra, Farhan Januar Saputra, Septian Bimo Siti Fatimah Siti Zahra Subawati, Salsabila Zahran Galuh Putri Sudjatnika, Tenny Syarifatul Ainiyyah, Zuvika Amoret Tamaji, Tamaji Taufik Arbain Taufik, Elza Salsabillah Arriyaha Lawaqih Utami, Regita Permata Wangsi, Siti Nabila Amira Widanarti, Widanarti Yasis, Rizqia Fatimatuzahra Yoga Sudarisman