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All Journal Jurnal Penelitian Humaniora Lingua Jurnal Bahasa dan Sastra Jurnal Ilmiah Pendidikan Dasar Indonesian Language Education and Literature EDULITE: Journal of English Education, Literature and Culture SASINDO The Journal of Educational Development Jurnal Pendidikan Bahasa Indonesia Jurnal Bindo Sastra KREDO : Jurnal Ilmiah Bahasa dan Sastra Dinamisia: Jurnal Pengabdian Kepada Masyarakat SeBaSa: Jurnal Pendidikan Bahasa dan Sastra Indonesia Jurnal Sastra Indonesia Indonesian Journal of Community Services Sasando : Jurnal Bahasa, Sastra Indonesia, dan Pengajarannya Jurnal Pena Indonesia AKSARA: Jurnal Bahasa dan Sastra J-ABDIPAMAS (Jurnal Pengabdian Kepada Masyarakat) Sasindo : Jurnal Pendidikan Bahasa dan Sastra Indonesia Student Research Journal Sintaksis: Publikasi Para Ahli Bahasa dan Sastra Inggris
Turahmat Turahmat, Turahmat
Universitas Islam Sultan Agung
Religion Arts Humanities Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Social Sciences Other

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Journal : The Journal of Educational Development

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Indonesian Absurdism in Noers Texts of Tetralogy Drama Entitled Orkes Madun Turahmat, Turahmat; Nuryatin, Agus; A. Sayuti, Suminto; Supriyanto, Teguh
The Journal of Educational Development Vol 6 No 1 (2018): February 2018
Publisher : The Journal of Educational Development

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jed.v6i1.20749

Abstract

Absurdism in drama script is different from the concept of absurdism in drama performance. In the performance, the absurdism can be firmly differentiated. In the script, this concept is still very confusing. Such issue will be worked out in this research by solving the following problems. 1) How is the form of absurdism in Noer’s texts of the drama tetralogy? 2) How is the characteristic of Indonesian typical absurdism in Noer’s tetralogy? 3) How is the redefinition of Indonesian distinctive absurdism based on the characteristic of Indonesian typical absurdism in Noer’s drama scripts? The method used is hermeneutics with a semiotic approach. Based on the discussion, the following conclusions are obtained. 1) Absurdism in the tetralogy Noer’s drama appears in the form of themes, characters naming, and plot or storyline. 2) The typical absurdism of Indonesian drama written by Noer is as follows. First, absurdity in drama actually appears from the belief in God. Second, human life is considered irrational, meaningless, worthless, or even playful. 3) The Indonesian distinctive absurdism redefinition based on the characteristic of Indonesian typical absurdism in Noer’s Orkes Madun is as follows. The typical Indonesian absurd drama text is a drama text that tells of the human life that is considered irrational, less meaningful, worthless, meaningless, or even considered to be playful, and arising out of trust in God.
Indonesian Absurdism in Noer's Texts of Tetralogy Drama Entitled Orkes Madun Turahmat, Turahmat; Nuryatin, Agus; A. Sayuti, Suminto; Supriyanto, Teguh
The Journal of Educational Development Vol 6 No 1 (2018): February 2018
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jed.v6i1.20749

Abstract

Absurdism in drama script is different from the concept of absurdism in drama performance. In the performance, the absurdism can be firmly differentiated. In the script, this concept is still very confusing. Such issue will be worked out in this research by solving the following problems. 1) How is the form of absurdism in Noer’s texts of the drama tetralogy? 2) How is the characteristic of Indonesian typical absurdism in Noer’s tetralogy? 3) How is the redefinition of Indonesian distinctive absurdism based on the characteristic of Indonesian typical absurdism in Noer’s drama scripts? The method used is hermeneutics with a semiotic approach. Based on the discussion, the following conclusions are obtained. 1) Absurdism in the tetralogy Noer’s drama appears in the form of themes, characters naming, and plot or storyline. 2) The typical absurdism of Indonesian drama written by Noer is as follows. First, absurdity in drama actually appears from the belief in God. Second, human life is considered irrational, meaningless, worthless, or even playful. 3) The Indonesian distinctive absurdism redefinition based on the characteristic of Indonesian typical absurdism in Noer’s Orkes Madun is as follows. The typical Indonesian absurd drama text is a drama text that tells of the human life that is considered irrational, less meaningful, worthless, meaningless, or even considered to be playful, and arising out of trust in God.
Co-Authors A'yun, Insiya Qurotul Afandi, Mohammad Agus Nuryatin Aida Azizah Aida Azizah Aida Azizah Aida Azizah Aida Azizah Aida Azizah, Aida Ainul Ibnu Niam Huda Ainun Rahma Dani Ananda Dwi Rahayu Andi Maulana Andi Maulana, Andi Anik Magfiroh Asep Purwo Yudi Utomo Asriningsih, Nuraini Asriningsih, Nuraini Atikah Syamsi Carissa Permata Putri Dina Zahrotun Nimah Dora Ratna Diniarti Dyana Wijayanti Ermawati. S Evi Chamalah Evi Chamalah Evi Chamalah Evi Chamalah Evi Chamalah Evi Chamalah Farida Ainur Rohmah Helmi Nur Laily Hevy Riski Maharani Ibrohim Ibrohim Iskandar, Puguh Ardiyanto Kafita Widyawati Leli Nisfi Setiana Leli Nisfi Setiana Leli Nisfi Setiana Leli Nisfi Setiana, Leli Nisfi Lisda Muhammad ‘Afiif M. Abdul Basir Meilan Arsanti Meilan Arsanti Meilan Arsanti, Meilan Meisya Nadia Diana Muhamad Afandi, Muhamad Naurah Nadzifah Ramadhani Nina Queena Hadi Putri Nirmala, Arini Febiantika Nisak, Lukluun Nur Saidah Oktarina Oktarina Oktarina Puspita Wardani Oktarina Puspita Wardani Oktarina Puspita Wardani Oktarina Puspita Wardani OKTARINA PUSPITA WARDANI Oktarina Puspita Wardani, Oktarina Puspita Rikha Rikha Rohma RINA WIJAYANTI Rizal Firmansyah Suminto A. Sayuti Syamsiar, Syamsiar Syarifah, Lailatus Teguh Supriyanto Wahyuningrum, Dwi Wara