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All Journal IJCCS (Indonesian Journal of Computing and Cybernetics Systems) E-Journal Of Cultural Studies ANDHARUPA Artika MUDRA Jurnal Seni Budaya PRABANGKARA Segara Widya: Jurnal Penelitian Seni Jurnal Bahasa Rupa Panggung Capture : Jurnal Seni Media Rekam Pantun: Jurnal Ilmiah Seni Budaya VCD : Journal of Visual Communication Design Jurnal Ilmiah Wahana Pendidikan International Journal of Social Science International Journal of Economy, Education and Entrepreneurship (IJE3) International Journal of Multidisciplinary Research and Literature (IJOMRAL) Amarasi : Jurnal Desain Komunikasi Visual Jurnal: International Journal of Engineering and Computer Science Applications (IJECSA) ARMADA : Jurnal Penelitian Multidisiplin Kartala Visual Studies Jurnal Bahasa Rupa Global Art Creativity Conference Jurnal Bahasa Rupa Jurnal Studi Seni Visual dan Desain: Les-Guet's Jurnal Desain
Anak Agung Gde Bagus Udayana
Institut Seni Indonesia Bali
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Analisis kebutuhan pengguna dalam merancang tata letak website Singasana Smart Pocket Made Ayu Diah Pramesti Wiguna Putri; SettingsI Gede Mugi Raharja; Anak Agung Gde Bagus Udayana
Jurnal Desain Vol 13 No 1 (2025): Jurnal Desain
Publisher : Universitas Indraprasta PGRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30998/jd.v13i1.56

Abstract

Penelitian ini menganalisis kebutuhan pengguna dalam merancang tata letak website Singasana Smart Pocket dengan pendekatan User-Centered Design (UCD). Pengguna yang dimaksud meliputi masyarakat umum serta pegawai pemerintahan di Kabupaten Tabanan yang membutuhkan akses mudah dan cepat terhadap informasi publik seperti pemetaan struktural pejabat publik, informasi wilayah desa, dan kontak darurat. Studi ini dilaksanakan melalui observasi, wawancara dengan stakeholder pemerintah, serta analisis literatur terkait. Hasil penelitian menunjukkan bahwa tata letak website yang optimal harus memperhatikan beberapa faktor utama, seperti kemudahan navigasi, penyajian informasi yang relevan, responsivitas desain di berbagai perangkat, penempatan fitur penting secara strategis, konsistensi visual, dan aksesibilitas bagi seluruh lapisan masyarakat. Penerapan pola-F dalam desain interface terbukti efektif untuk mengarahkan perhatian pengguna pada informasi penting. Evaluasi desain interface menunjukkan bahwa kebutuhan pengguna telah terakomodasi dengan baik, meskipun masih diperlukan perbaikan minor pada label konten dan kontras visual. Dengan demikian, tata letak website Singasana Smart Pocket diharapkan mampu menjadi sarana informasi yang efisien, inklusif, dan mudah diakses oleh semua kalangan.
Beyond the Lantern Festival: Designing Fantasy Illustrations Inspired by Lontong Cap Go Meh and Kelenteng Hok An Kiong Sutanto, Shienny Megawati; Mudra, I Wayan; Udayana, A. A. Gde Bagus; Suardina, I Nyoman
VCD: Journal of Visual Communication Design Vol. 9 No. 1 (2024): VCD: Journal of Visual Communication Design
Publisher : Universitas Ciputra

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37715/vcd.v9i1.4697

Abstract

This study examines the creative process behind the illustrations of the fantasy novel "Warisan Dua Dunia" inspired by the Lontong Cap Go Meh tradition in Hok An Kiong Temple, Surabaya. This tradition is an interesting example of Indonesian and Chinese cultural acculturation. A qualitative descriptive method with observation, interview, and documentation techniques was used in this study. The theoretical framework used includes Visual Language (Tabrani) and The Big Triangle (Mc Cloud). The results showed that the creative process of the novel illustration began with observation and reflection on the Lontong Cap Go Meh tradition. The researcher combined the results of observation and reflection with personal experience to form a personal interpretation visualized in a manga style. Imaginative and realistic visualizations inspired by Chinese culture enrich the work's aesthetics and transport the reader into an imaginary world full of meaning. This study shows that the combination of contemplation, personal interpretation, and manga visual style produces a work that is not only relevant to the younger generation but also opens up new interpretation towards tradisi Lontong Cap Go Meh di Kelenteng Hok An Kiong.
Visual Language of Angling Dharma Relief at Jago Temple Wardaya, Marina; Mudra, I Wayan; Udayana, A. A. Gde Bagus; Suardina, I Nyoman
VCD: Journal of Visual Communication Design Vol. 9 No. 1 (2024): VCD: Journal of Visual Communication Design
Publisher : Universitas Ciputra

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37715/vcd.v9i1.4717

Abstract

The relief panels depicting the Angling Dharma story on the Jago Temple offer a valuable resource for researchers, similar to the Kresnayana story reliefs in Prambanan. These reliefs serve as visual narratives, conveying the Angling Dharma epic. The sculptors meticulously selected key scenes from the text, translating them into captivating visuals and arranging them within individual panels. These panels, when assembled, form a cohesive narrative of the Angling Dharma story. In a modern context, this sequence of panels resembles a movie, unfolding the story through a series of images. To encompass the entirety of the narrative within the confines of the relief's surface, the sculptors employed a distinct drawing method known as the "space-time-flat" system. This approach differs significantly from modern Western artistic conventions. The unfamiliar style can pose challenges in interpreting the depicted scenes. This research proposes a descriptive and qualitative analysis of the "space-time-flat" method used in the Angling Dharma reliefs. By delving into this unique drawing system, the study aims to glean valuable insights that can be applied in the creation of various visual media. The analysis can shed light on artistic practices that predate the arrival of Western drawing techniques with their emphasis on naturalism, perspective, and single-moment depiction.
Analisis Estetika Visual Maskot Amaq Ceret dan Inaq Dulang Pada Pemilihan Umum KPU Kabupaten Lombok Utara Tahun 2024 I Gusti Lanang Mardika Rai Suputra; Anak Agung Gede Bagus Udayana; Ida Ayu Dyah Maharani
ARMADA : Jurnal Penelitian Multidisiplin Vol. 4 No. 5 (2026): ARMADA : Jurnal Penelitian Multidisplin, Mei 2026
Publisher : LPPM Sekolah Tinggi Ilmu Ekonomi 45 Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55681/armada.v4i5.2489

Abstract

Penelitian ini membahas estetika visual karakter maskot Amaq Ceret dan Inaq Dulang pada Pilkada Kabupaten Lombok Utara tahun 2024. Maskot dirancang dengan mengadaptasi unsur budaya lokal masyarakat Sasak Bayan melalui transformasi benda tradisional seperti Ceret, Tembolak, dan Dulang ke dalam bentuk karakter antropomorfik. Penelitian bertujuan menganalisis unsur estetika visual maskot berdasarkan teori estetika Marcia Muelder Eaton. Metode penelitian menggunakan pendekatan kualitatif deskriptif dengan teknik pengumpulan data melalui observasi, wawancara, dokumentasi, dan studi pustaka. Analisis dilakukan terhadap unsur visual berupa garis, bentuk, warna, tekstur, proporsi, dan ruang pada kedua karakter maskot. Hasil penelitian menunjukkan bahwa visual karakter maskot berhasil menghadirkan pengalaman estetis melalui penggunaan garis ekspresif, bentuk antropomorfik, warna alami, tekstur visual, serta proporsi dan ruang yang komunikatif. Penggunaan busana adat Jong Bayan memperkuat representasi identitas budaya lokal dalam desain karakter maskot. Selain berfungsi sebagai media komunikasi visual Pilkada, maskot juga menjadi sarana representasi budaya masyarakat Sasak Bayan dalam bentuk visual yang persuasif, mudah dikenali, dan mampu membangun pengalaman estetis bagi masyarakat.
Representasi Kresna Kecil dalam Relief Kresnayana Candi Prambanan: Kajian Ikonografi dan Narasi Visual Fajar Persada Supandi; I Wayan Adyana; Anak Agung Gde Bagus Udayana; Alit Kumala Dewi
Kartala Virtual Studies Vol 5 No 2 (2026): Juni 2026
Publisher : Universitas Budi Luhur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36080/kvs.v5i2.343

Abstract

The Kresnayana reliefs at Prambanan Temple present important episodes from the childhood of Krishna, yet they have received less attention compared to the well-studied Ramayana cycle. This study investigates three panels (5, 6, and 7) carved on the balustrade of Candi Wisnu, which depict the Dāmodara Līlā, the confrontation with Pūtanā, and Krishna as cowherd (Govinda). A qualitative descriptive approach was applied, integrating iconographic and visual narrative analysis. Primary data were collected through field observation and photographic documentation, while secondary data were derived from the Bhāgavata Purāṇa, Harivaṃśa, and the Old Javanese Kakawin Kresnayana. The findings show that Panel 5 reveals Krishna as both a mischievous child and divine force, Panel 6 illustrates the defeat of Pūtanā with the unique addition of Balarāma as a Javanese adaptation, and Panel 7 portrays Krishna as Govinda in relation to agrarian life. These panels form a coherent narrative arc and demonstrate how Purāṇic traditions were localized, functioning as visual pedagogy in ninth-century Java.
Sangka-Ku-Riang: Dekonstruksi Estetik Riak Ego dan Krisis Identitas dalam Ambiguitas Mozaik Digital : Mitologi Sangkuriang Generasi Moderen Deden Maulana; I Made Gede Arimbawa; Anak Agung Gde Bagus Udayana; I Wayan Sujana
Kartala Virtual Studies Vol 5 No 2 (2026): Juni 2026
Publisher : Universitas Budi Luhur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36080/kvs.v5i2.394

Abstract

Ancient mythologies of the Indonesian archipelago are frequently positioned as static didactic narratives. This study aims to recontextualize the legend of Sangkuriang into a new media art platform through an interactive digital mosaic installation. Employing a qualitative, practice-led research methodology, the name "Sangkuriang" is philosophically deconstructed into the conceptual framework of Sangka-Ku-Riang, a representation of the human ego's erroneous illusion of absolute control over reality and desire. This conceptual transformation is empirically articulated into visual computation parameters using the WebGL library, wherein the character's psychological dynamics are translated through fluctuations in fluid mosaic particle movement, geometric grid density, and lighting manipulation. The findings demonstrate that glitch art aesthetics specifically micro-stuttering and total system crashes effectively serve as semiotic signifiers to communicate the main character's identity crisis and raw destructive emotions. The final phase of form-setting into a mountain silhouette reflects a contemplative aesthetic sublimation that locks data chaos into a space of stability. Culturally, this visual articulation aligns with the Sundanese cosmology of darmaning satria, which asserts that human egoistic ambition must ultimately submit to macrocosmic cosmic laws. This study offers a novel method for conserving traditional heritage, transforming it into a living digital entity that adapts critically to contemporary technological advancement.
Dinamika Estetika Foto Tunggal RKF di Facebook Dalam Budaya Visual Digital Fragmentaris Supriyanta; I Made Gede Arimbawa; Anak Agung Agung Gde Bagus Udayana; I Made Bayu Pramana
Artika Vol. 10 No. 1 (2026): Juli 2026
Publisher : Center for Research and Community Service, Institut Informatika Indonesia (IKADO) Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34148/artika.v10i1.1518

Abstract

Pembahasan tentang Dinamika estetika foto tunggal Rumah Kayu Fotografi (RKF) di Facebook dalam budaya visual digital yang fragmentaris pada periode 2022-2023. Persoalan utama penelitian terletak pada kemampuan satu bingkai mempertahankan daya hadir ketika foto beredar di antara praktik scrolling, komentar, respons komunitas, dan arsip digital. Penelitian menggunakan pendekatan kualitatif interpretatif dengan strategi studi kasus. Korpus diseleksi dari 9.286 unggahan visual menjadi 277 kandidat foto tunggal, 121 foto terseleksi bulanan, 24 foto utama, dan 48 foto cadangan. Analisis dilakukan melalui Model Analisis Dinamika Estetika Satu Bingkai (MADESB) yang mengintegrasikan struktur fotografis Szarkowski, studium dan potensi punctum Barthes, dramaturgi Goffman, serta performativitas Butler. Hasil penelitian menunjukkan bahwa foto tunggal RKF bekerja melalui kepadatan simultan antara objek, detail, bingkai, waktu, sudut pandang, narasi, afeksi, dan identitas performatif. Kekuatan foto tidak hanya terletak pada keindahan formal, tetapi pada kemampuannya menginterupsi perhatian, membuka ruang tafsir, dan membentuk ekologi visual komunitas digital.
A Digital Comic on Lingkaran Pengider Bhuwana as the Source of Balinese Gamelan Tuning Systems Pitriani, I Gusti Ayu; Dewi, I Gusti Agung Ayu Alicia Pradnya; Swandi, I Wayan; Udayana, A.A. Gde Bagus
Warna Komunikasi Vol 1 No 2 (2025): Journal of Visual Art and Design Studies: Les-Guet's
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/lg.v1i2.5691

Abstract

Lingkaran Pengider Bhuwana, as the foundational source of Balinese gamelan tunings, embodies essential philosophical values of life balance. However, this cultural concept has become increasingly marginalized among the younger generation due to limited exposure and the lack of appealing media that introduces it in contemporary contexts. Addressing this urgency, this project presents a digital comic as an accessible and engaging medium for youth. The creative process employs the Gustami method, which involves exploring cultural phenomena and references, designing narrative and visual elements, and ultimately realizing the final digital artwork. The visual style adopts a cartoon aesthetic with dominant blue and purple tones to evoke a spiritual atmosphere, supported by the use of sacred script designs inspired by Lingkaran Pengider Bhuwana. The narrative employs a spiritual fantasy genre featuring teenage characters that symbolize the two primary Balinese gamelan tunings. This work contributes to the preservation of Balinese culture by utilizing a popular digital medium to convey cultural knowledge, encouraging young audiences to understand and appreciate the philosophical significance of Lingkaran Pengider Bhuwana.
FOTO KRITIK SOSIAL DALAM PELESTARIAN BENTENG KEDUNGCOWEK DARI PERSPEKTIF DEKONSTRUKSI DERRIDA Yulius Widi Nugroho; Anak Agung Gde Bagus Udayana
ANDHARUPA: Jurnal Desain Komunikasi Visual & Multimedia Vol. 11 No. 03 (2025): Vol. 11 No. 3 (2025): September 2025
Publisher : Dian Nuswantoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33633/andharupa.v11i03.9430

Abstract

Pelestarian bangunan bersejarah penting dilakukan karena warisan budaya menjadi refleksi dari sejarah, budaya, dan identitas daerah atau bangsa. Penciptaan karya dan analisis ini bertujuan untuk mengeksplorasi bagaimana karya foto seni dapat digunakan sebagai bentuk kritik sosial terhadap keberadaan bangunan bersejarah Benteng Kedungcowek. Penelitian ini menggunakan pendekatan dekonstruksi Derrida yang menyoroti peran bahasa dalam membangun makna dan menghilangkan hierarki dalam pemahaman tradisional. Metode yang digunakan adalah analisis seni foto dengan pendekatan dekonstruksi Derrida, yang memeriksa bagaimana seni foto dapat merepresentasikan realitas yang berbeda dan mengeksplorasi hubungan antara gambar dan teks dalam seni foto. Konsep Dekonstruksi yang digunakan untuk memecah suatu karya seni menjadi elemen yang lebih kecil dan kemudian mengambil makna baru dari setiap elemen tersebut. Puisi dalam fotografi adalah penggabungan dua media seni yang berbeda untuk menciptakan pengalaman estetika baru. Hasil penelitian menunjukkan bahwa seni foto dapat digunakan sebagai bentuk kritik sosial terhadap pemeliharaan Benteng Kedungcowek dengan merepresentasikan realitas yang berbeda dari sudut pandang yang berbeda. Kesimpulan dari penelitian ini adalah bahwa seni foto dapat menjadi alat kritik sosial yang efektif dalam mempertanyakan pemahaman tradisional tentang pemeliharaan Benteng Kedungcowek. Pendekatan dekonstruksi Derrida dapat membuka pemahaman yang lebih luas dan memperkaya diskusi tentang pemeliharaan warisan budaya.
Co-Authors Alit Kumala Dewi Alit Kumala Dewi Aritama, Anak Agung Ngurah Artadi, I Made Pande Bayu Artha, I Gede Agus Indram Cokorda Alit Artawan Deden Maulana Dewi, I Gusti Agung Ayu Alicia Pradnya Fabia Zahra Fajar Persada Supandi Gede Arimbawa, I Made Hasbullah Hasbullah I Dewa Gede Agung Diasana Putra I Dewa Gede Agung Putra I Gede Adi Sudi Anggara I Gede Mugi Raharja I Gusti Agung Bagus Wimajaya I Gusti Ayu Pitriani, I Gusti Ayu I Gusti Lanang Mardika Rai Suputra I Made Adhika I Made Bayu Pramana I Made Gede Arimbawa I Made Gede Arimbawa I Nyoman Bayu Bhargawa I Nyoman Dhana I Nyoman, suardina I Putu Tony Aditya I Wayan Adnyana I Wayan Adyana I Wayan Agus Mahardika I Wayan Mudra, I Wayan I Wayan Nuriarta I Wayan Suardana I Wayan Sujana I Wayan Sujana I Wayan Swandi Ida Ayu Dwita Krisna Ari Ida Ayu Dyah Maharani, Ida Ayu Dyah Ida Bagus Ketut Purbanegara Made Ayu Diah Pramesti Wiguna Putri Marina Wardaya Markadi, Bhimo Wicaksono Nengah Bawa Atmadja Ni Luh Desi In Diana Sari, Ni Luh Desi In Ni Luh Sustiawati Nova Agung Rama, Wijaya Permatahati, Ayu Leony Mahadewi Putri Pradnya Ananda, I Made Mardawa Pratama, Nicholas Wila Adi Prayanto Widyo Harsanto Putu Yuna Adinata Santosa, Hendra Satuti, Kinanthi Raras Shienny Megawati Sutanto Suarya Putra, I Nyoman Agus Sunardy Kasim Supriyanta Wardani, Wina Pertiwi Putri Wasista, I Putu Udiyana Wina Pertiwi Putri Wardani Yulius Widi Nugroho