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All Journal MAKNA: Jurnal Kajian Komunikasi, Bahasa dan Budaya KOMUNITAS: INTERNATIONAL JOURNAL OF INDONESIAN SOCIETY AND CULTURE Harmonia: Journal of Research and Education Dharmakarya : Jurnal Aplikasi Ipteks Untuk Masyarakat IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Panggung Ranah: Jurnal Kajian Bahasa TOTOBUANG Lire journal (journal of linguistics and literature Berumpun: international journal of social, politics and humanities Humaniora Metalingua: Jurnal Penelitian Bahasa Journal Sampurasun : Interdisciplinary Studies for Cultural Heritage MABASAN Metahumaniora Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Kumawula: Jurnal Pengabdian Kepada Masyarakat Jurnal Pengabdian kepada Masyarakat Nusantara Journal of Social Research Makara Human Behavior Studies in Asia Jurnal Kata : Penelitian tentang ilmu bahasa dan sastra Studies in English Language and Education Midang Lire Journal (Journal of Linguistics and Literature) Panggung Majalah Ilmiah Bahasa dan Sastra
Cece Sobarna
Universitas Padjadjaran
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Engineering Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Public Health Social Sciences Other

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Journal : Harmonia: Journal of Research and Education

 1 
The Prospect and Future of Youth Kroncong Group at Universitas Pendidikan Indonesia in Bandung Supiarza, Hery; Sobarna, Cece; Sukmayadi, Yudi; Mulyadi, Raden Muhammad
Harmonia: Journal of Arts Research and Education Vol 18, No 1 (2018): June 2018
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v18i1.11775

Abstract

This article discusses the prospect and future of youth Kroncong group at the Indonesia University of Education or Universitas Pendidikan Indonesia in Bandung. The focus of research subject in this study is one particular Kroncong group namely Orkes Kroncong De Oemar Bakrie. By examining the society’s appreciation towards the group performances and by implementing the triangulation techniques; results show that the group can be seen as a representative of youth Kroncong group in Bandung. Based on research from 2000 until 2017, it can be concluded that University-based Kroncong group is more excelled not only in the music industry, but also in the music development and the music organization. The group is considered as a role model and parameter for other youth Kroncong group in Bandung.
The Relation of Kendang and Jaipongan: Functions and Inspirations of Kendang Musicality on Jaipongan’s Journey Wiresna, Asep Ganjar; Sobarna, Cece; Caturwati, Endang; Gunardi, Gugun
Harmonia: Journal of Arts Research and Education Vol 20, No 2 (2020): December 2020
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v20i2.24953

Abstract

This study aims to describe the Kendang relationship, as a traditional Priangan musical instrument, to the Jaipongan performing arts and dance. Kendang, which has a central function in the Jaipongan dance performance, has received less appreciation in West Java arts’ discourse. The Jaipongan dance art focuses on dance movements, although the song (gending) that accompanies the dance movement depends entirely on the Kendang music playing. This study used qualitative research methods. The data collection technique is done through interviews, observation, and document study. Data were analyzed through complete data collection activities and then adjusted the data and literature review, and in the end, described the research data. The results showed that Kendang, as a musical instrument has a relationship and attachment with the creation and development of the Jaipongan dance art. Kendang and the player (pengendang) have a vital function, in contrast to the stereotype that these instruments are only accompaniment to songs/dances in the performing arts. The Kendang instrument is an important part that regulates the tempo and the course of the Jaipongan dance performance. Pengendang, as artists and musicians, contribute greatly in communicating the performance of the performance both with dancers and the audience. Kendang is a source of inspiration for the creation of Jaipongan dance art. During the process of creating the Jaipongan dance, Gugum Gumbira acts as a creator communicating with other artists, both dancers, and pengendang.
Co-Authors Andang Iskandar Andang Iskandar, Andang Aquarini Priyatna Ardiya, Ardiya Asri Soraya Afsar Asri Soraya Afsari Bambang Kaswanti Purwo Dadang Suganda Deddy Mulyana Deden Novan Setiawan Nugraha Diana Anggraeni Elvi Citraresmana Endang Caturwati Erlina Zulkifli Mahmud Eva Tuckyta Sari Sujatna Fatimah Djajasudarma Gugun Gunardi Haruna, Nabilah Hera Meganova Lyra Hiroko Otsuka Inu Isnaeni Sidiq Lia Maulia Lia Maulia Indrayani Mahmud, Erlina Zulkifli Mikihiro Moriyama, Mikihiro Moh. Alfair Ramadhan Nani Darmayanti Nani Darmayanti Nani Darmayanti, Nani Ni Gusti Ayu Dhyana Widyadewi Nisrina Dauty Nunung Yuliantini Pika Yestia Ginanjar Puspa Mirani Kadir Raden Muhammad Mulyadi Rosaria Mita Amalia Siti Nuraini Wahidatun Nisa Supiarza, Hery Suseno Amien Sutiono Mahdi Tajudin Nur Umi Kulsum Wagiati Wahya Wahya Wahya Wahya Wahya Wahya Wahyudin, Muhamad Rusliana Wibowo, Arining wibowo, arining Wiresna, Asep Ganjar Yudi Sukmayadi Yuyu Yohana Risagarniwa Zulkifli Mahmud, Erlina