Article Per Year (5 Year)
p-Index From 2021 - 2026
5.886
P-Index
This Author published in this journals
All Journal International Journal of Built Environment and Scientific Research ARTEKS : Jurnal Teknik Arsitektur Jurnal Sosial Ekonomi Pekerjaan Umum Jurnal Muara Ilmu Sosial, Humaniora, dan Seni Jurnal Muara Sains, Teknologi, Kedokteran dan Ilmu Kesehatan Jurnal Bakti Masyarakat Indonesia Jurnal Sains, Teknologi, Urban, Perancangan, Arsitektur (Stupa) DIMENSI: Journal of Architecture and Built Environment Advances in Civil Engineering and Sustainable Architecture Jurnal Arsitektur ARCADE Jurnal Serina Abdimas
Lianto, Fermanto
Department Of Architecture, Universitas Tarumanagara, Jl. Letjen S. Parman No. 1, Jakarta Barat 11440
Agriculture, Biological Sciences & Forestry Arts Civil Engineering, Building, Construction & Architecture Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Electrical & Electronics Engineering Engineering Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Public Health Social Sciences Other

Published : 62 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 62 Documents
Search

 3   4   5   6   7 
DESAIN LOGO DI LUAR BANGUNAN DAN MENUJU LANTAI DUA DI GAKUSHUDO PURI JAKARTA Lianto, Fermanto; Nathaniel Avelino Kusmin; Steven Lim
Jurnal Serina Abdimas Vol 3 No 2 (2025): Jurnal Serina Abdimas
Publisher : Lembaga Penelitian dan Pengabdian Kepada Masyarakat Universitas Tarumanagara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24912/jsa.v3i2.34787

Abstract

Visual identity and wayfinding systems are integral to shaping an institution’s image and accessibility. A strong logo, an effective, and efficient wayfinding system not only serves as an aesthetic element but also as a communication and navigation tool. Gakushudo Puri, Jakarta, as a Japanese language course institution, faces the problem of low visibility of the external logo and unclear directions to the classrooms on the second floor. This Community Service (PkM) activity aims to design a representative and functional external logo and wayfinding system. The methods used are field observation, interviews with management, graphic design, and participatory trials. The logo is designed with a minimalist concept so that the Gakushudo writing becomes the focus of attention and is adjusted to the existing building number in the middle of the entrance, so that it is harmonious. The Gakushudo letterform, as a symbol of harmony, features a color that matches the building number board, namely dark grey, and measures 74 cm x 10 cm. The logo, made of acrylic, is installed above the entrance and is easily visible from the main road. The directional system has graphic elements in the form of icons and bilingual text (Indonesian and Japanese) measuring 93cm x 40cm, which is installed above the hallway of the stairs leading to the classroom. The results show that the implementation of the external logo and consistent directional signs increases the visibility of the institution and the comfort of visitors. This activity contributes to strengthening the brand identity and physical access of non-formal educational institutions. ABSTRAK Identitas visual dan sistem penunjuk arah merupakan bagian integral dalam membentuk citra dan aksesibilitas sebuah institusi. Logo yang kuat dan sistem penunjuk arah yang baik, efektif, dan efisien, bukan hanya berfungsi sebagai elemen estetis, melainkan juga sebagai alat komunikasi dan navigasi. Gakushudo Puri, Jakarta, sebagai lembaga kursus bahasa Jepang, menghadapi permasalahan rendahnya visibilitas logo luar dan ketidakjelasan arah menuju ruang kelas di lantai dua. Kegiatan Pengabdian kepada Masyarakat (PkM) ini bertujuan untuk merancang logo luar bangunan dan sistem wayfinding (penunjuk arah) yang representatif dan fungsional. Metode yang digunakan adalah observasi lapangan, wawancara dengan pihak pengelola, desain grafis, dan uji coba partisipatif. Logo dirancang dengan konsep minimalis agar tulisan Gakushudo menjadi fokus perhatian dan disesuaikan dengan nomor bangunan yang sudah ada ditengah pintu masuk agar serasi dan harmonis. Bentuk huruf Gakushudo sebagai simbol keharmonisan, menggunakan warna yang sesuai dengan papan nomor bangunan yaitu abu-abu tua, dengan ukuran 74 cm x 10 cm. Logo dibuat berbahan akrilik, dan dipasang di atas pintu masuk agar mudah terlihat dari jalan utama. Sistem penunjuk arah memiliki elemen grafis berupa ikon dan teks bilingual (Bahasa Indonesia dan Jepang) dengan ukuran 93cm x 40cm yang dipasang di atas lorong tangga menuju ruang kelas. Hasil menunjukkan bahwa implementasi logo luar dan penunjuk arah yang konsisten meningkatkan visibilitas lembaga dan kenyamanan pengunjung. Kegiatan ini berkontribusi dalam memperkuat identitas merek dan akses fisik lembaga pendidikan nonformal.
A TYPOLOGICAL INVESTIGATION OF THE Y.B. MANGUNWIJAYA’S URBAN CHURCH Rudy Trisno; Fermanto Lianto; Denny Husin
DIMENSI (Journal of Architecture and Built Environment) Vol. 47 No. 1 (2020): JULY 2020
Publisher : Institute of Research and Community Outreach, Petra Christian University, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (708.166 KB) | DOI: 10.9744/dimensi.47.1.1-10

Abstract

As the iconic buildings in Yogyakarta, the Mangunwijaya’s churches contribute a great influence on the city. His wisdom is not only written in his books, but also has been implemented through his architectural projects, revealing a specific composition of a spiritual language. A qualitative study is used to reveal Mangunwijaya’s architectural principles, by using the tracing method to highlight the structural elements of his urban churches. A typological investigation is accompanied by retracing Mangunwijaya’s drawing, where its spatial composition and form are emphasized through points and lines. Hence, by eliminating decorative elements, the most fundamental components of the churches can be raised, consisting: 1) The roof as the most dominant element, a volume that suggests the openness of the building; 2) Landscape defines a mutual symbiosis between indoor and outdoor, stimulating communication and gesture; 3) A typological composition that respects a Roman-Catholic church’s principles while revealing a local identity.
Co-Authors Aktaria Oktafiani Alicia Arleeta Amanda Ineza Gandasasmita Amanda, Gisella Thalia Andi Surya Kurnia Andre Onggara Angga Ali Putra Anggrica, Kelly Azzahrah, Fatiyah Bryan Wesley Budijanto Chandra Caroline Sunjaya Kurniawan Celine Geraldine Choandi, Mieke Coreen Katrina Tania Danarto, Agus David Drago Suherman David Priatama Sutarman Denny Husin Denny Husin Denny Husin Dwisusanto, Basuki Edy Chandra Efraim Jusuf Elysia, Elysia Evian Putra Setiawan Febrianto, Willy Steven Ferdi James Firdauzi, Fairuz Hayya Franky Liauw Friska Hasibuan Friska Mariana Helen Agnesia Husin, Denny Huvito, Nathan Joni Chin Kevin Tanamas Kreszen Himawan Kusmin, Nathaniel Avelino Larasati, Marcella Dwiyanda Lilianny Sigit Arifin Lilianny Sigit Arifin Lukardi, Kelvin Margaretha Syandi Mariana Martinus Bambang S Martinus Bambang Susetyarto Melyna Melyna Michael Fernandez Karyadi Michael Hutagalung Mieke Choandi Muhammad Yumna Helmy Naniek Widayati Priyomarsono Naniek Widayati Priyomarsono Nathanael Hanli Nathaniel Avelino Kusmin Patricia Beatrice Priyomarsono, Naniek Widayati Putri Arlastasya Maria Adi Pataka Reynaldo Reynaldo Rilatupa, James Samsu Hendra Siwi Sebastian Joe Silvia Silvia Siwi, Samsu Hendra Soenarto , Deni Solikhah, Nafiah Steven Lim Steven Lim, Steven Tanoto, Reynaldi Therina Adela Titin Fatimah Tjahya, Timmy Setiawan Veren Calisca Widyanti, Metta William William Winata, Suwardana Wiraguna, Sidi Ahyar Wong, Cellina Y. Basuki Dwisusanto Y. Basuki Dwisusanto Yoseph Michael Chandra Yuanda Saputra