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All Journal RETORIKA: Jurnal Ilmu Bahasa Lingua Cultura LINGUAL: Journal of Language and Culture KEMBARA IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Indonesian Journal of English Language Studies (IJELS) Adi Widya : Jurnal Pengabdian Masyarakat Journal of Applied Studies in Language Jurnal Bahasa Lingua Scientia SPHOTA: Jurnal Linguistik dan Sastra English Language and Literature International Conference (ELLiC) Proceedings SOSHUM : Jurnal Sosial dan Humaniora [Journal of Social Sciences and Humanities] ELITE Journal: Journal of English Linguistics, Literature, and Education Jurnal Abdimas PHB : Jurnal Pengabdian Masyarakat Progresif Humanis Brainstorming Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Journal of Humanities, Social Science, Public Administration and Management (HUSOCPUMENT) Jurnal Pengabdian kepada Masyarakat ELLITE: Journal of Education, Linguistics, Literature and Language Teaching TRAVERSE - Journal of Language and Applied Linguistics Austronesian: Journal of Language Science & Literature SWARNA Jurnal Abdi Dharma Masyarakat Journal of Artificial Intelligence and Digital Business Elysian Journal : English Literature, Linguistics, and Translation Studies LOKATARA SARASWATI Journal of Language and Pragmatics Studies SPHOTA: Jurnal Linguistik dan Sastra Fakultas Bahasa Asing Universitas Mahasaraswati Denpasar Focus Journal Language Review SWARNA: Jurnal Pengabdian Kepada Masyarakat Litera : Jurnal Bahasa dan Sastra Lire Journal (Journal of Linguistics and Literature)
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Journal : Austronesian: Journal of Language Science

Conflict of the Main Character in the Movie “Purple Hearts” Ni Putu Regina Pradnyamitha; Ni Made Verayanti Utami
Austronesian: Journal of Language Science & Literature Vol. 3 No. 1 (2024): Austronesian: Journal of Language Science & Literature
Publisher : CV Wahana Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59011/austronesian.3.1.2024.12-22

Abstract

This study aims to dissect the fundamental person’s contention, examine the primary person’s outer struggle, and recognize how the principal character beats the contention in Elizabeth Allen’s film. The data for this study consists of the dialogue and interactions involving Cassie, a character in the film Purple Hearts. The data will be analyzed qualitatively according to the theory used. The theory utilized in this study is the hypothesis of Myers (1992) to recognize the kinds of conflict that happen in the fundamental person, Deetz and Stevenson (1986) to track down ways of managing clashes. Conflict is analyzed based on the literature theory proposed by Kenney (1996), which divides conflict into two types, namely external and internal. However, in the film, only external conflicts occur. External conflicts are emphasized because they drive the plot and highlight the main character’s struggle against outside forces, such as societal pressures, financial hardships, and relationships with other characters.
Survival Genius Analysis Faced by the Main Characters in All Is Lost Movie by Jeffry Mcdonnell Chandor Kaa, Dewi Yanti Bangi; Utami, Ni Made Verayanti
Austronesian: Journal of Language Science & Literature Vol. 4 No. 1 (2025): Austronesian: Journal of Language Science & Literature
Publisher : CV Wahana Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59011/austronesian.4.1.2025.1-9

Abstract

This study investigates the psychological dimensions of human behavior as depicted in the film All Is Lost, directed by J.C. Chandor. Focusing on the main character, the research aims to examine behavioral patterns and uncover underlying psychological aspects presented throughout the narrative. The analysis is based on Sigmund Freud’s Semium (2006) theory of defense mechanisms and personality structure, as well as Anna Freud’s (1936) elaboration on defense mechanisms. Employing a descriptive qualitative method, data were collected through careful observation of scenes and note-taking techniques. The findings reveal four distinct psychological aspects portrayed by the protagonist, with the survival instinct emerging as the most dominant. This study highlights how cinematic representation can reflect complex psychological processes in extreme conditions.
A Study about the Types of Characters in the Adam Project Movie Pascarini, Elsa Oktaviana; Utami, Ni Made Verayanti
Austronesian: Journal of Language Science & Literature Vol. 4 No. 1 (2025): Austronesian: Journal of Language Science & Literature
Publisher : CV Wahana Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59011/austronesian.4.1.2025.30-46

Abstract

This study explores the diverse types of characters depicted in The Adam Project movie using the characterization frameworks proposed by Nurgiyantoro (2010) and Pope (2005). Employing a qualitative descriptive method, the research identifies and categorizes six main characters-Adam Reed, young Adam Reed, Laura Shane, Louis Reed, Ellie Reed, and Maya Sorian-based on their roles and character traits. The findings reveal that protagonist characters dominate the film, followed by various character types such as major, minor, simple, dynamic, round, static, and antagonist roles. Each character’s classification is supported by specific scenes and dialogue extracted from the film and its transcript. The study demonstrates how character types contribute significantly to narrative development and provides a framework for analyzing character roles in cinematic storytelling. This analysis is expected to enhance understanding of character construction in film studies and serve as a reference for future character-based literary research.
A Descriptive Qualitative Research on Figurative Language on Adele’s Album: 30 and Avril Lavigne’s Album: The Best Damn Thing Kertayasa, I Wayan; Utami, Ni Made Verayanti; Tustiawati, Ida Ayu Mela
Austronesian: Journal of Language Science & Literature Vol. 4 No. 1 (2025): Austronesian: Journal of Language Science & Literature
Publisher : CV Wahana Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59011/austronesian.4.1.2025.10-19

Abstract

This study analyzes the use of figurative language in Adele’s album 30 and Avril Lavigne’s album The Best Damn Thing. The objectives of this study are: (1) to identify the types of figurative language found in each song of both albums, and (2) to analyze the most dominantly used figurative language in each album and interpret its meaning. This research employs a descriptive qualitative method, using all songs from the two albums as data sources. The findings reveal that Adele’s 30 features eight types of figurative language: simile, metaphor, personification, metonymy, symbol, paradox, hyperbole, and understatement. In contrast, Avril Lavigne’s The Best Damn Thing contains four types: simile, metaphor, personification, and hyperbole. Hyperbole emerges as the most dominantly used figurative language in both albums. These findings suggest that hyperbolic expressions play a central role in conveying emotional intensity and artistic expression in contemporary pop music.
Survival Genius Analysis Faced by the Main Characters in All Is Lost Movie by Jeffry Mcdonnell Chandor Kaa, Dewi Yanti Bangi; Utami, Ni Made Verayanti
Austronesian: Journal of Language Science & Literature Vol. 4 No. 1 (2025): Austronesian: Journal of Language Science & Literature
Publisher : CV Wahana Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59011/austronesian.4.1.2025.1-9

Abstract

This study investigates the psychological dimensions of human behavior as depicted in the film All Is Lost, directed by J.C. Chandor. Focusing on the main character, the research aims to examine behavioral patterns and uncover underlying psychological aspects presented throughout the narrative. The analysis is based on Sigmund Freud’s Semium (2006) theory of defense mechanisms and personality structure, as well as Anna Freud’s (1936) elaboration on defense mechanisms. Employing a descriptive qualitative method, data were collected through careful observation of scenes and note-taking techniques. The findings reveal four distinct psychological aspects portrayed by the protagonist, with the survival instinct emerging as the most dominant. This study highlights how cinematic representation can reflect complex psychological processes in extreme conditions.
A Study about the Types of Characters in the Adam Project Movie Pascarini, Elsa Oktaviana; Utami, Ni Made Verayanti
Austronesian: Journal of Language Science & Literature Vol. 4 No. 1 (2025): Austronesian: Journal of Language Science & Literature
Publisher : CV Wahana Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59011/austronesian.4.1.2025.30-46

Abstract

This study explores the diverse types of characters depicted in The Adam Project movie using the characterization frameworks proposed by Nurgiyantoro (2010) and Pope (2005). Employing a qualitative descriptive method, the research identifies and categorizes six main characters-Adam Reed, young Adam Reed, Laura Shane, Louis Reed, Ellie Reed, and Maya Sorian-based on their roles and character traits. The findings reveal that protagonist characters dominate the film, followed by various character types such as major, minor, simple, dynamic, round, static, and antagonist roles. Each character’s classification is supported by specific scenes and dialogue extracted from the film and its transcript. The study demonstrates how character types contribute significantly to narrative development and provides a framework for analyzing character roles in cinematic storytelling. This analysis is expected to enhance understanding of character construction in film studies and serve as a reference for future character-based literary research.
A Descriptive Qualitative Research on Figurative Language on Adele’s Album: 30 and Avril Lavigne’s Album: The Best Damn Thing Kertayasa, I Wayan; Utami, Ni Made Verayanti; Tustiawati, Ida Ayu Mela
Austronesian: Journal of Language Science & Literature Vol. 4 No. 1 (2025): Austronesian: Journal of Language Science & Literature
Publisher : CV Wahana Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59011/austronesian.4.1.2025.10-19

Abstract

This study analyzes the use of figurative language in Adele’s album 30 and Avril Lavigne’s album The Best Damn Thing. The objectives of this study are: (1) to identify the types of figurative language found in each song of both albums, and (2) to analyze the most dominantly used figurative language in each album and interpret its meaning. This research employs a descriptive qualitative method, using all songs from the two albums as data sources. The findings reveal that Adele’s 30 features eight types of figurative language: simile, metaphor, personification, metonymy, symbol, paradox, hyperbole, and understatement. In contrast, Avril Lavigne’s The Best Damn Thing contains four types: simile, metaphor, personification, and hyperbole. Hyperbole emerges as the most dominantly used figurative language in both albums. These findings suggest that hyperbolic expressions play a central role in conveying emotional intensity and artistic expression in contemporary pop music.
Conflict of the Main Character in the Movie “Purple Hearts” Ni Putu Regina Pradnyamitha; Ni Made Verayanti Utami
Austronesian: Journal of Language Science & Literature Vol. 3 No. 1 (2024): Austronesian: Journal of Language Science & Literature
Publisher : CV Wahana Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59011/austronesian.3.1.2024.12-22

Abstract

This study aims to dissect the fundamental person’s contention, examine the primary person’s outer struggle, and recognize how the principal character beats the contention in Elizabeth Allen’s film. The data for this study consists of the dialogue and interactions involving Cassie, a character in the film Purple Hearts. The data will be analyzed qualitatively according to the theory used. The theory utilized in this study is the hypothesis of Myers (1992) to recognize the kinds of conflict that happen in the fundamental person, Deetz and Stevenson (1986) to track down ways of managing clashes. Conflict is analyzed based on the literature theory proposed by Kenney (1996), which divides conflict into two types, namely external and internal. However, in the film, only external conflicts occur. External conflicts are emphasized because they drive the plot and highlight the main character’s struggle against outside forces, such as societal pressures, financial hardships, and relationships with other characters.
Co-Authors A A Ayu Istri Chuk Putri Larassati AA Sudharmawan, AA Abdul Wahab Adi Putra, Nyoman Canestra Adi, Ni Ketut Sri Atik Oktari Adiari, Ni Putu Yuana Jelita aditya, Kadek Kenaka Afriliani Afriliani Agnes M.D Rafael Anak Agung Ayu Istri Kumala Dewi Anak Agung Made Indrawati Andina, A.A. Diah Trisna Ardipa, I Putu Mahendra Chandra Ariyaningsih, Ni Nyoman Deni Beda, Raimundus Cahyani, Anak Agung Istri Regitha Cahyani, Ni Made Diah Deni Ariyaningsih, Ni Nyoman Desak Made Indah Fitriawati Desak Putu Eka Pratiwi Dewi, Ni Kadek Noviarianti Karisma Dewi, Ni Komang Trisa Dewi, Ni Nyoman Pipin Purnama Dian Pramita Sugiarti Dian Pramita Sugiarti Ewik Wiartati, Desak Made Falentina Jenita Mbeleng Florianus Ibar Gede Dharma Arya Wicaksana Gede Irwandika . I Dewa Ayu Devi Maharani Santika I Dewa Ayu Salsa Bila Ninda Pradevi I Gede Astena Largama Largama I Gede Suta Jaya Ambara I Gusti Agung Sri Rwa Jayantini I Gusti Agung Sri Rwa Jayantini3 I Gusti Ayu Vina Widiadnya Putri I Kadek Adi Sukrawan I Komang Sulatra I Komang Sulatra I Made Iwan Indrawan Jendra I Made Perdana Skolastika I Wayan Juniartha I Wayan Resen Ida Ayu Mela Tustiawati Ida Ayu Popy Wulandari Pratiwi Ida Ayu Putri Gita Ardiantari Ida Bagus Gde Nova Winarta Jas, Paulinus Kaa, Dewi Yanti Bangi Kadek Novi Krisna Dewi Kadek Rina Desiyana Putri Kendran, Ni Kadek Kendran Damayanti Kertayasa, I Wayan Kesumawati, Eni Ketut Endang Sri Utami Kevin Stephanus Komang Dian Puspita Candra Komang Dian Puspita Candra Komang Dian Puspita Candra, Komang Dian Puspita Langus , Natalia Levi, Gerensius Made Suarjana Maharani, Putu Devi Mery Kristiani Nadila, Ni Kadek Sinta Sri Nanda Putri, Ni Luh Nerdi, Margareta Satriana Ni Kadek Sinta Sri Nadila Ni Luh Gede Meilantari Ni Luh Vira Nitya Rini Ni Made Rai Desvita Sastra Dewi Ni Nyoman Anyarani Puspaningrum Ni Nyoman Deni Ariyaningsih Ni Nyoman Intan Airma Prawitri Ni Putu Diah Priska Ni Putu Meri Dewi Pendit Ni Putu Regina Pradnyamitha Ni Wayan Rai Sugiartini NI WAYAN SUASTINI NUR FITRIANI Oktarina Wisudayanti, Kadek Heni Orlando, Alexander Goldy Pascarini, Elsa Oktaviana Pebriyani, Ni Putu Rita Permana, I Putu Andri Pramudya Dyah Putranti Pujastuti, Ida Ayu Gayatri Putra, I Gusti Bagus Wahyu Nugraha Putri , Widiadnya Putu Desi Anggerina Hikmaharyanti Putu Devi Maharani Putu Devi Maharani PUTU YOHANA KERTIASIH Risweni Rolandi, Alexandro Sanjiwani, Ni Luh Putu Silvia Sardiana, Gerdi Kafi Lole Sari, Ni Putu Shintya Permata Selus, Libertus Sergius Kasma Setiari, Ni Kadek Ayu Wulan Sinarawerdhi, I Gst Ayu Intan Sri Cahyani, Ni Putu Sukma Sri Rwa Jayantini, I Gusti Agung Sugiantari, Ni Putu Anggi Sukrawan, I Kadek Adi System, Administrator Teja, Nova Surya Utami, Ni Putu Laksmi Dewi Vinsensia Nidi Wahyuni, Ni Komang Dila Candra Widiastika, I Wayan Wahyu Cipta Windu Gunatika Wiraningsih, Ni Luh Ayu Wiwekananda, I Putu Riky Yesika Cindhe Puspa Yosefina Helenora Jem