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Gondang: Jurnal Seni dan Budaya
Published by Universitas Negeri Medan
ISSN : 25990594     EISSN : 25990543     DOI : https://doi.org/10.24114/gondang.v8i1
Core Subject : Humanities, Art,
Arts Humanities
Gondang is a Journal of Art and Cultural for information and communication resources for academics, and observers of Art and Culture, Performing Arts, Educational Arts, Methodology of Art and Cultural. The published paper is the result of research, reflection, and actual critical study with respect to the themes of Art and Culture. All papers are peer-reviewed by at least two referees. The scope of Gondang is the Science of Art and Culture. Published twice a year (June and December) and first published for print edition in June 2017.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 312 Documents
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Emotional Beat: Deepening Dance Expression and Creativity Mansyur, Herlinda; Elizar, Elizar; Mikaresti, Pamela
Gondang: Jurnal Seni dan Budaya Vol. 9 No. 1 (2025): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2025
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v9i1.64570

Abstract

Dance as a form of cultural expression has become the primary medium for communicating human emotions in a unique and comprehensive way. The purpose of this paper is to explore the relationship between emotional expression and creativity in dance, focusing on the methods and techniques used in the literature review. This paper describes how dance artists portray and utilize emotions in their work. Through the literature review method, it explores the various approaches used by artists to express emotion authentically and move the audience. The results of this study highlight the importance of an in-depth understanding of the psychology of emotions and the dance techniques used to achieve specific expressive goals. Further developing an understanding of how the expression of emotion in dance can influence the aesthetic experience of the audience and support the creativity of the artist. Contribution to broadening the horizons of the importance of emotional beats in dance, illustrating how literature review can be an effective tool for exploring the complexities of human expression through movement and rhythm.
The Effectiveness of Digital Media in Teaching Orchestration: A Case Study of Sibelius Dewi, Vivi Ervina; Suwahyono, Agus; Kristiandri, Dhani; Dianita, Jihan Mutiara; Indyana, Luth
Gondang: Jurnal Seni dan Budaya Vol. 9 No. 1 (2025): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2025
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v9i1.64596

Abstract

Orchestration is one of the theoretical courses conducted in 4th semester at the Music Study Programme, Faculty of Language and Arts, Universitas Negeri Surabaya. However, in its implementation there are still obstacles and problems. The ability of one student to another in orchestrating songs is very different. The inequality is shown when students work on assignments to orchestrate songs given by lecturers during the midterm and final exams. The work on the task obtained significantly different results. The obstacles and problems that exist in the orchestration lecture process cause a great influence on the development of student abilities. This research tries to present a treatment through learning tools in the form of sibelius software. This research is intended to test the effectiveness of learning tools in the form of Sibelius software in orchestration courses. The research method used is a quantitative method with the type of quasi experiment. The experimental design used in this study was pretest-posttest control group design. The results of the paired sample t test in the experimental group and control group at posttest with a significance value in the Sig column of 0.011 and 0.005. The significance value shows <0.05, so it can be said that there is a difference in the pretest results of the skills and knowledge of orchestrating student songs between the experimental group and the control group. Therefore, it can be concluded that there is a significant difference in the skills and knowledge of orchestrating songs between students who are taught using a stave book and students who are taught using sibelius software in the Music Study Programme. Thus, the use of sibelius software in orchestration lectures is said to be effective. However, because this study used a quasi-experimental type, there are internal and external factors that affect the improvement of students' skills and knowledge in orchestrating songs, such as individual student motivation and musical experience.
Creative Communication through the Analogy of Phishing-Fishing and Slogan “Don’t Know? Kasih No!” Sukardi, Cindy Fransisca; Himawan, Muhammad Noor Rahman; Marta, Rustono Farady; Panggabean, Hana; Wang, Changsong
Gondang: Jurnal Seni dan Budaya Vol. 9 No. 1 (2025): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2025
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v9i1.64597

Abstract

Rapid technological developments are causing technological information to be progressively integrated into human life. However, this development was followed by various challenges and problems, including phishing. Providing education on how to deal with phishing practices is important to do as a way of raising awareness among internet users. This attempt requires the role of various parties, including banking institutions in Indonesia, such as Bank Central Asia, that are committed to raising public awareness through a video entitled “Jangan Mau Jadi Korban Penipuan Online. Don’t Know? Kasih No!”. Each element contained was studied using qualitative research methods, Umberto Eco’s semiotics analysis, to see the relationship between language and symbols, with an interpretation based on the elements of pentad dramatism. The result shows the advertisement contains act, scene, agent, agency, purpose of communicating messages through language and symbols in form of creative analogy of fishing-phishing and “Don’t Know? Kasih No!” slogan that consistently represents feeling of humor and nostalgia.
Si Anak Emas Radin Jambat: A Legendary Tale from the Land of Lampung in Carousel Format Rohiman, Rohiman; Prasetyo, Sigit Yudi; Selvia, Laela
Gondang: Jurnal Seni dan Budaya Vol. 9 No. 1 (2025): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2025
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v9i1.64618

Abstract

Local cultural implied folk tales have rich cultural and traditional values, but unfortunately they are less popular in Generation Z, who grew up in the digital era and have been exposed to global culture, but are usually more interested in modern and international content. They spend a lot of time in the digital world, especially social media. Therefore, social media can be used as an appropriate strategy to introduce folk/local wisdom to Generation Z. This study focuses on the design of illustrated stories that produce carousel-style folk tales/local wisdom on the Instagram platform. Data from this study were collected through observation, interviews, documentation and literary research. The design method involves five core phases: design thinking, including empathy, definition, idea, prototype and test. This study has shown an illustrated story, "si anak emas radin jambat." It is packaged in a portrait format measuring 1080 x 1350 pixels and consists of 11 foils. This work can teach folk tales in an educational way through carousel visual media. New media allows you to present local wisdom stories in Generation Z that are more interesting, relevant and rational, and better evaluate and maintain valuable local wisdom.
The Art Ecocsystem of Gamelan Yuganada Community in Taman Kaja Village Bhumi, I Made Bayu Puser; Mudra, I Wayan; Sariada, I Ketut
Gondang: Jurnal Seni dan Budaya Vol. 9 No. 1 (2025): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2025
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v9i1.64653

Abstract

Gamelan Yuganada, an art community based in Ubud, Bali, was founded in 2015 by I Wayan Sudirana with the aim of preserving Balinese gamelan while encouraging innovation through cross-disciplinary collaboration. This research aims to explain the activities of this group and map the art ecosystem that supports the preservation and development of their creativity. This study adopts a qualitative netnographic approach, conducting five months of digital participant observation on YouTube and Spotify, in-depth online interviews, and analysis of digital artifacts to uncover Gamelan Yuganada’s art ecosystem in the era of globalization. Data Analysis uses the theory of social practice by Pierre Boourdieou. The results of the study showed that Gamelan Yuganada was not only active in traditional performances but also created new compositions that combined traditional and contemporary elements. Various elements such as cultural, social, economic, legal, educational, and technological modalities have mutual implications for each other and form a good art ecosystem. Collaborations with various international artists and the use of digital technology are integral parts of the art ecosystem they build. The conclusion of this study emphasizes the importance of an adaptive and collaborative art ecosystem in maintaining the relevance of Balinese gamelan in the modern era, as well as providing a model for other art communities to develop works in a sustainable manner.
Seblang Between Ritual and Tourism: Cultural Commodification in Banyuwangi (2002-2021) Isnaini, Iin
Gondang: Jurnal Seni dan Budaya Vol. 9 No. 1 (2025): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2025
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v9i1.64654

Abstract

This study aims to analyze the transformation of ritual values in the Seblang art of Olehsari in Banyuwangi from 2002 to 2021, as well as to describe the community's responses to these changes. The focus of this research lies on the impact of cultural commodification resulting from local tourism promotion. The method used is historical research, which involves data collection through interviews with cultural leaders and analysis of related literature. The results indicate that the Seblang art has shifted from its sacred function as a village cleansing ritual to a commercial tourism object, marked by the incorporation of modern elements into the performances. Community responses are varied; some support the changes for boosting the local economy, while others caution against the potential loss of spiritual and traditional values. The conclusion of this research is that the commodification of Seblang has influenced the structure and essence of the ritual, posing challenges for preserving the original culture in Olehsari Village.
Preservation Efforts of Riau Malay Dance through Persembahan Dance Game Syefriani, Syefriani; Setiawan, Panji Rachmat; Virgiana, Elleanor
Gondang: Jurnal Seni dan Budaya Vol. 9 No. 1 (2025): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2025
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v9i1.64689

Abstract

Persembahan Dance is a traditional Malay dance of Riau, possessing high cultural significance as a dance to welcome honored guests and is an integral component of Riau Malay cultural heritage. However, with the progression of time and globalization, there is a risk if the preservation of Persembahan Dance is not undertaken. This research aims to analyze the preservation efforts of Persembahan Dance through the development of an engaging game application for young generations. The research methodology employed is descriptive analysis with a qualitative approach, encompassing observation, interviews, and documentation. This study also identifies the preservation efforts made by the government, educational institutions, artists, and art studios. The government supports preservation by patenting Persembahan Dance as part of the regional cultural heritage and incorporating it into official events. Educational institutions integrate Persembahan Dance into the Cultural Arts curriculum and extracurricular activities for young generations. Artists and art studios contribute through education and cultural promotion both nationally and internationally. Conversely, the development of Persembahan Dance through educational games using the Game Development Life Cycle (GDLC) method creates an innovation that can attract young people's interest in learning and appreciating traditional dance while preserving cultural values. This study is expected to provide a significant contribution to the preservation of Riau Malay art and promote public awareness of the importance of maintaining cultural heritage.
Fostering Musical Creativity with Digital Audio Workstations: An Action Research Nurfalah, Asep Rizwan; Narawati, Tati; Budiman, Agus
Gondang: Jurnal Seni dan Budaya Vol. 9 No. 1 (2025): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2025
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v9i1.64719

Abstract

The development of digital technology, especially artificial intelligence (AI), has had a significant impact on education, including music learning. Digital Audio Workstations (DAWs) equipped with AI features offer opportunities to create more interactive and innovative learning. This study aims to explore the role of AI features in DAW as a creative learning medium in the extracurricular music of SMAN 8 Bandung, as well as provide new information on its impact on enhancing students' creativity. This study used a qualitative approach based on action research involving students participating in extracurricular music as research subjects. Data were collected through participatory observation, semi-structured interviews, and document analysis in the form of students' musical works. The data were analyzed using triangulation techniques to ensure the validity and reliability of the findings. The results showed that the use of AI features, such as automatic composition, sound processing, and harmony analysis, made it easier for students to understand musical concepts and encouraged them to create innovative works. In addition, the AI features helped students overcome technical obstacles, allowing them to focus more on the creative process. This results in increased student motivation and engagement in music learning. This study concludes that the integration of AI in DAW provides a great opportunity for educators to develop creative and relevant technology-based learning methods. As a recommendation, the implementation of this technology needs to be expanded and integrated with the curriculum to support learning in the digital era.
Gender Symbolism in Sampur and Samparan of Surakarta-Style Javanese Dance Costume Design Sriyadi, Sriyadi; Hartanto, Hartanto; Syahrial, Syahrial; Hapsari, Indri
Gondang: Jurnal Seni dan Budaya Vol. 9 No. 1 (2025): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2025
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v9i1.64720

Abstract

Sampur and samparan are essential elements in the costume design of Surakarta-style female dance, serving as primary visual markers that distinguish the aesthetic characteristics of this dance style. Their presence extends beyond mere costume design in court dances such as bedhaya and srimpi; they also function as properties that must be animated by the dancer to harmonize with the movement patterns employed. This study aims to describe the form, meaning, and characteristics of sampur and samparan in the costume design of Surakarta-style female dance and to analyze their significance in the cultural expression of Javanese society. The research employs an ethnocoreological approach with qualitative methods. Primary data were obtained through participatory observation, in which the researcher was directly involved as a Javanese dancer. The findings reveal that sampur and samparan not only enhance the expressive quality of dance movements through distinctive accentuations but also reflect the cultural values and identity of Javanese society. Specifically, samparan is exclusively used in female dances due to its association with the ideal concept of womanhood in Javanese culture. Thus, sampur and samparan function not only in the visual and technical aspects of performance but also as symbolic elements that reinforce the identity of Javanese dance as an art form rich in philosophical and cultural meanings.
Creation of a Surreal Dramatic Text Based on the Myth of Kramat Bedil from Kedotan Ikhsan Satria Irianto; Dinda Assalia Avero Pramasheilla; Lusi Handayani; Tofan Gustyawan; Dwi Febrianti, Syielvi
Gondang: Jurnal Seni dan Budaya Vol. 9 No. 1 (2025): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2025
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v9i1.64795

Abstract

The myth of Kramat Bedil is a local genius of the Kedotan Village community who has a surreal vision. The creation of a surreal dramatic text based on the myth of Kramat Bedil is an effort to process the cultural wealth of Kedotan Village into a drama that can meet global aesthetic needs. This research is an ethnodramaturgical research oriented towards processing cultural products. The data collection techniques used consist of interviews, observations and literature studies. The data testing technique used is the source triangulation technique. The data analysis techniques used are data reduction techniques, data presentation techniques and conclusion drawing techniques. The drama writing technique used is the writing mechanism of Lajos Agri. The results achieved from this study are surrealistic dramatic texts with a dramatic vision of "subconscious chaos". The drama writing style used is a combination of poetic and realistic styles. Conflict is formulated through subconscious chaos as a symptom of psychological degradation in a gloomy and restless atmosphere. The writing of this surreal dramatic text is an effort to utilize local genius into a dramatic text that is able to reach global aesthetics. This surreal dramatic text based on the Kramat Bedil myth is entitled "La Dalu: Dark Terror in the Circle of Anxiety".

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