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INDONESIA
Laga-Laga: Jurnal Seni Pertunjukan
Published by Institut Seni Indonesia Padang Panjang
ISSN : 24609900     EISSN : 25979000     DOI : http://dx.doi.org/10.26887/lg
Core Subject : Religion, Humanities, Education, Art,
Religion Arts Humanities Education Languange, Linguistic, Communication & Media
Laga-Laga : Jurnal Seni Pertunjukan Sinopsis : terbit dalam dua kali setahun. Jurnal Laga-Laga merupakan Jurnal Ilmiah Berkala tentang Seni Pertunjukan pengelolaan Jurnal Laga-Laga berada di dalam lingkup Fakultas Seni Pertunjukan Institut Seni padangpanjang
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 158 Documents
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Pemeranan Tokoh Pelayan I Dalam Naskah Ba-Bi & Ba-Bu Karya Jean Genet Menggunakan Metode Stanislavski Saputri, Windi Dwi; Soeryana, Dharminta; Susanti, Desi
Laga-Laga : Jurnal Seni Pertunjukan Vol 11, No 1 (2025): Laga-Laga : Jurnal Seni Pertunjukan
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/lg.v11i1.5700

Abstract

Servant I is a character in the Ba-Bi & Ba-Bu script by Jean Genet translated by Asrul Sani Adapted by Rachman Sabur which was the choice of the Final Exam for the interest in Acting by the author. This script is an absurdist script that can be seen from Martin Jullius Esslin in his book The Theatre Of The Absurd discussing Jean Genet. Jean Genet himself was one of the pioneers of absurd theater that greatly shook the world's thinking at that time. The Ba-Bi & Ba-Bu script is a representation of life between the master and his two servants. Servant one is an association of an unstable psyche that occurs due to pressure from the environment. The actor plays the role of the Grand Lady for substitutive satisfaction of her compulsive obsession with fate, but in the end she is suffocated in her own game. Servant I represents the prisoner's daydream, the fantasy of an outcast who makes a futile effort to teach the world about acceptance and ownership. The process of developing and identifying the character of this servant one uses the reference book "Becoming an Actor" by Suyatna Anirun with an effort to apply the Stanislavsky Method described.
TARI SAILIA SAMUDIAK DALAM KONTEKS SOLIDARITAS BUDAYA MANGONJI Nahwita, Nahwita; Wahyuni, Wahida; Emri, Emri
Laga-Laga : Jurnal Seni Pertunjukan Vol 10, No 2 (2024): Laga-Laga: Jurnal Seni Pertunjukan
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/lg.v10i2.5338

Abstract

Penciptaan karya tari dengan judul Sailia Samudiak adalah karya yang terinfirasi dari peristiwa budaya mangonji yang menjadi pemersatu bagi masyarakat Kuantan Singingi dengan tetap menjalankan rasa tolong menolong dan menjalin kebersamaan saat melakukan sebuah kegiatan. Pada karya Sailia Samudiak lebih di arahkan terhadap nilai-nilai yang ada dalam mangonji yaitu kebersamaan, kepedulian antar sesama, kegotong royongan, keharmonisan, dan kerukunan yang melekat erat hingga saat ini, dengan perbedaan yang ada antara satu sama lain kemudian tetap menjadi satu kesatuan sehingga tebentuk garapan karya tari baru. Menggarap karya tari ini menggunakan properti sekaligus setting yang berukuran sedang untuk sImbol pada tradisi mangonji yaitu ayakan. Eksplorasi pijakan gerak yang digunakan yaitu, menekan, melingkar, dan mengayun yang dikembangkan sesuai dengan ruang, waktu, tenaga, dan desain. Metode penciptaan yang digunakan yaitu Metode dari Alma M Hawkins terjemahan oleh Y.Sumandiyo Hadi , mencipta lewat tari dengan melakukan wawancara, mengumpulkan data, explorasi, improvisasi, pembentukan, dan evaluasi yang di olah berdasarkan ilmu koreografi yang telah di dapat untuk proses penggarapan karya tari baru.
Di Balik Layar: Interpretasi Artistik Pengendalian Diri Penderita Smiling Depression Safitri, Mesy Nadia; Loravianti, Susasrita; Ilham, Kurniadi; Emri, Emri
Laga-Laga : Jurnal Seni Pertunjukan Vol 11, No 1 (2025): Laga-Laga : Jurnal Seni Pertunjukan
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/lg.v11i1.4580

Abstract

The dance work Behind the Screen is inspired by a social phenomenon, namely Smiling Depression, a term that refers to a person with depression who looks smiling when experiencing problems, this is often found in social life, they will look normal and happy in living their lives, and will even convince others that they are fine. The creator describes this idea in group choreography using seven female dancers as an interpretation of the different forms of self-control of people with Smiling Depression. The creation of the dance work Behind the Screen provides awareness for someone suffering from Smiling Depression who can control themselves so that it does not have a negative impact on life. This work uses the Alma M. Hawkins dance creation approach in the book "Creating Through Dance and Choreography Form, Technique, and Content, this approach has stages, namely data collection and field observation, exploration, improvisation, formation, and evaluation. The music used in this work is made from computer technology. This work is also strengthened by the use of lighting as a form of emotional depiction of people with Smiling Depression. The dance work Behind the Scenes uses a dramatic style and is performed on the stage of the Boestanoel Arifin Adam Auditorium.
“Ritme Zaman Kini: Kajian Musik Modern sebagai Medium Ideologi dan Gaya Hidup” Adha, Yasril
Laga-Laga : Jurnal Seni Pertunjukan Vol 11, No 1 (2025): Laga-Laga : Jurnal Seni Pertunjukan
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/lg.v11i1.5572

Abstract

Modern music functions not only as a form of artistic expression but also as an ideological medium and a marker of lifestyle in contemporary society. This article explores how modern music—including genres such as pop, rock, hip hop, and EDM—has evolved into a social communication tool that reflects values, identities, and aspirations of today’s urban generation. Using a qualitative approach and literature review, the study examines the relationship between music, media, and popular culture, and how the music industry fosters communities, social resistance, and identity construction. The research also highlights the role of digital media and algorithms in transforming patterns of music production and consumption, resulting in music that is simultaneously personalized and commodified. Modern music has become more than entertainment; it is an ideological arena where meanings are negotiated between producers, consumers, and cultural institutions. The study reveals that the rhythms and lyrics of modern music often carry messages of freedom, social critique, alternative spirituality, and even consumerism. By analyzing modern music as a cultural discourse, this article uncovers its potential as a medium for shaping social consciousness and as a continuously evolving form of global lifestyle.
PERANCANGAN DRAMATURGI PERTUNJUKAN LAKON SUMUR TANPA DASAR KARYA ARIFIN C. NOER DENGAN GAYA SUREALISME Riska, Opiyanda; Birowo, Pandu; Efendi, Leni
Laga-Laga : Jurnal Seni Pertunjukan Vol 11, No 1 (2025): Laga-Laga : Jurnal Seni Pertunjukan
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/lg.v11i1.5791

Abstract

Perancangan dramaturgi pertunjukan ini merupakan upaya untuk memproyeksikan lakon Sumur Tanpa Dasar karya Arifin C. Noer ke dalam sebuah rancangan pertunjukan bergaya surealisme dan genre tragikomedi. Rancangan dramatik disusun sedemikian baiknya untuk membawa penonton atau pembaca seolah-olah menyaksikan kehidupan nyata seseorang yang mengalami konflik batin terhadap dirinya. Demi terwujudnya hal tersebut dilakukannya pengeditan struktur dan tekstur dari lakon Sumur Tanpa Dasar karya Arifin C. Noer guna memperkuat tangga dramatik serta merancang dramaturgi pertunjukan dari lakon Sumur Tanpa Dasar karya Arifin C. Noer dengan gaya surealisme. Perancangan ini menggunakan metode proses kreatif dan analisis struktur dari Kernodle agar rancangan ini menjadi akurat dan bisa dipertanggung jawabkan. Surealisme sebagai landasan penulis dalam proses perancangan ini demi tervisualisasikannya imajinasi-imajinasi dari tokoh utama. Hasil dari perancangan ini menunjukan bahwa: 1. Sebuah lakon yang memiliki 89 halaman dengan 4 babak dan 43 adegan di dalamnya 2. Tokoh utama yakni Jumena Martawangsa 3. Perancangan ini menggunakan gaya surealisme dan genre tragikomedi.
Pemeranan Tokoh Raja dalam Naskah Prabu Maha Anu Karya Robert Pinget Terjemahan Saini KM Menggunakan Teknik Akting Stanislavsky Petrodinata, Regi; Jihadul, Hendri; Yuniarni, Yuniarni
Laga-Laga : Jurnal Seni Pertunjukan Vol 10, No 2 (2024): Laga-Laga: Jurnal Seni Pertunjukan
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/lg.v10i2.4426

Abstract

Naskah drama "Prabu Maha Anu" karya Robert Pinget yang diterjemahkan oleh Saini KM, menggali tema eksistensial melalui tokoh-tokoh yang berjuang mencari arah dan makna hidup. Fokus pada karakter Raja, peran ini diperankan menggunakan teknik akting Stanislavsky, khususnya metode "magic if", untuk mengembangkan karakter yang kompleks dan karikatural. Pemeranan ini bertujuan untuk mencerminkan absurditas yang digambarkan dalam skrip, menonjolkan tujuan hidup tokoh yang tidak jelas dan pergulatan eksistensialnya. Proses ini melibatkan eksplorasi teks yang mendalam dan interpretasi karakter, membedakan penampilan ini dari yang sebelumnya dan menawarkan penggambaran yang lebih hidup dan relevan dengan tema naskah. Pendekatan ini tidak hanya menghidupkan peran tetapi juga memperkuat diskursus eksistensial skrip
Interpretasi Dan Ekspresi Penyaji Solis Violin Pada Pertunjukan Concerto In E Major, My Heart Will Go On, Dan Laila Canggung Nasrullah, M.; Sidik, Hadaci; Awerman, Awerman; Hendri, Yon; Nurmalena, Nurmalena
Laga-Laga : Jurnal Seni Pertunjukan Vol 11, No 1 (2025): Laga-Laga : Jurnal Seni Pertunjukan
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/lg.v11i1.5613

Abstract

Performing musical compositions from various eras such as classical, modern, Malay, and popular, this violin solo recital presents a blend of interpretation, improvisation, and expressive performance using musical techniques that adhere to conventional principles.The initial preparation for the soloist before the performance includes technical exercises involving both the left and right hand techniques in solo violin playing. Each composition to be performed is analyzed in detail, especially in terms of form and structure. This process is essential for expressing each section of the composition appropriately and in accordance with the composer’s intent, particularly given that the compositions span different musical periods. This performance consists of several repertoires from different eras. The first repertoire originates from the Baroque period, spanning the 16th to 17th century, characterized by clear and structured patterns. This piece is titled Concerto in E Major No.1 "Spring" by composer Antonio Vivaldi, composed in 1725. The second repertoire is My Heart Will Go On, a popular music piece presented in a contemporary style. The third composition is Laila Canggung, created by Hamid and Amardi Raga, which is rooted in Malay cultural tradition and is expressed in accordance with Malay aesthetic values. The performer interprets and expresses each repertoire by applying various techniques such as arpeggio, trill, legato, slur, and slide, aiming to deliver a refined and complete performance.
Perancangan Buku Ilustrasi Tradisi Peusijuk Pada Masyarakat Aceh Sebagai Media Informasi Bagi Kalangan Remaja Isman, Soeryadarma; Muliati, Roza; Juned, Sulaiman
Laga-Laga : Jurnal Seni Pertunjukan Vol 11, No 1 (2025): Laga-Laga : Jurnal Seni Pertunjukan
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/lg.v11i1.6159

Abstract

The Peusijuk tradition is one of the cultural heritages of the Acehnese people that contains religious, social, and symbolic values. However, technological developments and the influence of globalization have caused the younger generation to increasingly know and understand less of the meaning of this tradition. Therefore, media that is interesting and in accordance with the character of teenagers is needed to reintroduce the Peusijuk tradition in an educational and visual way. This study aims to design an illustrated book that packages information about the Peusijuk tradition in a communicative, interesting, and easy-to-understand way for teenagers. The methods used include observation, interviews, literature studies, and distributing questionnaires. The result is an illustrated book that tells stories of Acehnese children engaging in Peusijuk traditions with supporting media like posters, pins, keychains, and digital content. The book is expected to serve as an effective cultural education tool and promote the preservation of local traditions.

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