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Mimesis
Published by Universitas Ahmad Dahlan
ISSN : 2715744X     EISSN : 2721916X     DOI : 10.12928
Core Subject : Humanities, Science, Education, Art, Social,
Arts Humanities Biochemistry, Genetics & Molecular Biology Languange, Linguistic, Communication & Media Social Sciences
Mimesis is an academic, open access, and peer-reviewed journal founded and first published in 2020 by Indonesian Literature Department, Faculty of Culture, Literature, and Communication, Universitas Ahmad Dahlan, Indonesia. Focusing on culture, language, and literature as it is viewed from the Indonesian perspective, Mimesis provides a platform for the presentation, analysis, and criticism of provocative work, publishing articles that transcend disciplines and advance the study of humanities. Issues are published two times per year (in January and July) and all articles are published exclusively in Bahasa and English. Submissions are open year-around. However, before submitting, please ensure that the manuscript fits within Mimesis focus and scope, and is written in English and follows our author guidelines. Please note that only research articles or book review are accepted.
Arjuna Subject : Ilmu Sosial - Ilmu Sosial (Lain-Lain)
Articles 103 Documents
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Belenggu Hegemoni Patriarki dalam Cerpen Bulan Kuning Sudah Tenggelam Karya Ahmad Tohari Lestari, Selvi Triana; Rabbani, Ilham
MIMESIS Vol. 4 No. 2 (2023): JULI 2023
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v4i2.7770

Abstract

This research seeks to dismantle the fetter of patriarchal hegemony and resistance carried out by female characters in the short story Bulan Kuning Sudah Tenggelam by Ahmad Tohari. Gramsci's theory of hegemony and Walby's thoughts on patriarchy are used as analytical tools. The method used is qualitative-descriptive. The findings of this research: The fetter of patriarchal hegemony experienced by Yuning's character occurs because of the hierarchical relationship between her and Raden Barnas as her father and his wife in the family structure. In truth, Yuning has shown resistance to the fetters she has experienced. However, it is anti-climatic because of the forgiveness of her husband's infidelity. At the same time, this condition marks the position of Yuning's figure being re-fettered by patriarchal hegemony, both in the family system and in the order of a country.
Eksistensi Kematian sebagai Akhir: Thanatos dan Eros dalam Ziarah Karya Iwan Simatupang (Perspektif Psikoanalisis Freudian) Rahayu, Titin Puji; Atikurrahman, Moh.; Alfin , Jauharotin
MIMESIS Vol. 5 No. 1 (2024): JANUARI 2024
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v5i1.7799

Abstract

This article explores personality dynamics in Indonesian literature by taking the theme of death in the novel Ziarah by Iwan Simatupang (1969). The concept of 'Thanatos and Eros' from Freudian psychoanalytic research is understood as the relationship between instincts in human behavior, which are described as conflicting settings, namely the death instinct and the life instinct. This research uses a qualitative description method and a content analysis method in the form of presenting data in the form of words and sentences taken from the novel Ziarah by Iwan Simatupang (1969) on the aspects of Thanatos (death instinct), eros (life instinct) and anxitas (anxiety). The research techniques used are literature review, note-taking, and data processing techniques. Thus, research into personality dynamics in the novel Ziarah by Iwan Simatupang obtained six data on Thanatos (death instinct), five data on eros (life instinct), and one data on anxitas (anxiety). Thanatos (death instinct) data emphasizes the death instinct in the form of aggression and suicidal actions in the Painter character, the Young and Old Operative character, and the Mayor character. The eros data (life instinct) emphasizes the sexual instinct in the painter's characters and the non-sexual instinct (lamentation poetry) in fulfilling physical needs such as feelings of hunger, thirst, work, and others. Anxiety data emphasizes the anxiety of death in the painter's character.
Pewarisan Trauma dan Konsep Ibu dalam Film Ali & Ratu-Ratu Queens: Analisis Teori Postmemory Marianne Hirsch Putra, Jalu Norva Illa; Citrawati, Ni Putu Evi Wahyu
MIMESIS Vol. 4 No. 2 (2023): JULI 2023
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v4i2.7849

Abstract

This research will look at the relationship between memory and literature, which is about the process of inheritance of memory. A film entitled Ali and The Ratu-ratu Queens was chosen to be the object of this research, which will look at the relationship between memory, trauma, and the process of inheritance. This study aims to determine the trauma of the other that is passed on to the self, its transmission process and also to identify the reconstruction of the trauma that is owned by the self. This paper will use a perspective of Postmemory theory from Marianne Hirsch. Postmemory is a theory that looks at the process of inheritance of trauma between generations. This theory will look at the process of Ali as second generation inheriting his father’s trauma. Furthermore, the identification that can be obtained is that the loss that Ali feels is the loss of an "ambiguous" mother figure. Ali is looking for the mother he hoped for in the past according to the description given by his father. However, Ali did not find this mother figure as he found another mother figures that had changed due to the social factors she experienced. In the end Ali interprets that mother is not a figure, mother is a feeling of affection and a sense of belonging. Until finally Ali found what he was really looking for, namely a mother who was reflected through his aunts and a mother who represented affection and belonging which also came from the aunts who met Ali in New York.
Semiotika Riffaterre dalam Puisi “Baju Baru” Karya Joko Pinurbo Abdullah, Risen Dhawuh
MIMESIS Vol. 5 No. 1 (2024): JANUARI 2024
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v5i1.8052

Abstract

It is undeniable that poets often convey ideas with signs in the form of words, clauses, even sentences, thereby creating implicit or implicit messages. Studying a poem requires structural and semiotic analysis, because poetry is a structure of meaningful signs. Joko Pinurbo's poems contain many messages from deep anxiety. This study seeks to explain the meaning of related poetry according to Riffaterre's Semiotics theory. This research is a qualitative descriptive study. The material object in this research is a poem by Joko Pinurbo "Baju Baru". Meanwhile, the formal object is meaning based on language and literary conventions with Riffaterre's Semiotics theory which consists of heuristic readings, hermeneutic readings, as well as matrices, models and variants, hypograms.  The results of the research through heuristic reading analysis found that fathers bought new clothes after payday because fathers' salaries increased. From the hermeneutic reading as a whole, the poem was created by the author as a form of outpouring of his heart as well as a form of criticism of the government for the phenomenon he is seeing, the increase in basic prices that afflict the lower class society, the matrix of the poem is a situation where basic needs soar, while workers' wages only increased slightly or even did not increase. The model of the poem is "gaji bapak" and "presiden". The variants consist of five variants. The first variant is "bapak gajian", the second variant is "reaksi si aku", the third variant is "perasaan presiden", the fourth variant is "kerusakan baju", the fifth variant is "keberadaan tukang becak dan presiden".
Penggunaan Bahasa pada Perkembangan Industri Pariwisata di Surabaya: Studi Kasus Objek Wisata Museum Sepuluh Nopember Sa'diyah, Ilmatus; Ariffa, Anggelia Hayuning; Agustina, Endang; Maghfiroh, Marjiatul; Kusnarto, Kusnarto
MIMESIS Vol. 4 No. 2 (2023): JULI 2023
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v4i2.8072

Abstract

The tourism industry in Surabaya has had to adapt to the changing times marked by the entry of foreign languages into Indonesia. The phenomenon of the use of foreign languages in public spaces is often a problem. For that reason, this article was written based on research conducted to analyze the use of language and writing skills in Indonesian and foreign languages in one of the branches of tourism in Surabaya, namely Museum Sepuluh Nopember. This research is qualitative descriptive in nature using primary data from direct data sources, namely the utilization of indonesian in the tourism industry of Museum Sepuluh Nopember Surabaya. Data collection is done by documentation and observation method. In addition, the analytical method used is descriptive qualitative. Based on the analysis that has been done, the use of Indonesian in the Museum Sepuluh Nopember Surabaya tourism industry is not optimal. There are still several formats for the using and spelling of Indonesian and foreign languages that need to be corrected according to regulations of language institutions and the law on language use.
Reduplikasi Bahasa Dawan: Kajian Morfologis Distribusi Rafael, Agnes Maria; Helenora Jem, Yosefina; Maharani, Sang Ayu Isnu
MIMESIS Vol. 4 No. 2 (2023): JULI 2023
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v4i2.8083

Abstract

This article is intended to investigate the reduplication processes of bahasa Dawan spoken by Dawan people in NTT Province by using the morphological distribution theory proposed by Framton in 2004. To complete the study, a qualitative research method had been chosen based on the consideration that the data were in the form of words. Those data were taken from the utterances spoken in Dawan’s traditional ceremony as the main data source. Besides, Tata Bahasa Dawan book played a role as the secondary data source. The data were collected by observation and studying the document. In observation, the researchers observed and recorded the utterances by using an android, however the document study was done by reading documents about Bahasa Dawan. The study result reveals that in bahasa Dawab there are three processes in reduplication, namely 1) full reduplication without affixation process, 2) full reduplication with affixation process, and 3) partial reduplication.
Kekuatan Budaya Lokal: Menjelajahi 3S (Sipakatau, Sipakalebbi, dan Sipakainge’) sebagai Simbol Kearifan Lokal Nur, Rezky Juniarsih; Wildan, Dadan; Komariah, Siti
MIMESIS Vol. 4 No. 2 (2023): JULI 2023
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v4i2.8105

Abstract

Local wisdom is an important cultural heritage for a society in maintaining its cultural identity. One of these is the Sipakatau, Sipakalebbi, and Sipakainge culture, which consists of three indigenous wisdom ideas that are crucial to the way of life of the Makassar tribal people. This study employs a literature review research method for examining, analyzing, and synthesizing the body of previous literature on a given research issue. The literature review approach will be employed in this study to analyze the connections between sociology learning initiatives, including character development, and the Sipakatau, Sipakalebbi, and Sipakainge's local knowledge. Researchers have reviewed a total of 33 journals related to livelihood keywords such as "local wisdom 3S culture (Sipakatau, Sipakalebbi, and Sipakainge'), "character learning projects," "sociological learning," and other relevant combinations of keywords. Internalization of values Bugis-Makassar cultural values ​​in sociology learning can be linked to the learning project profile, which focuses on developing student character through learning more contextually and integrated with everyday life.  
The Use of Sentence Types in Positive Beauty Campaign YouTube Advertisements Efendi, Lutfi; Hardjanto, Tofan Dwi
MIMESIS Vol. 4 No. 2 (2023): JULI 2023
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v4i2.8250

Abstract

Beauty products use social media to advertise their products to get people to know them. To attract the audience, the advertisers need to reflect the sentence types as well as the titles as the marketing approach. Understanding the sentence types essential for the company to reach the targeted market. This research studied the sentence types of positive beauty campaign YouTube advertisements. The data collecting technique is through document review by using converted spoken utterances from the positive beauty campaign YouTube advertisement videos. The encrypted videos are from Pantene Pro-V It’s time we see grey hair differently #PowerOfGrey, NEW Rare Beauty by Selena Gomez, Unilever Positive Beauty, and Dove Beauty on your own term #MyBeautyMySay. The results showed that declarative sentences are the most widely used in advertisements. Through declarative sentences, the advertisers persuade the audience to have a look at the message of the positive beauty campaign. Also, the purpose of a positive beauty campaign is to spread and embrace a positive awareness of beauty, therefore the role of the sentence type is significant to support the message of the advertisement.
Umpatan sebagai Penanda Relasi Keakraban Antar Mahasiswa: Analisis Berbasis Bentuk dan Gender Salsabilla, Rika; Arimi, Sailal
MIMESIS Vol. 4 No. 2 (2023): JULI 2023
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v4i2.8367

Abstract

Swear words using is considered low-value and inappropriate behavior in a normative society. There are differences between men and women in in the using of swear words. The purpose of this study was to identify the swearing lexicon along with the lingual forms and its references used by each gender. Also, to find out the frequency of its use and what factors trigger the use of swear words from each gender. Quantitative and qualitative approaches were used with data collection techniques through a questionnaire survey conducted on 115 students. The results of the study found that the choice of lexicon of swear words from the male gender is wider and more varied. Swearing is identified based on morphological and syntactic lingual forms. References of male gender come from groups of objects, animals, body parts, professions, situations, and activities. Meanwhile, references of female gender are more polite although they still seem rude, namely coming from groups of words such as animals, circumstances, activities, and objects. The frequency of use of both genders shows that the intensity of swear words using is rarely used.
Wacana Stigmatisasi Perempuan Berpendidikan Tinggi yang Terefleksikan Melalui Media Sosial YouTube Zulaikha, Siti; Firmonasari, Aprillia
MIMESIS Vol. 4 No. 2 (2023): JULI 2023
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v4i2.8623

Abstract

Verbal stigmatization is part of the linguistic phenomenon. The effects of stigmatization can be felt in the near term and the future. However, stigmatization can negatively impact victims, so this phenomenon must be ended immediately. This study attempts to dissect the stigmatizing speech of highly educated women using Fairclough's AWK framework. The results of this study at the textual level found three types of speech: regulating, degrading, and cornering. The lingual form of stigmatization is found in the speech form ah, free, what, if, just, only, and only. In addition, it was also found that lingual expressions reflect stigmatization, namely in free speech “percuma dong” and “sayang banget”. The function of using the lingual form, based on the context of stigmatizing speech above, is to bring down mentally, influence negative thoughts, limit progress, and prohibit certain things. Furthermore, at the level of discursive practice from the five data above, there is an intertextuality between the discourse from the views of patriarchal and non-patriarchal societies. It shows that the stigmatization of highly educated women reflects patriarchal cultural thinking.

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