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All Journal MAKNA: Jurnal Kajian Komunikasi, Bahasa dan Budaya ELS Journal on Interdisciplinary Studies in Humanities Wiralodra English Journal (WEJ) Al-Tsaqafa: Jurnal Ilmiah Peradaban Islam JURNAL PENELITIAN PENDIDIKAN BAHASA DAN SASTRA CALL Paradigm: Journal of Language and Literary Studies Interference: Journal of Language, Literature, and Linguistics Journal of English Language and Education Journal of English Language Teaching, Linguistics and Literature (JETLEE) COMPETITIVE: Journal of Education Saksama: Jurnal Sastra Lire Journal (Journal of Linguistics and Literature)
Priyawan, Pepen
UIN Sunan Gunung Djati Bandung
Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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PICARESQUE NOVELS IN CANNERY ROW, CANDIDE OR OPTIMISM, AND DON QUIJOTE Muhamad Ghifari Muharam; Tenny Sudjatnika; Pepen Priyawan
Saksama: Jurnal Sastra Vol 1, No 2 (2022): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (673.297 KB) | DOI: 10.15575/sksm.v1i2.25098

Abstract

The research compared rascals in three Picaresque novels: Cannery Row, Candide or Optimism, and Don Quijote. It used Picaresque theories from Clarence Hugh Holman (1972), as well as Gustavo Pellon and Julio Rodriguez-Luis (1986), that specified rascal or rogue. This understanding explains how some Picaresque novels feature rascal characters who are silly, stupid, reckless, rude and have other negative traits, but they also have qualities of kindness, a good heart, and attentiveness hidden behind them. Mack and the boys, Candide, and Don Quijote are all depicted as rogues. The Picaresque element is used as a formula in the story to determine and exemplify rascal values. The researcher stated two problems related to Picaresque rascal: what are the similarities between Picaresque rascals in Cannery Row, Candide or Optimism, and Don Quijote? In addition, the purpose of this research is to identify Picaresque rascals in three objects. Furthermore, this research utilizes Ian Dey's (1993) literary criticism method, namely qualitative analysis. It is used to decipher the data of each object one by one and to obtain information about the Picaresque. The researcher then used Susan Bassnett's (1999) comparative method to compare topics. The similarities between the three objects are the results of this research. The similarities are rascals, education, instability of personality, criminality, and themes.  Keywords: Comparative Literature 1; Elements 2; Novel 3; Picaresque 4; Rascal 5
CINEMATOGRAPHY IN GABRIELE MUCCINO’S THE PURSUIT OF HAPPINESS (2006) Sulthan Bonang Hendrajat; Pepen Priyawan; Yoga Sudarisman
CALL Vol 5, No 1 (2023): CALL
Publisher : Universitas Islam Negeri Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/call.v5i1.19539

Abstract

This study aimed to study cinematography elements presented in Gabriele Muccino’s The Pursuit of Happiness (2006). To analyse the object of the research, it used cinematography theory by Blain Brown. The study used descriptive qualitative research design. Drama genre is one of the biggest and popular genre in the movie industry, since it shares some empathy, hopes, aspirations, dreams and fears (Editors, 2018). It focused on analysing the dramatic aspect through cinematography using Gabriele Muccino’s The Pursuit of Happiness (2006) movie. The study found that many cinematography elements in Gabriele Muccino’s The Pursuit of Happiness (2006) are proven using dramatic aspect from both lighting and camera technique. In conclusion, the movie shows a drama genre movie which has cinematography elements that need to be added to deliver the emotion of the story and to increase dramatic elements in the movie. Keywords: cinematography, genre, drama
Peirce's Triadic Analysis in the Script of "The Lord of the Rings: The Fellowship of The Ring" Film Hamidah, Shelma Kamilia; Priyawan, Pepen; Abqoriyyah, Fourus Huznatul
JETLEE : Journal of English Language Teaching, Linguistics, and Literature Vol. 4 No. 1 (2024): Journal of English Language Teaching, Linguistics and Literature (JETLEE)
Publisher : JETLEE: Journal of English Language Teaching, Linguistics, and Literature

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47766/jetlee.v4i1.1797

Abstract

Using Charles Sander Peirce's theory, this study examines the object, representation, and interpretant in the screenplay for The Lord of the Rings: The Fellowship of the Ring. The research methodology employed in this study is qualitative research. Each of the triadic element is composed of three components. An object is denoted by an icon, which is a sign exhibiting a comparable appearance to its reference; an index, which signifies a connection between the representation and the object in terms of presence and occurrences; and a symbol, which is universally acknowledged through mutual agreement. Legisign, a sign in accordance with a general rule or code; qualisign, a sign perceived by quality; and sinsign, a sign based on actual shape or form, are all components of representation. The interpretant possesses rheme, which is a sign predicated on the interpreter's comprehension; dicent sign, which pertains to something that truly exists; argument, which comprises a justification for a given matter. The findings of this analysis indicate that the ring is of the utmost significance in the narrative of the film.
ILLOCUTIONARY ACTS AND REPRESENTATIVE FUNCTION ON ENGLISH SPEECHES YOUTUBE CHANNEL Sidik, Anggi Permana; Priyawan, Pepen; Ardiansyah, Erlan Aditya
PARADIGM: Journal of Language and Literary Studies Vol 5, No 1 (2022): Paradigm: Journal of Language and Literary Studies
Publisher : Department of English Literature, Universitas Islam Negeri Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/prdg.v5i1.15806

Abstract

This study aims to figure out the kinds of illocutionary acts and furthermore the function of representative performed by the inspirations of American motivators in the persuasive recordings in the English Speeches Youtube channel. This research is a qualitative descriptive study. The subjects of this examination are four videos from notable inspirations from America in English Speeches YouTube channel. In the wake of posting, choosing, and gathering the videos, the videos were watched a few times to facilitate the scientist in interpreting them. In dissecting the information, the researcher just takes utterances that permit the motivators to pass their expectations on to the audience members. The illocutionary act information performed by the motivators were arranged utilizing the instrument following Searle's hypothesis and the functions of representative performed by the motivators were grouped utilizing the instrument following Searle's hypothesis too. The main tracking down shows five sorts of illocutionary acts performed by motivators, specifically representative, directive, commissive, declarative and expressive. The subsequent tracking down shows every one of the six sorts of representative functions performed by the inspiration motivators are claiming, predicting, stating, reporting, describing, and complaining. By performing five sorts of illocutionary acts, motivators might have different approaches to communicating their expectations to audience members. In the interim, motivators can likewise do different ways to fulfill the motivation behind their demeanor through the function of representative.
NARRATIVES OF AFFECTION IN FIVE FEET APARTWRITTEN BY RACHEL LIPPINCOTT, TOBIAS IACONIS, AND MIKKI DAUGHTRY Mutmainah, Siti Faudziana; Priyawan, Pepen; Sariyati, Ice
Saksama: Jurnal Sastra Vol 2, No 2 (2023): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/sksm.v2i2.28888

Abstract

Five Feet Apart is a romance novel written by Rachel Lippincott, Tobias Iaconis, and Mikki Daughtry about the love of two teenagers who are unable to be close to each other due to illness. This study aims to describe and explain the various types of love language and figurative love language found in the novel Five Feet Apart. This research is based on library resources. This research takes a qualitative approach. The issue in this study is the novel Five Feet Apart's various types of love languages and figurative language of love language. This investigation is divided into three stages. The first step is to gather information. Reading notes is the technique employed. Data analysis is the stage that comes after data collection. The data is analyzed descriptively. The results of the data analysis are then presented in the form of a presentation that includes an explanation of the novel Five Feet Apart. The theoretical triangulation validation method was used, which included document reading, recording, and analysis stages. According to the findings of this study, the expressions in the novel Five Feet Apart use a variety of love languages, including words of affirmation, quality time, physical touch, receiving gifts, and acts of service. Furthermore, in the novel Five Feet Apart, hyperbole, metaphor, simile, and personification are examples of figurative language of love language. 
THE DYNAMICS OF HUMAN RELATIONSHIP: A NARRATIVE COMPARISON BETWEEN 'HILLS LIKE WHITE ELEPHANTS AND DEAD STARS' Saputra, Taufan; Priyawan, Pepen; Pauji, Resa Restu
Saksama: Jurnal Sastra Vol 3, No 1 (2024): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/sksm.v3i1.36585

Abstract

This research analyzes two short stories, "Hills Like White Elephants" by Ernest Hemingway and "Dead Stars" by Paz Marquez Benitez, with a focus on the influence of communication, perception, and cultural differences in shaping the dynamics of interpersonal relationships. Through a qualitative approach with content analysis, this research shows how ineffective communication and different perceptions can hinder the development of interpersonal relationships. Analysis shows that in both stories, unclear communication and promises to express feelings honestly lead to conflict and conflict. Apart from that, cultural differences and social values also play an important role in shaping the perceptions and actions of the characters in the story. The results of this research provide a deeper understanding of the complexity of human relationships in different cultural and temporal contexts.
PEMAHAMAN SPEKTAKEL DALAM PEMBELAJARAN DRAMA MELALUI SIMULASI ADEGAN ELEKTRONIK (SAE) Sudarisman, Yoga; Priyawan, Pepen; Rifqiana, Widaad
JURNAL PENELITIAN PENDIDIKAN BAHASA DAN SASTRA Vol. 9 No. 2 (2024): JP2BS
Publisher : LP2M Universitas Muslim Nusantara Al Washliyah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32696/jp2bs.v9i2.3705

Abstract

Drama hadir dimana-mana termasuk dalam dunia pendidikan. Artikel ini membahas tentang transformasi drama dari panggung fisik ke digitalisasi visual dan pengaruhnya terhadap proses kreativitas siswa di era digital dan memahami spektakel sebagai unsur penting dalam drama. Dengan metode analisis konten terhadap media visual, aplikasi Simulasi Adegan Elektronik (SAE) dikenalkan dan dideskripsikan dalam memproduksi pertunjukan teater digital. Dalam produksi teater apapun, ide teknis dan naskah drama saling melengkapi dan dibutuhkan untuk menciptakan karya seni yang unik dan bermakna. Artikel ini menyimpulkan bahwa teknologi dapat membantu siswa dalam memahami unsur-unsur dramatis khususnya unsur spektakel. Proses pemahaman spektakel ini juga secara tidak langsung berdampak pada proses kreativitas dan inovasi siswa. Kata Kunci: Kreativitas, Drama, Spektakel, Teater, Simulasi Adegan Elektronik
VAMPIRE TRANSFORMATION: A COMPARATIVE STUDY OF THE NOVEL AND FILM DRACULA Karim, Tuki Madani; Paturohmah, Pepi Siti; Priyawan, Pepen; Mansyur, Agus Salim
CALL Vol 6, No 2 (2024): CALL
Publisher : Universitas Islam Negeri Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/call.v6i2.19652

Abstract

This article aims to explore the intersection between comparative literature and adaptation studies, examining the theoretical frameworks and practical applications that underlie this fascinating field. By analysing the transformation of a classic work into various media, we will uncover the mechanisms of change and the cultural significance embedded in these adaptations. This article examines the film adaptation of Bram Stoker's novel Dracula by Francis Ford Coppola. A comparative analysis is conducted on the novel and film to identify significant changes that occurred in the adaptation process. These changes include the addition of scenes, character modifications, and changes to the plot. One of the main changes is the addition of a romantic element between Dracula and Mina, which is not present in the original novel. This change transforms the theme of gothic horror into a more nuanced tragic love story. The study concludes that the film adaptation of Bram Stoker's Dracula involves a number of significant changes that alter the meaning and experience of the narrative. Further research is needed to understand the motivations and impact of changes in the adaptation process, especially from a cultural and sociological perspective. In addition, a broader comparative study could be conducted by comparing different adaptations of Dracula to see the patterns of change that occur over time. It is also important to understand how changes in adaptation affect audience reception. Adaptation research methodology needs to be continuously developed by integrating digital humanities approaches and new technologies to provide a more comprehensive perspective. More systematic documentation of the decision-making process in adaptation is also needed to understand the factors that influence changes from novel to film, so as to provide deeper insight into the process of adapting literary works to visual media. Keyword: comparative literature, adaptation studies, tramsformation, character, plot
Descriptive Study of the Use of Adjectives in the Novel Over The Moon by Soraya Nasution Iskandar, Ramadhan Attalarik; Y. Yuliany; Pepen Priyawan
COMPETITIVE: Journal of Education Vol. 3 No. 3 (2024): Transformative Education and Learning
Publisher : Perkumpulan Dosen Fakultas Agama Islam Indramayu

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58355/competitive.v3i3.95

Abstract

Adjectives or better known as adjectives are one of the types of words in Indonesian. Adjectives are often paired with various other types of words such as verbs, nouns, adverbs, and so on. In this article the author discusses the words pure adjective, clitic, with the same prefix, with the most prefix, with the prefix –an, with the suffix –kan, with the same suffix, with the same confix, with the me-kan clofix, with the me-i clofix, the adjective word from the reduplication of the root word, the adjective word with the meaning component (+action), and the adjective word with the “absorption affix”. The author uses descriptive methodology or methods in the process of analyzing adjective words contained in the novel Over The Moon by Soraya Nasution. The research object in this research is the novel Over the Moon by Soraya Nasution. The results obtained in this research are that the word adjective in the novel Over The Moon consists of 229 adjective words, one of which is a pure adjective word consisting of 205 words with example sentences “Beautiful, intelligent, has a balanced family background with me, and presentable as long as you try to be better.” (OTM:H10:P91:K2). The conclusion of this research is that adjectives include adjectives which are part of word types, which include: pure adjectives, clitics, se-prefixes, ter-prefixes, and so on.
CROSSING WORLDS: PORTAL FANTASY IN NOVEL THE LION THE WITCH AND THE WARDROBE, KOREAN NOVEL SOLO LEVELING AND COMIC MANGA THAT TIME I GOT REINCARNATED AS A SLIME Iskandar, Iskandar; Priyawan, Pepen; Suswanto, Deni
Saksama: Jurnal Sastra Vol 3, No 2 (2024): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/sksm.v3i2.38448

Abstract

This article explores the representation of portal fantasy in three distinct works: The Lion, the Witch and the Wardrobe by C.S. Lewis, Solo Leveling Volume 1 by Chu-Gong, and That Time I Got Reincarnated as a Slime Volume 1 by Fuse. The research problem centers on how the portal fantasy formula is adapted and represented in different literary forms novels and manga. Drawing on theories from Farah Mendlesohn on fantasy genres, E.M. Forster on key elements of novels, and Will Eisner on comics, the study employs a comparative literature approach and qualitative methods, including close reading and textual analysis. The analysis focuses on key elements such as setting, plot, motif, and character to uncover how these works embody the portal fantasy genre. The findings reveal that each work utilizes the portal concept uniquely to achieve distinct narrative purposes: The Lion, the Witch and the Wardrobe emphasizes the contrast between the real world and a magical one, offering moral and exploratory adventures, Solo Leveling presents a dynamic, challenge-filled journey that serves as a metaphor for personal growth and transformation and That Time I Got Reincarnated as a Slime explores themes of identity and adaptation through the protagonist’s reincarnation in a fantastical world. The results highlight the versatility of the portal fantasy genre in conveying complex themes of transformation, identity, and exploration across different media. This study contributes to a deeper understanding of how portal fantasy functions within various literary forms, offering insights into its narrative potential and thematic richness.
Co-Authors Abqoriyyah, Fourus Huznatul Adinda Nurfauziah Adinda Nurfauziah Agus Salim Mansyur, Agus Salim Ahsan, Asmarani Alisya Rusdianti Alisya Rusdianti Anggi Permana Sidik Asmarani Ahsan Asmarani Asmarani Asmarani, Asmarani Assiddiqi, Hasbi Dadan Rusmana Deni Suswanto Dian Nurrachman, Dian Erlan Aditya Ardiansyah Erlan Aditya Ardiansyah Fauzi, Erfan Muhammad Fazrin, Okti Winarti Aulia Hamdy, Fahri Dwiatamal Hamidah, Shelma Kamilia Hasbi Assiddiqi Hendrajat, Sulthan Bonang Ice Sariyati Iskandar Iskandar Iskandar, Ramadhan Attalarik Karim, Tuki Madani M.Hkikmat, Mahi Mahdalena Mahdalena Maulani Fitri Fadlilah Muhamad Ghifari Muharam Mutmainah, Siti Faudziana Nurfauziah, Adinda Nurholis Nurholis, Nurholis Paturohmah, Pepi Siti Pauji, Resa Restu Rahmah Nurul Aziz Rida Aulia Yasmin Rifqiana, Widaad Rizkyane Machmuri, Alya Rohanda Rohanda Rusdianti, Alisya Saputra, Taufan Sidik, Anggi Permana Siti Nurhasanah Subiyakto, Dimas Sudjatnika, Tenny Sulaeman, Dedi Sulthan Bonang Hendrajat Udayani Permanaludin Y. Yuliany Yoga Sudarisman Yuyun Nurulaen, Yuyun