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CROSSING WORLDS: PORTAL FANTASY IN NOVEL THE LION THE WITCH AND THE WARDROBE, KOREAN NOVEL SOLO LEVELING AND COMIC MANGA THAT TIME I GOT REINCARNATED AS A SLIME Iskandar, Iskandar; Priyawan, Pepen; Suswanto, Deni
Saksama: Jurnal Sastra Vol. 3 No. 2 (2024): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/sksm.v3i2.38448

Abstract

This article explores the representation of portal fantasy in three distinct works: The Lion, the Witch and the Wardrobe by C.S. Lewis, Solo Leveling Volume 1 by Chu-Gong, and That Time I Got Reincarnated as a Slime Volume 1 by Fuse. The research problem centers on how the portal fantasy formula is adapted and represented in different literary forms novels and manga. Drawing on theories from Farah Mendlesohn on fantasy genres, E.M. Forster on key elements of novels, and Will Eisner on comics, the study employs a comparative literature approach and qualitative methods, including close reading and textual analysis. The analysis focuses on key elements such as setting, plot, motif, and character to uncover how these works embody the portal fantasy genre. The findings reveal that each work utilizes the portal concept uniquely to achieve distinct narrative purposes: The Lion, the Witch and the Wardrobe emphasizes the contrast between the real world and a magical one, offering moral and exploratory adventures, Solo Leveling presents a dynamic, challenge-filled journey that serves as a metaphor for personal growth and transformation and That Time I Got Reincarnated as a Slime explores themes of identity and adaptation through the protagonist’s reincarnation in a fantastical world. The results highlight the versatility of the portal fantasy genre in conveying complex themes of transformation, identity, and exploration across different media. This study contributes to a deeper understanding of how portal fantasy functions within various literary forms, offering insights into its narrative potential and thematic richness.
ANALYSIS OF CODE MIXING IN THE FIRST EPISODE OF THE SERIES PRIVATE BODYGUARD (2024) Nasywa Kamila, Lathifah; Setiawan Djuharie, Otong; Priyawan, Pepen
BASIS (Bahasa dan Sastra Inggris) Vol 12 No 2 (2025): JOURNAL BASIS UPB
Publisher : Universitas Putera Batam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33884/basisupb.v12i2.10042

Abstract

This study analyzes code mixing patterns and functions in the first episode of the 2024 series Private Bodyguard. Code mixing, a notable sociolinguistic phenomenon, involves speakers switching between languages in conversation. The research aims to understand language dynamics in a broader social context and the role of code mixing in contemporary media. Employing a qualitative approach, data was collected from dialogues in the series via the Viu streaming platform. The study categorizes code mixing based on Muysken's typology: insertion, alternation, and congruent lexicalization. The analysis found eighteen instances of code mixing. Insertion was the most common type (8 examples), reflecting English's influence on young Indonesians exposed to global culture. Alternation occurred seven times, proving comfortable bilingual switching to emphasize or express emotions. Congruent lexicalization (3 examples) showed seamless integration of words with similar grammatical structures. This study highlights the dynamic interaction between language, culture, and society in Indonesia.
The Narrative of Racism and Violence in Angie Thomas’s The Hate U Give Novel Rizkana Faridz M; Otong Setiawan Djuharie; Pepen Priyawan
Jurnal Riset Sosial Humaniora dan Pendidikan Vol. 4 No. 4 (2025): Desember: Jurnal Riset Sosial Humaniora dan Pendidikan
Publisher : LPPM Universitas 17 Agustus 1945 Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56444/soshumdik.v4i4.3137

Abstract

This research explores the narrative of racism and violence in Angie Thomas’s novel The Hate U Give. Using a qualitative expressive approach, this study analyzes how the author portrays these issues through the novel’s characters, events, and narrative structure. The findings reveal that the narrative of racism and violence is not only depicted through the direct actions of police brutality and social injustice but also through the internal conflicts experienced by the protagonist, Starr Carter. The study shows that the author uses a first-person narrative to convey the complexity of identity, racial discrimination, and resistance against systemic oppression. The narrative not only exposes the physical violence faced by the black community but also highlights the structural violence that reinforces racial inequality. This research contributes to the understanding of how literature can function as a medium to critique social issues and raise awareness about racial discrimination and violence.
WHEN FANS AND HATERS ARE ON THE SAME BOAT: A DECONSTRUCTIVE READING OF BOWO AND TIK TOK: (The Reflections for Active Netizens in Social Media Deconstructed by Paradox and Parallel) Alisya Rusdianti; Adinda Nurfauziah; Asmarani Ahsan; Pepen Priyawan
Makna: Jurnal Kajian Komunikasi, Bahasa, dan Budaya Vol. 5 No. 2 (2019): MAKNA: Jurnal Kajian Komunikasi, Bahasa, dan Budaya
Publisher : Fakultas Komunikasi, Sastra, dan Bahasa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33558/makna.v5i2.1581

Abstract

This literary research is exemplifying about deconstruction of the existence and thought towards fans and haters of Bowo related to his Tik Tok account. This Paper indicates the reflections for the netizens. To get the reflection by conducting the data some theories which need to apply in this research to get the real essence of truth of the comments and any other particular object is Deconstruction by Derrida. Furthermore, to analyze that Industry is using many of objects to deceive people, in this case is netizens, Fans and Haters of Bowo the researchers apply Cultural Studies by Adorno and Horkheimer. Afterwards the researchers will show the essential role and judgments of fans and haters of Bowo the researcher apply difference then it will be conclude by Paradox and Parallel. This paper also applied the descriptive qualitative method to conduct the informations and data then get the reflections. The result is reflections for netizens who are active in giving comments and judging in social media. The reflections indicate the deception of Industrial field in getting viral of Bowo and Tik Tok for the netizens. In this case the netizen will be warned that they are deceived by Industry with Tik Tok App through Bowo. Besides the netizens, the research also indicating the reflection for the female adolescence netizens that they have similar role in commenting and judging Bowo, moreover they also deceived in the same condition between adoring and abhorring, they will be considered as bystander due to the comments that they have been texted in Bowo’s Instagram account are judging.
WHEN FANS AND HATERS ARE ON THE SAME BOAT: A DECONSTRUCTIVE READING OF BOWO AND TIK TOK: The Reflections for Active Netizens in Social Media from the Deconstruction of Paradox and Parallel Pepen Priyawan; Alisya Rusdianti; Adinda Nurfauziah; Asmarani Asmarani
Makna: Jurnal Kajian Komunikasi, Bahasa, dan Budaya Vol. 4 No. 1 (2019): MAKNA : Jurnal Kajian Komunikasi, Bahasa dan Budaya
Publisher : Fakultas Komunikasi, Sastra, dan Bahasa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33558/makna.v4i1.1676

Abstract

This study analyses the viral impact of Bowo, a teenage celebrity from TikTok (a socialmedia site) as well as comments from netizens who happened to be Bowo’s fans orhaters. In addition, the study used theories of cultural studies from Derrida, Adorno andHorkheimer to analyze the entertainment industry as well as netizens, both fans andhaters of Bowo. The role and judgments of fans and haters of Bowo will be shown to seethe paradoxes and parallel of this phenomenon. Thus, the study applied a descriptivequalitative method to analyze data. The results indicate that although netizens know thatwhat they see in TikTok may be fabricated, some netizens still felt deceived by Bowo’sappearances in TikTok. Those feelings were shown in their comments in social media. Inaddition to feeling deceived, the results show how female teenagers who engaged inonline discussions regarding Bowo seemed torn into adoring and abhorring Bowo.