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All Journal MAKNA: Jurnal Kajian Komunikasi, Bahasa dan Budaya ELS Journal on Interdisciplinary Studies in Humanities Wiralodra English Journal (WEJ) Al-Tsaqafa: Jurnal Ilmiah Peradaban Islam JURNAL PENELITIAN PENDIDIKAN BAHASA DAN SASTRA CALL Paradigm: Journal of Language and Literary Studies Interference: Journal of Language, Literature, and Linguistics Journal of English Language and Education Journal of English Language Teaching, Linguistics and Literature (JETLEE) COMPETITIVE: Journal of Education Saksama: Jurnal Sastra Lire Journal (Journal of Linguistics and Literature)
Priyawan, Pepen
UIN Sunan Gunung Djati Bandung
Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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THE EXCESS OF GOTHIC IN EDGAR ALLAN POE’S SHORT STORIES AND ABDULLAH HARAHAP’S MANUSIA SERIGALA Rida Aulia Yasmin; Pepen Priyawan; Udayani Permanaludin
Lire Journal (Journal of Linguistics and Literature) Vol. 9 No. 1: Lire Journal (Journal of Linguistics and Literature)
Publisher : Elite Laboratory Jurusan Sastra Inggris Universitas Bangka Belitung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33019/lire.v9i1.431

Abstract

Gothic literature has been studied through various lens. However, the study about gothic literature through the lens of gothic excess has not explored. Therefore, this article will discuss about gothic excess comparatively. Gothic writing is considered as writing excess. This excess means a negativity or something that is constructed as a negative. In this context, criminal behavior depicted through the characterization is included to excess of gothic. This criminal behavior is appeared in Edgar Allan Poe’s short stories titled “The Tell-Tale Heart” and “The Black Cat” and Abdullah Harahap’s novel titled Manusia Serigala. These works have similarity in the characterization in order depicted the criminal behavior. It is depicted through the action of the characters murdering other character. The background of this action is depicted differently. In Poe’s works, the action is based on how the characters seeing to other character, while in Harahap’s novel, the Indonesian culture of believing in mystic creature and unnatural ability is involved in portraying the gothic excess. In this article, the researchers will focus on how the characterization portraying excess of gothic in “The Tell-Tale Heart”, “The Black Cat”, and Manusia Serigala using gothic excess theory by Fred Botting. The research is qualitative research. The data is collected from a formal document named short stories anthology and a novel by close-reading and will be analyzed comparatively. The result is the characterization depicted in “The Tell-Tale Heart”, “The Black Cat”, and Manusia Serigala is portraying the excess of gothic. The characterization in these works is considered as criminal behavior that is included as gothic excess.
Exoticism in “Harry Potter and The Sorcerer’s Stone” and “Archipelagos: Wizarding School in Nusantara” Fazrin, Okti Winarti Aulia; Nurholis, Nurholis; Priyawan, Pepen
Interference: Journal of Language, Literature, and Linguistics Vol 6, No 1 (2025): INTERFERENCE
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/interference.v6i1.71023

Abstract

Abstract. This study contributes to a deeper understanding of how exoticism in fantasy literature is shaped by cultural backgrounds and the use of magical elements. . A comparative qualitative approach is used due to the use of narrative analysis in this study and is necessary to determine the similarities of the study objects. This study analyzes elements such as objects, characters, dialogues or narratives, and rituals or customs collected from both novels as primary data sources. The finding shows the distinct cultural background to build the exoticism. Harry Potter draws extensively from Western and Europe traditions, folklore, myths, and Greek mythology, applying these to create its magical world. In contrast, Archipelagos adopts Asian culture, particularly Indonesian traditions, to enhance the exoticism of its story. The magical elements in this novel are deeply connected to human relationships with nature and animistic beliefs that are central to Indonesian culture. Voldemort and Berong are cultural villain conceptions that have a strong basis in their respective mythologies. The different cultural influences in each novel appear in these differences.   The research demonstrates that the cultural context is important in the development of exoticism in fantasy literature Keywords: exoticism, comparative analysis, fantasy, harry potter, magical element, novel
Power and Knowledge in United States of Japan by Peter Tieryas Hamdy, Fahri Dwiatamal; Priyawan, Pepen; M.Hkikmat, Mahi
Journal of English Language and Education Vol 10, No 2 (2025)
Publisher : Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/jele.v10i2.694

Abstract

Speculative fiction plays a crucial role as a medium for exploring the dynamics of power and control in society. This study examines the intersections of power and knowledge using a Foucauldian discourse analysis to uncover how the text construct and power within its dystopian framework. The analysis addresses the problem of how institutional authority and ideological constructs shape individual agency and social order. Employing Michel Foucault’s theories on power and knowledge, a qualitative methodology is used to identify themes of authoritarian and technological control. The findings reveal how the novel critiques hegemonic systems by illustrating their reliance on discourse. While previous research has explored dystopian literature’s critique of authoritarianism, fewer studies have examined how speculative history fiction within authoritarian regimes. This research could further explore how similar themes manifest across other alternate history narratives, highlighting their implications for contemporary socio-political contexts.
Romance Formula in Zoulfa Katouh’s Novel As Long As The Lemon Trees Grow Rizkyane Machmuri, Alya; Nurulaen, Yuyun; Priyawan, Pepen
ELS Journal on Interdisciplinary Studies in Humanities Vol. 8 No. 1 (2025): MARCH
Publisher : Hasanuddin University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34050/els-jish.v8i1.43544

Abstract

Romance formula is one of the genres that we often encounter around us. The novel As Long as the Lemon Trees Grow by Zoulfa Katouh is one of the novels that represent a romance formula. This research aims to analyze the romance formula in Zoulfa Katouh's As Long as the Lemon Trees Grow and to determine how the novel conforms to Janice A. Radway's theory of the ideal romance narrative structure. This research uses a qualitative approach with narrative analysis to examine the novel's conformity to Radway's 13 functions of the ideal romance. The result of this research shows that the novel As Long as the Lemon Trees Grow fulfills 13 functions of ideal romance, according to Janice A. Radway. The findings demonstrate how the characters’ emotional journeys and the narrative progression align with Radway's theoretical framework. Additionally, the research highlights the cultural and social dynamics embedded in the romance formula, offering insight into how it reflects broader societal themes. This study contributes to a deeper understanding of the adaptability and relevance of the romance genre in contemporary literature.
THE CHARACTERIZATION AND FANTASY IN THE FAIRY TALE OF THE TWO SISTERS AND BAWANG MERAH BAWANG PUTIH Nurhasanah, Siti; Priyawan, Pepen; Fauzi, Erfan Muhammad
Wiralodra English Journal (WEJ) Vol. 9 No. 1 (2025): Wiralodra English Journal (WEJ)
Publisher : Universitas Wiralodra

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31943/wej.v9i1.372

Abstract

The purpose of this study is to conduct a comparative analysis in which the data is analyzed descriptively and qualitatively by using structural analysis theory. This research analyses the main characters in two fairy tales, The Two Sisters from England and Bawang Merah Bawang Putih from Indonesia. The results of this study aim to explore: 1) the similarities and  differences between the main characters in The Two Sisters and Bawang Merah Bawang Putih, and 2) how the characters are portrayed through structural analysis. The results of this study show that there are similarities in the characters of the two fairy tales. Bawang Putih is described as a hardworking character, identical to one of the sisters in The Two Sisters fairy tale who is also described as such. Bawang Merah, is portrayed as jealous and lazy, similar to his sister, who is also not a good character. Both stories also show similarities in using the contrast between good and bad characters. This research also contributes significantly to the field of comparative literature by showing how comparative methods and structural analysis theory can be applied to explore similarities and differences in fairy tales from different cultural backgrounds.
CINEMATOGRAPHY IN GABRIELE MUCCINO’S THE PURSUIT OF HAPPINESS (2006) Hendrajat, Sulthan Bonang; Priyawan, Pepen; Sudarisman, Yoga
CALL: Journal of Critical Theory, Art, Language, and Literature Vol. 5 No. 1 (2023): CALL
Publisher : Universitas Islam Negeri Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/call.v5i1.19539

Abstract

This study aimed to study cinematography elements presented in Gabriele Muccino’s The Pursuit of Happiness (2006). To analyse the object of the research, it used cinematography theory by Blain Brown. The study used descriptive qualitative research design. Drama genre is one of the biggest and popular genre in the movie industry, since it shares some empathy, hopes, aspirations, dreams and fears (Editors, 2018). It focused on analysing the dramatic aspect through cinematography using Gabriele Muccino’s The Pursuit of Happiness (2006) movie. The study found that many cinematography elements in Gabriele Muccino’s The Pursuit of Happiness (2006) are proven using dramatic aspect from both lighting and camera technique. In conclusion, the movie shows a drama genre movie which has cinematography elements that need to be added to deliver the emotion of the story and to increase dramatic elements in the movie. Keywords: cinematography, genre, drama
VAMPIRE TRANSFORMATION: A COMPARATIVE STUDY OF THE NOVEL AND FILM DRACULA Karim, Tuki Madani; Paturohmah, Pepi Siti; Priyawan, Pepen; Mansyur, Agus Salim
CALL: Journal of Critical Theory, Art, Language, and Literature Vol. 6 No. 2 (2024): CALL
Publisher : Universitas Islam Negeri Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/call.v6i2.19652

Abstract

This article aims to explore the intersection between comparative literature and adaptation studies, examining the theoretical frameworks and practical applications that underlie this fascinating field. By analysing the transformation of a classic work into various media, we will uncover the mechanisms of change and the cultural significance embedded in these adaptations. This article examines the film adaptation of Bram Stoker's novel Dracula by Francis Ford Coppola. A comparative analysis is conducted on the novel and film to identify significant changes that occurred in the adaptation process. These changes include the addition of scenes, character modifications, and changes to the plot. One of the main changes is the addition of a romantic element between Dracula and Mina, which is not present in the original novel. This change transforms the theme of gothic horror into a more nuanced tragic love story. The study concludes that the film adaptation of Bram Stoker's Dracula involves a number of significant changes that alter the meaning and experience of the narrative. Further research is needed to understand the motivations and impact of changes in the adaptation process, especially from a cultural and sociological perspective. In addition, a broader comparative study could be conducted by comparing different adaptations of Dracula to see the patterns of change that occur over time. It is also important to understand how changes in adaptation affect audience reception. Adaptation research methodology needs to be continuously developed by integrating digital humanities approaches and new technologies to provide a more comprehensive perspective. More systematic documentation of the decision-making process in adaptation is also needed to understand the factors that influence changes from novel to film, so as to provide deeper insight into the process of adapting literary works to visual media. Keyword: comparative literature, adaptation studies, transformation, character, plot
THE DYNAMICS OF HUMAN RELATIONSHIP: A NARRATIVE COMPARISON BETWEEN 'HILLS LIKE WHITE ELEPHANTS' AND 'DEAD STARS' Saputra, Taufan; Priyawan, Pepen; Pauji, Resa Restu
Saksama: Jurnal Sastra Vol. 3 No. 1 (2024): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/sksm.v3i1.36585

Abstract

This research analyzes two short stories, "Hills Like White Elephants" by Ernest Hemingway and "Dead Stars" by Paz Marquez Benitez, with a focus on the influence of communication, perception, and cultural differences in shaping the dynamics of interpersonal relationships. Through a qualitative approach with content analysis, this research shows how ineffective communication and different perceptions can hinder the development of interpersonal relationships. Analysis shows that in both stories, unclear communication and promises to express feelings honestly lead to conflict and conflict. Apart from that, cultural differences and social values also play an important role in shaping the perceptions and actions of the characters in the story. The results of this research provide a deeper understanding of the complexity of human relationships in different cultural and temporal contexts.
THE SYMPHONY OF NATIONALISM: A POSTCOLONIAL STUDY TO THE MUSIC AND LYRICS OF INDONESIAN KERONCONG Assiddiqi, Hasbi; Nurrachman, Dian; Priyawan, Pepen; Sudarisman, Yoga
Al-Tsaqafa : Jurnal Ilmiah Peradaban Islam Vol. 22 No. 1 (2025): Al-Tsaqafa : Jurnal Ilmiah Peradaban Islam
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This paper examines the role of keroncong music as a medium for building and strengthening the values of patriotism, nationalism, and diversity harmony in Indonesia. Keroncong music, which was first introduced by Portuguese sailors in the 16th century, underwent a process of acculturation until it became an integral part of Indonesian cultural identity. During the colonial period, this genre of music was used as a symbolic tool of resistance that ignited the spirit of struggle and nationalism. With its touching lyrics and melodious tunes, keroncong became a means for the Indonesian people to express their love for their homeland and national identity. Songs such as “Bengawan Solo,” “Melati di Tapal Batas,” and “Rayuan Pulau Kelapa” became powerful symbols of patriotism and played an important role in the Indonesian independence movement. Postcolonial literary criticism was applied to understand how colonial and nationalist elements interacted in keroncong music, as well as how keroncong helped reconstruct postcolonial national identity in Indonesia. The results of the study show that keroncong music not only serves as entertainment but also as a symbol of struggle that reflects Indonesia's national identity. As an adaptive form of music, keroncong has successfully maintained its relevance by incorporating local elements and themes that reflect Indonesia's socio-political dynamics. In its lyrics, keroncong conveys messages rich in national values and diversity, capable of embracing all layers of Indonesian society, from various ethnicities, religions, and social backgrounds. The value of patriotism in keroncong music emerges through themes of struggle, love for the homeland, and pride as an independent nation. Nationalism in keroncong is further strengthened by the use of local language and idioms, as well as the incorporation of traditional cultural elements deeply rooted in Indonesian society.
Racism in the Green Book Movie Script by Peter Farelly Subiyakto, Dimas; Rusmana, Dadan; Priyawan, Pepen
Journal of English Language and Education Vol 10, No 4 (2025)
Publisher : Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/jele.v10i4.1260

Abstract

Racism is still a prevalent problem in society and is frequently examined in literature and film. Few studies have looked at how racism is created and expressed via characterization in movie scripts using literary frameworks, despite the fact that many have tackled it from historical and sociological viewpoints. Using Wellek and Warren's intrinsic and extrinsic literary techniques as well as George M. Fredrickson's theory of racism, this study attempts to examine how aspects of racism are portrayed in the film script Green Book through the portrayal of its central characters. The study uses a descriptive qualitative approach to find dialogues and settings that illustrate social inequality, racial prejudice, and the formation of racial identity. While previous research has explored the script of this film but they have not directly discussed the elements of racism that occur in this film, this study can bring the theme of racism deeper into the field of narrative and characterization.
Co-Authors Abqoriyyah, Fourus Huznatul Adinda Nurfauziah Adinda Nurfauziah Agus Salim Mansyur, Agus Salim Ahsan, Asmarani Alisya Rusdianti Alisya Rusdianti Anggi Permana Sidik Asmarani Ahsan Asmarani Asmarani Asmarani, Asmarani Assiddiqi, Hasbi Dadan Rusmana Deni Suswanto Dian Nurrachman, Dian Erlan Aditya Ardiansyah Erlan Aditya Ardiansyah Fauzi, Erfan Muhammad Fazrin, Okti Winarti Aulia Hamdy, Fahri Dwiatamal Hamidah, Shelma Kamilia Hasbi Assiddiqi Hendrajat, Sulthan Bonang Ice Sariyati Iskandar Iskandar Iskandar, Ramadhan Attalarik Karim, Tuki Madani M.Hkikmat, Mahi Mahdalena Mahdalena Maulani Fitri Fadlilah Muhamad Ghifari Muharam Mutmainah, Siti Faudziana Nurfauziah, Adinda Nurholis Nurholis, Nurholis Paturohmah, Pepi Siti Pauji, Resa Restu Rahmah Nurul Aziz Rida Aulia Yasmin Rifqiana, Widaad Rizkyane Machmuri, Alya Rohanda Rohanda Rusdianti, Alisya Saputra, Taufan Sidik, Anggi Permana Siti Nurhasanah Subiyakto, Dimas Sudjatnika, Tenny Sulaeman, Dedi Sulthan Bonang Hendrajat Udayani Permanaludin Y. Yuliany Yoga Sudarisman Yuyun Nurulaen, Yuyun