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All Journal Edukasi Lingua Sastra Jurnal Syntax Fusion : Jurnal Nasional Indonesia Journal of Artificial Intelligence and Engineering Applications (JAIEA) Seminar Nasional Ilmu Terapan Surakarta English and Literature Journal International Journal of Accounting, Management, Economics and Social Sciences (IJAMESC) Argopuro: Jurnal Multidisiplin Ilmu Bahasa Jurnal Garasi Buku dan Obrolan Keilmuan Jurnal Hidrografi Indonesia Jejak digital: Jurnal Ilmiah Multidisiplin Jurnal Ilmu Sosial dan Humaniora Sujud: Jurnal Agama, Sosial dan Budaya Argopuro : Jurnal Multidisiplin Ilmu Bahasa
Nurholis
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Journal : Argopuro : Jurnal Multidisiplin Ilmu Bahasa

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KEBIMBANGAN IDENTITAS : SASTRA MUSLIM TURKI DAN SASTRA MUSLIM IMIGRAN DI EROPA DAN AMERIKA Rahma Aulia; Reva Nur Alfiany; Ridwan Arief Rianaldi; Nurholis
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 4 No. 6 (2024): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v4i6.8400

Abstract

ABSTRACT This research explores the theme of identity ambiguity in literary works produced by Muslim writers from Turkey and Muslim immigrants in Europe and America, focusing on Muhammad Asad (“Road to Mecca”), Imamu Amiri Baraka (“Some Poems of Imamu Amiri Baraka”), and Abdulrazak Gurnah. These three authors describe their struggles in reconciling their Islamic identity with the different Western cultural environment. Asad through his narrative shows a complex spiritual transformation, attempting to find new meaning in Islam amidst a Western identity crisis. Baraka articulates African-American Muslim identity experiences in the context of political and social struggles, while Gurnah writes about diasporic experiences and postcolonial identity tensions. Important differences emerge when compared to non-Muslim works such as Washington Irving (“Alhambra”) who presents a romanticized narrative of Islam in the past, without internal identity struggles. Similarly, Annemarie Schimmel (“I am the Wind, You are the Fire”) focuses more on the mysticism and spirituality dimensions of Islam without centering on modern identity conflicts. This study concludes that the vacillation between two identities-Islam and the West-is a central theme in the works of Muslim writers, who present diverse approaches to spiritual, social and cultural issues in the modern world. Keywords: Literature, Identity, Muslim Literature, Balance. ABSTRAK Penelitian ini mengeksplorasi tema kebimbangan identitas dalam karya sastra yang dihasilkan oleh para penulis Muslim dari Turki dan imigran Muslim di Eropa dan Amerika, dengan fokus pada Muhammad Asad ("Road to Mecca"), Imamu Amiri Baraka ("Some Poems of Imamu Amiri Baraka"), dan Abdulrazak Gurnah. Ketiga penulis ini menggambarkan perjuangan mereka dalam mendamaikan identitas keislaman dengan lingkungan budaya Barat yang berbeda. Asad melalui narasinya menunjukkan transformasi spiritual yang kompleks, berupaya menemukan makna baru dalam Islam di tengah krisis identitas Barat. Baraka mengartikulasikan pengalaman identitas Muslim Afrika-Amerika dalam konteks perjuangan politik dan sosial, sedangkan Gurnah menulis tentang pengalaman diaspora dan ketegangan identitas postkolonial. Perbedaan penting muncul ketika dibandingkan dengan karya non- Muslim seperti Washington Irving ("Alhambra") yang menyajikan narasi romantisme tentang Islam di masa lalu, tanpa pergulatan identitas internal. Begitu pula, Annemarie Schimmel ("Akulah Angin, Engkaulah Api") lebih fokus pada dimensi mistisisme dan spiritualitas Islam tanpa memusatkan pada konflik identitas modern. Penelitian ini menyimpulkan bahwa kebimbangan antara dua identitas Islam dan Barat menjadi tema sentral dalam karya penulis Muslim, yang menampilkan beragam pendekatan terhadap persoalan spiritual, sosial, dan budaya di dunia modern. Kata Kunci : Karya Sastra, Identitas, Sastra Muslim, Keseimbangan.
REPRESENTASI IDENTITAS SOSIAL DAN DISKRIMINASI (STUDI KASUS NOVEL “PARA PRIYAYI” KARYA OMAR KHAYYAM DAN “TENGGELAMNYA KAPAL VAN DER WIJCK” KARYA BUYA HAMKA) Rizky Abid Taufik; Sindi Pebriani; Nurholis
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 5 No. 1 (2024): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v5i1.8408

Abstract

Abstract This paper addresses the issues and narrative patterns of Muslim literature in Malaysia and Indonesia through a comparative analysis of two important novels, Para Priyayi, by Omar Khayyam, and Tenggelamnya Kapal Van Der Wijck, by Buya Hamka. These two stories take us into the dynamic world of tradition and modernity, social status, and religious identity in Southeast Asian Muslim societies. On the one hand, Para Priyayi, depicts the complex Javanese elite Muslim mind and its colonial life, while on the other hand, Tenggelamnya Kapal Van Der Wijck, highlights social status, love, and the conflict between Minangkabau customs and Islamic departure. Through the analysis of the novels, we seek to prove how the narratives of both stories not only represent the development of conflicting images of Muslim identity within their cultural contexts, but also meld harmoniously within the broader tradition of Islamic literary narratives. Keywords: Narrative Patterns, Social Issues, Para Priyayi, Tenggelamnya Kapal Van Der Wijck Abstrak Makalah ini membahas isu dan pola narasi sastra Muslim di Malaysia dan Indonesia melalui analisis komparatif dua novel penting, Para Priyayi, karya Omar Khayyam, dan Tenggelamnya Kapal Van Der Wijck, karya Buya Hamka. Dua cerita ini membawa kita ke dunia dinamika tradisi dan modernitas, status sosial, dan identitas keagamaan di masyarakat Muslim Asia Tenggara. Di satu sisi, Para Priyayi, menggambarkan pikiran Muslim elit Jawa yang kompleks dan kehidupan kolonialnya, sementara di sisi lain, Tenggelamnya Kapal Van Der Wijck, menyoroti status sosial, cinta, dan pertentangan antara adat Minangkabau dan keberangkatan Islam. Melalui analisis novel, kami berusaha membuktikan bagaimana narasi dari kedua cerita tersebut tidak hanya mewakili perkembangan gambaran identitas Muslim yang saling bertentangan dalam konteks budaya mereka, tetapi juga melebur dengan harmoni dalam tradisi narasi sastra Islam yang lebih luas. Kata Kunci: Pola Narasi, Isu Sosial, Para Priyayi, Tenggelamnya Kapal Van Der Wijck
SYMBOL OF WEALTHY IN THE GREAT GATSBY NOVEL Lutfi Ahmad; Nadhira Azwa Irfani; Siti Alma; Vicko Destrada; Nurholis
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 5 No. 1 (2024): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v5i1.8543

Abstract

The Great Gatsby is one of F. Scott Fitzgerald's most notable works, inspired by his personal experiences with wealth, love, and ambition, particularly reflecting his life on Long Island and his relationship with Zelda Sayre. The novel shows the Jazz Age, an era of extravagance in 1920s America, and analysed into the disillusionment of the American Dream, symbolized by Jay Gatsby’s story and journey. Gatsby's transformation from James Gatz and his lavish lifestyle are depicted as efforts to win Daisy Buchanan's love, but in the end reveal the emptiness of materialism. The novel also explores themes of identity, deception, and the moral decay of society, emphasizing the gap between old and new wealth. Symbolism plays a key role, with settings like East Egg and West Egg representing social class divisions, and Gatsby’s mansion symbolizing his hollow success. Through these symbols and themes, Fitzgerald critiques the pursuit of wealth as a path to happiness and illustrates the failure of the American Dream. Fitzgerald also uses colour symbols such as gold, silver, white, and yellow to show power and wealth in the novel.
ISU GENDER, IDENTITAS DAN KULTURAL DI AFRIKA DAN TIMUR TENGAH DALAM TIGA KARYA: DREAMS OF TRESPASS, MY SALWA MY PALESTINE, INSIDE THE KINGDOM Raghib Fadhil; Salma Fauziah Rahmalia; Salsabila Fauziyah Ihya; Nurholis
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 5 No. 2 (2024): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v5i2.8659

Abstract

Abstract This study aims to uncover how the analyzed literary works present cultural issues occurring in the Middle East and Africa. "Dreams of Trespass," "My Salwa My Palestine," and "Inside the Kingdom" will explore the perspectives narrated regarding the cultural anxiety experienced by the main characters, as well as their attitudes and desires to break free from those cultural constraints. Contemporary Islamic literature in the Middle East and Africa continues to reveal the complexity of issues around themes of identity, nationalism, gender, modernity, and political resistance. Writers use literature as a medium to discuss the social and political dynamics affecting the lives of Muslim communities amid rapid global changes. They also delve into the intricate relationship between Islam, local traditions, and the challenges of modernity, creating works that are not only local in nature but also universal in their influence. Based on the analysis of "Dreams of Trespass," "My Salwa My Palestine," and "Inside the Kingdom," these works depict similar cultural issues encompassing gender inequality, family honor, identity conflicts, tensions between tradition and modernity, and nationalism. In each work, armed conflict is often a central theme, with the characters' lives being governed by strict social norms, while they struggle to find their place in a rapidly changing world. Keywords: Islamic Literature, Cutural Issues, Gender, Identity Abstrak Studi ini bertujuan untuk mengungkap bagaimana karya sastra yang diteliti menyajikan isu kultural yang terjadi di Timur Tengah dan Afrika. “Dreams of Trespass”, “My Salwa My Palestine”, “Inside the Kingdom” akan memaparkan tentang bagaimana sudut pandang Yang dinarasikan terhadap keresahan kultur yang dialami oleh tokoh utama dan bagaimana sikap dia serta keinginan untuk terlepas dari kultur tersebut. Sastra Islam kontemporer di daerah Timur Tengah dan Afrika terus hadir dengan mengungkap kompleksitas isu pada tema-tema identitas, nasionalisme, gender, modernitas, dan perlawanan politik. Penulis menggunakan sastra sebagai sarana untuk mendiskusikan dinamika sosial dan politik yang memengaruhi kehidupan masyarakat Muslim di tengah perubahan global yang cepat. Mereka juga mendalami hubungan kompleks antara Islam, tradisi lokal, dan tantangan modernitas, menciptakan karya-karya yang tidak hanya bersifat lokal tetapi juga universal dalam pengaruhnya. Berdasarkan hasil analisis pada karya “Dreams of Trespass”, “My Salwa My Palestine”, dan “Inside the Kingdom” menceritakan persamaan isu-isu kultural yang mencakup ketidaksetaraan gender, kehormatan keluarga, konflik identitas, ketegangan antara tradisi dan modernitas, serta nasionalisme. Dalam setiap karya, konflik bersenjata selalu menjadi pusat cerita, dengan kehidupan mereka dikendalikan oleh norma-norma sosial yang ketat, sementara mereka berjuang untuk menemukan tempat mereka di dunia yang sedang berubah. Kata Kunci: Sastra Islam, Isu kultur, Gender, Identitas
VISUALISASI ALEGORI POLITIK DALAM NOVEL ANIMAL FARM KARYA GEORGE ORWEL Cucu Nurhayati; Ari Ruben N; Muhammad Abi Asyakir; Tsalisa Azkiya Ismail; Nurholis
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 5 No. 4 (2024): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v5i4.8849

Abstract

Abstract In George Orwell's novel Animal Farm, the animals are used as symbols of historical figures to illustrate the dynamics of power and the transformation of idealism into tyranny. Orwell explores themes of rebellion against tyranny, betrayal of the principles of equality, and the manipulation of power through characters such as Napoleon and Snowball. The novel portrays events that reflect the Russian Revolution, with symbols such as the farm representing society. Orwell demonstrates how decision-making, manipulation, and changes in roles influence the transition from hopes for equality to oppressive power. Animal Farm not only critiques the mechanisms of power in politics but also offers insights into the inherent risks of corruption in governance systems. With its strong allegorical elements, the novel provides a universal lesson on the dynamics of power and the betrayal of revolutionary ideals Keywords: Political Allegory, Character Visualization, Main Themes, Symbols Abstrak Dalam novel Animal Farm karya George Orwell, hewan-hewan dijadikan simbol tokoh-tokoh sejarah untuk mengilustrasikan dinamika kekuasaan dan transformasi idealisme menjadi tirani. Orwell mengeksplorasi tema pemberontakan terhadap tirani, pengkhianatan terhadap prinsip kesetaraan, serta manipulasi kekuasaan melalui karakter seperti Napoleon dan Snowball. Novel ini menggambarkan peristiwa yang mencerminkan Revolusi Rusia, dengan simbol-simbol seperti peternakan yang mewakili masyarakat. Orwell menunjukkan bagaimana pengambilan keputusan, manipulasi, dan perubahan peran memengaruhi transisi dari harapan akan kesetaraan menuju kekuasaan yang represif. Animal Farm tidak hanya mengkritik mekanisme kekuasaan dalam politik tetapi juga menawarkan wawasan tentang risiko korupsi yang melekat dalam sistem pemerintahan. Dengan elemen alegoris yang kuat, novel ini memberikan pelajaran universal tentang dinamika kekuasaan dan pengkhianatan terhadap cita-cita revolusi. Kata Kunci: Alegori Politik, Visualisasi Karakter,Tema utama,simbol
LACK OF MORALITY IN THE GREAT GATSBY NOVEL Muhammad Raka Iqbal Fadil Muharom; Nazelia Lestari Budiawan; Aghnia Awalliyah Salsabila; Radja Fatni Al Fazri; Nurholis
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 6 No. 3 (2025): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v6i2.9648

Abstract

The aim of this paper is to analyze the lack of morality in F. Scott Fitzgerald's The Great Gatsby as seen from the social and economic context, the morals of the main characters, the theme of betrayal and disappointment, moral symbolism, and modern relevance. The social and economic context highlights the background of the Jazz Age and the American Dream and the impact of materialism on the behavior and values of society at that time. The morals of the main characters: Jay Gatsby, Daisy Buchanan, and Tom Buchanan are described in detail about their lack of morality. The theme of betrayal and disillusionment which is a common topic in the novel exposes the relationships between characters and moral betrayal, Gatsby's disillusionment with the idealism of love, and society's reaction to moral offences. Moral symbolism examines the symbol of Dr. T.J. Eckleburg's eyes as a representation of moral surveillance and the colors and visual elements depicting moral helplessness. Finally, modern relevance provides an overview of how the themes of morality in the novel are still relevant to modern society. The results of this analysis are presented to provide new insights into how the Jazz Age and the idea of the American Dream affect aspects of morality.
RACIAL TENSIONS IN 19TH CENTURY AMERICA AS DEPICTED IN TWAIN’S WORKS Fakhri Ahmad Baihaqi; Leilani Azalia Putri; Resti Rosmawati; Nurholis
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 6 No. 3 (2025): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v6i3.9651

Abstract

This study aims to provide an overview of 19th century life in the novel The Adventure of Huckleberry Finn by Mark Twain from the conflict experienced by the main character. The researcher explored the relationship between characters and how it led to the issue of racial conflict as discussed in this study. The results of this study found that life in the 19th century as depicted in the novel The Adventure Of Huckleberry Finn shows the life of the people of the United States of America which is very full of racism and slavery of white people against black people.
LOCAL COLOR AND AMERICAN SLAVERY IN THE ADVENTURES OF HUCKLEBERRY FINN Alya Nurhalimah; Nabila Githa Fasya; Nurholis; Windy Novia Ramadhanti
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 6 No. 3 (2025): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v6i3.9670

Abstract

This paper discusses the use of local color and American slavery in Mark Twin's ‘The Adventure of Huckleberry Finn’. The novel uses local color to create a real picture of life in the American South in the 19th century, through the use of local dialects, descriptions of scenery and environments, and local community habits. Huck Finn, as the main character in the novel, is young and innocent, and he does not enslave black people, which in 19th century South America still existed. His friendship with Jim, a slave trying to escape from being caught by slave hunters, is central to the story and social issues. Jim is not only Huck's friend and protector, but also a character who represents the injustice experienced by slaves. By combining the discussion of local color and American slavery, we as readers discover and reflect on the social and moral values of the time.
IRONY IN ANIMAL FARM BY GEORGE ORWELL Shidqi Fauzia Ruliff; Sofa Nur Alfiah; Fadly Yusuf Thoziry; Nurholis
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 6 No. 3 (2025): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v6i3.9773

Abstract

This study discusses the use of irony in George Orwell’s Animal Farm, illustrating how Orwell engages various forms of irony to critique politics and human nature. Through three types of irony, specifically verbal, dramatic, and situational irony. The novel exposes the hypocrisy and corruption of the pigs, particularly in their manipulation of language and principles. Verbal irony that shows the exaggerated praises that showered the pigs. Also, the transformation of the pigs into a tyrant is shown as a powerful example of situational irony, while the animal’s blind acceptance of the pigs leadership deepens the dramatic irony, as the reader understands the truth behind the facade. This study also explores how the novel uses irony to critique the cynical nature of power and oppression. The research method of this study is a descriptive qualitative method. This data was obtained from the novel as the main source and research journals as supporting theories for this research.
Co-Authors Aghnia Awalliyah Salsabila Alika Marsya Salsabila Aliyyah Khoirunnisaa Alya Hasna Firdaus Alya Nurhalimah Alya Rahmawati Anisa Triani Ari Ruben N Arrochim Aryanti, Dewi Cipto Wardoyo Cucu Nurhayati Eriska Yani Safitri Esti Himawan Fadia Raihan Aqrandista Fadly Yusuf Thoziry Fakhri Ahmad Baihaqi Fathurrohman, Fathurrohman Firman Tatariyanto Gina Aulia Fadilla Hannifa Rojwa Thalib Holiludin Irman Nurhapitudin Iswantono Leilani Azalia Putri Lintang Asmaradana Lutfi Ahmad Muhammad Abi Asyakir Muhammad Haikal Muhammad Rafif Athallah Muhammad Raka Iqbal Fadil Muharom Nabila Githa Fasya Nadhira Azwa Irfani Nashar Utamajaya, Joy Nazelia Lestari Budiawan Nisa Nuraeni Nofryanti Nurhasanah Nurul Aulia Permana Putri Farida Nur Afifah Radja Fatni Al Fazri Rafi Almas Izzatullah Raghib Fadhil Rahma Aulia Resti Rosmawati Reva Nur Alfiany Ridwan Arief Rianaldi Rima Putri Pertiwi Rizky Abid Taufik Rizkya Halimatus Syadi’ah Salma Fauziah Rahmalia Salsabila Fauziyah Ihya Sarah Novian Chand Shidqi Fauzia Ruliff Sihite, Maureen Sondang Natalie Silvia Syifa Nur Padilah Sindi Pebriani Siti Alma Sofa Nur Alfiah Sri Nita Tamaji Tsalisa Azkiya Ismail Vicko Destrada Willy Prihartono Windy Novia Ramadhanti Wita Meilina Laura