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All Journal Buletin Udayana Mengabdi Jurnal Pendidikan Seni Rupa Jurnal Ilmiah Desain & Konstruksi Gorga : Jurnal Seni Rupa Harmonia: Journal of Research and Education Tanra : Jurnal Desain Komunikasi Visual Fakultas Seni dan Desain Universitas Negeri Makassar IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Vitruvian : Jurnal Arsitektur, Bangunan, dan Lingkungan MUDRA Jurnal Seni Budaya Lekesan: Interdisciplinary Journal of Asia Pacific Arts PRABANGKARA Panggung Santhet: (Jurnal Sejarah, Pendidikan Dan Humaniora) Jurnal Syntax Transformation Jurnal Filsafat Indonesia International Journal of Social Science Jurnal Vastukara: Jurnal Desain Interior, Budaya, dan Lingkungan Terrbangun International Journal of Multidisciplinary Research and Literature (IJOMRAL) Jurnal Locus Penelitian dan Pengabdian Journal of Aesthetics, Creativity and Art Management Kartala Visual Studies Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara International Journal of Economic, Finance and Business Statistics (IJEFBS) Journal of Aesthetics, Design, and Art Management Panggung Global Art Creativity Conference Harmonia: Journal of Arts Research and Education
Remawa, Anak Agung Gede Rai
Institut Seni Indonesia Bali
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The Influence of Bali Garden-Themed Murals on Visitor Interactivity at Living World Mall Bali Farhan, Farhan; Anak Agung Gede Rai Remawa; Made Ida Mulyati
IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Vol. 12 No. 2 (2024): IDEAS: Journal on English Language Teaching and Learning, Linguistics and Lite
Publisher : Institut Agama Islam Negeri Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24256/ideas.v12i2.5811

Abstract

Murals in the modern era can create interactivity with visitors (users) as a form of participatory description of societal phenomena, particularly murals at Living World Mall Bali (LWMB), which use the Bali garden concept. The aim of this study is to describe interactivity, visitor responses, and the implementation of the Bali garden concept in the murals at LWMB. To achieve these goals, the researcher applies theories and approaches from interactivity, aesthetics, color psychology, and education. The research method is descriptive qualitative, in the form of a case study. Research data include visitor behavior and responses, as well as the construction of murals with the Bali garden concept. Data collection techniques include observation, interviews, and document studies. Data analysis uses an interactive model, consisting of data reduction, data presentation, and verification/conclusion drawing. The research findings contain descriptions of visitor interactivity with the murals, including behaviors such as taking photos, appreciating aesthetic value, using the mural as an inspirational image medium, an information medium, a medium for conveying moral messages, and an educational medium by observing, touching, and documenting. Visitor interactivity with the murals at LWMB serves as a medium for inspiration, a means of conveying moral messages to promote cultural and environmental values of Bali, and an educational medium in the arts, fostering psychological comfort, a sense of brotherhood, and a spirit of mutual cooperation.
EXPLORATION OF BOROBUDUR TEMPLE PANELS IN TRADIGITAL VISUAL LANGUAGE: CONSERVATION INNOVATION THROUGH AUDIOVISUAL TECHNOLOGY Yayat, Yayat; Anak Agung Gede Rai Remawa
International Journal of Social Science Vol. 4 No. 4: December 2024
Publisher : Bajang Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53625/ijss.v4i4.9741

Abstract

Borobudur Temple, an ancient architectural marvel located in Central Java, Indonesia, stands as one of the world’s most significant cultural heritage sites. Constructed during the 8th century by the Sailendra dynasty, Borobudur is an extraordinary representation of Mahayana Buddhist teachings, conveyed through its intricate narrative reliefs. As modern technology advances, methods for preserving and presenting this cultural legacy are evolving. This paper investigates the integration of visual effects (VFX) and audiovisual media in enhancing the understanding of the temple's relief panels. By employing advanced VFX techniques, the narrative stories embedded in the temple’s stone reliefs are reconstructed in ways that offer visitors a deeper, more immersive visual experience. The incorporation of technology not only aids in preserving the cultural history of Borobudur but also facilitates educational outreach by introducing the temple to global audiences through an interactive digital medium. This study contributes to the field of digital art conservation and cultural heritage preservation
Kemasan Bubuk (Powder) Balinese Colour Untuk Meningkatkan Promosi Dan Daya Tarik Produk Pasek, I Gede; Rai Remawa, Anak Agung; Sida Arsa, I Ketut
Jurnal Pendidikan Seni Rupa Undiksha Vol. 15 No. 1 (2025): April 2025
Publisher : Universitas Pendidikan Ganesha

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23887/jjpsp.v15i1.91752

Abstract

Balinese Colour merupakan warisan turun temurun material Cat berbasis alam yang terbuat dari beberapa material, berbasis organik (hewani dan nabati) maupun yang bersifat anorganik (mineral tanah, batu dan lain sebagainya). Secara karakteristik material Cat Bali adalah material warna berbasis air atau waterbase. Kemasan Bubuk (powder) Balinese Colour, dalam perancangan ini memiliki dua tujuan 1.) Membuat konsep kemasan bubuk (powder) Balinese Colour. 2.) Mengimplementasikan konsep kemasan bubuk (powder) Balinese Colour dalam bentuk prototype. Metode pengumpulan data dilakukan dengan teknik observasi, dan wawancara. Teori yang digunakan dalam desain kemasan ini adalah teori identitas visual dan kesadaran merek. Hasil dari perancangan ini mencakup; 1.) Konsep identitas visual meliputi logo mengadopsi konsep logotype, tipografi penerapan huruf arial. 2) visualisasi konsep identitas visual melibatkan logo, tipografi, yang dikembangkan melalui tahap merancang konsep. Sketsa, dan editing digital, identitas visual yang telah dirancang kemudian diimplementasi dalam kebutuhan desain kemasan Balinese Colour. Setelah implementasi, dilakukan uji coba dan analisis terhadap karya identitas visual tersebut. Hasil uji coba yang melibatkan forum diskusi dan kuisioner kepada responden menunjukan bahwa desain yang telah dikembangkan berhasil menjadi identitas visual Balinese Colour. Kata-kata Kunci: Kemasan, Identitas Visual, Brand, Desain Komunikasi Visual
Iconographic Analysis on Intermediality Transfer of Undagi's Indigenous Knowledge Lexicon to Visual Cinematography Noorwatha, I Kadek Dwi; Santosa, Imam; Adhitama, Gregorius Prasetyo; Remawa, Anak Agung Gede Rai
Harmonia: Journal of Arts Research and Education Vol. 25 No. 1 (2025): June 2025
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v25i1.29131

Abstract

This study aims to investigate how the indigenous knowledge lexicon of Balinese undagi (traditional architects) in architecture can be transferred into visual cinematography to preserve cultural heritage, with a focus on engaging broader audiences. Employing an iconographic approach, the research analyzes the documentary Calaccitra Undagi Mahottama: Biografi I Gusti Made Gede (1843-1940) through three stages: pre-iconographic identification of visual motifs, iconographic interpretation of thematic meanings, and iconological assessment of cultural significance. Results reveal that Balinese architectural lexicons—such as Tri Mandala, Sanga Mandala, and CWSGR—are effectively abstracted into cinematic frames via intermediality, using symbolic natural imagery and spatial grids rather than physical structures to convey aesthetic and philosophical values. The study concludes that visual cinematography offers a potent medium for preserving architectural heritage by translating static spatial concepts into dynamic narratives, fostering continuity of traditional knowledge, particularly among younger generations, though its efficacy hinges on audience reception and contextual adaptation.
The Influence of Bali Garden-Themed Murals on Visitor Interactivity at Living World Mall Bali Farhan, Farhan; Anak Agung Gede Rai Remawa; Made Ida Mulyati
IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Vol. 12 No. 2 (2024): IDEAS: Journal on English Language Teaching and Learning, Linguistics and Lite
Publisher : Institut Agama Islam Negeri Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24256/ideas.v12i2.5811

Abstract

Murals in the modern era can create interactivity with visitors (users) as a form of participatory description of societal phenomena, particularly murals at Living World Mall Bali (LWMB), which use the Bali garden concept. The aim of this study is to describe interactivity, visitor responses, and the implementation of the Bali garden concept in the murals at LWMB. To achieve these goals, the researcher applies theories and approaches from interactivity, aesthetics, color psychology, and education. The research method is descriptive qualitative, in the form of a case study. Research data include visitor behavior and responses, as well as the construction of murals with the Bali garden concept. Data collection techniques include observation, interviews, and document studies. Data analysis uses an interactive model, consisting of data reduction, data presentation, and verification/conclusion drawing. The research findings contain descriptions of visitor interactivity with the murals, including behaviors such as taking photos, appreciating aesthetic value, using the mural as an inspirational image medium, an information medium, a medium for conveying moral messages, and an educational medium by observing, touching, and documenting. Visitor interactivity with the murals at LWMB serves as a medium for inspiration, a means of conveying moral messages to promote cultural and environmental values of Bali, and an educational medium in the arts, fostering psychological comfort, a sense of brotherhood, and a spirit of mutual cooperation.
SEMIOTIC ANALYSIS OF THE AGA ROSÉ LABEL FROM HATTEN WINES BASED ON ROLAND BARTHES' THEORY Hanindharputri, Made Arini; Artayasa, I Nyoman; Remawa, Anak Agung Gede Rai; Dewi, Alit Kumala
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 4 (2024): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v4i1.600

Abstract

This study examines the semiotic meanings in the label design of Aga Rosé, a wine product by Hatten Wines, through Roland Barthes' semiotic theory. It focuses on how the label's visual elements communicate cultural and branding messages. The purpose of this study is to explore the denotative and connotative meanings of the Aga Rosé wine label and how these elements contribute to brand image formation and consumer perception. This research employs a qualitative methodology, analyzing visual elements such as color, imagery, and text, which represent local cultural values, based on Roland Barthes' semiotic approach. The Aga Rosé label effectively incorporates cultural symbols and aesthetics, reflecting Indonesian cultural identity. This design strengthens consumers' emotional attachment to the brand and enhances loyalty. The findings underscore the importance of culturally inspired design as a strategy for building strong brand identities in competitive markets.
Cultural Promotion Through Digital Media: Showcasing Sasak Women Sumadewa, I Nyoman Yoga; Artayasa, I Nyoman; Remawa, Anak Agung Gede Rai; Swandi, I Wayan
International Journal of Economic, Finance and Business Statistics Vol. 2 No. 3 (2024): Juni 2024
Publisher : MultiTech Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59890/ijefbs.v2i3.2085

Abstract

The role of women in the Sasak Tribe, apart from being a housewife, also has an important role in their social life. The role of Sasak women starts from childhood, becoming a skilled girl. This is a provision, because Sasak women are required to not only be good at taking care of the household and family, but also contribute to the family economy. Packaging Sasak women in the form of digital works so that the values contained are easy to accept among the current generation with an approach to the community or research target is carried out in various ways. The digital character is designed with full of values, in which it also includes forms of local wisdom from the point of view of life and local cultural wisdom in the form of daily habits and behavior in social interactions. The creation of this work uses the design thinking method of empathize, define, ideate, prototype, and test that is a process of realization of the phenomena that occur in society today, especially Sasak women, aesthetic elements that appear in this work such as the use of several accessories that add aesthetics and must be worn by Sasak women when attending events.
Graphic Travelogue sebagai Media Edukasi Konservasi Mamalia Pesut di Daerah Mahakam Tengah Kabupaten Kutai Kartanegara Pernyata, Ramadhan S.; Remawa, Anak Agung Gede Rai; Pebriyani, Nyoman Dewi
Jurnal Locus Penelitian dan Pengabdian Vol. 5 No. 3 (2026): JURNAL LOCUS: Penelitian dan Pengabdian
Publisher : Riviera Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58344/locus.v5i3.5250

Abstract

Penelitian ini dilatarbelakangi oleh kondisi kritis populasi Pesut Mahakam (Orcaella brevirostris) yang menurut data Yayasan RASI (Rare Aquatic Species of Indonesia) pada tahun 2020 diperkirakan hanya tersisa sekitar 80 individu. Ancaman utama terhadap kelestarian pesut meliputi perusakan habitat, polusi, dan aktivitas manusia di kawasan perairan Mahakam Tengah, Kabupaten Kutai Kartanegara. Penelitian ini bertujuan untuk merancang graphic travelogue sebagai media edukasi yang efektif dalam meningkatkan kesadaran dan partisipasi masyarakat, khususnya generasi muda, terhadap upaya konservasi pesut. Metode penelitian menggunakan pendekatan kualitatif dengan tahapan meliputi: (1) studi literatur tentang graphic travelogue dan konservasi pesut; (2) pengumpulan data lapangan melalui wawancara dengan pemangku kepentingan (Pemerintah Desa Pela, Dinas Pariwisata Provinsi Kalimantan Timur, dan Yayasan RASI) serta survei kepada pelajar dan mahasiswa di Samarinda sebagai target pembaca; (3) perancangan graphic travelogue yang meliputi pembuatan naskah, desain karakter, storyboard, sketsa, proses inking, pewarnaan, hingga pencetakan. Hasil penelitian berupa produk buku graphic travelogue yang menyajikan informasi tentang profil kawasan Mahakam Tengah, karakteristik dan perilaku pesut, ancaman terhadap kelestariannya, serta peran berbagai pihak dalam upaya konservasi berbasis masyarakat. Implikasi penelitian ini menunjukkan bahwa graphic travelogue berpotensi menjadi media alternatif yang menarik dan mudah dipahami untuk menyampaikan pesan-pesan konservasi, serta dapat menginspirasi tindakan nyata dalam menjaga keberadaan spesies pesut dan ekosistemnya. Penelitian ini berkontribusi pada pengembangan media edukasi lingkungan berbasis narasi visual dan memberikan rekomendasi bagi pengembangan program konservasi di kawasan Mahakam Tengah.
PRESERVATION OF INTANGIBLE CULTURAL HERITAGE THROUGH THE LAKE TOBA TRADITIONAL MUSIC FESTIVAL Bangun, Jabatin; Sudirga, I Komang; Remawa, Anak Agung Gede Rai; Muka, I Ketut
International Journal of Multidisciplinary Research and Literature Vol. 5 No. 2 (2026): INTERNATIONAL JOURNAL OF MULTIDISCIPLINARY RESEARCH AND LITERATURE
Publisher : Yayasan Education and Social Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53067/ijomral.v5i2.405

Abstract

Intangible Cultural Heritage requires various new strategies and methods to address preservation challenges in the modern era. One effective approach is through festivals as a medium for introduction, collaboration, and regeneration of cultural works. This paper examines the 2021 Lake Toba Traditional Music Festival as a model of preservation based on creative participation. This festival involved twelve composers selected through an open selection process by a team of curators to create a musical work sourced from the traditions of four ethnic groups around Lake Toba: Batak Toba, Karo, Simalungun, and Pakpak. Each composer was required to conduct field research and interact directly with local musicians to understand the musical, social, and ecological contexts of the cultures they were adapting. This research uses participatory qualitative methods with data sources in the form of field observations, interviews, audiovisual documentation, and festival archives. The analysis is carried out using a musicological and ethnographic approach to examine the cross-cultural creative process. The results of the research show that this program produces a diversity of musical forms that combine instrumental, vocal, and traditional poetry elements, as well as revealing a dialogue between modernity and tradition. This festival is not only a performance event, but also a space for transcultural creation that strengthens the cultural identity and musical ecology of the Lake Toba region.
Tafsir Kritis Filsafat Kinik terhadap Pandangan Diogenes (412-323 Sm) Tentang Kritik, Norma Sosial, dan Materialitas serta Relevansinya dalam Studi Fashion Kontemporer : A Critical Interpretation of the Cynical Philosophy of Diogenes' (412-323 BC) Views on Criticism, Social Norms, and Materiality and Their Relevance in Contemporary Fashion Studies Sri Listiani; Anak Agung Gede Rai Remawa; I Ketut Sariada
Jurnal Filsafat Indonesia Vol. 9 No. 1 (2026)
Publisher : Undiksha

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23887/jfi.v9i1.107003

Abstract

This study critically examines the thought of Diogenes of Sinope as a radical expression of Cynic philosophy that challenges social conventions, materialism, and authority as foundations of human life. Employing a qualitative approach through critical-philosophical analysis and interpretive hermeneutics, this study does not aim to measure phenomena empirically but rather to interpret, critique, and conceptually evaluate Diogenes’ ideas and their relevance to the philosophy of science and fashion studies as a cultural system. The study reinterprets Diogenes’ views within the framework of modern philosophy of science while relating them to contemporary issues in fashion as a system of cultural values. The analysis demonstrates that Diogenes’ critique is significant as a marker of the dangers of dogmatism, the commodification of knowledge, and the domination of social norms. However, the extremity of his position generates ethical contradictions that cannot be directly applied to scientific practice or fashion. A total rejection of norms and materiality neglects the social, institutional, and psychological dimensions essential to the production of knowledge and the construction of identity through fashion. This study concludes that Diogenes’ thought is more appropriately positioned as a corrective ethical framework rather than an epistemological model, and that its relevance to fashion lies in encouraging reflective, ethical, and humanistic practices without falling into nihilism or anti-structuralism. The main finding of this research indicates that Diogenes’ thought does not function as an epistemological model but operates as an ethical-corrective critique of dogmatism, the institutionalization of knowledge, and the commodification of values, thereby enriching philosophical reflection in the philosophy of science and contemporary visual culture. This study offers a conceptual contribution by bridging the discourse between philosophy of science and fashion, while expanding the understanding of radical critique as a foundation for value transformation in contemporary visual culture.
Co-Authors Adhitama, Gregorius Prasetyo Alit Kumala Dewi Anak Agung Sagung Istri Trisnadewi Artadi, I Made Pande Bangun, Jabatin BAYU SEGARA PUTRA, GEDE Faldi Hendrawan Farhan Farhan Gede Pasek Putra Adnyana Yasa Gede Pasek Putra Adnyana Yasa handry happy Hanindharputri, Made Arini I Gede Mugi Raharja I Gusti Ngurah Ardana I Gusti Putu Sudarta I Ketut Adi Sugita I Ketut Muka I Ketut Sariada I Ketut Sariada I Ketut Sariada, I Ketut I Ketut Sida Arsa I Komang Indra Wira Pranata I Komang Sudirga I Made Bayu Pramana I Made Jayadi Waisnawa I Made Radiawan I Made Ruta I Made Suparta I Nengah Wirakesuma, I Nengah I Nyoman Artayasa I Nyoman Sedana I Nyoman Yoga Sumadewa I Putu Udiyana Wasista I Putu Udiyana Wasista I Wayan Adnyana I Wayan Adnyana I Wayan Dedy Prayatna I Wayan Mudra, I Wayan I Wayan Suardana I Wayan Swandi I Wayan Swandi I.M. Radiawan I.N. Puja Ida Bagus Gede Darma Putra Pidada Imam Santosa Kadek Anggia Sandra Dewi Ketut Indira Suasti Prayojani Komang Yudistia Kondra, I Wayan Made Ida Mulyati Made Tiartini Mudarahayu N.L.R. Purnawan N.M.I. Muliyati Ni Gusti Ayu Paramita Ni Ketut Seminari Ni Luh Desi In Diana Sari, Ni Luh Desi In Noorwatha, I Kadek Dwi Nyoman Dewi Pebryani Padmanaba, Cok Gd Rai Pasek, I Gede Pebriyani, Nyoman Dewi Pernyata, Ramadhan S. Putu Ari Darmastuti Putu Ariella Peggy Sabella Ratna Cora Sudharsana, Tjok Istri Sri Listiani Suranjaya I .Gd Toddy Hendrawan Yupardhi, Toddy Hendrawan Totton, Mary Louise Wasista, I Putu Udiyana Yayat Yayat Yohanes Yogaprayuda Yuni Diantari, Ni Kadek