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All Journal Cordova Jurnal SASDAYA: Gadjah Mada Journal of Humanities Paedagoria : Jurnal Kajian, Penelitian dan Pengembangan Kependidikan JCES (Journal of Character Education Society) Jurnal Ilmiah Telaah Semiotika El-Tsaqafah: Jurnal Jurusan PBA SANGKEP: Jurnal Kajian Sosial Keagamaan Satwika : Kajian Ilmu Budaya dan Perubahan Sosial Jurnal Bastrindo: Kajian Pendidikan Bahasa dan Sastra Indonesia Kode : Jurnal Bahasa Alinea: Jurnal Bahasa, Sastra, dan Pengajaran Jurnal PENEROKA: Kajian Ilmu Pendidikan Bahasa dan Sastra Indonesia Jurnal Pepadu Jurnal SMART (Studi Masyarakat, Religi, dan Tradisi) Jurnal Pendidikan Indonesia (Japendi) JBSI: Jurnal Bahasa dan Sastra Indonesia Kopula: Jurnal Bahasa, Sastra, dan Pendidikan Multidisciplinary Indonesian Center Journal INTERACTION: Jurnal Pendidikan Bahasa EL TSAQAFAH Mabasan
Saharudin
Prodi Pendidikan Bahasa Dan Sastra Indonesia, FKIP, Universitas Mataram
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ETNOSEMANTIK DALAM KLASIFIKASI KAIN TENUN MASYARAKAT BIMA Dini Eka Fitriani; Mahsun Mahsun; Saharudin Saharudin; Nurul Aini
Cordova Journal Vol. 14 No. 1 (2024): Juni 2024
Publisher : The Center for Language Development, Mataram State Islamic University.

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20414/cordova.v14i1.10117

Abstract

Indicates that it is closely related to the perspective, social status, traditions and customs of the local community. Therefore, it is interesting to research in more depth from the linguistic and cultural aspects. The aim of this research is to describe the lexemes used to label woven fabrics in the Bima community and explain the cultural views of the local community which are reflected in the lexemes for woven fabrics in the Bima community. The research method used is descriptive qualitative with data collection using interviews, documentation and observation. The results of the research show that there are five types of woven fabric based on the yarn used, namely tembe nggoli kabali, tembe galendo, tembe salungka, tembe mesrais, and tembe kafa na'e, while there are 15 types of woven fabric based on motifs, including tembe salungka nggusu waru, tembe salungka karai cepe, tembe salungka kabate oi moti, tembe salungka ante fare, tembe salungka fu'u ringi dan pariah, tembe salungka kakando, tembe salungka dumu kakando, tembe salungka coma kapi, tembe salungka mada sahe, tembe salungka kapempe, tembe salungka raba, tembe salungka nasi, tembe salungka uma lengge, tembe salungka bunga satako, and tembe salungka kapi keu. In the color category of Bima woven cloth there are nine colors, namely yellow, green, blue, black, white, red, brown, purple and orange. For the community, lace weaving is an activity that must be carried out by every woman in this village, of all ages, regardless of their status and educational background.
Interpretasi Makna Peranti dalam Tradisi Besentulak di Dusun Sedau Barat, Lombok Tengah: Kajian Semiotika Roland Barthes: Interpretation of the Meaning of Devices in the Besentulak Tradition in West Sedau Village, Central Lombok: A Semiotic Study by Roland Barthes Hirwan Jayadi; Saharudin Saharudin; M. Syahrul Qodri; Aswandikari Aswandikari
JBSI: Jurnal Bahasa dan Sastra Indonesia Vol. 6 No. 01 (2026): Artikel Riset Periode Mei 2026
Publisher : Information Technology and Science(ITScience)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47709/jbsi.v6i01.8401

Abstract

This study examines diverse public perceptions of the Besentulak tradition in West Sedau Hamlet, stemming from a lack of philosophical understanding of the ritual instruments used. This absence of a complete meaning has implications for the emergence of diverse, even contradictory, interpretations within the community. Using Roland Barthes's semiotic approach, which includes analysis at the levels of denotation, connotation, and myth, this qualitative study aims to dissect the meanings of eleven ritual instruments positioned as the main lexia within the tradition's structure. Data collection was conducted through participant observation and in-depth interviews with traditional leaders and kiai, who serve as representatives of cultural and religious authority. The results of the study indicate that the ritual instruments in Besentulak function not merely as material objects, but as a system of signification capable of transforming physical objects into symbolic texts loaded with the ideology of salvation. At the connotative level, these instruments represent the values of monotheism, cosmic harmony, and total submission to Allah SWT. The conclusion of this study confirms that the besentulak devices serve as a cultural defense mechanism and an acculturation strategy for the Sasak people as they navigate social dynamics. The scientific contribution of this research lies in mapping meaning at the micro level, thereby strengthening the spiritual integrity of the tradition. However, this research is limited by its single geographic scope, so cross-regional comparative studies are needed to enrich future findings.
The meaning of the Wiwitan Tama Taon tradition in Bilok Petung Village, Sembalun District: A Heremeneutic Analysis Based on Hans-Georg Gadamer Perspective Nila Marta Sari Nila; Saharudin; Muh. Syahrul Qodri
Jurnal Bastrindo Vol 7 No 1 (2026): Edisi Juni 2026
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia

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Abstract

Abstrak: Tradisi wiwitan tama taon merupakan ritual selamatan dan syukuran awal tahun yang menandai akan dimulainya kegiatan bercocok tanam yang bertepatan dengan musim penghujan. Tradisi ini merupakan ungkapan rasa syukur masyarakat Bilok Petung atas hasil pertanian dan perkebunan yang diperoleh sepanjang tahun. Penelitian ini bertujuan untuk mendeskripsikan makna dalam prosesi dan sajian tradisi wiwitan tama taon di Desa Bilok Petung Kecamatan Sembalun. Jenis penelitian ini adalah kualitatif dengan metode pengumpulan data melalui observasi partisipatif, wawancara, dan dokumentasi. Data yang diteliti berupa prosesi dan sajian dalam tradisi wiwitan tama taon yang dianalisis menggunakan teori Hermeneutika Hans-Georg Gadamer yaitu hermeneutika historis, prasangka, dialektis, dan linguistik. Hasil penelitian menunjukkan bahwa makna prosesi seperti menyilak, doa, menikmati sajian, dan salaman dalam tradisi wiwitan tama taon mempresentasikan penghormatan dan kebersamaan dalam pelaksanaan ritual, sedangkan makna sajian seperti klepon ’benih laki-laki dan mata perempuan’, serabi ’aspek keperempuan dan telinga laki-laki’, bubur putih ’laki-laki’, dan bubur merah ’perempuan’ dimaknai sebagai simbol keindahan, kesederhanaan, dan keseimbangan serta ungkapan rasa syukur masyarakat Bilok Petung.   The meaning of the Wiwitan Tama Taon tradition in Bilok Petung Village, Sembalun District Abstract: The wiwitan tama taon tradition is an annual thanksgiving ritual that marks the beginning of the planting season, which coincides with the onset of the rainy season. This tradition serves as an expression of gratitude among the people of Bilok Petung for the agricultural and plantation yields obtained throughout the year. This study aims to describe the meanings embedded in the procession and ritual offerings of the wiwitan tama taon tradition in Bilok Petung Village, Sembalun District. This research employed a qualitative approach, with data collected through participant observation, interviews, and documentation. The data consisted of the ritual processions and offerings associated with the wiwitan tama taon tradition, which were analyzed using Hans-Georg Gadamer’s hermeneutic theory, encompassing historical, prejudicial, dialectical, and linguistic hermeneutics. The findings reveal that ritual processions, including menyilak (invitation), prayer, sharing ritual offerings, and handshaking, represent respect and communal solidarity in the performance of the ritual. Meanwhile, ritual offerings such as klepon (“male seed and female eye”), serabi (“female aspect and male ear”), white porridge (“male”), and red porridge (“female”) are interpreted as symbols of beauty, simplicity, balance, and expressions of gratitude among the people of Bilok Petung.  
Co-Authors Agus Saputra Ahmad Sirulhaq Ahmad Supriadi Guna Putra Andri Adiman Aswandikari Azanul Islam Baiq Rosida Hidayati Burhanuddin Burhanuddin Burhanuddin Burhanuddin Burhanudin Burhanudin Dina Hartini Dini Eka Fitriani Dwina Rahmayani Eka Putra Hariadi Fadhilatul Nahdiah Heru Sudriansyah Hirwan Jayadi I Nyoman Sudika Jurnal Pepadu Khairussibyan Khairussibyan Khusnul Khotimah Lalu Taufan Halas Lalu Yusril Aman Lisa Rosalia M. Syahrul Qodri Mahsun Mahsun Mahsun Mahyudi, Johan Maya Ariska Damayanti Muh. Khairussibyan Muh. Khairussibyan Muh. Syahrul Qodri Muh. Syahrul Qodri Muhammad Hambali Muhammad Sukri Nasrullah, Arif Nila Marta Sari Nila Nur Atimah Nur Atirah Khaerani Nurhidayah Nuriadi Nurul Aini Pahrudin Arrozi Rahmad Hidayat Rahmat Hidayat Rais Arham Dinata Raudhatil Maulani Lani Rina Nurjani Safitri Rona Restu Victoria Rona Restu Victoria S, Aswandikari Saadilah Husni Sapiin Sapiin Sapiin Siti Rohana Hariana I Siti Rohana Hariana Intiana Suyanu Suyanu Syaiful Musaddat Syaiful Musaddat Tiara Putri Suciana Yusfita Zurriatin Toyyibah