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All Journal INFORMASI FORUM Interaksi Online Jurnal Ilmu Komunikasi Communicatus: Jurnal Ilmu Komunikasi Jurnal Komunikasi JURNAL MUQODDIMAH : Jurnal Ilmu Sosial, Politik dan Hummaniora Jurnal Profetik Journal of Social Studies (JSS) Jurnal Riset Rumpun Seni, Desain dan Media (JURRSENDEM) Jurnal Komunikasi Indonesia
Hapsari Dwiningtyas Sulistyani
Jurusan Ilmu Komunikasi Fakultas Ilmu Sosial Dan Ilmu Politik Universitas Diponegoro
Arts Humanities Computer Science & IT Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Social Sciences Other

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Sexuality of Colonized Subjects, a Postcolonial Analysis Anjani Salim, Siti Amira; Dwiningtyas Sulistyani, Hapsari; Lukmantoro, Triyono
Interaksi Online Vol 12, No 3: Juli 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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This study explores @coolestkev's disruptive strategy of sexualizing Dutch colonization on TikTok through feminist rhetorical criticism and postcolonial analysis. The goal is to understand how this approach reinforces or challenges traditional gender norms and reflects postcolonial power structures. The results show that @coolestkev strengthens traditional gender norms and romanticizes the colonial past, while response videos from other creators present strong counter-narratives through nationalism and collectivism. This analysis reveals the complexities of identity in colonized societies, including internalized heterosexism and social pressures surrounding masculinity
MEMAHAMI PENGALAMAN PEREMPUAN DALAM PENGGUNAAN AUGMENTED REALITY BEAUTY FILTER PADA PLATFORM INSTAGRAM Geralda Mewengkang, Rafaela; Dwiningtyas Sulistyani, Hapsari; Ratri Rahmiaji, Lintang
Interaksi Online Vol 12, No 4: Oktober 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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The use of AR Beauty Filter is included in a new phenomenon that has emerged in postmodern society culture. Women as dominant social media users are also the largest users of AR Beauty Filter. With the advancement of technology, humans as creators of AR Beauty Filter have the freedom to create any filter they want. Therefore, the use of AR Beauty Filter can give women the freedom to show what kind of face I will be an expression of their beauty on social media. This study is a qualitative study with the interpretative phenomenological analysis or IPA method, which aims to understand women's experiences in using AR Beauty Filter on Instagram social media and how the meaning of the definition of beauty that arises from this experience, and whether women interpret beauty as a form of empowerment in self expression or as a way to meet conventional beauty standards. This study was conducted through in-depth interviews with six Indonesian female informants who actively use the Instagram application and the AR Beauty Filter feature. The results of this study indicate that women's experiences in using AR Beauty Filters have a significant role in underpinning the meaning of beauty that they consider ideal, and have become an essential need in sharing photo and video content on social media. The culture of life in the digital world that has become part of everyday human life, as well as the high intensity of AR Beauty Filter use, creates two self-images that are seen alternately continuously. These self-images are self-images in the real world (actual self) and self-images with AR Beauty Filters in the digital world (augmented/ideal self). The existence of these two self-images indirectly blurs the view of the real and the unreal (virtual/unreal) in women, especially regarding the reality of beauty. This is related to the concept of hyperreality put forward by Jean Baudrillard. It was found that the types and forms of AR Beauty Filters chosen and widely used by women still encode conventional beauty characteristics, which are not enough to empower women's beauty expressions on social media, and limit these expressions to only one particular standard.
NEGOSIASI IDENTITAS PEREMPUAN PENGGEMAR SEPAK BOLA Bayu Satwika, Jonathan; Dwiningtyas Sulistyani, Hapsari; Ratri Rahmiaji, Lintang
Interaksi Online Vol 12, No 4: Oktober 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Football communities are predominantly male and hegemonically masculine, often subjecting female fans to stereotypes and unpleasant treatment. Despite this, many women actively engage in football fandom and community activities. This research explores how women negotiate their identity while participating in these male-dominated spaces. Four informants from two football clubs were interviewed using dialogic narrative analysis based on Labov's narrative stages model. Identity negotiation, performance, and management theories were applied to understand their experiences The findings reveal that male dominance and masculine hegemony persist, making identity negotiation inevitable. However, growing gender equality discussions have led to greater acceptance of female fans. Today, female fans are more likely to be valued and integrated with male fans. The identity negotiation process varies, influenced by individual experiences. Some women choose to ignore or normalize the negative behaviors of male fans, while others perform certain behaviors to balance group expectations with their personal identity. These performances include maintaining a positive image with parents, actively engaging in fan activities, and mimicking typically masculine behaviors, like showing toughness. Family support or rejection also plays a crucial role in shaping women's continued involvement in football fandom.
PEMAKNAAN PENGGEMAR TERHADAP KODE-KODE FEMININ PADA VIDEO KLIP JKT48 Nur Fauzi, Fikrii; Dwiningtyas Sulistyani, Hapsari; Nugroho, Adi
Interaksi Online Vol 12, No 4: Oktober 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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This study investigates JKT48 fans' reception of feminine codes in a music video, using John Fiske's semiotic analysis and Ien Ang's reception theory. The research offers insights into how fans interpret media texts. Four feminine codes, based on Angela McRobbie's framework, are identified: romance, domestic life, fashion and beauty, and the pop star persona. The romance code depicts women concealing relationships, while the domestic life code portrays them as passive partners. The fashion and beauty code highlights sexualized appearances, and the pop star code presents JKT48 members as glamorous figures. Fan interpretations vary according to their background, knowledge, and media exposure, with some seeing gestures as seductive, while others perceive them as familial. Same-sex relationships are viewed through a heteronormative lens, with fans identifying dominant-passive roles. Future research could adopt a positivist paradigm to examine the broader influence of JKT48 content on regional fandom's attitudes and behaviors.
Pemaknaan Fanbase Terhadap Isu-Isu Politik Dalam Lagu Bergenre Indie Rock Ijlal Hibatullah, Alif; Dwiningtyas Sulistyani, Hapsari; Rahardjo, Turnomo
Interaksi Online Vol 12, No 2: April 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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This research aims to understand how the fanbase of .Feast, an Indonesian indie rock band, interprets political issues conveyed through their songs. Employing a qualitative approach with ethnography of communication method, this study examines the interactions and interpretations of the "Kelelawar" fanbase towards lyrics containing political and social messages. Through content analysis and in-depth interviews, this study reveals that the .Feast fanbase perceives these songs not just as artistic expressions but also as means for political education and empowerment. This perception is reflected in various interpretive codes identified, including codes of political awareness, social responsibility, and artistic expression. The findings demonstrate that .Feast's indie rock music serves as a medium for the fanbase to express and reinforce their collective identity that is critical of the political and social conditions. This research provides new insights into the role of music in shaping political and social consciousness, particularly among the young generation in Indonesia.
PENGARUH TERPAAN MEDIA SOSIAL INSTAGRAM MENGENAI PRODUK BOIKOT DAN KONFLIK PALESTINA – ISRAEL TERHADAP KEPUTUSAN PEMBELIAN PRODUK BOIKOT Nur Hasanah, Anisa; Luqman, Yanuar; Dwiningtyas Sulistyani, Hapsari
Interaksi Online Vol 12, No 4: Oktober 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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The conflict between Palestine and Israel has been ongoing for a long time and flared up again in October 2023. This conflict has been widely discussed on social media, including Instagram. The escalation in 2023 led to a resurgence of the BDS (Boycott, Divestment, Sanctions) movement as a response to policies and practices deemed to violate human rights and international law. One consequence of the Palestine-Israel conflict is that the public has increasingly voiced support for boycotts through Instagram, resulting in decreased sales for companies affiliated with Israel. This study aims to examine whether there is an influence of Instagram social media exposure regarding boycott products and the Palestine-Israel conflict on the decision to purchase boycott products. This research is an explanatory type of study using a non-probability sampling technique involving 100 respondents. The theory used is the Cognitive Response Theory and the Cognitive Response Model as a foundation to understand the influence of Instagram social media exposure regarding boycott products and the Palestine-Israel conflict on the decision to purchase boycott products. The research utilizes multiple regression analysis techniques, based on hypothesis testing of the exposure to boycott products and the Palestine-Israel conflict on the decision to purchase boycott products, which yielded 0.007 > 0.05. Simultaneously, both independent variables (X) do not have an influence on the dependent variable (Y), thus the hypothesis is rejected. Furthermore, the R square result in the study is 9.6%, indicating a small effect. The results of this study are not significant due to other factors influencing the independent variables that were not included in the research, and the theory used is not sufficient to thoroughly explain the research results.
NARASI KOMUNIKASI PEREMPUAN YANG MENGALAMI KDRT (KEKERASAN DALAM RUMAH TANGGA) DALAM MEMUTUSKAN HUBUNGAN PERNIKAHAN Aqila Nur Iswahyudi, Shima; Dwiningtyas Sulistyani, Hapsari; Suryanto Gono, Joyo Nur
Interaksi Online Vol 12, No 4: Oktober 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Until now, many cases of domestic violence (domestic violence) still occur among women in Indonesia. According to CATAHU Komnas Perempuan and KemenPPA, violence against women most often occurs in the domestic sphere or in the household. Abused women often find it difficult to end the relationship even though they know and feel the impact of the violence that their spouses do to them. Therefore, this research aims to analyze the stories of women who experience domestic violence in overcoming obstacles and difficulties in breaking off a marriage relationship until successfully leaving the relationship. This research is a qualitative research that utilizes Todorov's narrative method by conducting interview upon three women who experienced domestic abuse and had left the marriage. The results of this study reveal that since before marriage, every partner of the informants used destructive aggressive communication that caused informants to receive emotional and physical abuse when they did not do things as their partners told them to. However, the informants decided to stay and get married because three things, they already felt in love with their partners, did not want to fail again in a relationship, and got pushed by their parents who were already fond of the partner's background. Aggressive communication patterns recurred in the informants' marriages. Moreover, the violence they experienced also escalated. However, they still decided to stay in the marriage. At this point, the informants had entered a cycle of domestic violence because the informants eventually normalized the abuse that they received, had a positive perception of marriage after having a discussion with a friend and received repeated persuasion efforts from their spouses. The process of dissoluting the relationship began after the informants felt dissatisfied towards the communication proccess in a conflict with their partner that caused relationship dissatisfaction. Informants then reported the domestic violence to the police, took care of the divorce, and asked the husband to leave the house. Then, two informants will experience dialectical proccess which resulted in tension and negotiations to fix the relationship. When two informants' spouses did not fulfill the negotiation condition, the process of relationship dissolution finally continued. One informant used avoidance and manipulation strategies when her husband refused to end the relationship. This informant eventually continued the divorce process. The other two informants who were initially still waiting for their husbands' resolution efforts tried to fight the urge to stay and finally take care of the divorce. The other two informants used negative identity management strategies to communicate their desire to divorce and end their marriage. After the divorce process was completed, the three informants finally focused on building a better life by doing positive activities.
CODIFYING GENDER COMMUNICATION: A QUASI-EXPERIMENTAL APPROACH TOWARDS IDENTIFYING DIFFERENCES IN EMOTIONAL EXPRESSIVITY Raihan Muhammad, Athar; Dwiningtyas Sulistyani, Hapsari; Manalu, Rouli
Interaksi Online Vol 12, No 3: Juli 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Two studies were conducted in order to contribute to diversifying the pillars of understanding on the interaction of gender to the concepts of emotional expression. Designed to understand both its key differences, this study utilizes a quasi-experimental method, with a mix of both controlled stimulant testings by an emotionally-inducing advertisement on populations of highly educated females and males. This study measures emotional expressivity in 6 dimensions, namely Sadness, Fear, Anger, Happiness, Surprise, and Disgusted, the results inhibit that the performative value of gender influences how emotional messages are captured.
REPRESENTASI PEREMPUAN DALAM MEDIA AUDIOVISUAL DI INDONESIA Muliawati, Ditha; Pradekso, Tandiyo; Dwiningtyas Sulistyani, Hapsari
Interaksi Online Vol 12, No 3: Juli 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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The representation of female in media is an intriguing topic to explore due to the significant influence media has in shaping these representations. This article highlights the substantial differences in the portrayal of female across movie cinemas, television series, and video-on-demand (VoD) services. In examining the development of female's representation in Indonesian cinema over the past few years, there is a noticeable improvement compared to the early periods of movie cinema development in Indonesia. The presence of female directors has enhanced the quality of female's representation in movies, challenging the dominance of masculinity and patriarchal narrative. In contrast to movie cinemas, the television series (sinetron) industry remains entrenched in patriarchal narratives when depicting female on screen. Indonesian television series/soap operas are heavily influenced by the New Order's concept of femininity, which marginalizes female. Even during the 2000s, a period marked by the proliferation of sinetron, the themes became increasingly unrealistic due to the demands of continuous production (sistem kejar-tayang), resulting in unclear storylines. With the rapid growth of the Video on Demand (VoD) industry, including platforms such as Netflix, Vidio, Viu, WeTV, Disney+ Hotstar, Iflix, and HOOQ, feminist narratives have gained more prominence in Indonesian media consumption. Major subscription video on demand (SVoD) platforms like Disney+ and Netflix are committed to promoting narratives of inclusivity and diversity in their content, whether in movies or series formats.
Memaknai Autisme di Dunia Pekerjaan dalam Serial Korea Extraordinary Attorney Woo Shafira Fairuuz Hasnaa, Elza; Dwiningtyas Sulistyani, Hapsari; Qurrota Ayun, Primada
Interaksi Online Vol 12, No 1: Januari 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Film merupakan salah satu media yang sering digunakan tidak hanya sebagai hiburan namun juga sebagai salah satu media untuk memberikan pemaknaan atau pesan. Drama Korea Extraordinary Attorney Woo merupakan salah satu drama yang mengangkat cerita mengenai karakter autisme sebagai karakter utama. Penelitian ini mengkaji bagaimana sebuah film memperlihatkan karakter Woo Young Woo sebagai seorang pengacara. Penelitian ini menggunakan metode penelitian kualitatif dengan paradigma interpretif dan menggunakan teori semiotika milik Roland Barthes yang terdiri dari denotasi, konotasi, dan mitos. Penelitian ini menggunakan beberapa adegan untuk memperlihatkan bagaimana film tersebut menggambarkan profesionalitas karakter autisme dalam drama ini. Hasil penelitian ini menunjukkan bahwa drama ini mencoba untuk mereduksi penggambaran karakter autisme agar lebih mudah diterima oleh masyarakat. Secara keseluruhan, drama ini cukup memberikan penggambaran yang baik pada level hiburan saja. Hal ini ditunjukkan dari bagaimana struggle dan hambatan yang dijalani oleh karakter Woo Young Woo kurang dieksplorasi lebih dalam. Karakter autism dalam drama ini cukup memberikan hiburan dan pemaknaan yang cukup baik, menunjukkan bahwa seorang penyandang autisme juga mampu mengerjakan pekerjaannya secara profesional, bahkan lebih baik dari orang lain. Walaupun pada akhirnya hal ini memberikan kesan bahwa karakter autisme ditampilkan seperti karakter yang sempurna yang minim kekurangan.Penggambaran karakter autisme ini tentu dapat lebih dieksplorasi untuk memberikan penggambaran karakter yang lebih dalam. Karena pada kenyataannya, menjadi profesional lebih dari sekedar memiliki kemampuan menghafal yang luar biasa.
Co-Authors Adi Nugroho Afriyani . Agustina Rahmawati Agustinus Mega Kurniatmastria Aldana, Dava Almanda Prinarenti, Aurelia Alya Azma Fazira Alya Purnomo, Fahrina Amida Yusriana Anastasya Yuca Venina Andrio, Bimo Anjani Salim, Siti Amira Aqila Nur Iswahyudi, Shima Ardani, Fransisca Asy’ary, M. Rizki Azzahra, Nabila Bayu Satwika, Jonathan Bayu Widagdo, Muhammad Bayu Wira Handyan Bela Nagari, Kaninda Bethsheba Graciella Jacinda Bizanti Ayuri Ganis Daulay Dameria Cathrine Danastri Janitra Seruni Dany Dwi Saputra Debora Gracia Deta Indira Puspita Diandra Pratisthita Indraswar, Ni Luh Ayu Dio Bagus Rudita Ahmad Dipa Wirayatama Diva Sinar Rembulan Djoko Setyabudi DR Sunarto Ernest Wuri Indri Penny Faiz Syarafullana, Mirwa Fendardi Yudha Pratama Geralda Mewengkang, Rafaela Hasibuan, Anra Muliasih Sah Bakti Hedi Pudjo Santosa Hedi Pudjo Santosa Ijlal Hibatullah, Alif Ika Putri Hanafi Isabela Laras Anindyo Kezia Dewi Fortuna, Dominica Khoirunnisa Nur Fithria Kusdwianti, Eviana Larassati Setiawan, Zahwa Lintang Ratri Rahmiaji Lusia Kusumaratih Pramudyawardani M Bayu Widagdo Maerel Dhalia Arumnisa Much. Yulianto Muchamad Yuliyanto Muhammad Bayu Widagdo Muhammad Fadhel Raditya Muhammad Fazer Mileneo Muhammad Rizki Mayrendra Muliawati, Ditha Nadhila Prisca Anjani M Nadia Tateanna Najla Assyifa Asayanda Gunawan Narayani Aberdeen, Avi Niken Siregar Nikolas Prima Ginting Nur Fauzi, Fikrii Nur Hasanah, Anisa Nur Suryanto Gono, Joyo Nurfindra Triembong Heningadi Nurul Hasfi Nurul Hidayah Nurwasilah Rizqan Zakiyah, Obed Cahya Putra Pratiwi, Silvi Primada Qurrota Ayun Putri Ariyani, Destria Qurrota Ayun, Primada Raihan Muhammad, Athar Renata Wardani Retnaningtyas Niken Hapsari Revana Meylani Revi Andrean Siregar Riesma Laylinisa Riris Arianti Rosa Humaira, Almira Rosa Yuli Anggraini S. Rouli Manalu Salsabila Alfi Rizq Putri Salsabilla Nadhira, Alifya Samuel Anderson Setya Putri, Larasati Shafa Amira Rezkananda Shafira Fairuuz Hasnaa, Elza Sri Budi Lestari Sunarto Sunarto Suryanto Gono, Joyo Nur Syifa Salsabila, Astrid Tandiyo Pradekso Taufik Suprihartini Taufik Suprihatini Tia Nanda Dwi Hernawati Triyono Lukmantoro Triyono Lukmantoro Turnomo Rahardjo Turnomo Rahardjo Utami Putri, Rizky Via Oktarina, Rafida Wiwid Noor Rakhmad Yanuar Luqman Yudi Agung Kurniawan Yusriana, Amida Zidni Auliya Hanifa