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All Journal INFORMASI Jurnal Komunikasi FORUM Interaksi : Jurnal Ilmu Komunikasi Interaksi Online Jurnal Ilmu Komunikasi Communicatus: Jurnal Ilmu Komunikasi Jurnal Komunikasi JURNAL MUQODDIMAH : Jurnal Ilmu Sosial, Politik dan Hummaniora Jurnal Profetik Journal of Social Studies (JSS) Jurnal Riset Rumpun Seni, Desain dan Media (JURRSENDEM) Jurnal Komunikasi Indonesia
Hapsari Dwiningtyas Sulistyani
Universitas Diponegoro, Semarang
Arts Humanities Computer Science & IT Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Social Sciences Other

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Memahami Strategi Perlawanan Seksualitas Perempuan dalam Film “Yuni” Bethsheba Graciella Jacinda; Hapsari Dwiningtyas Sulistyani; Amida Yusriana
Interaksi Online Vol 11, No 4: Oktober 2023
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Abstract

Women and men should have equal opportunities to communicate and express their sexualities. However, the reality shows that women’s body and sexuality are still bridled from disciplining rules. “Yuni” is a film that tells the story of a society that still holds a tight disciplining rule over female sexuality. This research aims to understand how sexuality resistance strategy and the logic of sexuality perspective are represented in the film “Yuni”. This research uses representation theory, feminist standpoint theory, Luce Irigaray’s resistance strategy, and elements of sexuality. This is a descriptive qualitative research, under critical paradigm, and uses John Fiske’s semiotics method to analyze data findings. The result of this research found that “Yuni” represented resistance strategies through creating female sexuality, creating female language, and intensifying female sexuality. Through these strategies this research discovers that “Yuni” represented female expression of sexuality as a form of resistance, naturalizing the depiction of the female body, female language as a form of resistance, and resistance to the construction virginity. The perspective dominantly seen in “Yuni” is the female perspective, that appeared as the female director’s position towards the issues discussed in the film. However, this research also found that there is still a usage of the known dominant perspective in the effort of female sexuality resistance through the representation of a lesbian relationship that was formed because of trauma, heteronormative construction, and objectification of the female body.
Retracted: Ethno-pedagogy Perspective on Ethnic Minority Discourse of Education Sulistyani, Hapsari Dwiningtyas; Rahardjo, Turnomo; Suprihatini, Taufik; Rahmiaji, Lintang Ratri
JURNAL KOMUNIKASI INDONESIA Vol. 9, No. 1
Publisher : UI Scholars Hub

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This article has been retracted as it contained duplicate material that was originally published in Advances in Social Science, Education and Humanities Research, volume 214, 2nd International Conference on Educational Science (ICES 2018), pp. 223-230. The Editorial Board understands that this misconduct may have been unintentional. The authors provided us a clarification letter stating that they have not received confirmation regarding the publication of their article in the proceeding, and this was the basis of the authors’ submission to the Jurnal Komunikasi Indonesia. However, as an accredited journal under the Ministry of Education and Culture, we are obliged to follow the existing protocols and have decided to retract this article. The document and its content have been removed from Jurnal Komunikasi Indonesia, and reasonable effort should be made to remove all references to this article.
ANXIETY AND UNCERTAINTY MANAGEMENT: LIGHTS AND SHADOWS OF INTERNATIONAL STUDENTS IN INTERCULTURAL COMMUNICATION AT DIPONEGORO UNIVERSITY IN SEMARANG Silas Hamenyimana; Hapsari Dwiningtyas Sulistyani; Turnomo Rahardjo
Interaksi: Jurnal Ilmu Komunikasi Vol 12, No 2 (2023): December 2023
Publisher : Master of Communication Science Program, Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/interaksi.12.2.391-405

Abstract

The aim of this study is to explore and interpret the significant challenges experienced by international students and the strategies used to cope with them in managing their anxiety and uncertainty in intercultural communication settings at Diponegoro University. A sample size of five students was purposively selected and participated in the data collection using in-depth and semi-structured interviews. The data were analyzed qualitatively using Interpretative Phenomenological Analysis. Through their lived experiences, we realized that majority of participants were clueless about the Indonesian language and Indonesia/ Javanese culture in which some of them faced anxiety and uncertainty challenges in their arrival et during their initial interaction, and adaptation process challenges based chiefly on language anxiety and uncertainty; new culture and environment in communication and interaction with the inside and outside the campuses. They coped with their anxiety and uncertainty by accepting host culture’s lifestyle, friendships, learning the Indonesian language, attending prayers at Mosques, hanging out with friends, and self-learning. Additional learning materials such as dictionaries, google translate, watching the news, books, family assistance, and listening to music were added to overcome their linguistic anxiety and uncertainty. The motivation from lecturers, classmates, and local people to learn a new language was valuable. 
RREPRESENTASI PERAN ORANG TUA TUNGGAL PADA PEMBENTUKAN KARAKTER ANAK DENGAN SINDROM ASPERGER DALAM DRAMA KOREA MOVE TO HEAVEN (ANALISIS SEMIOTIKA JOHN FISKE) Diandra Pratisthita Indraswar, Ni Luh Ayu; Lukmantoro, Triyono; Dwiningtyas Sulistyani, Hapsari
Interaksi Online Vol 12, No 3: Juli 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Abstract

Single parents certainly experience difficulties in filling multiple roles, but being a single parent with a child with special needs presents challenges and complexities on a different level. Media has a role as a source of information as well as entertainment, to accurately display a social issue in society, so that individuals, groups or a culture are represented. This research describes the role of men as single parents in shaping the character of children with Asperger's syndrome in the Korean drama Move to Heaven by implementing John Fiske's semiotic theory through the level of reality, the level of representation and the level of ideology. The role of men as single parents in forming the character of children with Asperger syndrome shows inconsistencies in the discipline aspect. Then, in the affection aspect, the dominant role of men as single parents is shown, which ignores children's autonomy. Then, in the aspect of self-development, men as single parents show that children who understand their self-concept still need validation from other people. Finally, in the social aspect, it is not shown in depth the instillation of social values by men as single parents with children with Asperger's syndrome. The Korean drama Move to Heaven tends to romanticize the role of men as single parents with children with Asperger's syndrome by presenting dramatic elements that support the conception of hegemonie masculinity in society
MEMAHAMI PEMAKNAAN PESAN BODY SHAMING PADA KORBAN REMAJA PRIA Faiz Syarafullana, Mirwa; Dwiningtyas Sulistyani, Hapsari; Ratri Rahmiaji, Lintang
Interaksi Online Vol 12, No 1: Januari 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Abstract

Perempuan merupakan target utama dari tindakan body shaming, namun pria juga sering mengalami body shaming sama seperti perempuan, tetapi kasus-kasusnya kurang tersorot dan terekspos. Remaja pria ketika mengalami body shaming memilih untuk diam dan memendam saja tidak seperti remaja perempuan. Pada pria, tindakan body shaming memiliki kekhasan tersendiri yang membedakan dengan tindakan body shaming yang dialami oleh perempuan, yaitu mengarah pada kritikan atau ejekan mengenai penampilan, kepribadian, gestur tubuh, dan lain sebagainya yang berkaitan dengan penyimpangan pada maskulinitas. Pria yang tidak bisa memenuhi standar tubuh ideal dan tidak bisa menjadi sosok yang maskulin akan direndahkan dan menjadi sasaran tindakan body shaming. Tujuan dari penelitian ini yaitu memahami proses pemaknaan pesan body shaming yang dialami pada korban remaja pria. Penelitian ini merupakan tipe kualitatif yang menggunakan metode analisis Interpretative Phenomenological Analysis (IPA). Dalam penelitian ini, peneliti melakukan wawancara mendalam interview kepada lima informan yaitu lima remaja pria usia 18-23 tahun yang telah mengalami tindakan body shaming. Hasil penelitian ini menunjukkan bahwa proses koordinasi pemaknaan pesan body shaming pada korban remaja pria diawali dengan menerima pesan body shaming dan memaknai pesan body shaming. Pemaknaan terhadap pesan body shaming yang terbentuk yaitu pemaknaan pesan body shaming sebagai tindakan yang mengganggu citra diri, pemaknaan pesan body shaming sebagai ungkapan candaan dan pemaknaan pesan body shaming sebagai motivasi. Teman merupakan pelaku body shaming utama selain keluarga dan orang yang memiliki kuasa. Penerimaan pesan dan pemaknaan pesan body shaming memicu informan untuk memberikan tanggapan berupa respon dan reaksi yang merupakan bentuk perlawanan informan terhadap pelaku yang disesuaikan dengan tingkat keakraban informan dengan pelaku dan tingkat keparahan pesan body shaming yang diberikan pelaku. Informan terdorong untuk menceritakan pengalaman body shaming kepada teman cerita dan hal ini merupakan bentuk katarsis. Informan merasa memerlukan penguatan dan dukungan dari orang terdekatnya untuk mengelola dan mengatasi permasalahan body shaming. Upaya melakukan proses koordinasi pemaknaan body shaming memunculkan dua redefinisi terhadap pemaknaan tubuh informan. Redefinisi pemaknaan tubuh pertama yaitu tubuh sebagai alat kontrol maskulinitas yang mengartikan bahwa informan menganggap tubuh sebagai titik terlemah yang informan miliki karena sering dikomentari, dikontrol, diawasi dan mendapatkan pesan body shaming dari orang lain terkait dengan penyimpangan terhadap standar maskulinitas di Indonesia. Redefinisi pemaknaan tubuh kedua yaitu tubuhku milikku mengartikan bahwa tubuh yang informan miliki hanya bisa didefinisikan dan dinilai oleh informan sendiri karena setiap orang memiliki standar dan ekspektasi terhadap tubuhnya masing-masing. Terbentuknya redefinisi pemaknaan terhadap tubuh membuat informan memikirkan kembali mengenai definisi dari tubuhnya sendiri.
ADAPTASI KOMUNIKASI ISTRI DALAM ORGANISASI BHAYANGKARI DAN PERSIT KARTIKA CHANDRA KIRANA Rosa Humaira, Almira; Rahardjo, Turnomo; Dwiningtyas Sulistyani, Hapsari
Interaksi Online Vol 12, No 3: Juli 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Abstract

The wives of TNI-Polri members are inseparable from their husband's institutions. For married TNI-Polri members, their wives play an important role in the smooth progression of their careers. Therefore, every wife who automatically joins the Bhayangkari and Persit organizations needs to adapt to the culture within these organizations. The research findings show that Bhayangkari members can learn the organizational culture earlier through the initial socialization they receive, while Persit members tend to learn over time through organizational activities. Spouses are the primary source of information for each informant about the organizational culture. Bhayangkari and Persit are collectivist organizations, although they share similarities in hierarchical structure with TNI-Polri institutions. Relationships among Bhayangkari members tend to be more complex, with more conflicts involving senior-junior power relations. Hierarchical communication is an essential aspect that wives need to understand to adapt effectively. Communication adaptation tends to be done through convergence by adopting the language style present in the organizational environment, adjusting gestures to match the interlocutor, and regulating the length of conversations in interactions.
Representasi Ibu Tunggal dalam Drama When the Camellia Blooms Setya Putri, Larasati; Dwiningtyas Sulistyani, Hapsari; Yusriana, Amida
Interaksi Online Vol 12, No 1: Januari 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Representasi ibu tunggal dalam media massa masih sering ditampilkan dengan figur yang kurang baik. Hal ini terjadi karena beredarnya banyak stigmatisasi mengenai ibu tunggal. Pada tahun 2019, salah satu media populer dari negara Korea Selatan merilis sebuah drama korea yang berjudul When the Camellia Blooms sebagai upaya untuk memberikan penggambaran yang lain dari sosok ibu tunggal. Penelitian ini ingin melihat bagaimana penggambaraan ibu tunggal dalam drama ini. Tujuan penelitian ini untuk mengetahui bagaimana representasi ibu tunggal di dalam drama korea When the Camellia Blooms. Metode penelitian menggunakan analisis semiotika John Fiske. Dalam analisisnya, John Fiske menggunakan konsep the codes of television yang terbagi dalam tiga tahapan yakni level realitas, level representasi, dan level ideologi untuk melihat bagaimana kode-kode tersebut bekerja dalam sebuah tayangan. Hasil dari penelitian ini menunjukkan bahwa ada empat tema besar yang ditemukan untuk membentuk representasi ibu tunggal yaitu peran ibu tunggal dalam rumah tangga, pandangan kepada ibu tunggal secara sosial, kompleksitas hubungan romantisme ibu tunggal, dan keputusan resistensi yang dipilih ibu tunggal.Dari keempat tema hasil analisis tersebut, dapat disimpulkan bahwa representasi ibu tunggal dalam drama When the Camellia Blooms yaitu sebagai sosok supermom karena dapat melaksanakan peran ganda, memiliki kemampuan untuk melakukan perlawanan, dan memiliki kontrol atas dirinya sendiri tanpa pengaruh orang lain.
PEMAKNAAN KHALAYAK TERHADAP KEMARAHAN PEREMPUAN DALAM DRAMA KOREA THE GLORY Ardani, Fransisca; Nur Suryanto Gono, Joyo; Dwiningtyas Sulistyani, Hapsari
Interaksi Online Vol 12, No 2: April 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Abstract

Women's anger expressions are often debated and tend to be rejected as irrational. On the other hand, the expression of anger of women who are victims of bullying is highlighted as an interesting aspect of the Korean drama The Glory, which is expressed through acts of revenge against the perpetrators who bullied them.The Glory was liked and watched by many viewers and also received various comments regarding the expression of anger of women who were victims of bullying and acts of bullying on social media. This research aims to describe the audience's interpretation of women's anger in the Korean drama The Glory. This research uses active audience theory, audience reception theory, and the semiotic analysis method by John Fiske to see the dominant meaning or preferred reading as well as the reception analysis method by Stuart Hall to determine the informant's position of meaning. The results of this research show that the five male and female informants, with different backgrounds and experiences, show a tendency for informants to be in a negotiated position regarding the dominant meaning displayed in the text. Two informants who had been victims of bullying were in a dominant position in interpreting expressions of anger in the Korean drama The Glory. On the other hand, three informants, namely one informant who had contact with the victim of bullying, were in a negotiating position and two informants who were not or had never been victims of bullying were in a negotiating position. Thus, the findings of this study found that there was a disclosure of women's power regarding women's expressions of anger. This research also shows that there is a film strategy by showing women's expressions of anger as victims of bullying that can be accepted by the audience, namely by taking revenge in a strategic and tactical way based on the crimes committed by the perpetrators of the bullying.
RESISTENSI PEREMPUAN TERHADAP TRADISI KAWIN TANGKAP MASYARAKAT ADAT SUMBA (Analisis Narasi William Labov dalam Buku Perempuan yang Menangis kepada Bulan Hitam Karya Dian Purnomo) Alya Purnomo, Fahrina; Sunarto, Sunarto; Dwiningtyas Sulistyani, Hapsari
Interaksi Online Vol 12, No 4: Oktober 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Women are the gender group that dominates the number of migrant workers in Indonesia. The Captive marriage is still a long-standing tradition practiced by the Sumba community in East Nusa Tenggara, even today. Capture marriage is a form of forced marriage through forms of violence, including physical, social, psychological and sexual. In order for the proposal in a capture marriage to be accepted immediately, the perpetrator even forces the victim by inciting or the worst is by raping the victim. this research uses Helen Cixous's feminine ecriture theory. The method used in this research is William Labov's narrative analysis, which will be used to analyze the novel entitled Perempuan yang Menangis kepada Bulan Hitam by Dian Purnomo, through six narrative structures, namely abstract, orientation, complication, evaluation, resolution, and coda, so that it can be known the forms of women's resistance to the tradition of capture marriage in the book Perempuan yang Menangis kepada Bulan Hitam. Through the character of Magi Diela, the author tries to represent the values of women's resistance to the capture marriage tradition. Women's resistance in the novel Perempuan yang Menangis kepada Bulan Hitam is shown in Chapter 1, Chapter 7, Chapter 8, Chapter 9, Chapter 10, Chapter 12, Chapter 13, Chapter 20, Chapter 21, Chapter 25, Chapter 34, Chapter 52, Chapter 55, and Chapter 56. The resistance carried out can take the form of open resistance and closed resistance. The open form of resistance carried out by the main character is suicide because she refuses to be married to the perpetrator of the arranged marriage, struggling and kicking the kidnapper, shouting at the perpetrator of the arranged marriage as a 'rapist', hunger strike, fleeing from Sumba to Kupang, becoming a bait to imprison the perpetrator, and reporting the perpetrator of the arranged marriage to the police. Meanwhile, the closed form of resistance carried out by the main character is writing about the rights of women victims of capture marriage and the main character's experience as a victim of capture marriage, swearing, cursing, cursing in the heart, and the main character who promises to take revenge on the people involved in capture marriage.
MEMAHAMI PENGALAMAN KOMUNIKASI MAHASISWA ASAL INDONESIA DALAM MENGATASI GEGAR BUDAYA PADA SISTEM PENDIDIKAN DI TAIWAN Almanda Prinarenti, Aurelia; Rahardjo, Turnomo; Dwiningtyas Sulistyani, Hapsari
Interaksi Online Vol 12, No 4: Oktober 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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The research was motivated by the culture shock experienced by Indonesian students studying in Taiwan, related to differences in the education system between Taiwan and Indonesia. The selection of Taiwan for research was motivated by the high interest of Indonesian students to continue their education in Taiwan. The research focuses on the education system, including the teaching and learning process in class, group and individual assignments and exams, as well as internships and final projects. The purpose of this research is to understand the communication experiences of Indonesian students in overcoming culture shock in the education system in Taiwan. The research was conducted with an interpretive phenomenological approach and descriptive qualitative research method. The research used Self-Adjustment Theory and Identity Negotiation Theory. The data collection technique was carried out by literature study and in-depth interviews with six students from Indonesia class of 2020, who studied higher education at the undergraduate level in Taiwan. The results found that students need to take the initiative in initiating communication in learning activities and daily life, for example to get acquainted, ask questions, discuss, and get closer, this is because the communication culture in Taiwan tends to be individualistic. Students need to master the use of traditional Mandarin to support the communication process to overcome culture shock, as the main language used by Taiwanese people. Indonesian students need to approach themselves to live in groups in order to communicate and exchange ideas, especially with fellow Indonesian students, but Indonesian students can also avoid communication, in order to take a break from the pressure of educational culture shock, before finally returning to a condition that is ready to communicate.
Co-Authors Adi Nugroho Afriyani . Agustina Rahmawati Agustinus Mega Kurniatmastria Aldana, Dava Alif Hibatullah Almanda Prinarenti, Aurelia Alya Azma Fazira Alya Purnomo, Fahrina Amida Yusriana Anastasya Yuca Venina Andrio, Bimo Anjani Salim, Siti Amira Aqila Nur Iswahyudi, Shima Ardani, Fransisca Asy’ary, M. Rizki Azzahra, Nabila Bayu Satwika, Jonathan Bayu Widagdo, Muhammad Bayu Wira Handyan Bela Nagari, Kaninda Bethsheba Graciella Jacinda Bizanti Ayuri Ganis Daulay Dameria Cathrine Danastri Janitra Seruni Dany Dwi Saputra Debora Gracia Deta Indira Puspita Diandra Pratisthita Indraswar, Ni Luh Ayu Dio Bagus Rudita Ahmad Dipa Wirayatama Diva Sinar Rembulan Djoko Setyabudi DR Sunarto Ernest Wuri Indri Penny Faiz Syarafullana, Mirwa Fendardi Yudha Pratama Geralda Mewengkang, Rafaela Hasibuan, Anra Muliasih Sah Bakti Hedi Pudjo Santosa Hedi Pudjo Santosa Ika Putri Hanafi Isabela Laras Anindyo Kezia Dewi Fortuna, Dominica Khoirunnisa Nur Fithria Kusdwianti, Eviana Larassati Setiawan, Zahwa Lintang Ratri Rahmiaji Lintang Ratri Rahmiaji Lusia Kusumaratih Pramudyawardani M Bayu Widagdo Maerel Dhalia Arumnisa Much. Yulianto Muchamad Yuliyanto Muhammad Bayu Widagdo Muhammad Fadhel Raditya Muhammad Fazer Mileneo Muhammad Rizki Mayrendra Muliawati, Ditha Nadhila Prisca Anjani M Nadia Tateanna Najla Assyifa Asayanda Gunawan Nandya Finandika Narayani Aberdeen, Avi Niken Siregar Nikolas Prima Ginting Nur Fauzi, Fikrii Nur Hasanah, Anisa Nur Suryanto Gono, Joyo Nurfindra Triembong Heningadi Nurul Hasfi Nurul Hidayah Nurwasilah Rizqan Zakiyah, Obed Cahya Putra Pratiwi, Silvi Primada Qurrota Ayun Putri Ariyani, Destria Raihan Muhammad, Athar Renata Wardani Retnaningtyas Niken Hapsari Revana Meylani Revi Andrean Siregar Riesma Laylinisa Riris Arianti Rosa Humaira, Almira Rosa Yuli Anggraini S Rouli Manalu Salsabila Alfi Rizq Putri Salsabilla Nadhira, Alifya Samuel Anderson Setya Putri, Larasati Shafa Amira Rezkananda Shafira Fairuuz Hasnaa, Elza Silas Hamenyimana Sri Budi Lestari Sunarto Sunarto Suryanto Gono, Joyo Nur Syifa Salsabila, Astrid Tandiyo Pradekso Taufik Suprihartini Taufik Suprihatini Tia Nanda Dwi Hernawati Triyono Lukmantoro Triyono Lukmantoro Turnomo Rahardjo Utami Putri, Rizky Via Oktarina, Rafida Wiwid Noor Rakhmad Yanuar Luqman Yudi Agung Kurniawan Yusriana, Amida Zidni Auliya Hanifa