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All Journal Corak : Jurnal Seni Kriya Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Harmonia: Journal of Research and Education Jurnal Sejarah dan Budaya Panggung Sorai: Jurnal Pengkajian dan Penciptaan Musik Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Gelar : Jurnal Seni Budaya Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi International Journal of Visual and Performing Arts PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Gestalt : Jurnal Desain Komunikasi Visual Human Narratives Jurnal Kajian Seni Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Panggung Proceeding of International Conference on Art, Media, and Culture (ICAMAC)
Bambang Sunarto
Institut Seni Indonesia Surakarta
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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“BE YOURSELF” (The Creation of a Music Composition) Asep Saepul Haris; Rahayu Supanggah; Pande Made Sukerta; Bambang Sunarto
PANGGUNG Vol 27 No 4 (2017): Comparison and Development in Visual Arts, Performing Arts, and Education in Con
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v27i4.287

Abstract

AbstractAn artistic workmanship is a creative work process of an artist in creating artworks. Artwork meant by the writer is "Be Yourself", which is related to the establishment of his self-characters that grown up in Sundanese culture. Life journey was a dynamic process and became the will of the Almighty. God's destiny and life journey made the writer as “urangsumando” (people related by marriage) in Minangkabau. Cross-cultural was a life journey to be (yourself) and the destiny he should do – being in two different culture positions. Such differences did not automatically make the writer soluble in integration – he existed in two conceptions. In the realization, how the concepts are able to deliver other offers which have contribution to the development of artistic creation. The discussion in this article is the artistic forms as the exploration, working material, and forms of performance.Keywords: artistic, workmanship, music work 
VIRTUAL PAKELIRAN WAYANG KULIT PURWA SURAKARTA STYLE DURING PANDEMIC COVID19: STUDY OF GARAP, FORM, FUNCTION, AND MEANING Catur Nugroho; Sugeng Nugroho; Bambang Sunarto
Proceeding of International Conference on Art, Media, and Culture (ICAMAC) Vol. 1 No. 1 (2024): Proceeding to The 1st International Conference on Arts, Media, and Culture (ICA
Publisher : Institut Seni Indonesia Padangpanjang

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Abstract

Abstract                                                                                                This article discusses the virtual pakeliran of wayang kulit purwa during the Covid19 pandemic. The pandemic has forced puppeteers to continue to exist in the midst of society along with strict government restrictions. The presence of virtual pakeliran is an innovation created by the puppeteers as a solution to this problem. This article pays special attention to how a virtual pakeliran is created so that it is still accepted by the public. The material object chosen is the virtual pakeliran presented by Ki Purbo Asmoro and Ki Cahyo Kuntadi which is tracked through Youtube live streaming documentation. The concept used as a framework for analysis is the concept of Surakarta-style pakeliran garap, which consists of four elements of garap, namely the play, catur, sabet, and karawitan/ pakeliran accompaniment.  In addition, the post-structuralism approach is used as a perspective to see the form, function, and meaning of virtual pakeliran. The research method used is descriptive analytical through observation data on the documentation of virtual wayang performances. The virtual pakeliran during the Covid-19 pandemic shows the adjustment of the play to the phenomena that occurred, with a meaning that leads to hope and goodness. The form of virtual pakeliran tends to be packaged with a solid work presented through the use of streaming technology. This means that solid work affects various elements, including the work of the play, catur, sabet, and accompaniment. The collaboration process between conventional, concise, and compact arrangements results in an adaptive, responsive, and communicative virtual pakeliran. Virtual pakeliran functions as a creative space for puppeteers and entertainment media for the public during the pandemic. The important meaning in virtual pakeliran is in the form of hopes and prayers for a better life.
THE MUSICALITY OF BATANGHARI SEMBILAN: A REPRESENTATION OF SOUTH SUMATRA'S SOCIETY Siswanto, Silo; Sunarto, Bambang; Sunarto, Budi Setiyono
Proceeding of International Conference on Art, Media, and Culture (ICAMAC) Vol. 1 No. 1 (2024): Proceeding to The 1st International Conference on Arts, Media, and Culture (ICA
Publisher : Institut Seni Indonesia Padangpanjang

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Abstract

Batanghari Sembilan Music is a term used to name a musical art form in one of the regions of South Sumatra. This art form consists of musical elements, including a type of poetry called "pantun," which is sung and accompanied by guitar. The lyrics of the pantun are in the regional language of South Sumatra. This study aims to explain the structure of the musical form of Batanghari Sembilan by examining its constituent musical elements, where the melodic structure becomes a character and style that represents the habitual behavior patterns of the South Sumatran community. Therefore, this research poses one primary question: How does the musicality of Batanghari Sembilan represent the habitual behavior patterns of the South Sumatran community? This question forms the problem statement that needs to be answered to explain aspects related to the musicality as an artistic phenomenon of Batanghari Sembilan, which depicts its supporting community.The methodology employed is a qualitative interpretative method with an emic approach, wherein the researcher understands and describes the character of Batanghari Sembilan as a cultural element by referring to the perspective of the community that owns the culture. The results of this study will elaborate and explain the musical structure of Batanghari Sembilan, which forms its regional musicality both in its musical composition and in the naming of its musical elements, representing the habitual behavior patterns of its community. Ultimately, this paper will offer an understanding of the local music of South Sumatra as a concept that has its own structure and formation, shaping its musicality
Konsep Androgini dalam Peleburan Horizon Feminin dan Maskulin pada Film Kucumbu Tubuh Indahku karya Garin Nugroho Kurniasih, Puri; Sunarto, Bambang; Christomy, Tommy
Human Narratives Vol 6, No 1 (2024): Human Narratives
Publisher : Universitas Indraprasta PGRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30998/hnr.v6i1.1716

Abstract

Fokus kajian penelitian ini adalah konsep feminin dan maskulin sesuai dengan tema yang diangkat pada film Kucumbu Tubuh Indahku Karya Garin Nugroho. Kucumbu Tubuh Indahku adalah salah satu film cerita panjang yang rilis pada 18 April 2019. Film ini dianggap sebagai film yang mempromosikan LGBT. Tujuan penelitian ini adalah untuk mendapatkan horizon baru mengenai konsep feminin dan maskulin yang selama ini dianggap oposisi biner pada stigma di masyarakat, seolah perempuan harus feminin dan laki-laki harus maskulin, padahal bisa jadi konsep feminin dan maskulin itu bukan hanya soal jenis kelamin. Perempuan yang maskulin dan laki-laki yang feminin seringkali langsung dianggap penyimpangan orientasi seksual yang digolongkan pada LGBT. Penelitian ini menggunakan metode fusi horizon atau yang lebih dikenal dengan peleburan horizon-horizon Gadamer untuk menganalisis konsep feminin dan maskulin. Hasil kajian adalah berupa konsep androgini yang didapatkan dari hasil peleburan horizon feminin dan maskulin pada film Kucumbu Tubuh Indahku sebagai bentuk esensi dan eksistensi dari tubuh.
Visual communication strategy of Pecel Lele Lamongan’s advertising banner Herwanto, Andhika Putra; Sunarto, Bambang; Pujiyanto, Pujiyanto
Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Vol 52, No 1 (2024)
Publisher : Fakultas Sastra Universitas Negeri Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17977/um015v52i12024p11

Abstract

Warung Pecel Lele Lamongan is one of the SMEs that operates in the culinary sub-sector which are spread almost in every city in Indonesia. These food vendors uses an advertising banner as their information and promotion medium. This research was qualitative with qualitative data interpretation analysis through formal and communication approach. Art forms are analyzed through formalism by inspecting the elements that became a part of the subjects, such as visual elements like color, lines, shapes, textures, and visual principles such as unity and balance. Approach to communication used is to identify the visual communication strategies utilized by the advertising banners. This research shows that the visual elements and principles on Warung Pecel Lele advertising banners is a communication media that have been remembered by people and acts as a unique flagship for Pecel Lele Lamongan.Komunikasi visual iklan spanduk Pecel Lele LamonganWarung Pecel Lele Lamongan merupakan salah satu UMKM sub sektor kuliner yang tersebar hampir di seluruh kota di Indonesia. Warung ini menggunakan iklan spanduk sebagai media informasi dan promosinya. Penelitian ini menggunakan metode kualitatif, analisis data dilakukan dengan interpretasi analisis data kualitatif dengan pendekatan formal dan komunikasi. Pendekatan pada bentuk karya seni menggunakan analisis formal dengan cara memperhatikan elemen yang menjadi bentuk subjek, seperti unsur rupa yakni warna, garis, bentuk, tekstur  dan prinsip rupa seperti unity dan keseimbangan. Pendekatan komunikasi digunakan untuk mengenali strategi komunikasi visual yang ada pada iklan spanduk. Hasil penelitian menunjukkan bahwa penggunaan media spanduk dan peranan unsur dan prinsip rupa pada iklan spanduk warung pecel lele merupakan sarana komunikasi visual yang melekat pada benak khalayak luas dan menciptakan citra tersendiri bagi pecel lele Lamongan.
Visual symbolism and the art design nexus in madness: A critical discourse analysis of Penahitam’s subcultural artzine in Indonesia Wibawa, Mahendra; Sunarto, Bambang; Murtono, Taufik
International Journal of Visual and Performing Arts Vol 7, No 1 (2025)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v7i1.1806

Abstract

This study examines how hybrid visual practices in subcultural contexts challenge the binary between art and design. It addresses the theoretical division proposed by Tsion Avital, who posits a strict dichotomy between symbolic art and functional design. Using this framework, the visual discourse of the Indonesian collective Penahitam is critically analyzed. The 9th edition of Penahitam's artzine, Madness, is selected as a case study due to its thematic depth and ideological complexity. The research applies Norman Fairclough’s Critical Discourse Analysis (CDA) to integrate textual, visual, and contextual elements, exploring how meaning is constructed through the interplay of image, text, layout, and cultural production. Avital’s symbolic-functional theory serves as a lens to assess how Penahitam negotiates between expressive freedom and visual functionality. Findings indicate that Madness reconfigures the relationship between artistic and design elements into a hybrid visual discourse. The artzine's layout, poetic writing, dark-art illustrations, and socio-political content work cohesively to communicate ideological resistance while remaining accessible. This integration disrupts Avital’s dichotomy, showing how hybridity becomes a strategic tool for expression and subcultural authorship. Furthermore, the production and dissemination of the artzine across 29 Indonesian cities underscore Penahitam’s commitment to collective authorship, independence, and decentralized cultural activism. This study contributes to the discourse on art-design hybridity by offering a concrete analytical model for understanding how independent collectives use visual media to challenge dominant narratives and assert creative autonomy.
Governance of flagship events in Surakarta City case studies of Solo International Performing Arts (SIPA), Solo Batik Carnival (SBC), and Solo Keroncong Festival (SKF) Kusumorasri, Irawati; Prihatini, Nanik Sri; Sunarto, Bambang
Gelar: Jurnal Seni Budaya Vol. 21 No. 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v21i1.4348

Abstract

The implementation of cultural events or festivals is part of efforts to revitalize the tourism sector in Surakarta City. The cultural event has succeeded in becoming a means of tourism development. The possibilities are present and have given birth to a performance program. The most significant event activities include Solo International Performing Arts (SIPA), Solo Batik  Carnival (SBC), and Solo Keroncong Festival (SKF). This research aims to know the governance principles for organizing a good festival or cultural event. Hopefully, understanding the principles of governance to make SIPA, SBC, and SKF become the flagship event in Surakarta city will serve as managerial knowledge useful in developing festivals and cultural events. It is important to study the management of SIPA, SBC, and SKF to find out the characteristics of leading event management so that they are included in the leading criteria. Research produces theoretical solutions, so that festival management has an adaptive and applicable management system for organizing events. The findings will be useful as a reference for other cultural events in the city of Solo. The research uses explanatory methods to find and create concepts that clarify SIPA, SBC, and SKF into three flagship events. Implementing this event is successful because it uses the combined governance between modern management and traditional management. For this reason, the results of this study have significant meaning because they can at least serve as a model in the organization of festivals and cultural events in other places
Co-Authors Ade Kurniawan Suhardi Ahmad Faiz Muntazori Andhika Putra Herwanto Andika Agung Sutrisno Arif Suharson Ario Wibisono Asep Saepul Haris, Asep Saepul Catur Nugroho Dharsono Dharsono Dharsono, Dharsono Harun Isma'il Indra Gunara Rochyat Irawati Kusumorasri Joko Daryanto Joko Daryanto Joko Suranto Kiswanto Kiswanto Kiswanto Kiswanto Kusumorasri, Irawati Midhang Langgeng Sembodo Mistortoify, Zulkarnaen Nanang Bayu Aji Nanik Sri Prihatin Nanik Sri Prihatini Ni Nyoman Srayamurtikanti Pande Made Sukerta Pande Made Sukerta, Pande Made Prihatini, Nanik Sri Pujiyanto Pujiyanto Pujiyanto Pujiyanto Puri Kurniasih Rahayu Supanggah Rahayu Supanggah, Rahayu Rustopo Rustopo Rustopo Rustopo Rustopo Rustopo Santosa Santosa Santosa Soewarlan Santoso, Iwan Budi Siswanto, Silo Sugeng Nugroho Sunarmi Sunarmi Sunarto, Budi Setiyono Sutrisno, Andika Agung Taufik Murtono Tommy Christomy Tommy Christomy Wibawa, Mahendra Widyastutieningrum, Sri Rochana Zwingli Tarigan