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All Journal Corak : Jurnal Seni Kriya Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Harmonia: Journal of Research and Education Wawasan : Jurnal Ilmiah Agama dan Sosial Budaya Jurnal Pendidikan Usia Dini Jurnal Sejarah dan Budaya FIKRI : Jurnal Kajian Agama, Sosial dan Budaya Panggung Jurnal Ilmiah Universitas Batanghari Jambi Sorai: Jurnal Pengkajian dan Penciptaan Musik Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Gelar : Jurnal Seni Budaya International Journal of Visual and Performing Arts PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Gestalt : Jurnal Desain Komunikasi Visual Journal of Research in Social Science and Humanities Human Narratives Jurnal Kajian Seni Jurnal bahasa, sastra, seni, dan pengajarannya Social Science Academic Panggung Proceeding of International Conference on Art, Media, and Culture (ICAMAC) INJECT Interdisciplinary Journal of Communication Harmonia: Journal of Arts Research and Education Jurnal bahasa, sastra, seni, dan pengajarannya Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi

Bambang Sunarto

Institut Seni Indonesia Surakarta

Author-ID : 2757488

Religion Agriculture, Biological Sciences & Forestry Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Social Sciences Other

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Design paradigm and syntagm of woven bamboo packaging (besek) Andika Agung Sutrisno; Bambang Sunarto; Dharsono Dharsono
Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Vol 50, No 1 (2022)
Publisher : Fakultas Sastra Universitas Negeri Malang

Design paradigm and syntagm of woven bamboo packaging (besek)Abstract: Communication becomes a powerful means of cultural diffusion and an alternative choice for the community. Recently, modern society has been observed to be highly consumeristic, where the image becomes a consideration in the decision-making to purchase. Visual design on the packaging has an effect on consumers' purchasing decisions. The traditional woven bamboo packaging (besek) has an exciting phenomenon in modern society today (urban). The qualitative approach was used with narrative construction or textual descriptions of phenomena. Formal analysis and sign interpretation were used to answer research problems. The formal analytical method was used to identify the way syntagmatic shapes produce paradigms in meaning. The alternative modern packaging that follows the recent developments does not significantly replace the presence of besek as a medium to come to the collective memory of the target audience. Besek is a small part of existing past cultural products that compete with the modern packaging paradigm. Every past cultural product that successfully maintains its existence enables the establishment of an image and becomes a bridge to collective memory in the contemporary era.Keywords: paradigm, essence, memory colective, design, packagingParadigma dan syntakmatik desain kemasan anyam bambu (besek)Abstrak: Komunikasi menjadi sarana difusi budaya, sekaligus alternatif pilihan bagi masyarakat. Fenomena pada masyarakat modern kapitalis adalah konsumerisme yang sangat tinggi, dimana citra menjadi preferensi dalam menimbang sebuah keputusan untuk membeli. Visual desain pada kemasan memiliki pengaruh kepada konsumen dalam keputusan pembelian. Kemasan produk masa lalu (besek) memiliki fenomena menarik di masyarakat modern kini (urban). Pendekatan kualitatif digunakan dalam konstruksi naratif atau deskripsi tekstual atas fenomena. Analisis formal dan pendekatan interpretasi tanda digunakan untuk menjawab permasalahan penelitian. Metode analisis formal yang digunakan guna untuk mengetahui bagaimana bentuk secara syntakmatik yang akan menghasilkan paradigma dalam makna. Medium produk budaya masa lalu (besek) yang memiliki alternatif kemasan dengan wujud yang konvensional, mengikuti perkembangan ternyata tidak secara signifikan mengantikan kehadiran sebagai medium untuk masuk kedalam memori kolektif khalayak sasaran. Besek merupakan bagian kecil dari produk budaya masa lalu yang eksistensinya masih bertahan dengan segala pradigma kemasan modern yang bersaing. Produk budaya masa lalu dalam wujud apapun yang eksistensinya bertahan, secara esensial sangat memungkinkan membentuk citra dan menjadi jembatan kedalam memori kolektif di era kontemporer.Kata kunci: paradigma, esensi, memori kolektif, desain, kemasan

“BE YOURSELF” (The Creation of a Music Composition) Asep Saepul Haris; Rahayu Supanggah; Pande Made Sukerta; Bambang Sunarto
PANGGUNG Vol 27, No 4 (2017): Comparison and Development in Visual Arts, Performing Arts, and Education in Co
Publisher : LP2M ISBI Bandung

AbstractAn artistic workmanship is a creative work process of an artist in creating artworks. Artwork meant by the writer is "Be Yourself", which is related to the establishment of his self-characters that grown up in Sundanese culture. Life journey was a dynamic process and became the will of the Almighty. God's destiny and life journey made the writer as “urangsumando” (people related by marriage) in Minangkabau. Cross-cultural was a life journey to be (yourself) and the destiny he should do – being in two different culture positions. Such differences did not automatically make the writer soluble in integration – he existed in two conceptions. In the realization, how the concepts are able to deliver other offers which have contribution to the development of artistic creation. The discussion in this article is the artistic forms as the exploration, working material, and forms of performance.Keywords: artistic, workmanship, music work

LANGEN SEKAR PAMUJI ALIRAN BARU DALAM MUSIK RELIGI GEREJA KRISTEN JAWA DI SURAKARTA Midhang Langgeng Sembodo; Bambang Sunarto
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol 14, No 1 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v14i1.3815

AbstraksiPenelitian yang disusun dalam karya tulis ilmiah ini mencoba menggali dan menemukan sebuah kepingan kecil mengenai ragam musik religi. Suatu aliran musik ‘baru’ yang disebut Langen Sekar Pamuji dideklarasikan pada tahun 1955 bertepatan dengan perayaan ulang tahun Gereja Kristen Jawa Margoyudan yang ke-25 di Surakarta. Dekade 2000 ini, Langen Sekar Pamuji tetap bertahan bahkan mengalami perkembangan. Namun hingga kini, belum ada yang mencoba meneliti tentang seluk beluk Langen Sekar Pamuji. Ciri musikal dijadikan poin utama dalam pembahasan, agar terlihat sejauh mana batasan dan bentuk yang khas melalui kajian atas sejumlah karya yang dihasilkan Langen Sekar Pamuji. Selain itu, dibahas pula peran para Penyusun lagu atau gending serta respon civitas gereja yang menjadi faktor penentu atas perkembangan dari Langen Sekar Pamuji selanjutnya.Untuk membedah permasalahan yang diajukan, dipilih jenis penelitian kualitatif deskriptif yang ditinjau dari perspektif emik dengan metode pengumpulan data, validitas, dan analisis data. Ada pun landasan konseptual yang digunakan yaitu Garap dari Supanggah yang menekankan pada ide, proses, tujuan, dan hasil garap. Selain itu, konsep kreativitas dari Sukerta yang mengatakan bahwa untuk penyusunan karya musik dibutuhkan perangkat, meliputi: keberanian, mencari yang baru dan tidak sekedar aneh.Hasil dari pencarian informasi mengenai ciri musikal dan perkembangan Langen Sekar Pamuji adalah pertama, kehadiran LSP di GKJ dapat diduga sebagai kelanjutan lambang perlawanan terhadap sistem liturgi di GKJ yang diatur sejak zaman Penjajahan Belanda. Kedua, LSP termasuk Aliran Baru dalam Musik Religi Kristiani di Surakarta. Ketiga, Ciri LSP adalah dihilangkannya garap abon-abon dan wangsalan di dalam sajiannya. Penghilangan ini dilakukan, karena menyangkut tentang hakikat suatu kotbah yaitu menyampaikan firman Tuhan yang dianggap suci dan serius. Keempat, Perkembangan LSP sangat ditentukan oleh perhatian civitas jemaat GKJ se-Klasis Surakarta dan Sinode Jawa Tengah. Peran lembaga Perguruan Tinggi Agama Kristen seperti Universitas Kristen Duta Wacana (UKDW) Yogyakarta juga dinantikan kelanjutannya.Kata Kunci: Langen Sekar Pamuji, Ciri Musikal, Aliran Musik Gereja.

Nuutsih: interpretation of Celuk village revival via soundscape as a cultural phenomenon Ni Nyoman Srayamurtikanti; Bambang Sunarto
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 17, No 1 (2022)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v17i1.4074

This article discusses the process of creating a work of performing arts entitled "Nuutsih" as an artistic interpretation of cultural phenomena and social phenomena that occur in Celuk Village. Celuk Village is the centre of silver handicrafts in Bali. The village that culturally colours life and economy in Bali experienced a fluctuating event due to the community's attitude towards local wisdom. The local wisdom is in the form of a soundscape in producing silver handicraft motif designs characteristic of Celuk village. This article aims to report on creative activities in creating Nuutsih's musical works. The writing method is an informative reflection of the creative activity the author undertakes as an artist. This method ultimately produces a picture of the artist's creative process in developing a strategy for creating artwork. Mainly with the object of the phenomenon of cultural sounds and the attitude of life of the Celuk village community. The artist sees this object from the perspective of restoring the collective memory of a happy community. Another result is the birth of Nuutsih ontology which will appear described in the discussion of this article. The significance of this article is to demonstrate the application of the rules that artists must adhere to in the creative process of art creation to produce works that the audience can enjoy

KAJIAN NILAI CADIK DI PESISIR SELATAN JAWA Indra gunara rochyat; Bambang Sunarto
Gestalt : Jurnal Desain Komunikasi Visual Vol 2 No 2 (2020): Gestalt : Jurnal Desain Komunikasi Visual
Publisher : Program Studi Desain Komunikasi Visual Universitas Pembangunan Nasional "Veteran" Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33005/gestalt.v2i2.62

Cadik adalah alat penyeimbang perahu nelayan di Pesisir Selatan Jawa. Fungsi cadik adalah untuk menjaga kestabilan perahu agar tidak terbalik saat diterpa gelombang. Ada pandangan bahwa cadik hanya merupakan bagian dari perahu nelayan. Padahal, cadik bukan sekedar elemen sekunder dari perahu. Cadik adalah fenomena budaya, yang memiliki fungsi penting lain bagi masyarakat pesisir terkait dengan persoalan nilai dalam seni rupa cadik. Masalah ini belum pernah diteliti sehingga perlu untuk mendapat perhatian. Pendekatan diakronik dan antropologi nelayan cukup berfungsi untuk menghasilkan kesimpulan melalui analisis yang proporsional. Ada perbedaan mendasar antara cadik pada Pesisir Selatan Pulau Jawa dengan adalah cadik di pesisir pantai lainnya. Penyebab perbedaan adalah karakteristik penalaranan dan intuisi para pengrajin. Nalar dan intuisi mereka bekerja berdasarkan kebutuhan dan persoalan kehidupan. Akhirnya, persoalan itu menghasilkan nilai resistensi pada cadik. Penelitian ini membuktikan bahwa cadik adalah karya budaya yang memiliki nilai resistensi dan nilai-nilai estetis lainnya sebagai tambahan.

Gedrukan, Regeng, dan Pemicu Semangat Gerak: Makna Pemakaian Kelinthing dalam Pertunjukan Topeng Ireng Kiswanto Kiswanto; Bambang Sunarto
Jurnal Kajian Seni Vol 6, No 1 (2019): Jurnal Kajian Seni Vol 6 No 1 November 2019
Publisher : Universitas Gadjah Mada

The discussion of art is closely related to the issue of symbols and meanings that has become the foundation on artistic buildings. This also clarifies the existence of art as one of the elements of the embodiment of culture in a society, such as the use of kelinthing in the Topeng Ireng performances. This paper uncovers and explains the forms of artistic expression symbols of the kelinthing and conception of the artist interpret as an element of the Topeng Ireng performances that developed and spread widely in Magelang and surrounding area. Ethnographic approach supported theories related, such as culture, philosophy, and aesthetics into a rationale as outlined by the scientific method in this paper. In this paper shows that the forms of artistic expression symbols of the kelinthing has various meanings associated with intrinsic value (form) and extrinsic value (content). The intrinsic value of kelinthing closely related to dance and music TopengIreng, while the extrinsic value of kelinthing closely related to sound in the show are interpreted regeng. In addition, kelinthing also be interpreted as a stimulus to the spirit of the motion of dancers. AbstrakPembahasan seni terkait erat dengan persoalan simbol dan muatan makna yang telah menjadi pondasi pada bangunan artistiknya. Hal ini sekaligus memperjelas keberadaan seni sebagai salah satu unsur perwujudan kebudayaan dalam suatu masyarakat, seperti pemakaian kelinthing dalam pertunjukan Topeng Ireng. Tulisan ini mengungkap dan menjelaskan bentuk simbol ungkap artistik kelinthing dan konsepsi seniman dalam memaknainya sebagai unsur pertunjukan Topeng Ireng yang berkembang dan tersebar secara luas di wilayah Magelang dan sekitarnya. Pendeketan etnografi dengan didukung teori-teori terkait, seperti kebudayaan, filsafat, dan estetika menjadi landasan pemikiran yang dituangkan dengan metode ilmiah dalam tulisan ini. Pada tulisan ini menunjukkan bahwa bentuk simbol ungkap artistik kelinthing memiliki makna yang berhubungan dengan nilai intrinsik (bentuk) dan nilai ekstrinsik (isi). Nilai intrinsik kelinthing berkaitan erat dengan gerak tari dan musik Topeng Ireng, sedangkan nilai ekstrinsik kelinthing berkaitan erat dengan bunyinya dalam pertunjukan yang dimaknai regeng. Di samping itu, kelinthing juga dimaknai sebagai pemicu semangat gerak penari.

Konsepsi Filosofis di Balik Musik Sholawat Campur ngaji Bambang Sunarto
PANGGUNG Vol 23, No 2 (2013): Eksplorasi Gagasan, Identitas, dam Keberdayaan Seni
Publisher : LP2M ISBI Bandung

ABSTRACTÂ The problems discussed in this study is philosophical conceptions behind the phenomenon of CamÂ purngaji Sholawat music. This research has been intended to reveal the ideas which is underlying the existence of the music and the spirit of the periferal Muslim community which is utilizing music as a symbol of its existence. Descriptive and analytical methods as well as interpretive methods are used to reveal and unravel the hidden conceptual thoughts. Philosophical conception in the form of practical assumption and working principle is useful as a performance benchmark of musical creÂ ativity. The understanding of the philosophical conception is useful to help any stakeholder to better understand the human intensity of a Muslim community through its musical culture expression.Â Keywords: philosophical conceptions, Campurngaji Sholawat musicÂ Â ABSTRAKÂ Permasalahan yang dibahas dalam penelitian ini adalah konsepsi filosofis di balik fenom- ena musik Sholawat Campurngaji. Penelitian ini dimaksudkan untuk mengungkap ide-ide yang mendasari eksistensi musik dan semangat komunitas muslim pinggiran yang me- manfaatkan musik sebagai simbol eksistensi. Metode deskriptif analitik disertai metode interpretif digunakan untuk mengungkap dan mengurai pemikiran-pemikiran konseptual yang tersembunyi. Â Konsepsi filosofis yang berupa asumsi praktis dan prinsip berkarya bermanfaat sebagai acuan kinerja kreativitas bermusik. Pemahaman terhadap konsepsi filosofis itu berguna untuk membantu berbagai pihak untuk lebih memahami intensitas kemanusiaan suatu komunitas muslim melalui ekspresi budaya musiknya.Â Kata kunci: konsepsi filosofis, musik sholawat CampurngajiÂ

Relasi Seni, Teknologi dan Masyarakat Bambang Sunarto
PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Vol 5 (2022): Seni, Tenologi, dan Masyarakat #7
Publisher : LP2MP3M, INSTITUT SENI INDONESIA SURAKARTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/semhas.v5i1.162

Abstract Art, technology, and society are three different entities. As distinct entities, they inevitably interact with one another. These interactions produce various types and benefits of technology. The method used in understanding the interaction of the three entities is to use the literature study method. This method generates an understanding of the types and benefits of technology and the function of using art in society. The results show an understanding that although the phenomenon of art technology is a fact that exists before our eyes, there are not many studies related to this problem. Therefore, art technology can be studied more deeply in descriptive and applied artistic disciplines.

Governance of flagship events in Surakarta City case studies of Solo International Performing Arts (SIPA), Solo Batik Carnival (SBC), and Solo Keroncong Festival (SKF) Irawati Kusumorasri; Nanik Sri Prihatini; Bambang Sunarto
Gelar : Jurnal Seni Budaya Vol 21, No 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v21i1.4348

The implementation of cultural events or festivals is part of efforts to revitalize the tourism sector in Surakarta City. The cultural event has succeeded in becoming a means of tourism development. The possibilities are present and have given birth to a performance program. The most significant event activities include Solo International Performing Arts (SIPA), Solo Batik Carnival (SBC), and Solo Keroncong Festival (SKF). This research aims to know the governance principles for organizing a good festival or cultural event. Hopefully, understanding the principles of governance to make SIPA, SBC, and SKF become the flagship event in Surakarta city will serve as managerial knowledge useful in developing festivals and cultural events. It is important to study the management of SIPA, SBC, and SKF to find out the characteristics of leading event management so that they are included in the leading criteria. Research produces theoretical solutions, so that festival management has an adaptive and applicable management system for organizing events. The findings will be useful as a reference for other cultural events in the city of Solo. The research uses explanatory methods to find and create concepts that clarify SIPA, SBC, and SKF into three flagship events. Implementing this event is successful because it uses the combined governance between modern management and traditional management. For this reason, the results of this study have significant meaning because they can at least serve as a model in the organization of festivals and cultural events in other places

Kelong in the context of the gandrang bulo dance in Makassar Ade Kurniawan Suhardi; Bambang Sunarto
International Journal of Visual and Performing Arts Vol 5, No 1 (2023)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v5i1.960

Kelong is a Makassar term meaning 'song,' which is one of the main elements in the Gandrang Bulo dance. Kelong, in this case, is presented simultaneously with elements of Pakakkala' (funny) dance and satirical drama or acting. Kelong is meant to educate, while pakakkala' and satire are humorous to entertain. So far, most appreciators are more interested in entertaining humor than curiosity about the meaning of kelong. This paper aims to reveal the description of the portion of the presentation of kelong in the phenomenon of the Gandrang Bulo dance. This article also tries to articulate the meaning of education and motivation to raise awareness that teaches that life is not in vain. Using a descriptive qualitative methodology, this study. Textual and musical data were specially extracted from poetry using the kelong method, including audio and visual perception. One of the achievements of this research is to provide information that there is an educational meaning tucked into the kelong. The research implementation used a descriptive qualitative method by prioritizing the collection of music data and verbal data as the unit of analysis. The finding of this research is to get the educational value tucked inside the kelong behind disproportionately contrasting elements. The significance of this research is that it really contributes as a driving force for the enthusiasm of artists in educating through the arts, especially kelong.

Co-Authors Abdul Ghofar Ade Kurniawan Suhardi Ahmad Faiz Muntazori Albayan , Amris Albayan, Amris Andar Indra Sastra Andhika Putra Herwanto Andika Agung Sutrisno Arif Suharson Ario Wibisono Asep Saepul Haris, Asep Saepul Bambang Sugiharto Budi Setiyono Budi Setiyono Catur Nugroho Dharsono Dharsono Dharsono, Dharsono FC Ndaru Ranuhandoko Febri Yulika Harun Isma'il Harun Isma'il Indra Gunara Rochyat Indrasastra, Andar Irawati Kusumorasri Joko Daryanto Joko Daryanto Joko Suranto Kiswanto Kiswanto Kiswanto Kiswanto Kusumorasri, Irawati Midhang Langgeng Sembodo Mistortoify , Zulkarnain Mistortoify, Zulkarnaen Mukhlis Anton Nugroho Nanang Bayu Aji Nanik Sri Prihatin Nanik Sri Prihatini Ngurah Tri Marutama, I Gusti Ni Nyoman Srayamurtikanti Nugroho, Mukhlis Anton Pande Made Sukerta Prihatini, Nanik Sri Primamona, Dea Lunny Pujiyanto Pujiyanto Pujiyanto Pujiyanto Puri Kurniasih Rahayu Supanggah Rahayu Supanggah, Rahayu Rani Puspa Juwita Rozalvino, Rozalvino Rustopo Rustopo Rustopo Rustopo Rustopo Rustopo Santosa Santosa Santosa Soewarlan Santoso, Iwan Budi Sembiring, Kristina Sembodo, Midhang Langgeng Siswanto, Silo Soewarlan , Santosa Soewarlan, Santosa Sugeng Nugroho Sunarmi Sunarmi Sunarto, Budi Setiyono Sutrisno, Andika Agung Taufik Murtono Tommy Christomy Tommy Christomy Wibawa, Mahendra Widyastutieningrum, Sri Rochana Winny Gunarti Widya Wardani Zulkarnain Mistortoify Zwingli Tarigan

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