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REPRESENTASI OBJEKTIFIKASI PEREMPUAN DALAM FILM SELESAI (ANALISIS SEMIOTIKA ROLAND BARTHES) Freshia Trinanda Hamid; Sunarto Sunarto; Lintang Ratri Rahmiaji
Interaksi Online Vol 11, No 1: Januari 2023
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Abstract

Film productions in Indonesia still present characterizations that are attached to traditional gender constructions and objectify the female body. The director of “Selesai” stated that this movie is produced as a form of his perception regarding the patriarchal culture in Indonesia, presenting social facts, starting a new perspective, and not discrediting women. Based on the director's statement, this study aims to describe the objectification of women and find the dominant ideology in the text. The main theory used is standpoint theory, supported by male gaze theory, radical libertarian feminism, and the concept of objectification of NussbaumLangton. The method used is the semiotic analysis of Roland Barthes (5 codes). The main finding of this research is that “Selesai” represents the objectification of women, where the objectification is carried out by men, fellow women, and women themselves. Referring to the concept of Nussbaum Langton, some forms of objectification found in the movie; Instrumentality, where women are used as tools to satisfy men's sex that is represented in the movie through mistresses, girlfriends, and even in imagination, used as money-making tools and seen as instruments that should give birth in marriage relations. Denial of autonomy and inertness, a restriction on women when they try to make decisions for themselves such as husbands who refuse to divorce, women who have no autonomy to determine whether to give birth and are admitted to mental hospitals. Ownership can be seen from the unequal ownership relations where men tend to be dominant in both dating and marriage relationships and “playing victim” practices to justify the commitment violations. Fungibility, women can be exchanged if she didn’t meet expectations. Violability, women as objects who can be treated harshly, to be hurt, their rights are fine to be robbed, cheated on, and bullied verbally and non-verbally. Denial of subjectivity, women's experiences, and feelings are ignored. Reduction of appearance, women's value is reduced based on their appearance and reduction of the body where there is a focus on women through how the camera works on certain body parts. The objectification in “Selesai” is accompanied by a lack of female resistance, this emphasizes the dominant ideology of patriarchy and contradicts the director's statement which says that this movie didn’t discredit women because the facts chosen in this movie aren’t constructed well with gender equality. Based on the results of this critical research, it’s inaccurate if the contents of the film are used as material for a reflection to change society.
MEMAHAMI MOTIVASI, BENTUK INTERAKSI, DAN MANFAAT BAGI FOLLOWER DALAM MENGIKUTI MICRO-INFLUENCER DI MEDIA SOSIAL INSTAGRAM Desynta Kurnia Hapsari; S.Rouli Manalu; Lintang Ratri Rahmiaji
Interaksi Online Vol 11, No 1: Januari 2023
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Abstract

The emergence of social media has brought many changes in people's lives. The increasing use of social media has also increased the emergence of the influencer phenomenon, especially in Indonesia. Micro influencers are the lowest influencer category on social media in terms of the number of followers that range from 1,000 to 15,000 followers. However, despite having the lowest follower count of any other category and not having their former popularity, micro influencers are able to attract an audience to follow them on Instagram. This study aims to understand in depth the motivations of followers to follow certain micro influencers, what forms can be intertwined between the two, as well as the benefits gained by followers in following these micro influencers. This research is a phenomenological research with an Interpretative Phenomenological Analysis (IPA) approach. The data collection technique was carried out using in-depth interview techniques with twelve (12) informants from three (3) different micro influencer categories, with the criteria of actively interacting on social media with the micro influencers they follow. The results of this study found that there were four follower motivations in following micro influencers on social media. First, there is positive emotional arousal in the form of feeling happy, excited, entertained, excited, and motivated. Second, there is physical attractiveness such as the physical appearance of micro influencers, similarities in hobbies, tastes or areas of residence, and the ability of micro influencers to produce content and manage their social media. Third, there is the Bandwagon Effect, where followers tend to follow micro influencers because they follow what their friends are doing. Fourth, followers are motivated to follow micro influencers on social media because they set micro influencers as role models. Meanwhile, the interactions that exist between followers and the micro influencers they follow are parasocial interactions, because closeness is only felt by the followers. By following micro influencers, followers can get benefits in the form of fulfilling their needs for information and entertainment
HUBUNGAN TERPAAN IKLAN LAYANAN TRANSPORTASI ONLINE DAN ONLINE CONSUMER REVIEW DENGAN MINAT MENGGUNAKAN LAYANAN TRANSPORTASI ONLINE Wimala Wimardana; Joyo Nur Suryanto Gono; Lintang Ratri Rahmiaji
Interaksi Online Vol 11, No 1: Januari 2023
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Abstract

Maxim is one of the companies engaged in online transportation services in Indonesia since 2018. Since then, Maxim has managed to attract more than 10 million active users. This figure is quite high considering that Maxim only uses one platform; Instagram in his advertising activities. On the other hand, there is an interesting thing listed in Maxim's Instagram comment column – @Maxim_Indo – which is that reviews are often found after bad reviews about Maxim's performance. Therefore, this study aims to determine the relationship between exposure to online transportation service advertisements and Online Consumer Review (OCR) with interest in using online transportation services. This study uses the Buyer Information Environment Theory, the sample set is 125 respondents with the criteria of being 18 – 34 years old, domiciled in Semarang, and has seen Maxim's advertisements on Instagram @Maxim_Indo. This study uses non-probability sampling with accidental sampling technique. This study resulted in a significance value between exposure to online transportation service advertisements and interest in using online transportation services of 0.000, which is less than a significance value of 0.01 which means it is very significant and a correlation coefficient value of 0.254 which means that the two variables have a weak relationship and has a positive direction. This means that if exposure to online transportation service advertisements has increased, the interest in using online transportation services will also increase. On the other hand, if exposure to online transportation service advertisements has decreased, the interest in using online transportation services will also decrease. Then, in the second hypothesis correlation test, there is a relationship between OCR and interest in using online transportation services which is indicated by a significance value of 0.001 which means it is very significant because it is less than a significance value of 0.01, has a correlation coefficient value of 0.209, which means that the two variables have a weak relationship and has a positive direction. This means that if the OCR increases, the interest in using online transportation services will also increase. On the other hand, if the OCR decreases, the interest in using online transportation services will also decrease.
PENGARUH INTENSITAS KONSUMSI INFORMASI E-WOM E-WALLET, INTENSITAS KOMUNIKASI E-WOM E-WALLET, PERSEPSI MANFAAT DAN PERSEPSI KEMUDAHAN PENGGUNAAN TERHADAP MINAT MENGGUNAKAN APLIKASI E-WALLET Dhea Ayu Fairuzha; Lintang Ratri Rahmiaji; S. Rouli Manalu
Interaksi Online Vol 11, No 1: Januari 2023
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Abstract

Technological developments encourage changes in the behavior of people's transactions in Indonesia. Currently, people are starting to switch to non-cash transactions. The use of e-wallets has now become a new phenomenon in the world of finance and technology. The emergence of the phenomenon of using e-wallets has encouraged various digital wallet companies in Indonesia. As a result of this competition, each e-wallet company has improved the performance of its features and services as well as increased the dissemination of information in various mass media such as television, radio, online news and Instagram social media. Even so, not all people use e-wallets to make payment transactions. The study aims to determine the effect of the intensity of e-wallet information consumption, the intensity of e-wom e-wallet communication, perceived usefulness and perceived ease of use on interest in using e-wallet applications. This study uses the Technology Acceptance Model (TAM) and simple linear regression statistical tests. The sample in the study was 100 respondents aged 20-60 years who are residents of the city of Semarang. The results of the study prove that in H1 there is an influence between the intensity of consumption of e-wallet information on perceived usefulness. Then, in H2 there is an influence between the intensity of e-wom e-wallet communication on perceived usefulness. In H4 there is an influence between the intensity of e-wom e-wallet communication on perceived ease of use. Then, in H5 there is an influence between perceived usefulness on interest in using e-wallet applications, and in H6 there is an influence between perceived ease of use and interest in using e-wallet applications. Meanwhile, in H3 it shows that there is no influence between the intensity of consumption of e-wallet information on perceived ease of use, which means that the perceived ease of use of individuals does not grow from the intensity of consumption of e-wallet information, instead the intensity of e-wom e-wallet communication contributes to the growth perceived ease of use.
ADAPTASI BUDAYA MAHASISWA INDONESIA SELAMA MENEMPUH PENDIDIKAN DI TURKI Aisyah Nadhilah Arsyi Malik; Turnomo Rahardjo; Lintang Ratri Rahmiaji
Interaksi Online Vol 11, No 1: Januari 2023
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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One situation where cultural adaptation happens frequently in society is when a person moves to a location that is considerably different from his or her usual environment. Students who relocate to foreign nations also experience this; they struggle to fit in with their new surroundings. Many elements that make it challenging for pupils to adapt are typically brought on by the new environment, culture, conventions, and rules. The question of how these Indonesian students can adjust to a new environment and culture then arises for students who are immigrating to other nations. This study uses qualitative research techniques in conjunction with interpretive paradigms and phenomenological approaches to learn more about the adjustment process of Indonesian students while they are studying in Turkey. In-depth interviews are the method of data collecting used. The U-curve theory, cultural identity theory, culture shock theory, and cultural adaptation theory were the theories employed in this study. The findings of this study show that there are four stages in the process by which Indonesian students adjust to their new cultural environment while studying in Turkey. The first stage involves acclimating to the new environment, followed by the second stage, which is known as culture shock. Students experience anxiety and fear at this stage. due to different religious beliefs, language, cuisine, lifestyle, and culture, as well as homesickness. The life of Indonesian students in Turkey once they have adjusted to the country's surroundings and culture follows the culture shock phase. Identity formation is the last stage that Indonesian students go through. Because of the interactions amongst Indonesian students, identity is formed
DAYA TARIK PENGGUNAAN MEME DAN DAYA TARIK KONTEN INFORMATIF PADA INSTAGRAM NETFLIX INDONESIA (@NETFLIXID) TERHADAP KEPUTUSAN PEMBELIAN LAYANAN VIDEO ON DEMAND NETFLIX Iffah Shofiyah Ariefah; Lintang Ratri Rahmiaji; Nurist Surayya Ulfa
Interaksi Online Vol 11, No 1: Januari 2023
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Netflix is the first SVOD company to expand its wings in the Indonesian market. However, currently Netflix's ratings have fluctuated from Q4 2019 to 2022. In 2022, Netflix experienced a drastic decline compared to the previous year. Therefore, Netflix Indonesia launched its marketing strategy, one of which is through social media content, especially Instagram. This study aims to determine the effect of the attractiveness of using memes and the attractiveness of informative content on Instagram Netflix Indonesia (@netflixid) on purchasing decisions for Netflix's video-on-demand service. This study uses the Attribution Theory, with a research sample of 100 respondents with female and male characteristics, aged 18-36 years who follow or follow the Netflix Indonesia Instagram account (@netflixid) and are aware of Netflix Indonesia's Instagram posts. Testing and data analysis in this study using multiple linear regression analysis. The results of the f-test show that the attractiveness of using memes (X1) and the attractiveness of informative content (X2) on Instagram Netflix Indonesia (@netlfixid) have an effect on the decision to purchase Netflix's video-on-demand service (Y), this is in line with the Attribution theory which explains how an individual's perception of a stimulus can influence his actions. However, the magnitude of the influence given is 14.2% where this data means that there are other possible variables that can influence the decision to buy Netflix's video-on-demand service. This is further corroborated by the results of the T-test which shows that if the single variable test, namely the use of attractiveness on Instagram Netflix Indonesia, has no effect on the purchase decision of Netflix's video-on-demand service. Meanwhile, the attractiveness variable for informative content has an influence on the decision to purchase Netflix's video-on-demand service. Based on the research results, Netflix Indonesia can continue to optimize its informative content production, and for further research, it can examine other variables that are assumed to influence the decision to purchase Netflix's video-on-demand service.
PENGARUH TERPAAN PEMBERITAAN PUAN MAHARANI DI KOMPAS.COM TERHADAP CITRA POLITIK PUAN MAHARANI DAN DAMPAKNYA PADA ELEKTABILITAS PUAN MAHARANI SEBAGAI BAKAL CAPRES Hasan Hendratmoko; Lintang Ratri Rahmiaji; Adi Nugroho
Interaksi Online Vol 11, No 3: Juli 2023
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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One of the products of news coverage in the mass media is politics. Political news in the media provides information about politics and can help the public in understanding and monitoring the political process in this country. During the period from January to December 2022, the online news portal Kompas.com often highlighted the Chairperson of the Indonesian House of Representatives, Puan Maharani, due to her policies that attracted public attention. At that time, there was also a lot of news coverage about political candidates who would participate in the political contest in 2024. Puan Maharani herself was said to be participating in that political event. However, with the news coverage on the Kompas.com portal that attracted public attention, it can shape the public's perception of her political image, which will affect her electability as a potential presidential candidate. This study aims to determine the influence of news exposure to Puan Maharani on Kompas.com on her political image and its impact on her electability as a potential presidential candidate. The theories used in this study are the Uses and Effects theory and the S-O-R (Stimulus-Organism-Response) theory. The testing was conducted using simple regression analysis and non-probability sampling technique. This study used a sample of 100 people with the characteristics of age between 17-40 years, exposed to news about Puan Maharani on Kompas.com, and residing in Central Java, especially in one of the 17 cities/regencies where the PDI-P won the regional elections in Central Java at 2020, including Semarang, Boyolali, Grobogan, Kebumen, Sragen, Wonosobo, Solo, Klaten, Sukoharjo, Demak, Pekalongan, Wonogiri, Semarang, Purbalingga, Rembang, Blora, and Pekalongan. The results of the study indicate that the exposure to news about Puan Maharani on Kompas.com (X) and Puan Maharani's political image (Z) have a significance value of 0.197, which means it is not significant. Furthermore, Puan Maharani's political image (Z) and her electability as a potential presidential candidate (Y) have a significance value of 0.000, which means it is highly significant, with a correlation coefficient of 0.618. This value indicates that the relationship between the independent variable (Puan Maharani's political image) and the dependent variable (Puan Maharani's electability as a potential presidential candidate) is 0.618 (61.8%) and shows a positive influence between the two variables.
MEMAHAMI NARASI KOMUNIKASI PENGAMBILAN KEPUTUSAN UNTUK TIDAK MENIKAH PADA PEREMPUAN Alya Azma Fazira; Lintang Ratri Rahmiaji; Hapsari Dwiningtyas Sulistyani
Interaksi Online Vol 11, No 3: Juli 2023
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Abstract

The patriarchal culture that has developed in Indonesia deprives women of the freedom to choose their own path in life, one of which is the decision not to get married. Women, who are often confined to domestic work, are expected to marry, making the decision not to marry a difficult one due to the social pressure they face. Therefore, this study aims to narrate the experiences of informants who eventually decided not to marry. Three women were interviewed to trace their life journeys, both before and after making the decision not to marry. This research utilizes Labov's narrative method to chronicle the sequence of events experienced by each informant. The results of the study indicate that the decision not to marry occurs when women realize that marriage is a choice. It explores how women, living in a social construct that forces them to marry, are able to resist dominant culture and fight for their right to choose their own path in life. The study also reveals that the decision-making process is not instantaneous. Each informant had unique experiences observing marriage and romance within their family environment, such as parental infidelity, family economic difficulties, and failed relationships. These experiences ultimately led to a negative perception of married life, which influenced their decision not to marry. The decision-making process not to marry occurs when informants are confronted with choices and questions from their social environment regarding marriage. It is at that moment when the informants express their decision and explain the unique experiences that underlie their choice not to marry. However, not all women openly express their decision in public. The study also demonstrates that women who decide not to marry often face rejection, stigmatization, mockery, and discrimination from their social environment, which considers their decision irrational for women. Some informants choose to defend themselves and explain their perspectives that inform their decision. However, there are also informants who choose to remain silent and provide brief responses when faced with social pressure.
INTERPRETASI PENONTON TERHADAP KONTEN PRANK DENGAN TARGET ORANG TUA DI KANAL YOUTUBE NINO KUYA Rimadhani Putri Budiana; Joyo Nur Suryanto Gono; Lintang Ratri Rahmiaji
Interaksi Online Vol 11, No 3: Juli 2023
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Prank content is currently still a trend using controversial ideas marked by pranks targeting parents on Nino Kuya's YouTube channel which is watched and liked by many viewers. This study aims to describe the audience's interpretation of prank content targeting parents on Nino Kuya's YouTube channel. This study uses a constructivist paradigm with reception theory and active audience theory. John Fiske's semiotic analysis method is used to analyze preferred reading and Stuart Hall's reception analysis method is used to determine the interpretive position of the audience of teenagers and parents. The dominant meaning in this content is (1) children may prank their parents, (2) educational and entertaining prank messages, (3) reasonable parental reactions to get angry and forgive children's pranks, (4) parents are allowed to control dominant child, and (5) healthy and normal parent-child relationship. The results of the study show the similarity in meaning that pranks target parents tend to be negotiated. Meanwhile, the diversity of meanings arises when the informant interprets the elements of parental reactions and parental communication patterns where the child informants tend to reject parental dominant control. Meanwhile, parent informants accept the dominant meaning offered. Furthermore, half of the informants tended to be dominant, a few negotiated, and the others rejected the healthy and normal relationship between parents and children in the prank content. Overall, it was found that meaning tended to be in a negotiating position regarding the dominant meaning offered because of the variant informants in the form of children and parents as well as differences in the culture of the informant's family and Nino Kuya's family.
Memahami Pengalaman Komunikasi Remaja Untuk Mengelola Perundungan Fat Shaming di Media Sosial Instagram Agustina Rahmawati; Hapsari Dwiningtyas Sulistyani; Lintang Ratri Rahmiaji
Interaksi Online Vol 11, No 3: Juli 2023
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Abstract

Fat shaming on social media is often considered normal by society. In fact, it is not uncommon for fat shaming to trigger adverse effects for its victims. Therefore, victims need to manage communication as an effort to resolve the fat shaming they receive on Instagram. This research aims to understand teenagers' communication (bullying victims) to manage fat shaming on Instagram. This research uses the Interpretative Phenomenological Analysis (IPA) analysis method involving 5 teenagers (aged 18-24 years) who have experienced fat shaming on Instagram. The results show that the communication experience to manage fat shaming on Instagram begins with the informant's interpretation of the fat shaming comments received. The interviewee interpreted fat shaming as a disturbing comment and triggered the negative body image, which eventually led to a sense of unacceptance. The meaning then triggers the informant to respond to the abuser with an expression of annoyance and disapproval. Although the response did not solve the fat shaming problem, it was able to bring satisfaction to the informant. The expression of annoyance and dislike made to the bullies shows that the informant also needs reinforcement from others. Therefore, the informant began to share the fat shaming experience with friends for reinforcement and support. This reinforcement comes from the positive responses that friends give to the informants, in the forms of supportive words, calming, defenses, and comfort. On the other hand, it was also found that there was intrapersonal communication carried out by the informants as a form of reinforcement. This management brings out the meaning of the informant regarding the fat shaming experience that has been received, that is, the informant's reflection on himself which encourages him to make peace with himself, change for the better lifestyle, and make the informant aware about bad habits in consuming excessive sweets.
Co-Authors ABDURRAHIM DJALINS, RAZI Abimanyu Satriyo Wicaksono Ade Armando Adi Nugroho Adi Nugroho Afi Sultan Ramadhan, Muhammad Afiati Tsalitsati, Afiati Afra Widyawiratih Arini Afra, Adeela Afrilia Wening Anindya Agus Naryoso S.Sos, M.Si, Agus Naryoso Agustina Rahmawati Aisyah Nadhilah Arsyi Malik Akmalia Rasyid, Alifa Alya Azma Fazira Alya Nur Hana Amrina, Afrilla Anastasya Yuca Venina Andre Ghozali Putra Riyadi Anike Puspita Yunita Anissa Meiriam Swastinastiti Antika Yolanza Arbi Azka Wildan, Arbi Azka Arham Syarif, Muhamad Arlinda Nurul Nugraharini Arum Sawitri Wahyuningtias Azalea Puspa Sessarina Azif, Zahra Azzahira Putri Zakaria, Grandhis Bambang Sadono Bambang Sadono Bayu Satwika, Jonathan Bayu Widagdo, Muhammad Bethania Swasti Akmarani Chela Merchela Funay Dafa H.D, Krisna Desynta Kurnia Hapsari Dhea Ayu Fairuzha Djoko Setyabudi DR Sunarto Dwi Purbaningrum, Dwi Estadista Herdini, Reyna Faiz Syarafullana, Mirwa Farhan Haritz, Abdullah Fitri Damayanti Frans Agung Prabowo Freshia Trinanda Hamid Geralda Mewengkang, Rafaela Ginting, Stefany Hanifah Widyadhana, Nastiti Hanna Oliviati, Nur Hapsari Dwiningtyas Hapsari Dwiningtyas S, Hapsari Dwiningtyas Hapsari Dwiningtyas Sulistyani Hasan Hendratmoko Hedi Pudjo Santosa Hedi Pudjo Santosa Hendrianto Noor Ikhwan Herusna Yoda Sumbara I Nyoman Winata Iffah Shofiyah Ariefah Indra Pratama Isti Prabandari, Ayu Josinita Endah Juniarlin Joyo NS Gono Joyo Nur Suryanto Gono Juwita Veronica Kaisya Ukima Tiara Anugrahani Keke Meidyluana Sitalaksmi Kristiawan Agma Bima Setyanto Liza Margaret, Liza M Bayu Widagdo Maria Gabrielle P., Maria Marisa Arum Larasati Mayangsari Cantika Mutiara Mellisa Indah Purnamasari Muhammad Bayu Widagdo Muhammad Imaduddin Naabigha, Tsaabitah Nanda Dwitiya Swastha Nisa Bela Dina, Nisa Bela Nisa Safitri, Aiko Nisrina Aulianovanda, Althafa NUR CAHYANINGSIH, DEWI Nurist Surayya Ulfa Nuriyatul Lailiyah Nurul Hasfi Nurul Syifa, Salsa Octari Ambarita, Angelica Oki Riski Karlisna Osa Patra Rikastana Pehulisa, Karin Primada Qurrota Ayun Puji Purwati Qonita Andini, Annisa Raghabendra, Octova Rakanita Oktaviani Hadi Saputri Rezeki Amalia, Annisa Rieda Anindita Putri, Rieda Anindita Rimadhani Putri Budiana Rizka Rahmawati Rizki Rengganu Suri Perdana Rony Kristanto Setiawan S. Rouli Manalu Sabda Nugraha, Detrina Safira Nurin Aghnia Septiana Hadiwinoto, Jessica Siska Ratih Dewanti Sri Budi Lestari Sri Budi Lestari Sri Widowati Herieningsih Sunarto Sunarto Sunarto Sunarto Surya Mutumanikam, Gempita Tandiyo Pradekso Taufik Suprihatini Taufik Suprihatini Tiara Apriyani Titiek Hendriama Titiek Hendriama, Titiek Tri Fajariani Fauzia Triyono Lukmantoro Triyono Lukmantoro Triyono Lukmantoro Triyono Lukmantoro Turnomo Rahardjo Turnomo Rahardjo Vivi Yolanda Wafda Afina Dianastuti Warapsari, Dhyayi Wimala Wimardana Wiwid Noor Rakhmad Yanuar Luqman Yoana Putri Elianna Yohanes Erik Wibawa Yoshita Rindha Anggraini Yulistra Ivo Azhari Yunni Wulan Ndari Yunusiah, Septia