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All Journal Buletin Udayana Mengabdi SURYA SENI IJCAS (International Journal of Creative and Arts Studies) KALANGWAN Segara Widya: Jurnal Penelitian Seni JURNAL PENDIDIKAN TAMBUSAI Journal on Education Jurnal Pendidikan Kesehatan Rekreasi Jurnal Review Pendidikan dan Pengajaran (JRPP) International Journal of Business, Law, and Education Nusantara Hasana Journal JURNAL SKALA HUSADA: THE JOURNAL OF HEALTH Abdi Widya: Jurnal Pengabdian Masyarakat Jurnal Igel: Journal of Dance IJESPG (International Journal of Engineering, Economic, Social Politic and Government) journal Jurnal Pengabdian Kepada Masyarakat Itekes Bali Menawan : Jurnal Riset dan Publikasi Ilmu Ekonomi KONTAN: Jurnal Ekonomi, Manajemen dan Bisnis
Ni Wayan Suartini
Institut Seni Indonesia Bali
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Decision Sciences, Operations Research & Management Dentistry Economics, Econometrics & Finance Education Engineering Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Medicine & Pharmacology Neuroscience Nursing Physics Public Health Social Sciences Other

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TINGKAT PENGETAHUAN KEUANGAN, SIKAP KEUANGAN DAN SOP KEUANGAN TERHADAP PERILAKU MANAJEMEN KEUANGAN PADA PT. BALI TANGI Antara, I Wayan Joni; Suartini, Ni Wayan; Supraptha, I Nyoman Gede
KONTAN: Jurnal Ekonomi, Manajemen dan Bisnis Vol 2, No 4 (2023): KONTAN: Jurnal Ekonomi, Manajemen dan Bisnis
Publisher : CV Widina Media Utama

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59818/kontan.v2i5.609

Abstract

This research was carried out at one of the MSMEs in the city of Denpasar with the title "Level of Financial Knowledge, Financial Attitudes, and Financial SOPs on Financial Management Behavior at PT. Bali Tangi”. The type of data used in this research is quantitative data with the data source being primary data. The sample was selected using a saturated sampling method with a total of 20 respondents. This research technique uses multiple linear regression analysis techniques. Partially, this research states that 1) the level of financial knowledge has a positive and significant effect on financial management behavior. 2) Financial attitudes have a positive and significant effect on financial management behavior. 3) Financial SOPs have a positive and significant effect on financial management behavior. 4) The level of financial knowledge, financial attitudes, and financial SOPs simultaneously have a positive and significant effect on financial management behavior.ABSTRAKPenelitian ini dilaksanakan pada salah satu UMKM di kota Denpasar dengan judul “Tingkat Pengetahuan Keuangan, Sikap Keuangan, dan SOP Keuangan terhadap Prilaku Manajemen Keuangan Pada PT. Bali Tangi ”. Jenis data yang digunakan dalam penelitian ini adalah jenis data kuantitatif dengan sumber data yaitu data primer. Sampel dipilih dengan menggunakan metode sampling jenuh yang jumlah responden sebanyak 20 orang. Teknik penelitian ini menggunakan teknik analisis regresi linear berganda. Secara parsial penelitian ini menyatakan bahwa 1) tingkat pengetahuan keuangan berpengaruh positif dan signifikan terhadap perilaku manajemen keuangan. 2) Sikap keuangan berpengaruh positif dan signifikan terhadap prilaku manajemen keuangan. 3) SOP keuangan berpengaruh positif dan signifikan terhadap prilaku manajemen keuangan. 4) Tingkat pengetahuan keuangan, Sikap keuangan, dan SOP Keuangan secara simultan berpengaruh positif dan signifikan terhadap perilaku manajemen keuangan.
Tari Wrrdhining Endek Kusuma, Putu Werdhi; Trisnawati, Trisnawati; Suartini, Ni Wayan
Jurnal IGEL : Journal Of Dance Vol 4 No 1 (2024): Jurnal IGEL Vol 4 No 1 2024
Publisher : UPT Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jijod.v4i1.4199

Abstract

The Wrrdhining Endek dance work is a new dance creation inspired by the development of typical Balinese woven cloth, namely endek cloth, which was developed by the creator with his creativity and imagination. The process of creating this dance work uses the Alma M. Hawkins method whose stages consist of an exploration stage, an improvisation stage, a forming stage and packaged into a new creative dance form danced by six dancers including three male dancers and three female dancers with a duration of 11 minutes 50 seconds. Wrrdhining Endek Dance make-up uses minimalist dance make-up to clarify the character that you want to highlight. By creating the Wrrdhining Endek Dance Work, the creator hopes that all people, especially on the island of Bali, will be proud and be able to take better care of the traditional cloth that we have, namely Endek cloth, because we have endek cloth, we wear it and we are proud. And the creator hopes that in the future the relationship between the creator and the Gumiart Bali Art Studio can remain good and collaborate again.
The Influence of Social Capital, Entrepreneurial Competence and Entrepreneurial Ecosystem in Shaping Business Incubators in Indonesia Sucandrawati, Ni Luh Ketut Ayu Sudha; Suartini, Ni Wayan; Wati, Indah; Apriliani, Diah
International Journal of Business, Law, and Education Vol. 5 No. 1 (2024): International Journal of Business, Law, and Education
Publisher : IJBLE Scientific Publications Community Inc.

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56442/ijble.v5i1.496

Abstract

This study looks into how the entrepreneurial ecosystem, social capital, and entrepreneurial competence interact to influence how successful Indonesian business incubators are. Partial Least Squares Structural Equation Modeling (PLS-SEM) was the quantitative method used to examine the data collected from 275 entrepreneurs and incubator stakeholders. The evaluation of the measurement model demonstrated appropriate average variances extracted, strong loadings, and high composite reliabilities, all of which supported the validity and reliability of the selected indicators. Each latent variable's uniqueness was confirmed by discriminant validity analysis. Significant positive correlations between social capital, entrepreneurial competence, the entrepreneurial ecosystem, and the efficacy of business incubators were found by the structural model estimation. The suggested theoretical framework was validated by hypothesis testing, which showed that these elements interact to affect the performance of business incubators in Indonesia. A good fit was shown by the model fit assessment, supporting the structural model's validity. The results enhance our understanding from a theoretical and practical standpoint, offering policymakers, entrepreneurs, and stakeholders a comprehensive framework to maximize the conditions necessary for the success of business incubators.
Tari Kreasi Penyandar, Transformasi Tahapan Yang Dilalui Penari Sandar di Pura Dalem Padonan Desa Pererenan I Putu Ananta Wira Adhyatma; Sulistyani; Ni Wayan Suartini
Jurnal IGEL : Journal Of Dance Vol 5 No 1 (2025): Jurnal IGEL Vol 5 No 1 2025
Publisher : UPT Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jijod.v5i1.5653

Abstract

AbstractThe dance piece titled Penyandar is a new creative work. This dance piece draws inspiration from the personalexperiences of the choreographer during her time as a Pregina Telek/Sandar at Pura Dalem Padonan in the village ofPererenan. This work transforms the stages undergone by the Pregina Telek/Sandar. Penyandar comes from the wordSandar, which is another term for Tari Telek, which then received the prefix “Pe-” referring to the performer of theTelek/Sandar dance itself. This dance has a religious theme and is performed in groups using seven male dancers. Themethod used is the Angripta Sesolahan creation method (creating dances), which involves planning, conceptualizing,designing, refining, and finalizing. The accompanying music for the Sandar dance uses the Musical Instrument DigitalInterface (MIDI) application as its medium, utilizing samples from the Semara Pegulingan Saih Pitu gamelan ensemble,which lasts 11 minutes.Keywords: Penyandar, religion, New creation.
Pembinaan Seni Ritual Bagi Anak-Anak di Banjar Blangsinga Desa Adat Blangsinga, Gianyar, Bali Yudarta, I Gede; Suartini, Ni Wayan
Abdi Widya: Jurnal Pengabdian Masyarakat Vol 4 No 2 (2025): Abdi Widya: Jurnal Pengabdian Masyarakat
Publisher : Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/awjpm.v4i2.5473

Abstract

Pembinaan seni ritual bagi anak-anak di Banjar Blangsinga Desa Adat Blangsinga merupakan salah satu bentuk implementasi dari Tridharma Perguruan Tinggi di bidang Pengabdian kepada Masyarakat. Program pembinaan ini dilaksanakan bertujuan untuk mengangkat potensi anak-anak yang ada di wilayah Banjar Blangsinga serta untuk memperkenalkan jenis-jenis seni ritual dalam bentuk seni karawitan dan seni tari yang sangat dibutuhkan dalam mengisi rangkaian upacara keagamaan di beberapa tempat suci yang terdapat di wilayah tersebut. Penulisan ini menggunakan metode kualitati dengan tahapan yang terdiri obeservasi, wawancara dan studi dokumen. Secara khusus artikel ini membahas tentang metode yang digunakan dalam proses pembinaan, jenis materi yang dibina serta implementasi hasil binaan. Hasil penulisan artikel ini diharapkan dapat memberikan informasi dan pengetahuan berkenaan dengan metode yang dilakukan dalam pembinaan seni ritual, proses pembinaan, serta implementasi hasil pembinaan dalam rangkaian upacara keagamaan di Desa Adat Blangsinga.
Rupaning Vrihannala Listiawan, Ketut Tara; Ruastiti, Ni Made; Suartini, Ni Wayan
Jurnal IGEL : Journal Of Dance Vol 1 No 2 (2021): Terbitan Kedua Bulan Oktober tahun 2021
Publisher : UPT Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (222.779 KB) | DOI: 10.59997/journalofdance.v1i2.866

Abstract

Rupaning Vrihannala Is A New Dance Creation Based On The Mahabharata In The Story Of Wirataparwa. This Work Is Presented In The Form Of A Duet Dance, By Two Male And Female Dancers, And Is Presented In The Form Of A Freelance Dance With A Performance Structure : Pengawit, Pengawak, Pengecet And Pakaad. This New Dance Creation, Which Was Developed Based On Local Balinese Wisdom, Shows The Love Story Of Arjuna And Dewi Utari During The Panca Pandawa Disguise In The Wirata Kingdom.The Purpose Of This Dance Work Is To Visualize The Truth Values Contained In The Mahabrata Epic, Especially Related To The Wisdom Of Arjuna As A Dance Teacher In The Kingdom Of Wirata. The Admiration For The Wise, Handsome, Good Archery, And Romantic Arjuna Has Inspired The Creation Of This New Dance Creation. The Romance Between Arjuna And Dewi Utari Is Accompanied By Gamelan Gong Kebyar, Supported By Gerong Vocals. This New Dance Creation Was Created Using The Method Of Creating Works Of Art, Which Was Carried Out In Stages, Namely Ngerencana, Nuasen, And Ngebah. All Data That Has Been Collected Through Observation, Interviews, And Literature Studies Were Analyzed Using Art Creation Theory, Symbol Theory, And Imagination Theory. The Process Of Creating This Dance Work Resulted In A New Creation Dance, Rupaning Vrihannala, About The Romance Of Arjuna And Dewi Utari When They Were Disguised As Dance Teachers In The Wirata Kingdom. To Support The Characterizations, Balinese Fashion Make-Up Is Used As A Characteristic, A Symbol Of Local Culture.Keywords: Rupaning Vrihannala, Proses Penciptaan, Struktur Pertunjukan, Tari Kreasi Baru.
Tari Dapul Windasari, Pande Ketut Ayu; Sulistyani, Sulistyani; Suartini, Ni Wayan
Jurnal IGEL : Journal Of Dance Vol 2 No 1 (2022): Terbitan Pertama Bulan Juni tahun 2022
Publisher : UPT Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (275.838 KB) | DOI: 10.59997/journalofdance.v2i1.1599

Abstract

Karya Tari Dapul (Dangsil Punggel) merupakan sebuah karya tari yang ditarikan oleh enam orang penari putri dalam bentuk tari kreasi baru dengan tema persembahan yang diiringi oleh gamelan selonding. Tari Dapul menginterprestasikan tentang sarana upacara yang dipersembahkan sebelum digelarnya prosesi Siat Sampian yaitu Banten Dangsil Punggel. Garapan Tari Dapul berpijak pada tari rakyat yang dikembangkan dan dikreasikan sehingga menghasilkan gerak inovatif serta menciptakan gerak baru namun tidak terlepas dari pakem yang ada. Tari Dapul terinspirasi dari Tari Nyutri yang sederhana, mudah dipelajari, namun memiliki estetika yang membuat tarian tersebut menarik.  Melalui karya tari ini pencipta ingin memperkenalkan Banten Dangsil Punggel kepada masyarakat luas. Sehingga masyarakat mengetahui bahwa banten tersebut saling berkaitan dengan prosesi Siat Sampian, serta memberikan pemahaman kepada masyarakat agar tetap melestarikan tradisi yang sudah diwariskan khusnya tradisi Siat Sampian.   Kata kunci : Tari Kreasi, Banten Dangsil Punggel, Siat Sampian, Sampian Dangsil
Tari Cakrângga, Mengkaitkan Bentuk Chakrasana Dengan Cakra Manggilingan Ke Tari Kontemporer Wahyuni, Ni Komang Sri; Kustiyanti, Dyah; Suartini, Ni Wayan
Jurnal IGEL : Journal Of Dance Vol 2 No 2 (2022): Terbitan Kedua Bulan November tahun 2022
Publisher : UPT Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1148.535 KB) | DOI: 10.59997/journalofdance.v2i2.1880

Abstract

Karya Tari Cakrângga merupakan karya tari kontemporer dengan tipe tari studi gerak dan berawal dari pengalaman pribadi pencipta pada tahun 2018. Karya tari ini memfokuskan pada bentuk dari Chakrasana dengan istilah lain disebut dengan kayang, bentuk lengkungan tersebut dikembangkan oleh pencipta dengan kreativitas dan imajinasinya. Terbentuknya karya tari ini dalam kurikulum baru yakni MBKM (Merdeka Belajar-Kampus Merdeka) yang bekerja sama dengan Mitra Bumi Bajra Sandhi. Proses penciptaan karya tari menggunakan metode konstruksi Jacqueline Smith, yang terdiri dari lima metode konstruksi yaitu metode konstruksi I sampai dengan metode konstruksi V, berbentuk karya kelompok berjumlah lima orang penari, yaitu tiga penari pria dan dua penari wanita dengan durasi karya kurang lebih 11 menit. Bentuk gerak pada chakrasana yang merupakan bahan yang dijadikan konsep pada karya tari ini, difokuskan pada bentuk dari lengkungan yang dihasilkan oleh pencipta, merupakan tantangan dalam bereksperimen mengunakan tubuh manusia sebagai medianya. Fleksibelitas, ketuntasan dalam bergerak menjadi basic pada karya ini, sehingga terbentuk suatu karya tari yang bernuansa kebaharuan. Harapan dari pencipta melalui karya ini agar dapat dijadikan inspirasi dan panutan bagi generasi muda di dalam berkesenian.    
ABURU SATA Karyana, I Made Dendi Dwi; Sutapa, I Ketut; Suartini, Ni Wayan
Jurnal IGEL : Journal Of Dance Vol 3 No 1 (2023): Terbitan Kesatu Bulan Juni tahun 2023
Publisher : UPT Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/journalofdance.v3i1.2377

Abstract

The Aburu Sata dance is a contemporary dance work that takes the theme of mulat sarira which is inspired by the Balinese folklore of an animal hunter to fulfill his needs, named Lubdaka. The creator is interested in elevating lubdaka’s emotional traits which include feelings of ambition, restlessness and regret. This dance piece is danced by six male dancers with almost the same body posture. The purpose of the creation of this dance work is to criticize the reality in today’s life throught Lubdaka’s story as a source of inspiration, that many people forget their identity and purpose in life because they are still heavily influenced by the Sad Ripu nature eithin themselves. The method of creation used in creating this dance work is using the Alma M. Hawkins method wich includes exploration, improvisation,forming, because this method is easier for creators to unsderstand to use as a method of creating art. This dance work uses minimalist make up and clothing including udeng, ¾ length pants, shirt, belt, rempel sesaputan, kamen kancut, bracelets, anklets. It is hoped that this dance work will become a performing art that can be enjoyed by people of all groups and can understand that Balinese folkore is not only a story or a night tale, but a story that contains meaning and moral values that are a reflection for us to improve ourselves so that wecan live to be better.   Keywords: Aburu Sata, Emotional nature, Dance work
Tari Wrrdhining Endek Kusuma, Putu Werdhi; Trisnawati, Trisnawati; Suartini, Ni Wayan
Jurnal IGEL : Journal Of Dance Vol 4 No 1 (2024): Jurnal IGEL Vol 4 No 1 2024
Publisher : UPT Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jijod.v4i1.4199

Abstract

The Wrrdhining Endek dance work is a new dance creation inspired by the development of typical Balinese woven cloth, namely endek cloth, which was developed by the creator with his creativity and imagination. The process of creating this dance work uses the Alma M. Hawkins method whose stages consist of an exploration stage, an improvisation stage, a forming stage and packaged into a new creative dance form danced by six dancers including three male dancers and three female dancers with a duration of 11 minutes 50 seconds. Wrrdhining Endek Dance make-up uses minimalist dance make-up to clarify the character that you want to highlight. By creating the Wrrdhining Endek Dance Work, the creator hopes that all people, especially on the island of Bali, will be proud and be able to take better care of the traditional cloth that we have, namely Endek cloth, because we have endek cloth, we wear it and we are proud. And the creator hopes that in the future the relationship between the creator and the Gumiart Bali Art Studio can remain good and collaborate again.
Co-Authors Agustinus Dei Anak Agung Istri Ari Atu Dewi Antara, I Wayan Joni Ariyani, Ni Wayan Diah Apriliani Dyah Kustiyanti Erawati, Ni Luh Putu Sri Haryati, Ni Putu Sri I Gede Mawan I Gede Sedana Arta I Gede Yudarta, I Gede I Kadek Darmayasa I Ketut Sariada, I Ketut I Ketut Sutapa I Ketut Sutapa I Komang Tri Ray Dewantara I Kt. Suteja I Made Dendi Dwi Karyana I Nyoman Gede Supraptha I Putu Ananta Wira Adhyatma I.M. Mega Ida Ayu Trisnawati Idah Ayu Wulandari Kadek Dian Vanagosi Karyana, I Made Dendi Dwi Ketut Tara Listiawan Komang Asri Pratiwi Korry, Putu Dyah Permata Kustiyanti, Dyah Kusuma, Putu Werdhi Laksmi, Ni Putu Andini Desiyanti Listiawan, Ketut Tara N.L.R. Purnawan Ni Kadek Dila Ardianingsih Ni Komang Sri Wahyuni ., Ni Komang Sri Wahyuni Ni Made Putri Nanda Prasetya Ni Made Ruastiti Ni Nyoman Candraasih Kusumawati Ni Puru Yuli Tresna Dewi Ni Putu Ayu Aneska Rastini Dewi Ni Putu Riza Kurnia Indriana Ni Wayan Manik Parwati Ni Wayan Yessi Agustian Pande Ketut Ayu Windasari Parta, I Ketut Purbawa, I Pande Komang Manik Rani Franciska, Ni Luh Putu Sucandrawati, Ni Luh Ketut Ayu Sudha Sulistyani Sulistyani Sulistyani Sulistyani Sulistyani Sumiati, Ni Ketut Supraptha, I Nyoman Gede Surati, I Gusti Ayu Suryani, Ni Nyoman Manik Trisnawati Trisnawati Wahyuni, Ni Komang Sri Wati, Indah Windasari, Pande Ketut Ayu