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All Journal Kertha Wicara : Journal Ilmu Hukum Buletin Udayana Mengabdi SURYA SENI IJCAS (International Journal of Creative and Arts Studies) KALANGWAN Segara Widya: Jurnal Penelitian Seni JURNAL PENDIDIKAN TAMBUSAI Journal on Education Jurnal Pendidikan Kesehatan Rekreasi Jurnal Review Pendidikan dan Pengajaran (JRPP) International Journal of Business, Law, and Education Jurnal Minfo Polgan (JMP) JURNAL SKALA HUSADA: THE JOURNAL OF HEALTH Journal of Innovation Research and Knowledge Abdi Widya: Jurnal Pengabdian Masyarakat Jurnal Igel: Journal of Dance KONTAN: Jurnal Ekonomi, Manajemen dan Bisnis
Ni Wayan Suartini
Institut Seni Indonesia Denpasar
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Dentistry Economics, Econometrics & Finance Education Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Medicine & Pharmacology Neuroscience Nursing Physics Public Health Social Sciences Other

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Tari Cakrângga, Mengkaitkan Bentuk Chakrasana Dengan Cakra Manggilingan Ke Tari Kontemporer Wahyuni, Ni Komang Sri; Kustiyanti, Dyah; Suartini, Ni Wayan
Jurnal IGEL : Journal Of Dance Vol 2 No 2 (2022): Terbitan Kedua Bulan November tahun 2022
Publisher : UPT Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1148.535 KB) | DOI: 10.59997/journalofdance.v2i2.1880

Abstract

Karya Tari Cakrângga merupakan karya tari kontemporer dengan tipe tari studi gerak dan berawal dari pengalaman pribadi pencipta pada tahun 2018. Karya tari ini memfokuskan pada bentuk dari Chakrasana dengan istilah lain disebut dengan kayang, bentuk lengkungan tersebut dikembangkan oleh pencipta dengan kreativitas dan imajinasinya. Terbentuknya karya tari ini dalam kurikulum baru yakni MBKM (Merdeka Belajar-Kampus Merdeka) yang bekerja sama dengan Mitra Bumi Bajra Sandhi. Proses penciptaan karya tari menggunakan metode konstruksi Jacqueline Smith, yang terdiri dari lima metode konstruksi yaitu metode konstruksi I sampai dengan metode konstruksi V, berbentuk karya kelompok berjumlah lima orang penari, yaitu tiga penari pria dan dua penari wanita dengan durasi karya kurang lebih 11 menit. Bentuk gerak pada chakrasana yang merupakan bahan yang dijadikan konsep pada karya tari ini, difokuskan pada bentuk dari lengkungan yang dihasilkan oleh pencipta, merupakan tantangan dalam bereksperimen mengunakan tubuh manusia sebagai medianya. Fleksibelitas, ketuntasan dalam bergerak menjadi basic pada karya ini, sehingga terbentuk suatu karya tari yang bernuansa kebaharuan. Harapan dari pencipta melalui karya ini agar dapat dijadikan inspirasi dan panutan bagi generasi muda di dalam berkesenian.    
ABURU SATA Karyana, I Made Dendi Dwi; Sutapa, I Ketut; Suartini, Ni Wayan
Jurnal IGEL : Journal Of Dance Vol 3 No 1 (2023): Terbitan Kesatu Bulan Juni tahun 2023
Publisher : UPT Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/journalofdance.v3i1.2377

Abstract

The Aburu Sata dance is a contemporary dance work that takes the theme of mulat sarira which is inspired by the Balinese folklore of an animal hunter to fulfill his needs, named Lubdaka. The creator is interested in elevating lubdaka’s emotional traits which include feelings of ambition, restlessness and regret. This dance piece is danced by six male dancers with almost the same body posture. The purpose of the creation of this dance work is to criticize the reality in today’s life throught Lubdaka’s story as a source of inspiration, that many people forget their identity and purpose in life because they are still heavily influenced by the Sad Ripu nature eithin themselves. The method of creation used in creating this dance work is using the Alma M. Hawkins method wich includes exploration, improvisation,forming, because this method is easier for creators to unsderstand to use as a method of creating art. This dance work uses minimalist make up and clothing including udeng, ¾ length pants, shirt, belt, rempel sesaputan, kamen kancut, bracelets, anklets. It is hoped that this dance work will become a performing art that can be enjoyed by people of all groups and can understand that Balinese folkore is not only a story or a night tale, but a story that contains meaning and moral values that are a reflection for us to improve ourselves so that wecan live to be better.   Keywords: Aburu Sata, Emotional nature, Dance work
Tari Wrrdhining Endek Kusuma, Putu Werdhi; Trisnawati, Trisnawati; Suartini, Ni Wayan
Jurnal IGEL : Journal Of Dance Vol 4 No 1 (2024): Jurnal IGEL Vol 4 No 1 2024
Publisher : UPT Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jijod.v4i1.4199

Abstract

The Wrrdhining Endek dance work is a new dance creation inspired by the development of typical Balinese woven cloth, namely endek cloth, which was developed by the creator with his creativity and imagination. The process of creating this dance work uses the Alma M. Hawkins method whose stages consist of an exploration stage, an improvisation stage, a forming stage and packaged into a new creative dance form danced by six dancers including three male dancers and three female dancers with a duration of 11 minutes 50 seconds. Wrrdhining Endek Dance make-up uses minimalist dance make-up to clarify the character that you want to highlight. By creating the Wrrdhining Endek Dance Work, the creator hopes that all people, especially on the island of Bali, will be proud and be able to take better care of the traditional cloth that we have, namely Endek cloth, because we have endek cloth, we wear it and we are proud. And the creator hopes that in the future the relationship between the creator and the Gumiart Bali Art Studio can remain good and collaborate again.
HUBUNGAN ANTARA PENGETAHUAN IBU TENTANG IMUNISASI LANJUTAN DENGAN STATUS IMUNISASI PADA ANAK USIA 25-30 BULAN Suartini, Ni Wayan; Erawati, Ni Luh Putu Sri; Budiani, Ni Nyoman
Journal of Innovation Research and Knowledge Vol. 4 No. 12: Mei 2025
Publisher : Bajang Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53625/jirk.v4i12.9496

Abstract

Abstract: Immunization is an effort to increase the body's immunity to disease. In Puskesmas Selat in 2023, measles booster immunization coverage reached 91.27% and DPT booster 92.46% for children aged 25-30 months. This study aims to determine the relationship between the level of maternal knowledge about follow-up immunization and the immunization status of children aged 25-30 months at Puskesmas Selat. The study used a cross-sectional method with a sample of mothers who had children aged 25-30 months. Data was collected in September-November 2024 through questionnaires and MCH book, using random sampling technique. A total of 65.9% of respondents had good knowledge, while 34.1% were less good. Complete immunization status was found in 78% of respondents, while 22% were incomplete. Chi-square analysis showed a significant relationship between maternal knowledge and immunization status (p<0.001). In conclusion, there is a relationship between maternal knowledge about follow-up immunization and immunization status of children aged 25-30 months. It is hoped that further education can improve maternal knowledge and encourage complete immunization.
Discovery in the Pramesti Ulangun Dance: A Possibility for Innovation in the Form of Balinese Dance Creations Suryani, Ni Nyoman Manik; Suartini, Ni Wayan; Parta, I Ketut
IJCAS (International Journal of Creative and Arts Studies) Vol 11, No 1 (2024): June 2024
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v11i1.11022

Abstract

This article is dedicated to exploring the novelty of Pramesti Ulangun as a Balinese dance. Pramesti Ulangun presents a new Balinese dance for entertainment purposes. However, as a new dance, some audiences in Bali still doubt that this dance is a new dance. The problems are: 1) How is the process of creating the Pramesti Ulangun dance? 2) What is the form of discovery in the Pramesti Ulangun dance? 3) What are the advantages of discovery in the Pramesti Ulangun dance? Qualitative approaches were used to carry out this research. All primary data were collected through observation and interviews with informants. The data set is strengthened by the data obtained from the literature study. All data were analyzed qualitatively by using dance creation process theory and reception theory. The results of the research show: 1) the Pramesti Ulangun dance was created starting from an exploration of the story in the kakawin Niti Sastra. The next stage was experimentation and motion improvisation based on the choreographer's understanding of the characteristics of the God character from kakawin Niti Sastra. This dance choreography was then formed and tested with the dancers with the help of composers and traditional Balinese gamelan musicians. After that, the final form of the Pramesti Ulangun dance choreography was tested by involving dancers, musicians, and the audience; 2) Discovery in the Pramesti Ulangun dance can be seen from the combination of costumes, make-up, choreography, music, story, and various movements; 3) The advantage of discovery in the Pramesti Ulangun dance is the formation of movements and the meaning of the tale message.Kebaruan dalam Tari Pramesti Ulangun: Sebuah Peluang Inovasi Seni Pertunjukan Kreasi Bali Abstrak Artikel ini didedikasikan untuk mengeksplorasi unsur kebaruan Pramesti Ulangun sebagai tarian Bali. Tari Pramesti Ulangun merupakan sebuah tari kreasi Bali yang baru untuk hiburan. Namun, sebagai sebuah tarian baru, sebagian penonton di Bali masih ragu jika tarian ini merupakan tarian baru. Permasalahannya adalah : 1) Bagaimana proses terciptanya tari Pramesti Ulangun?; 2) Bagaimana bentuk kebaruan dalam tari Pramesti Ulangun?; 3) Apa kelebihan kebaruan dalam tari Pramesti Ulangun?. Metode kualitatif telah digunakan untuk melakukan penelitian ini. Seluruh data primer dikumpulkan melalui observasi dan wawancara terhadap informan. Kumpulan data tersebut diperkuat dengan data yang diperoleh dari studi literatur. Seluruh data dianalisis secara kualitatif dengan menggunakan teori proses penciptaan tari dan teori resepsi. Hasil penelitian menunjukkan : 1) tari Pramesti Ulangun tercipta bermula dari eksplorasi cerita dalam kakawin Niti Sastra. Tahap selanjutnya adalah eksperimen dan improvisasi gerak berdasarkan pemahaman koreografer terhadap Tuhan dalam kakawin Niti Sastra. Koreografi tari ini kemudian dibentuk dan diuji-coba kepada para penari dengan bantuan komposer dan penabuh gamelan tradisional Bali. Setelah itu, dilakukan uji coba bentuk akhir koreografi tari Pramesti Ulangun dengan melibatkan penari, pemusik dan penonton.; 2) Kebaruan dalam tari Pramesti Ulangun dapat dilihat dari perpaduan kostum, tata rias, koreografi, musik, cerita dan berbagai gerak; 3) Keunggulan kebaruan dalam tari Pramesti Ulangun adalah terbentuknya formasi gerak baru dan makna pesan kisah mitologi.
Analisis Faktor yang Berhubungan dengan Kejadian Stunting pada Anak Usia Dibawah Lima Tahun di Desa Belandingan Kintamani Bangli Tahun 2020 Ariyani, Ni Wayan; Suartini, Ni Wayan; Surati, I Gusti Ayu; Erawati, Ni Luh Putu Sri
Jurnal Skala Husada : The Journal of Health Vol 21, No 1 (2024): Jurnal Skala Husada (JSH)-The Journal of Health
Publisher : Poltekkes Kemenkes Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33992/jsh:tjoh.v21i1.3296

Abstract

Stunting is one of the nutritional problems in children characterized by their height is below -2 SD. The purpose of this research is to analyze factors related to stunting incidence in toddlers in Belandingan Village Kintamani Bangli. This crossectional study method involves 112 mothers and toddlers aged 0-59 months. Data collected in the month April 2021. The data was collected using questionnaire sheets. Data analysis uses chi-square and binary logistic regression. The results are mother age when pregnance factors (p=0.01), family income (p=0.000), and mother knowledge about nutrition (p=0.000) are significantly associated with stunting incidence in toddlers. Mother education factors (p=0.872), mother job (p=0.065), and child sex are not associated with stunting incidence in toddlers. The conclusion of this study found a significant relationship between are mother age when pregnance factors, family income, and mother knowledge about nutrition with stunting incidenc in toddlers
PENGARUH PERPUTARAN MODAL KERJA DAN PERPUTARAN TOTAL ASSET TERHADAP PROFITABILITAS PADA PERUSAHAAN MANUFAKTUR PT SEMEN INDONESIA (PERSERO) Tbk. YANG TERDAFTAR DI BURSA EFEK INDONESIA Purbawa, I Pande Komang Manik; Suartini, Ni Wayan; Laksmi, Ni Putu Andini Desiyanti
Jurnal Review Pendidikan dan Pengajaran Vol. 7 No. 4 (2024): Vol. 7 No. 4 Tahun 2024
Publisher : LPPM Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/jrpp.v7i4.34334

Abstract

Penelitian ini bertujuan untuk menguji pengaruh perputaran modal kerja dan perputaran total asset terhadap profitabilitas pada perusahaan manufaktur PT Semen Indonesia Tbk. Penelitian ini dilaksanakn pada perusahaan manufaktur PT Semen Indonesia Tbk. di Bursa Efek Indonesia periode 2019-2023 dengan judul “Pengaruh Perputaran Modal Kerja dan Perputaran Total Asset terhadap Profitabilitas Perusahaan Manufaktur PT Semen Indonesia (Persero) Tbk. Terdaftar di Bursa Efek Indonesia Penelitian ini menggunakan data kuantitatif, dengan sumber data sekunder. PT Semen Indonesia Tbk merupakan populasi penelitian ini, dengan mengambil sampel tahun penelitian selama 5 tahun periode 2019-2023 dan mengambil data berdasarkan laporan keuangan triwulan sehingga jumlah sampel akhir dalam penelitian ini adalah 20 sampel. Dengan menggunakan software SPSS versi 24, metode analisis data yang digunakan adalah: pengujian regresi linier berganda, pengujian asumsi klasik, metode analisis data deskriptif, dan uji koefisien determinasi. Temuan penelitian menunjukkan bahwa Perputaran Modal Kerja memiliki nilai t hitung sebesar -1,063 dengan nilai signifikansi 0,303 yang artinya secara parsial variabel Perputaran Modal Kerja berpengaruh negative dan tidak signifikan terhadap Profitabilitas, variabel perputaran total asset memiliki nilai t hitung sebesar 6,526 dengan nilai signifikansi sebesar 0,001 yang artinya secara parsial variabel perputaran total asset berpengaruh positif dan signifikan terhadap profitabilitas, dan secara simultan Perputaran modal kerja dan perputaran total asset memiliki nilai F hitung sebesar 102,855 dan nilai dignifikansi 0,001 yang artinya kedua variabel berpengaruh positif dan signifikan terhadap profitabilitas. Dalam uji determinasi didapatkan bahwa angka Adjusted R square atau koefisien derterminasi  (R2) adalah bernilai positif yaitu 0,924 berarti 92,4%. Sedangkan sisanya sebesar 7,6% dijelaskan oleh variabel – variabel lain yang tidak diteliti dalam penelitan ini, hal ini berarti variabel bebas sama mampu menjelaskan varian dari variabel terikatnya.
Co-Authors Agustinus Dei Anak Agung Istri Ari Atu Dewi Antara, I Wayan Joni Ariyani, Ni Wayan Diah Apriliani Dyah Kustiyanti Erawati, Ni Luh Putu Sri I Gede Mawan I Gede Yudarta, I Gede I Ketut Sariada, I Ketut I Ketut Sutapa I Ketut Sutapa I Kt. Suteja I Made Dendi Dwi Karyana I.M. Mega Ida Ayu Trisnawati, Ida Ayu Kadek Dian Vanagosi Kaharuddin Karyana, I Made Dendi Dwi Ketut Tara Listiawan Korry, Putu Dyah Permata Kustiyanti, Dyah Kusuma, Putu Werdhi Laksmi, Ni Putu Andini Desiyanti Listiawan, Ketut Tara N.L.R. Purnawan Ni Komang Sri Wahyuni ., Ni Komang Sri Wahyuni Ni Made Ruastiti Ni Nyoman Budiani, Ni Nyoman Ni Nyoman Candraasih Kusumawati Ni Putu Ayu Aneska Rastini Dewi Nurul Yaqin Parta, I Ketut Purbawa, I Pande Komang Manik Rani Franciska, Ni Luh Putu Sucandrawati, Ni Luh Ketut Ayu Sudha Sulistyani Sulistyani Sumiati, Ni Ketut Supraptha, I Nyoman Gede Surati, I Gusti Ayu Suryani, Ni Nyoman Manik Trisnawati Trisnawati Wahyuni, Ni Komang Sri Wati, Indah Windasari, Pande Ketut Ayu Yuni T, Veronika