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All Journal Jurnal Bahasa dan Sastra Poetika: Jurnal Ilmu Sastra ARABIYAT Shaut Al-'Arabiyah ATAVISME JURNAL ILMIAH KAJIAN SASTRA Kajian Linguistik dan Sastra OKARA: Jurnal Bahasa dan Sastra International Journal of Science and Applied Science: Conference Series Arabi : Journal of Arabic Studies Adi Widya : Jurnal Pengabdian Masyarakat Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Adabiyyat: Jurnal Bahasa dan Sastra LISANIA: Journal of Arabic Education and Literature Sirok Bastra alfazuna: Jurnal Pembelajaran Bahasa Arab dan Kebahasaaraban The Journal of Society and Media REiLA: Journal of Research and Innovation in Language Al-Fathin: Jurnal Bahasa dan Sastra Arab Hijai - Journal on Arabic Language and Literature ADDIN JILSA (Jurnal Ilmu Linguistik dan Sastra Arab) Jurnal Kajian Seni Indonesian Community Journal Jurnal bahasa, sastra, seni, dan pengajarannya Analisa: Journal of Social Science and Religion Middle Eastern Culture & Religion Issues Al-Muyassar: Journal of Arabic Education Pariwisata Budaya: Jurnal Ilmiah Pariwisata Agama dan Budaya Prosiding Seminar Nasional Universitas Ma Chung Paradigma: Jurnal Kajian Budaya Leksema: Jurnal Bahasa dan Sastra Journal of Arabic Language and Literature Studies Barista : Jurnal Kajian Bahasa dan Pariwisata SATHAR: JURNAL PENDIDIKAN BAHASA DAN SASTRA ARAB Dinika: Academic Journal of Islamic Studies. Translation and Linguistics Jurnal bahasa, sastra, seni, dan pengajarannya CMES (Center of Middle Eastern Studies)
Eva Farhah
Universitas Sebelas Maret
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Chemistry Computer Science & IT Economics, Econometrics & Finance Education Engineering Environmental Science Languange, Linguistic, Communication & Media Library & Information Science Mathematics Physics Public Health Social Sciences Other

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POTRET NAJIB MACHFUDZ: LINGKUNGAN SOSIAL POLITIK DALAM NOVEL LAYALI ALFU LAILAH Farhah, Eva; Nugraha, Reza Sukma; Anis, Muh. Yunus; Hidayati, Nurul
Hijai - Journal on Arabic Language and Literature Vol 7 No 1 (2024): Hijai - Journal on Arabic Language and Literature
Publisher : Bahasa dan Sastra Arab, Fakultas Adab dan Humaniora, UIN Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/hijai.v7i1.15111

Abstract

AbstrakLayali Aluf Lailah merupakan karya sastra yang sarat akan permasalahan-permasalahan social masyarakat Arab. Karya ini merupakan karya seorang Sastrawan besar, yaitu Najib Machfudz yang telah mendapatkan hadiah Novel pada masanya. Melalui karya ini, Najib Machfudz memotret kehidupan masyarakat dan segela kepelikannya. Oleh karena itu, pendekatan yang tepat untuk mengungkapkan masalah-masalah social yang terdapat di dalam karya tersebut adalah pendekatan sosiologi sastra. Yaitu suatu pendekatan yang memfokuskan amatannya pada permasalahan social yang terjadi di masyarakat dengan metode sosiologi pengarang dan sosiologi karya sastra. Sosiologi pengarang digunakan untuk mengungkapkan latar belakang sosial dan politik pengarang, dalam hal ini Najib Machfudz, dan sosiologi karya sastra digunakan untuk menemukan dan mengungkapkan permasalahan-permasalahan sosial yang ada di dalam karya sastra.Metode penelitian yang digunakan adalah metode deskriptif kualitatif. Dengan cara mengungkapkan kemudian deskripsikan latar belakang kehidupan pengarang dan permasalahan-permasalahan sosial, maka akan menghasilkan alternative-alternatif solusi yang ditawarkan oleh pengarang atas permasalahan sosial yang terjadi di tengah-tengah masyarakat. Tentunya penelitian ini menjadi potret yang dapat diteladani bagi masyarakat Indonesia dalam menghadapi permasalahan-permasalah yang terjadi, khususnya krisis kepemimpinan yang diidamkan dapat memberikan kesejahteraan bagi masyarakat. Inilah novelty dari penelitian yang dilakukan.
Persecution of Non-Monogamous Offenders in the Cancel Culture Phenomenon on Social Media Muhammad Noval Abdul Rozak; Sri Kusumo Habsari; Eva Farhah
The Journal of Society and Media Vol. 9 No. 1 (2025): Social Media Bridged the Gap
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/jsm.v9n1.p97-120

Abstract

Cancel culture is an act of mass cancellation or boycott experienced by public figures. Arawinda Kirana is one of the public figures who experienced cancel culture. She is considered to have committed an act of infidelity, which most netizens think is wrong. This research aims to reveal the form of power relations in the cancel culture phenomenon in social media. In Arawinda's case, data will be taken as screenshots in social media posts; then, a qualitative approach will be used to examine the data. This study found that cancel culture has a form of power relations between netizens and their targets. The netizen has the knowledge that tries to dominate the party, which is considered wrong. Generally, society is dominated by beliefs that believe that loyalty in intimate relationships is only in the form of monogamy. Infidelity as a form of non-monogamous relationship will be the target of public hatred. Therefore, if there are members of the public who are public figures, they will receive criticism, one of which is through cancel culture. The study employs thematic content analysis to classify collected data, revealing that cancel culture is driven by the belief that monogamous relationships are the only valid form.
Citra Diri Para Tokoh Pemerintah Dalam Cerpen Asy-Syarr Al-Ma’būd Karya Najib Machfuzh Hanifa, Shaniasofi Zarra; Farhah, Eva
Middle Eastern Culture & Religion Issues Vol 4 No 1 (2025): Edisi 1 - 2025
Publisher : Middle Eastern Studies Program, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/mecri.v4i1.20713

Abstract

This study was conducted with the aim of examining the self-image of government figures contained in the text of the short story A'sy-Syarru al-Ma'bud by Najib Machfudz. The self-image is revealed by using a qualitative descriptive method by utilizing the concept of self-image theory from Jonathon D. Brown. The research technique was carried out by means of library techniques, recording and classifying data in accordance with the formulation of the problem discussed, namely how the self-image of government figures is presented in this short story. The results of this study show that the self-image of government figures, namely, the character of Judge Sumar is found based on physical aspects imaged as a male character, based on social aspects imaged as a judge and based on psychological aspects imaged as hardworking, honest, determined and responsible. The image of Police Officer Ram based on physical aspects is portrayed as a male character, based on social aspects is portrayed as a policeman and based on psychological aspects is portrayed as hardworking, honest, determined and responsible. Doctor Chatib's image is portrayed as a male character, based on social aspects he is portrayed as a doctor and based on psychological aspects he is portrayed as hardworking, honest, determined and responsible.
A PariwiPARIWISATA ADAT PESISIR: EKSPLORASI NILAI-NILAI TRADISIONAL DALAM UPACARA NADRAN INDRAMAYU sata Adat Pesisir: Eksplorasi Nilai-Nilai Tradisional dalam Upacara Nadran Indramayu Suhaeb, Isad; Eva Farhah
Jurnal Pariwisata Budaya: Jurnal Ilmiah Pariwisata Agama dan Budaya Vol 10 No 2 (2025): Volume 10 No 2
Publisher : UHN IGB Sugriwa Denpasar

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Abstract

The Nadran ceremony is an annual tradition among coastal communities in Indramayu, serving as an expression of gratitude to God for abundant marine harvests. This ritual reflects rich local cultural values such as social solidarity, maritime spirituality, and marine environmental preservation. This study aims to explore the traditional values embedded in the Nadran ceremony and its potential as a cultural tourism attraction. A qualitative approach was employed, using participatory observation, in-depth interviews, and visual documentation techniques. The findings reveal that Nadran functions not only as a religious ritual but also as a means of expressing the collective identity of coastal communities. Its potential as a cultural tourism attraction is significant if managed participatively and sustainably. The involvement of local communities in preservation efforts and the contextual packaging of the attraction are key to developing traditional tourism based on local values. These findings are expected to enhance understanding of the integration between local cultural preservation and sustainable tourism development in coastal areas.
Tindak Tutur Ilokusi dalam Khotbah Idul Adha di Alun-Alun Kabupaten Sragen Tahun 2024 Hidayati, Tri Yanti Nurul; Farhah, Eva; Arifuddin, Arifuddin; Arummi, Afnan; Nugraha, Reza Sukma; Luthfi, Khabibi Muhammad; Anis, Muhammad Yunus; Ridwan, Muhammad
JILSA (Jurnal Ilmu Linguistik dan Sastra Arab) Vol. 8 No. 2 (2024): Oktober
Publisher : Fakultas Adab dan Humaniora UIN Sunan Ampel Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15642/jilsa.2024.8.2.101-113

Abstract

Language is a means of communication used by people to interact. There are two types of communication, namely one-way communication and two-way communication. Sermons are an example of one-way communication. This study discusses the forms and functions of illocutionary speech acts in the Eid al-Adha sermon at Sragen Regency Square in 2024. The purpose of this study is to describe the forms and functions of illocutionary speech acts included in the Eid al-Adha sermon at Sragen Regency Square in 2024. The subject of this study is the illocutionary speech act in the Eid al-Adha sermon. The data in this study are speeches containing illocutionary acts in the Eid al-Adha sermon. This study uses the pragmatic equivalent method, which is recording and note-taking techniques. The results of this study show that the illocutionary speech acts used by khaṭīb during his sermon are assertive, directive, commisive, expressive, and declarations. The expressiveness of the Eid al-Adha sermon is to suggest, confirm, and inform. The directive function found is to request. The commisive function found is to guarantee. The expressive function is to praise. At the same time, the explanatory form of the Eid al-Adha sermon has a state function. In the Eid al-Adha sermon, utterances in the form of declarative sentences are frequently used. Those that are rarely used are commisive forms.
PENGEMBANGAN TEMA DALAM BUKU AL-QIRA'AH AR-RASYIDAH UNTUK PELATIHAN MENULIS KREATIF BAHASA ARAB Anis, Muhammad Yunus; Arifuddin, Arifuddin; Farhah, Eva
Arabiyat : Jurnal Pendidikan Bahasa Arab dan Kebahasaaraban Vol. 2 No. 2 (2015)
Publisher : Syarif Hidayatullah State Islamic University of Jakarta, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/a.v2i2.2090

Abstract

Developing theme in a text of Arabic reading is the basis in a creative writing. By understanding the pattern of theme development in a text, beginner who wants to write in Arabic is easier in arranging the idea. This article is a research to see a great correlation between thematic progression with the creative writing in Arabic. The book taken as sample was al-Qirâ’ah al-Râsyidah which is used in MAN Karang Anyar and MAN 1 Surakarta. Related to the rheme in developing the theme, the students of both school wrote their daily activity by using thematic progression patterns. The result of the study showed that there is a great correlation between thematic progression pattern with the creative writing in Arabic.DOI: 10.15408/a.v2i2.2090
Children's Rights and Resistance to Hegemony in the Lebanese Film Capernaum by Nadine Labaki Nugraha, Reza Sukma; Farhah, Eva; Arifuddin, Arifuddin
Arabi : Journal of Arabic Studies Vol. 9 No. 1 (2024)
Publisher : IMLA (Arabic Teacher and Lecturer Association of Indonesia)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24865/ajas.v9i1.704

Abstract

Nadine Labaki's Capernaum represents the impact of poverty on the fulfillment of children's rights. In this article, the issue of poverty and its social consequences are analyzed through the story of the main character Zain, a street child who struggles with all forms of poverty in Lebanon. Using Gramsci's theory of hegemony, the research reveals how poverty, as a form of economic hegemony, affects children's lives and how they resist these conditions in their capacity as children. The analysis focuses on the representation of poverty and its influence on the fulfillment of children's rights, especially the rights to survival, protection, development, and participation. The research findings show that the film creates awareness of social issues, such as poverty and children's rights, and encourages children as members of society to take concrete actions against the hegemony. It is also a critique of the power that overrides children's rights and considers children as passive objects in society.
Empowering the Arabic – Javanese translation as an indigenous language protection in Asia toward the books of Islamic moral ethic Anis, Muhammad Yunus; Arifuddin, Arifuddin; Farhah, Eva; Malik, Abdul
Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Vol. 44, No. 1
Publisher : citeus

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Abstract

This article was undertaken to investigate the moral ethics learned in the Arabic-Javanese translation text, and how this model of translation can be the main aspect of protecting the indigenous/natural/mother language in Indonesia as a main potential of Asian Cultural Heritage. The data of this research is a Arabic – Javanese translation texts and also some units of language inside the texts. The result of this article shows that there is a connection line between empowering of Arabic Javanese translation and protecting the indigenous language.
SOCIAL CRITICISM IN YUSUF IDRIS' SHORT STORY 'ANA SULTANU QANUNI AL-WUJUDI' Tanzila, Najma; Farhah, Eva
Leksema: Jurnal Bahasa dan Sastra Vol. 10 No. 2 (2025)
Publisher : UIN Raden Mas Said Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22515/ljbs.v10i2.11460

Abstract

Social criticism in literary works functions as a medium for authors to highlight various societal issues, particularly deviations within social reality. The short story Anā Sulṭānu Qānūni al-Wujūdi by Yusuf Idris exemplifies this by presenting social criticism through animal symbolism. This study employs a descriptive-analytical approach consisting of three stages: data collection, data analysis, and conclusion drawing. The findings reveal four forms of social criticism based on Soerjono Soekanto’s classification, namely criticism of youth (apathy and resistance), poverty, bureaucracy, and crime. These forms of criticism are expressed through the figure of a lion in the circus arena, interpreted as a symbol of various social issues within society.
TRANSFORMATION OF ‘MOOIE INDIË’ VISUAL DISCOURSE THROUGH RADEN SALEH’S PAINTING ‘MERAPI, ERUPTION BY DAY’ Krisnambudi, Dionisius; Habsari, Sri Kusumo; Farhah, Eva
Jurnal Kajian Seni Vol 12, No 2 (2026): Jurnal Kajian Seni Vol 12 No 2 April 2025
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jksks.104551

Abstract

This study examines the transformation of the “beautiful Indies” (mooie Indië) visual discourse through Raden Saleh’s painting “Merapi, Eruption by Day”. The “beautiful Indies” style celebrated an idealized vision of the Dutch East Indies, raising questions about the influence of late-romantic European on Indigenous artists such as Raden Saleh. The research employs a qualitative and interpretive design grounded in Pierre Bourdieu’s theory of structuration. This framework enables a deconstruction of colonial aesthetic orders and the dynamics of symbolic power embedded in the ‘mooie Indië’ tradition. Methodologically, the study integrates heuristic and source criticism to contextualize colonial discourse, and montage analysis to reinterpret art elements of Raden Saleh’s painting, thereby exposing tensions between colonial ideology and artistic agency. Findings reveal that “Merapi, Eruption by Day” both appropriates and subverts the ‘mooie Indië’ aesthetic. Through the lens of Pierre Bourdieu, the painting demonstrates how Raden Saleh’s artistic practice can negotiates structures of domination while asserting symbolic capital for the colonized subject. At the same time, the Mount Merapi motif embodies the romantic sublime, destabilizing orientalist expectations of harmony and exotic natural beauty. Raden Saleh’s work thus transforms the colonial discourse of “the beautiful Indies” into a site of symbolic struggle, where visual strategies articulate resistance and intellectual agency within the colonial field of power.
Co-Authors Abdul Malik Abdul Malik Abdul Malik Afifah Wardatul Jannah Afnan Arummi Alifa Tsamratuz Zahirah An Naufal, Nezard Anis, Muh. Yunus Arifuddin Arifuddin Arifuddin Dardiri, Taufik A Ervina Pradestya Indriyani Fadlil Munawwar Manshur Fadlil Munawwar Manshur Fahyan, Nadila Pradana Febriansyah, Vici Duta Firman Bagus Saputra Gun Gun Gunawan, Gun Gun Hanifa, Shaniasofi Zarra Isad Suhaeb Ismawati Ismawati Khabibi Muhammad Luthfi Krisnambudi, Dionisius Luthfi, Muhammad M. Fahri Andrianto M. Yunus A M.R. Nababan Mibtadin Muhammad Noval Abdul Rozak Muhammad Ridwan Muhammad Yunus Anis Muhammad Yunus Anis Muhammad Yunus Anis Muhammad Yunus Anis Muhammad Yunus Anis Na'afilla Karimah, Najwa Nabilla, Hawa La'ala Nur Aulia Adilahanif Nur Intan Fatmawati Nurul Hidayati Nurzanah, Azka Reza Sukma Nugraha Rizqa Ahmadi, Rizqa Sausa, Luigi Siti Muslifah, Siti Siti Muti'ah Setiawati Sri Kusumo Habsari Suhaeb, Isad Sukmana, Reza Talib, Kartini Aboo Tanzila, Najma Taufik A Dardiri Tri Yanti Nurul Hidayati Tri Yanti Nurul Hidayati Triyanti Nurul Hidayati Umam, Muhammad Asroful Wardani, Yudha Arifan Putra Warto - Yudha Arifan Putra Wardani ِAinia Fatma Afita Sari