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Pengenalan Pengenalan Huruf Dari Tepung Sebagai Stimulasi Literasi Pada Anak Usia Dini Di TK Prawidia Mambal Badung Suryawan, I Gde; Ida Bagus Komang Sindu Putra
PRATAMA WIDYA : Jurnal Pendidikan Anak Usia Dini Vol 11 No 1 (2026): Pratama Widya April 2026
Publisher : UHN I GUSTI BAGUS SUGRIWA DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/pw.v11i1.6360

Abstract

Early literacy is an important foundation in the development of language skills and academic readiness in early childhood. One of the main aspects of early literacy is the ability to recognize letters of the alphabet, which needs to be stimulated through activities that are appropriate to the characteristics of children's development. This study aimed to describe the use of flour as a learning medium in introducing letters of the alphabet and its impact on stimulating early literacy in children at Prawidia Kumara Mambal Kindergarten. This study used a descriptive qualitative approach with 10 children in group B and 2 class teachers as research subjects. Data collection techniques included participatory observation of children's activities during learning activities, semi-structured interviews with teachers to determine perceptions, benefits, and obstacles in implementing activities, and documentation in the form of photographs, children's work, and field notes. Data analysis was carried out through the stages of data reduction, data presentation, and drawing conclusions. The results showed that the use of flour as a medium for introducing letters was able to increase children's interest in learning, active involvement, and concentration, as well as support fine motor development and the ability to recognize letter shapes. Children showed high enthusiasm, courage to try, and an increase in the number of letters recognized. Thus, the use of flour as a material can be an alternative medium for early literacy learning that is innovative, affordable, and appropriate to the characteristics of young children.
Pengembangan APE Jubah Misteri Sebagai Media Stimulasi Aspek Perkembangan Kognitif Ni Putu Eka Diah Okayanti; I Made Gede Anadhi; Ida Bagus Komang Sindu Putra
JCE (Journal of Childhood Education) Vol 7 No 1 (2023): JCE (Journal of Childhood Education) Maret-Agustus 2023
Publisher : Universitas Islam Lamongan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30736/jce.v7i1.1659

Abstract

Kegiatan Permainan disekolah PAUD sangat identik dengan sebuah alat permainan yang dapat mendidik anak. Kurangnya alat perainan yang dapat mendukung pembelajaran menjadi kendala bagi guru-guru di TK Kumara Bhuana Saraswati Klungkung. Permainan Jubah Misteri adalah permainan inovatif yang didalamnya menggabungkan antara Ape Jubah Misteri dengan Rainbow Game dan Kotak Misteri. Tujuan dari penelitian ini mengembangkan permainan “Jubah Misteri” sebagai media stimulasi perkembangan kognitif Anak pada Usia 5-6 Tahun di TK Kumara Bhuana Saraswati Klungkung. Metode penelitian yang digunakan yaitu metode penelitian pengembangan ADDIE (analisis, perancangan, pengembangan, implementasi, dan evaluasi). Sumber data berasal dari guru dan anak di TK Kumara Bhuana Saraswati Klungkung. Dalam penelitian ini data yang diperoleh yaitu secara deskriptif kualitatif dan analisis kuantitatif dengan menggunakan rumus Content Validity Ratio (CVR). Hasil penelitian dengan CVR dari ahli media diperoleh 0,8 dan nilai CVI sebesar 0,975. Penelitian yang dilakukan yaitu sampai pada validasi ahli,  nilai CVR dari ahli materi yaitu sebesar 1 (0,99) dan nilai CVI yaitu  sebesar 1 (0,99). Berdasarkan hasil tersebut maka dapat disimpulkan bahwa media Jubah Misteri valid serta layak untuk digunakan dan diterapkan dalam pembelajaran anak usia dini.
MENINGKATKAN LITERASI LINGKUNGAN ANAK USIA 5-6 TAHUN MELALUI PROJEK ECO ENZYME Ida Ayu Made Herawati; Ida Bagus Komang Sindu Putra; I Wayan Suyanta
Kumara Cendekia Vol 11, No 3 (2023): Kumara Cendekia
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/kc.v11i3.76862

Abstract

Anak usia dini lebih cepat belajar melalui pengalaman nyata. Fase ini memengaruhi pertumbuhan karakter, keterampilan motorik, kemampuan berpikir, bahasa, dan interaksi sosial anak. Kesadaran lingkungan juga ditanamkan pada anak untuk meningkatkan pemahaman tentang literasi lingkungan. Anak diajarkan melalui pembiasaan sederhana seperti membuang dan mengklasifikasikan sampah, dan mengolahnya menjadi eco enzyme. Projek eco enzyme menjadi inisiatif penting dalam menjaga lingkungan. Eco enzyme adalah cairan yang berguna sebagai pembersih alami, pupuk organik, dan pengendali hama, membantu mengurangi dampak negatif sampah pada lingkungan. Tujuan penelitian ini mencakup peningkatan literasi lingkungan anak, penerapan karakter cinta lingkungan melalui Projek Penguatan Profil Pelajar Pancasila (P5), serta pemahaman anak tentang proses pengolahan limbah organik menjadi eco enzyme. Penelitian ini menggunakan metode penelitian tindakan kelas (PTK) dalam dua siklus. Data dikumpulkan melalui observasi guru dan dokumentasi kegiatan anak. Hasilnya dianalisis dengan metode deskriptif kualitatif dan kuantitatif. Hasil penelitian menunjukkan peningkatan signifikan dalam literasi lingkungan anak dari siklus I (55%) menjadi siklus II (83%), dengan peningkatan sebesar 28%. Ini menunjukkan keberhasilan dalam meningkatkan pemahaman lingkungan pada anak usia 5-6 tahun melalui projek eco enzyme. Upaya memanfaatkan waktu luang siswa dan kreativitas guru dalam memanfaatkan alat dan bahan sekitar menjadi faktor keberhasilan dalam mengajarkan anak tentang pentingnya menjaga alam sekitar
Dampak Kejadian Bullying Terhadap Perkembangan Sosial Emosional pada Anak Usia Dini di TK Pelita Desa Ubung Kaja: The Impact of Bullying on Early Childhood Social-Emotional Development at Pelita Kindergarten, Ubung Kaja Village Ni Luh Ayu Ariasih; Ida Bagus Komang Sindu Putra
Indonesian Journal of Early Childhood: Jurnal Dunia Anak Usia Dini Vol. 7 No. 2 (2025)
Publisher : Universitas Ngudi Waluyo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35473/ijec.v7i2.4130

Abstract

Early childhood social and emotional development is part of the aspects of development in children that are closely related to the concept of socializing and emotions in children, it needs to be considered and directed so that its development becomes better over time and the increasing age of the child. During the age of children, especially at the age of 0 to 8 years, individuals are said to be early childhood who are vulnerable to the scope of friendship with play periods that are vulnerable to Bullying or Bullying behavior. Bullying has several forms, namely physical, verbal, and other forms. To prevent and deal with Bullying behavior in early childhood, it is necessary to contribute and coordinate between parents and teachers at school by giving children a firm understanding not to repeat it. Because Bullying behavior has a negative impact on the social-emotional development of Bullying perpetrators and victims of Bullying who are still at an early age. This research was conducted at TK Pelita Desa Ubung Kaja. This research method uses a qualitative method with the stages of observation of Bullying behavior in children and literature studies regarding Bullying cases that occur in early childhood from various scientific sources.   ABSTRAK  Perkembangan sosial emosional anak usia dini merupakan bagian dari aspek perkembangan pada anak yang erat kaitannya dengan konsep bersosialisasi dan emosi pada anak, perlu diperhatikan dan diarahkan agar perkembangannya menjadi lebih baik seiring dengan berjalannya waktu dan bertambahnya usia anak. Pada masa usia anak-anak khususnya pada usia 0 hingga 8 tahun, individu dikatakan sebagai anak usia dini yang rentan dengan ruang lingkup pertemanan dengan masa bermain yang rentan dengan perilaku Bullying atau perundungan. Bullying memiliki beberapa bentuk, yaitu fisik, verbal, dan bentuk lainnya. Untuk mencegah dan menangani perilaku Bullying pada anak usia dini, perlu adanya kontribusi dan koordinasi antara orang tua dan guru di sekolah dengan memberikan pemahaman yang tegas kepada anak untuk tidak mengulanginya. Karena perilaku Bullying memiliki dampak negatif bagi perkembangan sosial emosional pelaku Bullying dan korban Bullying yang masih berusia dini. Penelitian ini dilakukan di TK Pelita Desa Ubung Kaja. Metode penelitian ini menggunakan metode kualitatif dengan tahapan observasi perilaku Bullying pada anak dan studi literatur mengenai kasus Bullying yang terjadi pada anak usia dini dari berbagai sumber ilmiah.
Exploring Sociological Perspectives on Visual Art: The Production and Reception of Artworks Created by Blind Artists Putra, Ida Bagus Komang Sindu; Ghozali, Amir
International Journal of Social Studies Vol. 4 No. 1 (2026): Vol. 4 No. 1 (2026)
Publisher : Fakultas Dharma Duta UHN IGB Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/ijoss.v4i1.6463

Abstract

This study examines visual artworks created by blind and low-vision artists through a sociology of art lens, focusing on two domains. The first concerns how artworks are produced through material strategies and community-based support networks. The second addresses how artworks are received and interpreted by the public, including reception biases that foreground disability as the primary narrative. Using a descriptive qualitative approach, the study draws on semi-structured interviews that were audio-recorded and transcribed, complemented by artifact analysis of documented artworks. The data were analyzed through thematic coding to map patterns of creative adaptation, forms of accompaniment and support, and mechanisms of legitimization through publication and exhibitions. The findings indicate that artistic production integrates residual visual-form memory in a low-vision artist who experienced vision loss during adolescence, tactile control, and material engineering such as the use of textures and clay to construct relief and enhance form readability. In terms of reception, the public frequently frames blind painting practice as “extraordinary” due to the assumption that visual art must rely primarily on sight, causing appreciation to shift toward emotional admiration. The study argues for a fair evaluative framework and curatorial mediation that re-centres interpretation on artistic decisions and production strategies, so that inclusive art moves beyond normative discourse toward evidence-based practice.
DESAIN LOGO SEBAGAI STRATEGI IDENTITAS VISUAL DAN PROMOSI INSTITUSIONAL: STUDI KASUS PROGRAM STUDI DKV UHN SUGRIWA I Putu Adi Saskara; Ida Bagus Komang Sindu Putra; I Putu Adi Natha; Ida Bagus Putu Adi Pratama
Tanra: Jurnal Desain Komunikasi Visual Fakultas Seni Dan Desain Universitas Negeri Makassar Vol 13, No 2 (2026): Agustus
Publisher : Universitas Negeri makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/tanra.v13i2.79078

Abstract

This study examines logo design as a strategic instrument for visual identity and institutional promotion within newly established academic programs. Using a descriptive qualitative approach, data were collected through documentation, visual observation, and semi-structured interviews with the logo designer and program administrators. Analysis was conducted using visual identity theory, design semiotics, and institutional branding frameworks. The findings show that the logo of the Visual Communication Design Study Program at UHN Sugriwa successfully integrates cultural values, academic vision, and local philosophical meanings into its visual elements—shape, color, and typography. The design reflects the institutional narrative inspired by I Gusti Bagus Sugriwa and effectively builds a distinctive, culturally grounded identity. Furthermore, the logo functions as a strategic communication tool that strengthens institutional credibility and enhances promotional efforts aimed at prospective students. This study contributes to the discourse on culturally grounded identity design in higher education and highlights the role of logo design as a strategic component of institutional branding. 
An Initial Formulation of a Tactile-Based Art Creation Method from a Low-Vision Artist's Relief Painting Practice at <i>Yayasan Teratai Bali</i> Putra, Ida Bagus Komang Sindu; Adnyana, I Wayan; Karja, I Wayan; Sujana, I Wayan
Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya
Publisher : citeus

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This article examines the relief painting practice of one low-vision artist at Yayasan Teratai Bali as the basis for an initial formulation of a tactile-oriented visual art creation method. It addresses a methodological gap in inclusive art education and disability art studies, where blind and low-vision individuals are often discussed as learners, participants, or audiences, while their own procedures for making artworks receive less attention. Using an instrumental case study with a descriptive-interpretive orientation, data were collected through repeated observation, informal conversational interviews, artwork and process documentation, close observation of textural details, and contextual workshop documentation. Recurring actions and statements were reviewed, grouped into categories of work sequence, material use, assistance, evaluation, and tactile encounter, and translated into methodological components. The study proposes the Taktil-Raba Cipta Method as a preliminary and contextual framework, not as a broadly validated model for all blind and low-vision artists. The formulation consists of five core creation stages: concept formation from memory and experience, tactile-guided form planning, relief construction and material layering, assisted color access, and haptic evaluation and revision. Shared tactile encounter is positioned as an accessibility and appreciation orientation, not as a core production stage. The findings show that touch functions as a basis for artistic decision-making, the artist's authority remains central, and assistance should support access rather than direct the artwork. The article contributes a practice-derived framework for inclusive visual art education while emphasizing the need for further testing, adaptation, and participatory validation.