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All Journal Rekam : Jurnal, Fotografi, Televisi Animasi Panggung Ideas: Jurnal Pendidikan, Sosial dan Budaya Atrat: Jurnal Seni Rupa Kalatanda : Jurnal Desain Grafis dan Media Kreatif Jurnal Riset Rumpun Seni, Desain dan Media (JURRSENDEM) eProceedings of Art & Design Panggung Journal of Applied Community Service and Innovation Proceeding of Community Service and Engagement Advanced Qualitative Research (AQR)
Teddy Ageng Maulana
Telkom University
Religion Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Nursing Social Sciences Other

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Evolution of Indonesian Islamic Intellectual Fashion in the Early 20th Century: A Visual Narrative Analysis Soni Sadono; Brilindra Pandanwangi; Teddy Ageng Maulana; Danil Kasputra
Advanced Qualitative Research Vol. 1 No. 2 (2023): Advanced Qualitative Research
Publisher : RSF Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31098/aqr.v1i2.1867

Abstract

Throughout Indonesia's history, clothing has served multiple purposes, representing not only social status but also an individual's position in society. From the eras of Hindu-Buddhist influence to the advent of Islam and into the modern era, Indonesian attire has been a canvas colored by evolving customs and cultural shifts. As the 20th century began, a dynamic transformation in clothing styles emerged, spurred by the rise of Indonesian intellectuals in response to Dutch ethical policies. This change was evident among Indonesian Islamic intellectuals as well, where traditional robes and sarongs, once emblematic of Muslim attire, lost their primary significance. This study aims to delve into the fashion choices of Indonesian Islamic intellectuals during the early 20th century. Employing a historical research method comprising four stages—heuristics, criticism, interpretation, and historiography—the research seeks to uncover the influence of Western fashion on these intellectuals' clothing choices. The findings of this study illuminate how Western fashion elements such as suits, ties, hats, and shirts became commonplace among Indonesian Islamic intellectuals during this transformative period.
Konstruksi Maskulinitas dalam Film Seperti Dendam, Rindu Harus Dibayar Tuntas Fathiyah Nurshabrina Rahmah; Dyah Ayu Wiwid Sintowoko; Teddy Ageng Maulana
Rekam Vol 21, No 2 (2025): Oktober 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v21i2.9298

Abstract

Construction of Masculinity in The Movie Vengeance Is Mine, All Others Pay Cash.This study examines the construction of masculinity in the 2021 film “Seperti Dendam, Rindu Harus Dibayar Tuntas” (Vengeance Is Mine, All Others Pay Cash), focusing on the use of cinematographic and mise-en-scene elements to represent fragile masculinity. The film follows Ajo Kawir, a man grappling with childhood trauma that disrupts his sense of masculinity, particularly in terms of sexuality and emotion. This research employs a descriptive qualitative method by analyzing eight selected scenes that reflect aspects of masculinity. The theoretical framework includes cinematography, mise-en-scene, and masculinity theories such as hegemonic masculinity and toxic masculinity. The findings reveal that the film portrays masculinity not only through physical strength but also through vulnerability, especially in confronting sexual crises and emotional conflict. The use of color, lighting, framing, and costume enhances the masculine identity and inner turmoil of the characters. Moreover, the film presents an unconventional gender dynamic, particularly through the character Iteung, who displays strength and dominance, thereby reshaping the power relations between men and women. This analysis offers new insights into the construction of masculinity in Indonesian cinema, emphasizing the role of visual elements in shaping social meaning and masculine identity.
Penguatan Identitas Visual Musholla Sekolah melalui Implementasi Desain Panel Mihrab pada SDN Cipagalo 03 Kabupaten Bandung Mohd Ridho Kurniawan; Desthyo Putra Pangestu; Teddy Ageng Maulana; Giska Meisha Dwisusanti; Saffana Azka Mujaahidah; Soffie Ainun Mardiyah
Journal of Applied Community Service and Innovation Vol. 2 No. 01 (2026): ISSUE JUNI
Publisher : PT. Mifandi Mandiri Digital

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63401/jacsi.v2i01.1312

Abstract

Musholla sekolah memiliki peran penting sebagai fasilitas pendukung pembentukan karakter religius peserta didik. Namun, keberadaan ruang ibadah yang belum didukung elemen interior representatif dapat mengurangi kualitas pengalaman spiritual dan identitas visual ruang. Kegiatan pengabdian kepada masyarakat ini bertujuan meningkatkan kualitas ruang ibadah melalui perancangan dan implementasi panel mihrab sebagai identitas visual Musholla Nurul Ilmi di SDN 03 Cipagalo, Kabupaten Bandung. Metode pelaksanaan meliputi observasi lapangan, wawancara dengan pihak sekolah, identifikasi kebutuhan pengguna, perancangan alternatif desain, visualisasi tiga dimensi, produksi, pemasangan, serta evaluasi hasil kegiatan. Hasil pengabdian berupa perancangan panel mihrab yang dilengkapi dengan unsur identitas islami dapat menjadi focal point ruang musholla sekaligus memberikan kenyamanan dalam beribadah. desain yang proporsi dengan ruang yang terbatas, komposisi visual yang sederhana, dan pemilihan material multipleks finishing HPL dengan sudut tumpul yang ramah anak. Hasil penilaian internal mitra menunjukkan respon positif terhadap hasil kegiatan dan harapan agar pengabdian masyarakat serupa dapat dilanjutkan pada fasilitas sekolah lainnya. Kegiatan ini membuktikan bahwa intervensi desain interior berbasis kebutuhan pengguna dapat menjadi strategi efektif dalam meningkatkan kenyamanan spiritual, kualitas visual, serta citra ruang ibadah pada lingkungan pendidikan dasar.
Praktek Latihan Kreativitas Menggambar Untuk Remaja Karang Taruna Komplek Bumi Pasundan – Arcamanik Kota Bandung dengan Metode Bahasa Rupa Tri Haryotedjo; Didit Endriawan; Donny Trihanondo; Teddy Ageng Maulana
ATRAT: Jurnal Seni Rupa Vol 13 No 1 (2025): INOVASI DAN KREATIVITAS DALAM KARYA DESAIN
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v13i1.4501

Abstract

This drawing activity aims to improve the drawing skills of Karang Taruna youth in the Bumi Pasundan - Arcamanik Complex, Bandung City, through training based on the Visual Language Method. Visual Language is a method that prioritizes visual understanding as an effective means of communication in fine arts, so that participants can develop creativity and drawing skills in a systematic and structured manner. This activity was designed by a lecturer in Creative Industries, Telkom University, who has competence in the fields of art and design. The method used in this activity consists of theory and practice sessions that cover the basics of drawing, exploration of shape and color, and the application of Visual Language principles in visual works. In addition, participants are also encouraged to understand visual elements such as lines, planes, textures, and composition to improve the quality of their work. A participatory approach is applied in this training, where participants are actively involved in discussions and drawing exercises based on personal experiences and their surroundings. With this activity, it is hoped that Karang Taruna youth in the Bumi Pasundan-Arcamanik Complex will be more motivated to continue developing their drawing skills and utilizing them in various fields, such as illustration, graphic design, or other creative arts. This creative activity is also expected to become a model for similar training in other communities, to encourage the development of local arts and culture.
Revitalisasi Bangunan Warisan Belanda Melalui Pendekatan Desain Interior Berkelanjutan Teddy Ageng Maulana
Jurnal Riset Rumpun Seni, Desain dan Media Vol. 5 No. 2 (2026): Jurnal Riset Rumpun Seni, Desain dan Media
Publisher : Lembaga Pengembangan Kinerja Dosen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurrsendem.v5i2.10264

Abstract

Indonesia is rich in Dutch colonial heritage buildings that are not only architecturally valuable but also contain historical narratives that shape local cultural identity. However, modernization and development often lead to physical degradation and the loss of social functions of these buildings. This study aims to formulate a revitalization strategy through a sustainable interior design approach based on adaptive reuse, aesthetic preservation, and community involvement. The method used is a qualitative case study on several objects, including Societeit de Harmonie (Makassar), Lawang Sewu (Semarang), Gedung Kerta Niaga (Jakarta), and Tjolomadoe (Surakarta). Data were collected through document studies, field observations, and source triangulation, analyzed thematically and cross-case analysis. The results show that the success of revitalization is determined by the balance between contemporary relevant adaptive functions, protection of historical character elements, and integration of socio-economic functions that empower local communities. The application of the principle of minimum intervention, compatible new works, and the Historic Urban Landscape (HUL) model proved effective in maintaining authenticity while ensuring functional desirability. These findings provide contextual and practical support for the inclusive, adaptive, and contextual adaptation planning of cultural heritage buildings in Indonesia.
Co-Authors Adrian Permana Zen Aghitsna Maulana, Dzikry Ahmed, Akell Aladina, Autada Alifia, Aura Diffa Fata Alifiardi, Lukman Andrianawati, Aida Ariyantiningsih, Aisyiyah Arnanti Primiana Yuniati Aryaguna, Tastian Naufal Athifa Sri Ismiranti Azzahra, Nadine Putri Baskara, Candra Brilindra Pandanwangi Budiman, Cecep Ramdhan Cahyani, Salsabila Qotrunnada Cucu Retno Yuningsih Danil Kasputra Desthyo Putra Pangestu Didit Endriawan Donny Trihanondo Dyah Ayu Wiwid Sintowoko Erlana Adli Wismoyo Farhan, Aditya Muhammad Fathiyah Nurshabrina Rahmah Filiasari, Theresia Nara Firdaus Azwar Ersyad Giska Meisha Dwisusanti Gumelar, Muhammad Hanina, Fathin Impyaz Hapsari, Annisa Dwi Hernandi, Wira Adhistira Hibatullah, Fikri Nabil Husna, Syinsya Azizah Iqbal Prabawa Wiguna Irwana Zulfia Budiono Jadid, Na’im Kahagi, Chelsea Angelica Koto, Bagindo Ath-Thariq Kuntum Indah Purnama Sari Lakoro, Muhammad Alvaro Putra Mahendra, Rengga Nadif Mardiyah, Annisa Nurul Maryam, Adia Masykur, Hanifah Fajri Mohd Ridho Kurniawan Nahari, Frida Nasution, Lulu Amalia Niken Laksitarini Ningsih, Sri Mulya Nugraha, Drajat Aji Nugraha, Farhan Sayyidan Nurwidhi, Dwiannisa Shafira Nusantari, Alya Paramitha Pebrianti2 Pebrianti2, Paramitha Prasetyo, Dewo Ananda Pratama, Lutfi Hendra Priana, Muhammad Eric Putri, Aiza Selvira Putri, Assyla Dwi Retna Putri, Parvaty Pratiwi Qonita, Azizah Rachmawati, Ranti Rafli, Muhammad Raisa, Ragilia Ramadhani, Avisha Ersya Ramadhita, Rahima Novia Ranti Rachmawanti Riady, Olivia Ruscha Ridwan, Marsha Nabila Rismawati, Nindya Alviona Rizqillah, Aprillayalia Aghnia Saffana Azka Mujaahidah Salimah, Hamidah Sari, Ardhea Maya Soffie Ainun Mardiyah Soni Sadono Subagja, Fadli Ahmad Taruna, Nurrizky Adi Titihan Sarihati Tri Haryotedjo Ully Irma Maulina Hanafiah Zen, Adran Permana