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Praktek Latihan Kreativitas Menggambar Untuk Remaja Karang Taruna Komplek Bumi Pasundan – Arcamanik Kota Bandung dengan Metode Bahasa Rupa Tri Haryotedjo; Didit Endriawan; Donny Trihanondo; Teddy Ageng Maulana
ATRAT: Jurnal Seni Rupa Vol 13 No 1 (2025): INOVASI DAN KREATIVITAS DALAM KARYA DESAIN
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v13i1.4501

Abstract

This drawing activity aims to improve the drawing skills of Karang Taruna youth in the Bumi Pasundan - Arcamanik Complex, Bandung City, through training based on the Visual Language Method. Visual Language is a method that prioritizes visual understanding as an effective means of communication in fine arts, so that participants can develop creativity and drawing skills in a systematic and structured manner. This activity was designed by a lecturer in Creative Industries, Telkom University, who has competence in the fields of art and design. The method used in this activity consists of theory and practice sessions that cover the basics of drawing, exploration of shape and color, and the application of Visual Language principles in visual works. In addition, participants are also encouraged to understand visual elements such as lines, planes, textures, and composition to improve the quality of their work. A participatory approach is applied in this training, where participants are actively involved in discussions and drawing exercises based on personal experiences and their surroundings. With this activity, it is hoped that Karang Taruna youth in the Bumi Pasundan-Arcamanik Complex will be more motivated to continue developing their drawing skills and utilizing them in various fields, such as illustration, graphic design, or other creative arts. This creative activity is also expected to become a model for similar training in other communities, to encourage the development of local arts and culture.
Revitalisasi Bangunan Warisan Belanda Melalui Pendekatan Desain Interior Berkelanjutan Teddy Ageng Maulana
Jurnal Riset Rumpun Seni, Desain dan Media Vol. 5 No. 2 (2026): Jurnal Riset Rumpun Seni, Desain dan Media
Publisher : Lembaga Pengembangan Kinerja Dosen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurrsendem.v5i2.10264

Abstract

Indonesia is rich in Dutch colonial heritage buildings that are not only architecturally valuable but also contain historical narratives that shape local cultural identity. However, modernization and development often lead to physical degradation and the loss of social functions of these buildings. This study aims to formulate a revitalization strategy through a sustainable interior design approach based on adaptive reuse, aesthetic preservation, and community involvement. The method used is a qualitative case study on several objects, including Societeit de Harmonie (Makassar), Lawang Sewu (Semarang), Gedung Kerta Niaga (Jakarta), and Tjolomadoe (Surakarta). Data were collected through document studies, field observations, and source triangulation, analyzed thematically and cross-case analysis. The results show that the success of revitalization is determined by the balance between contemporary relevant adaptive functions, protection of historical character elements, and integration of socio-economic functions that empower local communities. The application of the principle of minimum intervention, compatible new works, and the Historic Urban Landscape (HUL) model proved effective in maintaining authenticity while ensuring functional desirability. These findings provide contextual and practical support for the inclusive, adaptive, and contextual adaptation planning of cultural heritage buildings in Indonesia.
Co-Authors Adrian Permana Zen Aghitsna Maulana, Dzikry Ahmed, Akell Aladina, Autada Alifia, Aura Diffa Fata Alifiardi, Lukman Andrianawati, Aida Ariyantiningsih, Aisyiyah Arnanti Primiana Yuniati Aryaguna, Tastian Naufal Athifa Sri Ismiranti Azzahra, Nadine Putri Baskara, Candra Brilindra Pandanwangi Budiman, Cecep Ramdhan Cahyani, Salsabila Qotrunnada Cucu Retno Yuningsih Danil Kasputra Didit Endriawan Donny Trihanondo Dyah Ayu Wiwid Sintowoko Erlana Adli Wismoyo Farhan, Aditya Muhammad Fathiyah Nurshabrina Rahmah Filiasari, Theresia Nara Firdaus Azwar Ersyad Gumelar, Muhammad Hanina, Fathin Impyaz Hapsari, Annisa Dwi Hernandi, Wira Adhistira Hibatullah, Fikri Nabil Husna, Syinsya Azizah Iqbal Prabawa Wiguna Irwana Zulfia Budiono Jadid, Na’im Kahagi, Chelsea Angelica Koto, Bagindo Ath-Thariq Kuntum Indah Purnama Sari Lakoro, Muhammad Alvaro Putra Mahendra, Rengga Nadif Mardiyah, Annisa Nurul Maryam, Adia Masykur, Hanifah Fajri Mohd Ridho Kurniawan Nahari, Frida Nasution, Lulu Amalia Niken Laksitarini Ningsih, Sri Mulya Nugraha, Drajat Aji Nugraha, Farhan Sayyidan Nurwidhi, Dwiannisa Shafira Nusantari, Alya Paramitha Pebrianti2 Pebrianti2, Paramitha Prasetyo, Dewo Ananda Pratama, Lutfi Hendra Priana, Muhammad Eric Putri, Aiza Selvira Putri, Assyla Dwi Retna Putri, Parvaty Pratiwi Qonita, Azizah Rachmawati, Ranti Rafli, Muhammad Raisa, Ragilia Ramadhani, Avisha Ersya Ramadhita, Rahima Novia Ranti Rachmawanti Riady, Olivia Ruscha Ridwan, Marsha Nabila Rismawati, Nindya Alviona Rizqillah, Aprillayalia Aghnia Salimah, Hamidah Sari, Ardhea Maya Soni Sadono Subagja, Fadli Ahmad Taruna, Nurrizky Adi Titihan Sarihati Tri Haryotedjo Ully Irma Maulina Hanafiah Zen, Adran Permana