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All Journal DIKSI VIVID Journal of Language and Literature Jurnal Gramatika JP-BSI (Jurnal Pendidikan Bahasa dan Sastra Indonesia) TEKNOSASTIK Puitika Titian: Jurnal Ilmu Humaniora El Banar: Jurnal Pendidikan dan Pengajaran Kajian Linguistik dan Sastra Proceeding International Conference on Malay Identity Prosiding Seminar Nasional Humaniora Estungkara: Jurnal Pengabdian Pendidikan Sejarah BAHASTRA Jurnal Sastra Indonesia Arwana: Jurnal Ilmiah Program Studi Perairan
Aprilia Kartika Putri
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Religion Arts Humanities Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Social Sciences Other

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Kode Semiotika Roland Barthes dalam Cerpen “Man Rabuka” Karya A.A. Navis Putra, Yoga Mestika; Amri, Ulil; Fitriah, Siti; Putri, Aprilia Kartika; Triandana, Anggi
Puitika Vol. 21 No. 2 (2025):
Publisher : Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/puitika.v21i2.734

Abstract

Penelitian ini bertujuan untuk mengungkap dan memahami penerapan lima kode semiotika Roland Barthes dalam cerpen A.A. Navis, “Man Rabuka”, yang dipilih karena kekayaannya akan tanda-tanda sosial dan simbol-simbol budaya. Penelitian kualitatif deskriptif ini menerapkan pendekatan objektif dalam menganalisis kata, frasa, dan klausa yang mengandung lima kode Barthes: hermeneutik, konotatif (semes), simbolik, aksian, dan budaya. Hasil analisis menunjukkan bahwa kode-kode tersebut beroperasi secara berlapis untuk membongkar makna tersembunyi dan kritik sosial narasi. Kode hermeneutik menciptakan misteri melalui pertanyaan tentang keheningan desa dan stigma pengkhianat. Kode konotatif mengungkapkan kekosongan spiritual karakter Jamain melalui ekspresi penderitaan batin dan atribusi ironis kualitas surgawi pada keburukan duniawi (opium, tuak). Kode simbolik menyajikan oposisi biner yang runtuh antara Pahlawan (sang kakak) dan narator (Aku), yang pada akhirnya ditiadakan oleh kekuatan Kelupaan. Kode aksian memetakan urutan peristiwa penting, terutama penyiksaan sang pahlawan dan tindakan satir Jamain menyuap Malaikat Kubur. Terakhir, Kode budaya diwujudkan melalui istilah agama dan Minangkabau seperti Tuanku, malin, dan frasa judul Man Rabuka. Kesimpulannya, pendekatan semiotika Barthes berhasil mendekonstruksi “Man Rabuka” sebagai sistem tanda yang kompleks, merefleksikan pandangan dunia penulis dan kritik sosial terhadap masyarakat yang terjebak dalam formalisme dan materialisme.
Narrative structures and platform influences in digital prose: A study of Gérard Genette’s structural narratology and Marie-Laure Ryan’s transmedial narratology Wulandari, Sovia; Fitriah, Siti; Triandana, Anggi; Putri, Aprilia Kartika; Rahariyoso, Dwi
BAHASTRA Vol. 46 No. 1 (2026): BAHASTRA
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26555/bs.v46i1.1741

Abstract

The main aim of this research is to elaborate the narrative structure of digital prose across various online platforms and examine how digital media characteristics influence storytelling forms. A qualitative approach and the integration of Gérard Genette’s structural narratology with Marie-Laure Ryan’s transmedial narratology are applied. The object of this research is the selected texts from Wattpad, Webtoon, Fizzo, and Karyakarsa. The findings of this research show that digital prose tends to apply linear yet accelerated and fragmented narrative structures, characterized by dominant internal focalization and homodiegetic narration to enhance reader engagement. Furthermore, each platform shapes narrative configuration differently. For example, Webtoon emphasizes multimodal and spatialized storytelling, Wattpad facilitates participatory, community-driven narrative; third, Fizzo promotes compressed, fast-paced storytelling; and fourth, Karyakarsa integrates a narrative production with social and economic interaction. These results reveal that digital prose is not simply an extension of printed literature, but it is a platform-dependent narrative form which is shaped by the interaction between textual strategies (narratology structure) and technological affordances (transmedial narratology). This study contributes to digital narratology by highlighting how platform features actively reconfigure narrative structures and reader–text relationships in contemporary storytelling.
Biological status of blue swimming crab population (Portunus pelagicus) in East Aceh Suri Purnama Febri; Andri Yusman Persada; Cici Maulida; Herlina Putri Endah Sari; Kartika Aprilia Putri; Mulia Safrida Sari; Hanisah Hanisah; Suraiya Nazlia; Ika Rezvani Aprita
Arwana: Jurnal Ilmiah Program Studi Perairan Vol 7 No 1: May 2025
Publisher : Program Studi Akuakultur, Fakultas Pertanian, Universitas Almuslim

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51179/jipsbp.v7i1.3299

Abstract

There are many factors that drive the exploitation of blue swimming crab in East Aceh waters. Therefore, appropriate management efforts are needed in order to preserve the life of blue swimming crab. Evaluation of the biological aspects of the blue swimming crab population in East Aceh waters has a major role in drafting regulations. This study aims to determine the biology of the blue swimming crab population in the waters of East Aceh. This research was conducted in June 2024 in the waters of East Aceh. The method used was survey method. Blue swimming crab samples were taken randomly from crab fishermen as much as 10% of the catch. Sampling once a week at 2 different locations for 1 month. The results showed that the relationship between carapace width and weight of male and female blue swimming crab (Portunus pelagicus) had a negative allometric growth pattern because the value of b < 3, namely 1.65. The sex ratio of blue swimming crab is not 1:1 or unbalanced. Male blue swimming crab gonad maturity is mostly at level I, while females can reach gonad maturity at level II. Key words: Blue swimming crab, biology, East Aceh.
Co-Authors Ade Kusmana Andri Yusman Persada Anggi Triandana Cici Maulida Dwi Rahariyoso, Dwi Ernanda Ernanda ERNANDA, ERNANDA Fauziah Fiardilla Hanisah Hanisah Hasibuan, Selamat Husni Herlina Putri Endah Sari Ika Rezvani Aprita Irma Suryani Jeliana Veronika Sirait Lailatul Husna Manullang, Esther Lawdy Marnita, Rina Mulia Safrida Sari Oktavianus Oktavianus Prameswari, Egi Cahya Pratiwi, Anne Putri, Yuliani Eka Saumia, Zulfa Siti Fitriah Suraiya Nazlia Suri Purnama Febri Ulil Amri Wahyu, Adelia Warni Warni, Warni Wulandari, Sovia Yoga Mestika Putra Yundi Fitrah Zeni Ayu Ariani Zubaidah R, Zubaidah Zulfa Agustin, Siti