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All Journal Cakrawala Pendidikan Harmonia: Journal of Research and Education Catharsis The Journal of Educational Development Jurnal Ilmiah Spirit Harmonia: Journal of Arts Research and Education
Tjetjep Rohendi Rohidi, Tjetjep Rohendi
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Arts Humanities Education Environmental Science

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Journal : The Journal of Educational Development

 1 
CERAMICS ENCULTURATION OF ARTISANS’ COMMUNITY IN MAYONG LOR VILLAGE: ADAPTATION STRATEGIES IN THE PRESERVATION AND CONTINUATION OF LOCAL CULTURE CREATIVE POTENTIAL -, Triyanto; Rohidi, Tjetjep Rohendi; Sumaryanto, Totok; Thohir, Mudjahirin
The Journal of Educational Development Vol 3 No 2 (2015): November 2015
Publisher : The Journal of Educational Development

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Abstract

The facts showed that traditional ceramic arts are one of the local cultural heritages in which their existence is not easily maintained and continued because of competition with modern industrial products in market. The opposite condition occurs in Mayong Lor village that this local cultural heritage is still well maintained and developed from generation to generation for about six centuries in communities. Thus, a fundamental question arises why and how this phenomenon occurs. This study examines ceramics enculturation problems of crafters in Mayong Lor village communities, Jepara as the manifestation of adaptation strategies in the preservation and continuation of local culture creative potential. Two approaches used as the basis of assessment strategies. First, the theoretical approach was applied through the approach of culture, aesthetics, structural functionalism, adaptation, and education. Next, the methodological approach was used through anthropological research approach operated by using qualitative research method. The results show that the ceramics enculturation of artisans’ in Mayong Lor village communities naturally appear to function as a cultural mechanism of ceramics traditional activities in the environment of crafter families. This cultural mechanism is the form of informal education as the manifestation of adaptation strategies in maintaining and continuing creative potential of ceramics culture in the community, across generations since 15th to 21th century. The local culture stakeholders are recommended to adopt or adapt the findings of this study as a model in determining policies for the development of conservation programs and local culture potential in their respective regions.
PATTERNS OF PUBLIC SPACES BASED ON ‘SPORT FOR ALL’ AND PEOPLE’S ADAPTATION PROCESS IN SEMARANG CITY Priyono, Bambang; Rohidi, Tjetjep Rohendi; Soesilowati, Etty
The Journal of Educational Development Vol 5 No 1 (2017): February 2017
Publisher : The Journal of Educational Development

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jed.v5i1.12997

Abstract

As part of the culture, sport has a variety of forms and meaning that undergo changes from time to time and from society to society. This study is intended to describe the accessability of public spaces, the adaptation patterns of the use of public spaces by participants of ‘sport for all’, forms of interaction, communication and image of “sport for all”, and sociocultural factors that support “sport for all” within the car free day program in Simpang Lima Complex. A phenomenologic naturalistic approach by using a multi-site design was used. The subjects consisted of heads of Semarang City Services, and users of car free day activities. The data were collected by using observation, documents, and interviews.The results show that first, public spaces are external and accessible by all people and consist of parks, city square, roads, and sidewalks. Second, the users of “sport for all” adapt to the available spaces through car free day activities. Third, the symbols of interaction, communication and image of “sport for all” are similar including accessories, fashion and identities to visually demonstrate their community or group existence. Fourth, physical, social, ecologic, and economic aspects of the sociocultural factors support “sport for all”.
Background of the Creation of Heri Dono’s Wayang Legenda as a Basis of Developing Local Resource-Based Creativity Widiyastuti, Endang; Rohidi, Tjetjep Rohendi; Florentinus, Totok Sumaryanto
The Journal of Educational Development Vol 6 No 2 (2018): June 2018
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jed.v6i2.22138

Abstract

The education of art and culture contributes to the development goals of the Indonesian nation in the form of collective art (integrated art) of the whole art. Concretely, traditional art form in Indonesia can be found in wayang art. Globalization and the development of ICT in the show world now have a negative impact on the lack of interest of the younger generation to recognize the performance of wayang art, especially Solo cultural city. The research on the background of the creation of the Heri Dono puppet legend involves the aspect of the idea (source of ideas) that underlies the artist in the wayang puppets' way of being a new wayang. This research uses qualitative-descriptive approach. The object of research is the process of making and events Wayang Legend show. Sources of research data are informants, places, events, and documentation. Data obtained through observation techniques, interviews, and content analysis to examine existing document study, purposive sampling, and snowball sampling. The validity of the data is tested by triangulation of sources and methods. Data were analyzed using interactive analysis technique.The background of the Wayang Puppet creation Heri Dono stood on the consciousness of presenting himself, turning to tradition, and beginning in the 1980s. Experiencing puppet characters is related to understanding puppet show stories. Heri Dono reaffirms his belief that art is not separated from culture. Underlying his art making, he feels the need to develop the sensitivity to listen to the sounds and music, the sensitivity to motion and the sensitivity of telling. Heri Dono created two series of Legend Puppet: in 1988 "Si Tungkot Tunggal Panaluan" based on the legend of Batak society of North Sumatra and in 1992 "Momotaro" which raised the legend of Japanese society. The Legend Wayang Series uses vernacular as a medium for the disclosure of contemporary art; universal language is used to build communication within the sphere of the modern world, which incorporates the image of cartoons and comics.
Visual Forms and Famininity Values of Wayang Golek Purwo Typical of Kuningan West Java Hadijah, Ijah; Rohidi, Tjetjep Rohendi; Iswidayati, Sri
The Journal of Educational Development Vol 6 No 2 (2018): June 2018
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jed.v6i2.22139

Abstract

Visual signs as a symbol and philosophical value of femininity in wayang golek purwa at this time is less understood by some Pasundan people in Kuningan regency of West Java due to the strong influence of modernization. The problems in this research is how the visual form and femininity values ​​in wayang golek purwa typical of West Java Kuningan.This study aimed at explaining the visual form and the femininity values of wayang golek Purwa typical of West Java. This research utilized a descriptive method with socio-cultural approach based on post-positivism philosophy in the semiotics theory of Roland Barthes and Ferdinand De Saussure. The findings of this research is that the visual form of female characters in wayang golek purwa typical of West Java Kuningan is a denotative sign embodiment that retains the existing visual patterns of the puppet way puppet purwa. Meanwhile, the connotative values signifies that the existing wayang golek purwa typical of Kuningan West Java gives an illustration of the noble values ​​contained in the female characters of the puppet, that is the value of wisdom, holiness, manners, and feminism.
The Development of Ornamental Variety of Songko’ Pamiring as a Response to Market Demand Alimuddin, Alimuddin; Rohidi, Tjetjep Rohendi
The Journal of Educational Development Vol 6 No 3 (2018): October 2018
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jed.v6i3.25082

Abstract

Ornamentation on Songko’ Pamiring, as headgear equipment in the Bugis tradition, develops according to the demands of the times. Functionally, Songko' Pamiring is still used as a customary tool but has undergone changes especially in the form of its ornamentation. This study aims to study the design of songkok as an applied visual product that focuses on the ornamental variety of songko' pamiring made by traditional craftsmen who live in Paccing Village, Bone Regency. The study was carried out using qualitative research methods, and interdisciplinary approaches. The results show that there have been changes of orientation in making songko' pamiring. The changes include (1) the form, type, and symbolic meaning of songko' pamiring ornamentation, (2) the weaving techniques using additional media, and (3) the ornamental motifs that have become increasingly simple. In general, these changes are due to changes in orientation in working to meet market demand.
PATTERNS OF PUBLIC SPACES BASED ON ‘SPORT FOR ALL’ AND PEOPLE’S ADAPTATION PROCESS IN SEMARANG CITY Priyono, Bambang; Rohidi, Tjetjep Rohendi; Soesilowati, Etty
The Journal of Educational Development Vol 5 No 1 (2017): February 2017
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jed.v5i1.12997

Abstract

As part of the culture, sport has a variety of forms and meaning that undergo changes from time to time and from society to society. This study is intended to describe the accessability of public spaces, the adaptation patterns of the use of public spaces by participants of ‘sport for all’, forms of interaction, communication and image of “sport for all”, and sociocultural factors that support “sport for all” within the car free day program in Simpang Lima Complex. A phenomenologic naturalistic approach by using a multi-site design was used. The subjects consisted of heads of Semarang City Services, and users of car free day activities. The data were collected by using observation, documents, and interviews.The results show that first, public spaces are external and accessible by all people and consist of parks, city square, roads, and sidewalks. Second, the users of “sport for all” adapt to the available spaces through car free day activities. Third, the symbols of interaction, communication and image of “sport for all” are similar including accessories, fashion and identities to visually demonstrate their community or group existence. Fourth, physical, social, ecologic, and economic aspects of the sociocultural factors support “sport for all”.
Background of the Creation of Heri Dono’s Wayang Legenda as a Basis of Developing Local Resource-Based Creativity Widiyastuti, Endang; Rohidi, Tjetjep Rohendi; Florentinus, Totok Sumaryanto
The Journal of Educational Development Vol 6 No 2 (2018): June 2018
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jed.v6i2.22138

Abstract

The education of art and culture contributes to the development goals of the Indonesian nation in the form of collective art (integrated art) of the whole art. Concretely, traditional art form in Indonesia can be found in wayang art. Globalization and the development of ICT in the show world now have a negative impact on the lack of interest of the younger generation to recognize the performance of wayang art, especially Solo cultural city. The research on the background of the creation of the Heri Dono puppet legend involves the aspect of the idea (source of ideas) that underlies the artist in the wayang puppets' way of being a new wayang. This research uses qualitative-descriptive approach. The object of research is the process of making and events Wayang Legend show. Sources of research data are informants, places, events, and documentation. Data obtained through observation techniques, interviews, and content analysis to examine existing document study, purposive sampling, and snowball sampling. The validity of the data is tested by triangulation of sources and methods. Data were analyzed using interactive analysis technique.The background of the Wayang Puppet creation Heri Dono stood on the consciousness of presenting himself, turning to tradition, and beginning in the 1980s. Experiencing puppet characters is related to understanding puppet show stories. Heri Dono reaffirms his belief that art is not separated from culture. Underlying his art making, he feels the need to develop the sensitivity to listen to the sounds and music, the sensitivity to motion and the sensitivity of telling. Heri Dono created two series of Legend Puppet: in 1988 "Si Tungkot Tunggal Panaluan" based on the legend of Batak society of North Sumatra and in 1992 "Momotaro" which raised the legend of Japanese society. The Legend Wayang Series uses vernacular as a medium for the disclosure of contemporary art; universal language is used to build communication within the sphere of the modern world, which incorporates the image of cartoons and comics.
Visual Forms and Famininity Values of Wayang Golek Purwo Typical of Kuningan West Java Hadijah, Ijah; Rohidi, Tjetjep Rohendi; Iswidayati, Sri
The Journal of Educational Development Vol 6 No 2 (2018): June 2018
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jed.v6i2.22139

Abstract

Visual signs as a symbol and philosophical value of femininity in wayang golek purwa at this time is less understood by some Pasundan people in Kuningan regency of West Java due to the strong influence of modernization. The problems in this research is how the visual form and femininity values ​​in wayang golek purwa typical of West Java Kuningan.This study aimed at explaining the visual form and the femininity values of wayang golek Purwa typical of West Java. This research utilized a descriptive method with socio-cultural approach based on post-positivism philosophy in the semiotics theory of Roland Barthes and Ferdinand De Saussure. The findings of this research is that the visual form of female characters in wayang golek purwa typical of West Java Kuningan is a denotative sign embodiment that retains the existing visual patterns of the puppet way puppet purwa. Meanwhile, the connotative values signifies that the existing wayang golek purwa typical of Kuningan West Java gives an illustration of the noble values ​​contained in the female characters of the puppet, that is the value of wisdom, holiness, manners, and feminism.
The Development of Ornamental Variety of Songko’ Pamiring as a Response to Market Demand Alimuddin, Alimuddin; Rohidi, Tjetjep Rohendi
The Journal of Educational Development Vol 6 No 3 (2018): October 2018
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jed.v6i3.25082

Abstract

Ornamentation on Songko’ Pamiring, as headgear equipment in the Bugis tradition, develops according to the demands of the times. Functionally, Songko' Pamiring is still used as a customary tool but has undergone changes especially in the form of its ornamentation. This study aims to study the design of songkok as an applied visual product that focuses on the ornamental variety of songko' pamiring made by traditional craftsmen who live in Paccing Village, Bone Regency. The study was carried out using qualitative research methods, and interdisciplinary approaches. The results show that there have been changes of orientation in making songko' pamiring. The changes include (1) the form, type, and symbolic meaning of songko' pamiring ornamentation, (2) the weaving techniques using additional media, and (3) the ornamental motifs that have become increasingly simple. In general, these changes are due to changes in orientation in working to meet market demand.
Co-Authors Agus Cahyono Amaliani, Mina Auria Farantika Yogananti, Auria Farantika Bambang Prihadi Bambang Priyono Daniar Wikan Setyanto Dedy Firduansyah Dodo Dodo, Dodo Dwi Retno Sri Ambarwati Eko Raharjo Eko Sugiarto Endang Widiyastuti Endri Sintiana Murni Eny Kusumastuti Etty Soesilowati Hartono Hartono Ijah Hadijah Ijah Hadijah, Ijah Imran, Fitrya Ali Imran, Fitrya Ali KARDIYONO, K. LUCKY RACHMAWATI Maria Ulfahmi, Cut Gesti Mudjahirin Thohir Muh. Ibnan Syarif, Muh. Ibnan Muhammad, Fan Naa Na Muhammad, Fan Naa Na Pamadhi, Hajar Ratna Puspita, Ratna Riyatmoko, Joko Slamet Haryono Soesanto Soesanto Sofyana Fatahillah, Rizal Sri Iswidayati Sumbo Tinarbuko syakir syakir Tahrir, Romas Tahrir, Romas Tandho, Bandhu Tari, Eszter Toto Haryadi, Toto Totok Sumaryanto Florentinus, Totok Sumaryanto Totok Sumaryanto, Totok Tri Hartiti Retnowati Tutik Tarwiyah, Tutik Udi Utomo Victorius Ganap Wadiyo Wadiyo