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All Journal IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Media Penelitian Pendidikan : Jurnal Penelitian dalam Bidang Pendidikan dan Pengajaran Al Ishlah Jurnal Pendidikan English and Literature Journal J-IKA : Jurnal Ilmu Komunikasi Fakultas Ilmu Komunikasi Universitas BSI Bandung Wanastra : Jurnal Bahasa dan Sastra Language Literacy: Journal of Linguistics, Literature, and Language Teaching Jurnal Mitra Manajemen JURNAL PENDIDIKAN TAMBUSAI Journal of Humanities and Social Studies IJOLTL (Indonesian Journal of Language Teaching and Linguistics) FOSTER: Journal of English Language Teaching Jurnal Scientia JOURNAL OF LANGUAGE LADU: Journal of Languages and Education English Education and Literature Journal (E-jou) Jurnal Abdimas Komunikasi dan Bahasa Al-MIKRAJ: Jurnal studi Islam dan Humaniora Kajian Linguistik dan Sastra Journal of Language and Literature Studies Golden Ratio of Data in Summary Journal of Artificial Intelligence and Digital Business Jurnal Multidisiplin Sahombu ADJES (Ahmad Dahlan Journal of English Studies) Journal of Innovative and Creativity Lire Journal (Journal of Linguistics and Literature) EDUCATIONAL: Jurnal Inovasi Pendidikan dan Pengajaran J-CEKI
Yanti Rosalinah
Universitas Bina Sarana Informatika
Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Economics, Econometrics & Finance Education Electrical & Electronics Engineering Engineering Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Social Sciences Other

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The Interplay of Lyrics and Melody in Conveying Emotional Narratives: A Case Study of Niki Zefanya’s Selected Songs (Backburner, Take A Chance with Me, Ocean & Engines) Avanti Nur Febrianingsih; Yanti Rosalinah
IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Vol. 13 No. 2 (2025): IDEAS: Journal on English Language Teaching and Learning, Linguistics and Lite
Publisher : Universitas Islam Negeri Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24256/ideas.v13i2.8865

Abstract

This study discusses the relationship between lyrics and melody in expressing emotional narratives in NIKI Zefanya’s selected songs, namely Backburner, Take a Chance With Me, and Oceans & Engines. The purpose of this study is to explain how lyrics and melody work together to show emotional meaning. The method used in this research is qualitative descriptive. The data used are from the lyrics and musical elements of the three songs. This study uses lyrical analysis and musical semiotics to identify language and music features that express emotions. Results indicate that metaphor, hyperbole, and irony are the most frequently used figurative devices in the lyrics. Tonal variation, rhythm, and harmony further enhance the emotional expression conveyed in the songs. The combination of these elements creates a strong emotional connection between the songs and the listeners. This study gives a better understanding of how emotions are built through the combination of lyrics and melody in popular music.
Representing Generations Through Slang: A Comparative Study of MTV and Tiktok in Indonesian Pop Culture Ramadhan, Refan Gusti; Begum, Syahkira; Rosalinah, Yanti
Kajian Linguistik dan Sastra Vol. 5 No. 1 (2026): Januari 2026
Publisher : Prodi Sastra Indonesia, FKIP Universitas Jambi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22437/kalistra.v5i1.50201

Abstract

This article examines how slang shapes generational linguistic identity in Indonesia by comparing two media environments: MTV in the early 2000s and TikTok in the current digital era. Using sociolinguistic perspectives on media and youth identity, the study analyzes how each platform influences the creation, spread, and social meaning of slang. MTV, as a one-way broadcast medium, produced relatively stable slang tied to localized adaptations of global youth culture. In contrast, TikTok operates as a participatory, algorithm-driven space where slang changes quickly through abbreviation, blending, code-mixing, and sound alteration. These forms circulate virally and gain meaning through collective user practices. Despite differences in structure and pace, both eras show that slang functions as a marker of group belonging, humor, and generational distinction. The study demonstrates how shifting media infrastructures shape linguistic innovation and the ongoing negotiation of youth identity in Indonesian popular culture. Abstrak Artikel ini membahas bagaimana slang membentuk identitas linguistik generasi di Indonesia dengan membandingkan dua lingkungan media: MTV pada awal 2000-an dan TikTok pada era digital saat ini. Dengan menggunakan perspektif sosiolinguistik tentang media dan identitas anak muda, studi ini menganalisis bagaimana setiap platform memengaruhi penciptaan, penyebaran, dan makna sosial dari slang. MTV, sebagai media siaran satu arah, menghasilkan bentuk slang yang relatif stabil dan terkait dengan adaptasi lokal dari budaya anak muda global. Sebaliknya, TikTok berfungsi sebagai ruang partisipatif yang digerakkan algoritma, di mana slang berubah cepat melalui pemendekan, pencampuran, alih kode, dan perubahan bunyi. Bentuk-bentuk ini menyebar secara viral dan memperoleh makna lewat praktik pengguna. Meski berbeda dalam struktur dan kecepatan, kedua era menunjukkan bahwa slang berfungsi sebagai penanda kebersamaan kelompok, humor, dan pembeda antar generasi. Studi ini menunjukkan bagaimana perubahan infrastruktur media membentuk inovasi bahasa dan negosiasi identitas anak muda dalam budaya populer Indonesia.
Inflectional Morphemes and Their Grammatical Functions in Owl City`s Album Ocean Eyes (2009) Hidayat, Muhammad Raihan; Rosalinah, Yanti
Kajian Linguistik dan Sastra Vol. 5 No. 1 (2026): Januari 2026
Publisher : Prodi Sastra Indonesia, FKIP Universitas Jambi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22437/kalistra.v5i1.50244

Abstract

This study investigates the grammatical functions and stylistic implications of inflectional morphemes in Owl City’s Ocean Eyes album (2009). Employing a qualitative descriptive design, the research analyzes how these morphological markers contribute to the lyrical structure based on the framework of Fromkin, Rodman, and Hyams (2018). Data were collected from official song lyrics, resulting in 151 identified words containing inflectional affixes. The findings reveal a significantly uneven distribution: noun plural markers are the most dominant category (63.8%), followed by verb inflections (32.5%) and adjective inflections (approximately 4%). The high frequency of plural nouns creates the vast, concrete imagery characteristic of the "dream pop" genre. Additionally, the predominance of third-person singular -s and present participle -ing establishes a narrative tone of immediacy and continuous action. The study concludes that inflectional morphemes in Ocean Eyes function not only to maintain grammatical accuracy but also to construct the album's distinct vivid and surreal aesthetic.  Abstrak Penelitian ini mengkaji fungsi gramatikal dan implikasi stilistika dari morfem infleksional dalam lirik album Ocean Eyes (2009) karya Owl City. Dengan menggunakan desain penelitian deskriptif kualitatif, studi ini menganalisis bagaimana penanda morfologis tersebut berkontribusi pada struktur lirik berdasarkan kerangka teori Fromkin, Rodman, dan Hyams (2018). Data dikumpulkan dari lirik lagu resmi, menghasilkan 151 kata yang mengandung afiks infleksional. Temuan menunjukkan distribusi yang sangat tidak merata: penanda jamak nomina adalah kategori paling dominan (63,8%), diikuti oleh infleksi verba (32,5%) dan infleksi adjektiva (sekitar 4%). Tingginya frekuensi nomina jamak menciptakan citraan konkret dan luas yang menjadi ciri khas genre "dream pop". Selain itu, dominasi orang ketiga tunggal -s dan partisipel kini -ing membangun nada naratif yang terasa langsung dan berkelanjutan. Studi ini menyimpulkan bahwa morfem infleksional dalam Ocean Eyes berfungsi tidak hanya untuk menjaga akurasi tata bahasa, tetapi juga untuk membangun estetika visual dan surealis yang khas dalam album tersebut.
Exploring Social Media on Gender Identity Development Among Generation Z: A Discourse Analysis on Opportunities, Challenges, and Societal Tensions Damayanti, Yulianingtyas Dwi; Ananda, Aulia Sagita; Rosalinah, Yanti
Journal of Language and Literature Studies Vol. 5 No. 4 (2025): December
Publisher : Lembaga Penelitian dan Pemberdayaan Masyarakat (LITPAM)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36312/f9ay1h21

Abstract

This study explores the impact of social media on the gender identity development of Generation Z, focusing on the opportunities and challenges these platforms present in shaping young people's understanding of gender. Generation Z, born between 1997 and 2012, is the first generation to grow up in an era of pervasive digital connectivity, where social media platforms offer unprecedented spaces for self-expression and identity exploration. These platforms enable young people to engage with diverse gender identities, including non-binary and gender-fluid expressions, which are often marginalized in offline spaces. However, while social media provides opportunities for authentic self-expression, it also amplifies societal pressures to conform to idealized gender norms. The tension between digital empowerment and offline societal expectations creates a complex environment for Generation Z, where they must navigate conflicting gender narratives. This study employs a descriptive qualitative approach, utilizing documentary analysis of social media content and academic literature to identify key themes related to gender identity formation, societal pressures, and the intersectionality of gender with cultural, social, and psychological factors. The findings suggest that, while social media plays a critical role in empowering young people to explore diverse gender expressions, it also exposes them to identity conflicts and psychological challenges, particularly when offline societal norms resist these new identities. The study calls for greater support systems, both online and offline, to help young people navigate these complexities and embrace their gender identities freely and authentically.
Conversational Implicature Through Maxim Flouting: A Pragmatic Analysis of Purple Hearts Siti Amira Luthfiyah; Yanti Rosalinah
IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Vol. 13 No. 2 (2025): IDEAS: Journal on English Language Teaching and Learning, Linguistics and Lite
Publisher : Universitas Islam Negeri Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24256/ideas.v13i2.8559

Abstract

This study aims to analyze the conversational implicatures in the movie Purple Hearts through maxim flouting. The study of implicature has become increasingly relevant in understanding how meaning is conveyed beyond literal expression, especially in audiovisual media where context and emotion play crucial roles. According to Grice’s (1975) Cooperative Principle, effective communication is achieved when participants adhere to four conversational maxims: quantity, quality, manner, and relation (relevance). However, implicature arises when these maxims are deliberately or unintentionally not observed. A descriptive qualitative method is used in this research to analyze conversational implicatures in selected dialogues from the film. This research specifically focuses on the phenomenon of flouting maxims. Based on the research, the flouting of the Maxim of Relation was the most frequent, appearing in 4 out of 10 cases (40%). This was followed by the Maxim of Quantity, Maxim of Quality, and Maxim of Manner, each occurring in 2 cases (20%). The findings are expected to contribute to a deeper understanding of pragmatic meaning and its implications for communication studies and film analysis.
Beyond Bifurcation: Emotional Coherence and Audience Subjectivity in the Parallel Narratives of Look Both Ways (2022) Akilah, Aisyah; Maridah Nurhasanah; Yanti Rosalinah
IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Vol. 13 No. 2 (2025): IDEAS: Journal on English Language Teaching and Learning, Linguistics and Lite
Publisher : Universitas Islam Negeri Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24256/ideas.v13i2.8683

Abstract

Parallel storytelling has become a prominent narrative mode in 21st-century cinema, reflecting a modern consciousness saturated with potentialities and choices. While existing scholarship has extensively mapped the structural mechanics (e.g., editing, montage) and cognitive effects (e.g., audience engagement) of narrative bifurcation, a significant gap remains in understanding how this form constructs a unified emotional coherence and fosters a specific subjective position for the viewer within divergent timelines. This study addresses this gap through a qualitative narrative analysis of the Netflix film Look Both Ways (2022). Employing an interdisciplinary framework that synthesizes narrative theory, affective studies, and social constructionism, the analysis reveals that the film’s dual narratives are not merely alternative realities but simultaneous emotional truths. The film achieves this through the meticulous integration of visual style (color palette, setting), narrative typography, and sound design, which function as a cohesive system of subjective cues. These elements guide the audience to navigate both timelines not as a dispassionate observer of branching paths, but as an empathetic participant in the protagonist’s holistic emotional journey. The study concludes that in Look Both Ways, bifurcation transcends its structural function to become an internalized emotional logic, offering a nuanced cinematic model for representing the lived experience of choice, anxiety, and self-discovery in contemporary life. This reframing contributes to film narrative theory by prioritizing phenomenological engagement over structural taxonomy. This study ultimately highlights that qualitative narrative analysis is the most appropriate method for examining how visual, auditory, and textual elements interrelate to produce emotional coherence across dual timelines, offering a more integrated understanding of parallel storytelling in contemporary film.
The Minimalism and Contentment in Chloé Zhao Nomadland Chaniago, Wildan; Ariana, Irdina; Rosalinah, Yanti
English Education and Literature Journal (E-Jou) Vol 6 No 01 (2026): English Education and Literature Journal
Publisher : Universitas Ma'arif Nahdlatul Ulama Kebumen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53863/e-jou.v6i01.1915

Abstract

This study analyzes the representation of minimalism and contentment in Chloé Zhao’s film Nomadland (2020) by applying a qualitative descriptive method supported by textual film analysis. The research focuses on how the film’s dialogue, scene, and overall atmosphere construct a coherent depiction of a minimalist lifestyle and an inner sense of contentment. The findings indicate that Nomadland presents minimalism as a deliberate lifestyle choice and contentment in the film emerges from acceptance, gratitude, and the ability to find peace within life’s uncertainties and limitations. This study concludes that Nomadland successfully integrates the values of minimalism and contentment into its artistic and thematic design, illustrating how simplicity, acceptance, and emotional balance can guide individuals toward a deeper understanding of meaning and well-being in contemporary life
SOCIOLINGUISTIC STUDY NARRATIVE STRUCTURE AND LANGUAGE FUNCTION IN CATCH ME IF YOU CAN Darmawan, Muhammad Rahman; Ikhsandi, Muhammad Rafi; Rosalinah, Yanti
EDUCATIONAL : Jurnal Inovasi Pendidikan & Pengajaran Vol. 6 No. 1 (2026)
Publisher : Pusat Pengembangan Pendidikan dan Penelitian Indonesia (P4I)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51878/educational.v6i1.8504

Abstract

ABSTRACT Language plays a central role in shaping and legitimizing professional identity across various social interactional contexts. This study aims to examine how the character Frank Abagnale Jr. constructs and sustains multiple professional identities through language use in the film Catch Me If You Can (2002). The analysis focuses on patterns of linguistic variation that emerge when the main character impersonates a pilot, a doctor, and a lawyer, with particular attention to register management, speech style adaptation, and language functions within institutional settings. This research adopts a descriptive qualitative approach by analyzing selected dialogues transcribed from key scenes in the film. The analysis involves identifying lexical choices, levels of formality, interactional patterns, and communicative purposes that reflect the professional demands of each assumed role. The findings indicate that language use aligned with professional norms and expectations through the deployment of technical terminology, formal registers, and authoritative speech styles plays a crucial role in shaping perceptions of competence and gaining social recognition. These findings underscore that language functions as a primary performative resource in the construction of professional identity, in which membership and legitimacy within professional communities are interactionally achieved rather than solely determined by formal qualifications. ABSTRAK Bahasa memiliki peran sentral dalam membentuk serta melegitimasi identitas profesional dalam berbagai situasi interaksi sosial. Penelitian ini bertujuan untuk mengkaji bagaimana tokoh Frank Abagnale Jr. membangun dan mempertahankan beragam identitas profesional melalui penggunaan bahasa dalam film Catch Me If You Can (2002). Kajian difokuskan pada praktik variasi bahasa yang muncul ketika tokoh utama menyamar sebagai pilot, dokter, dan pengacara, dengan menyoroti pengelolaan register, penyesuaian gaya tutur, serta fungsi bahasa dalam konteks institusional. Penelitian ini menggunakan pendekatan kualitatif deskriptif dengan menganalisis dialog-dialog terpilih yang ditranskripsikan dari adegan penting dalam film. Analisis dilakukan melalui identifikasi pilihan leksikal, tingkat formalitas, pola interaksi, dan tujuan komunikatif yang mencerminkan tuntutan profesional masing-masing peran. Hasil penelitian menunjukkan bahwa penggunaan bahasa yang selaras dengan norma dan ekspektasi profesi tertentu melalui pemanfaatan istilah teknis, register formal, dan gaya tutur berotoritas berperan penting dalam membangun persepsi kompetensi dan memperoleh pengakuan sosial. Temuan ini menegaskan bahwa bahasa berfungsi sebagai perangkat performatif utama dalam konstruksi identitas profesional, di mana keanggotaan dan legitimasi dalam komunitas profesional dibentuk secara interaksional, bukan semata-mata ditentukan oleh kualifikasi formal.
The Meaning Of Freedom And Death In The Poetry Book “Kertas Basah" By Dea Anugrah Jonathan Susilo Effendi; Dimas Galih Prayogo; Yanti Rosalinah
Journal of Innovative and Creativity Vol. 5 No. 3 (2025)
Publisher : Fakultas Ilmu Pendidikan Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/joecy.v5i3.5913

Abstract

Penelitian ini mengkaji representasi makna kebebasan dan kematian dalam buku puisi Kertas Basah karya Dea Anugrah. Puisi sebagai bentuk sastra yang padat dan simbolik sering menjadi medium untuk mengekspresikan krisis eksistensial dan ketegangan sosial-politik. Dalam Kertas Basah, kebebasan digambarkan sebagai kondisi yang rapuh dan terkungkung, sementara kematian muncul sebagai motif yang merefleksikan keputusasaan, perlawanan, dan pencarian otonomi. Penelitian ini menggunakan metode deskriptif kualitatif dengan teknik pembacaan dekat (close reading). Analisis dilakukan melalui pendekatan struktural dan semiotik, khususnya teori semiotika puisi Michael Riffaterre serta perspektif eksistensialisme Jean-Paul Sartre dan Martin Heidegger. Hasil penelitian menunjukkan bahwa kebebasan dan kematian tidak diposisikan sebagai tema yang terpisah, melainkan saling berkaitan, di mana kematian sering dimaknai sebagai bentuk kebebasan terakhir ketika tekanan sosial, psikologis, dan politis tidak lagi tertahankan. Penelitian ini diharapkan dapat memperkaya kajian sastra Indonesia kontemporer, khususnya dalam memahami suara puitik dan kritik eksistensial Dea Anugrah.
CONSTRUCTING DIPLOMATIC IDENTITY: A MORPHO-PRAGMATIC ANALYSIS OF DERIVATIONS IN PRABOWO'S UN SPEECH Fathan, Dio; Giacinta Azzahra; Rosalinah, Yanti
Lire Journal (Journal of Linguistics and Literature) Vol. 10 No. 1 (2026): In Progress
Publisher : Elite Laboratory Jurusan Sastra Inggris Universitas Bangka Belitung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33019/lire.v10i1.556

Abstract

This study examines the role of derivational morphology in shaping diplomatic identity in President Prabowo Subianto’s speech at the 80th United Nations General Debate. Despite extensive analysis of political discourse, the pragmatic function of derivational processes in diplomatic communication is still barely investigated. The study addresses this gap by identifying the types and communicative functions of derivational morphemes utilized in speech, elucidating how these forms facilitate Indonesia's diplomatic self-presentation. The research employs a descriptive qualitative methodology to evaluate the official transcript by Fairclough’s Critical Discourse Analysis, concentrating on representation, identity formation, and ideological positioning. The research identified 117 derivational forms, including nominalizations, adjectival derivatives, verbalizations, and prefixations. Nominal derivatives like humanity, prosperity, and equality conceptualize political issues as universal ethical ideals, but adjectival forms such as international, multilateral, and democratic situate Indonesia within global institutional standards. Verbal derivatives such as "strengthen" and "deepen" portray Indonesia as an active and progressive diplomatic entity, while negative prefixes like "injustice" and "irreparable" underscore an evaluative perspective and moral imperative. The study illustrates that derivational morphology serves as a strategic linguistic tool for constructing a principled, cooperative, and engaged diplomatic identity. The results enhance the expanding corpus of morpho-pragmatic and political discourse studies and provide a basis for comparative examinations in various international diplomatic settings.
Co-Authors Adiningsih, Sekar Safitri Dhita Afni, Jhesti Tiara Afriyandi, Herry Aimar, Juan Pablo Akilah, Aisyah Alga, Alifah Junis Alhaq, Muhammad Wafdan ALOYSIUS RANGGA ADITYA NALENDRA, ALOYSIUS RANGGA Alya, Wulansari Regina Shafa Ambanilah, Eldalati Ananda, Aulia Sagita Andika Hendra Mustaqim, Andika Hendra Anshorullah, Muhammad Faiq Anti, Upi Aprilia, Intan Ika Apriliana, Priscila Ariana, Irdina Arif - Hidayat, Arif - Arif Hidayat Ary Iswanto Wibowo Asti, Astuti Alawiyah Athaillah, Siti Adhwa Avanti Nur Febrianingsih Azhari, Jihan Begum, Syahkira Chaniago, Wildan Damayanti, Yulianingtyas Dwi Darmawan, Muhammad Rahman Dimas Galih Prayogo Eldalani Ambanilah Fadhila, Radhiazka Ariq Faswanadina, Feras Fathan, Dio Fauzi, Fera Fitri Fazari, Tengku Nizar Feras Faswanadina Giacinta Azzahra Haifa, Yasmin Hakim, Aulia Hidayat, Muhammad Raihan Ibnu Subroto Ibnu Subroto Ibnu Subroto Ibnu Subroto Ikhsandi, Muhammad Rafi Inggit Dessy Susanti Jonathan Susilo Effendi Khairunisa, Naila Putri Ma'wa, Kesya Asyura Maridah Nurhasanah Mathilda, Bonaventura Maulavi, Astraditya Ikhsan Maulidya, Syafina Maulina, Rizda Mohammad Arief Nabila, Bella Namira Salsabila Novelia, Rara Nurhaliza, Ananda Nursasliza, Naufara Nurul Khilda Putri, Bernadeta Kartika Buana Prima R.R. Okky Luthfiana Rahma, Adelia Raudatul Rahmawati, Anisya Dewi Ramadhan, Refan Gusti Ravi, Muhammad Retno Rahayuningsih Rina Lestari Rina Lestari Rini, Diah Sekar Sahel, Mayadha Salsabila, Namira Sari, Alexys Kartika Sari, Margareta Anita Siti Amira Luthfiyah Soraya, Najwa Sri Arfani Subroto, Ibnu Sudarmo, Indah Rahmawati Surahman, Fauzi Akbar Surya, Annisa Keyshawardhana Susana Hamu Eti Sutju, Mihkael Sulaeman Syawal, Ifra Putra Syifa Aulia Tiara Apriella Tias Mawarni Waspodo, Marcellinus Bhanu K winda pratiwi Yasmin, Zahra Zachary, Ferraz Aditya Zaidan, Muhammad Ariq Zein, Ratu Azizah Arzellya