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All Journal Masalah-Masalah Hukum Wahana Akademika: Jurnal Studi Islam dan Sosial SPEKTRA: Jurnal Kajian Pendidikan Sains PARAMUROBI Journal of Economic, Management, Accounting and Technology (JEMATech) Literasi Hukum Manarul Qur'an: Jurnal Ilmiah Studi Islam SYARIATI : Jurnal Studi Al-Qur'an dan Hukum Al-Fath Supremasi Hukum Wahana Akademika: Jurnal Studi Islam dan Sosial Jurnal PADMA: Pengabdian Dharma Masyarakat Jurnal CREPIDO: Jurnal Mengenai Dasar-Dasar Pemikiran Hukum Filsafat dan Ilmu Hukum Jurnal Pengabdian dan Edukasi Sekolah (Jubaedah) Jurnal Abdimas Bina Bangsa Az Zarqa': Jurnal Hukum Bisnis Islam Cakrawala: Jurnal Studi Islam Kolaborasi Jurnal Pengabdian Masyarakat JOMPA ABDI: Jurnal Pengabdian Masyarakat Syarah: Jurnal Hukum Islam dan Ekonomi ISJOUST Jurnal Informasi Pengabdian Masyarakat JEPEmas: Jurnal Pengabdian Masyarakat (Bidang Ekonomi) Jurnal Pengabdian Siliwangi Jurnal Pengabdian Masyarakat Mentari Aksi Kita: Jurnal Pengabdian Kepada Masyarakat
Nurma Khusna Khanifa
Universitas Sains Al-Qur'an Jawa Tengah Di Wonosobo
Religion Agriculture, Biological Sciences & Forestry Humanities Astronomy Chemistry Computer Science & IT Economics, Econometrics & Finance Education Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Medicine & Pharmacology Nursing Physics Public Health Social Sciences Other

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Journal : ISJOUST

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Religious Koplo Dangdut Music: Cultural Identity and Religious Expression Arif Al Wasim; Handoyo Handoyo; Nurma Khusna Khanifa
Islamic Studies Journal for Social Transformation ISJOUST Vol 3, No 2, 2019
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat (LP2M) IAIN Pekalongan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (915.828 KB) | DOI: 10.28918/isjoust.v3i2.2251

Abstract

Humans and culture are two things that are interrelated and cannot be separated from each other. Religion and music are two things that have a relationship with culture. Religious messages and da'wah are often displayed in the packaging of musical art and bring religious music. The development of music in Indonesia in the past two decades gave rise to one of the dangdut music sub-genres, known as Koplo dangdut, which in its performance also often inserted religious messages and presented them in the religious Koplo dangdut format. This article examines Koplo dangdut as the cultural identity and religious expression of coastal communities, which is seen as a cultural reality, with an anthropological approach. The study is conducted with an ethical perspective, where the writer only observes without being directly involved in the object of observation. The main data in this study is the religious koplo dangdut music video from YouTube. Koplo dangdut, which is famous for its vulgarity and directness in the lyrics of the song, reflects the cultural conditions of the song performers with a background in coastal Javanese society. However, the religious side of the Koplo dangdut music genre still appears in the religious koplo dangdut sub-genre. Religious expressions that appear in the stage of religious koplo dangdut are artistic expressions which include dimensions of belief (ideology), experience (ahlak), and knowledge.
Religious Koplo Dangdut Music: Cultural Identity and Religious Expression Arif Al Wasim; Handoyo; Nurma Khusna Khanifa
Islamic Studies Journal for Social Transformation Vol 3 No 2 (2019)
Publisher : Universitas Islam Negeri K.H. Abdurrahman Wahid Pekalongan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.28918/isjoust.v3i2.11929

Abstract

Humans and culture are two things that are interrelated and cannot be separated from eachother. Religion and music are two things that have a relationship with culture. Religiousmessages and da'wah are often displayed in the packaging of musical art and bring religiousmusic. The development of music in Indonesia in the past two decades gave rise to one ofthe dangdut music sub-genres, known as Koplo dangdut, which in its performance also ofteninserted religious messages and presented them in the religious Koplo dangdut format. Thisarticle examines Koplo dangdut as the cultural identity and religious expression of coastalcommunities, which is seen as a cultural reality, with an anthropological approach. The studyis conducted with an ethical perspective, where the writer only observes without beingdirectly involved in the object of observation. The main data in this study is the religiouskoplo dangdut music video from YouTube. Koplo dangdut, which is famous for its vulgarityand directness in the lyrics of the song, reflects the cultural conditions of the song performerswith a background in coastal Javanese society. However, the religious side of the Koplo dangdutmusic genre still appears in the religious koplo dangdut sub-genre. Religious expressions thatappear in the stage of religious koplo dangdut are artistic expressions which include dimensionsof belief (ideology), experience (ahlak), and knowledge.
Co-Authors Achamd Affandi Achmad Affandi Achmad Affandi Achmad Affandi Achmad Affandi Achmad Affandi Ahmad Khoiri Ainun Khabib Al Wasim, Arif Albab, Muhamad Ulil Alif Luthvi Azizah Amini Mahfuzoh Ammalia, Afifah Avianto Avianto azzarqa, azzarqa Daniel Muhammad Devi Dwi Eviyani Dewi Candra Resmi Eka Nurfiyani Fatmawati Fatmawati Fatmawati, Fatmawati Fitriyani Fitriyani Guspul, Ahmad Guspul, Ahmad Gusti Hanifah Handoyo Handoyo Handoyo Hary Mulyadi Hisan, Moh. Syifa’ul Husna, Annisaul Ika Setyorini Imam Ariono Imam Ariono Kaukab, M. Elfan Khasanah, Dian Ratu Ayu Uswatun Kurniawati Mutmainah Kurniawati Mutmainah Kurniawati Mutmainah Kurniawati Mutmainah Kurniawati Mutmainah Kurniawati Mutmainah Kurniawati Mutmainah Machfud, Yusqi Mahfud, Yusqi Marwiati Ma’ruf Hidayat Moh. Syifa`ul Hisan Muhammad Iqbal Muhammad Radito Sanjaya Mulyadi, Hary Muzammil, Moh. Nila Amania Nur Azizah Putri, Eliesa Rina Nurul Kharismawati Rizkiana, Rina Elsa Romandhon, Romandhon Ronald Jolly Pongantung Sabrina, Laila Sakti Wahyu Ningsih Salsabila, Mailani Sawaun, Sawaun Sehan Ashari Susanti, Alfi Virastuti Apriliyani Wasim, Arif Al Yusqi Machfud Zaki, Muhamad Ziyad Faraihu Roihan