Claim Missing Document
Check
Articles

Found 2 Documents
Search
Journal : ISJOUST

Religious Koplo Dangdut Music: Cultural Identity and Religious Expression Arif Al Wasim; Handoyo Handoyo; Nurma Khusna Khanifa
Islamic Studies Journal for Social Transformation ISJOUST Vol 3, No 2, 2019
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat (LP2M) IAIN Pekalongan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (915.828 KB) | DOI: 10.28918/isjoust.v3i2.2251

Abstract

Humans and culture are two things that are interrelated and cannot be separated from each other. Religion and music are two things that have a relationship with culture. Religious messages and da'wah are often displayed in the packaging of musical art and bring religious music. The development of music in Indonesia in the past two decades gave rise to one of the dangdut music sub-genres, known as Koplo dangdut, which in its performance also often inserted religious messages and presented them in the religious Koplo dangdut format. This article examines Koplo dangdut as the cultural identity and religious expression of coastal communities, which is seen as a cultural reality, with an anthropological approach. The study is conducted with an ethical perspective, where the writer only observes without being directly involved in the object of observation. The main data in this study is the religious koplo dangdut music video from YouTube. Koplo dangdut, which is famous for its vulgarity and directness in the lyrics of the song, reflects the cultural conditions of the song performers with a background in coastal Javanese society. However, the religious side of the Koplo dangdut music genre still appears in the religious koplo dangdut sub-genre. Religious expressions that appear in the stage of religious koplo dangdut are artistic expressions which include dimensions of belief (ideology), experience (ahlak), and knowledge.
Religious Koplo Dangdut Music: Cultural Identity and Religious Expression Arif Al Wasim; Handoyo; Nurma Khusna Khanifa
Islamic Studies Journal for Social Transformation Vol 3 No 2 (2019)
Publisher : Universitas Islam Negeri K.H. Abdurrahman Wahid Pekalongan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.28918/isjoust.v3i2.11929

Abstract

Humans and culture are two things that are interrelated and cannot be separated from eachother. Religion and music are two things that have a relationship with culture. Religiousmessages and da'wah are often displayed in the packaging of musical art and bring religiousmusic. The development of music in Indonesia in the past two decades gave rise to one ofthe dangdut music sub-genres, known as Koplo dangdut, which in its performance also ofteninserted religious messages and presented them in the religious Koplo dangdut format. Thisarticle examines Koplo dangdut as the cultural identity and religious expression of coastalcommunities, which is seen as a cultural reality, with an anthropological approach. The studyis conducted with an ethical perspective, where the writer only observes without beingdirectly involved in the object of observation. The main data in this study is the religiouskoplo dangdut music video from YouTube. Koplo dangdut, which is famous for its vulgarityand directness in the lyrics of the song, reflects the cultural conditions of the song performerswith a background in coastal Javanese society. However, the religious side of the Koplo dangdutmusic genre still appears in the religious koplo dangdut sub-genre. Religious expressions thatappear in the stage of religious koplo dangdut are artistic expressions which include dimensionsof belief (ideology), experience (ahlak), and knowledge.