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EKSISTENSI KOMUNITAS HANDLETTERING SURAKARYA DI SURAKARTA Priya Aji, Rizky; Murtono, Taufik
CITRAWIRA : Journal of Advertising and Visual Communication Vol. 1 No. 2 (2020)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/citrawira.v1i2.3521

Abstract

The existence of the Surakarya Handlettering Community in Surakarta. This community is a learning group to write handlettering art in Surakarta, which was formed in 2014, where currently dozens of members have joined who have creativity and expertise in the art of handlettering. This research uses descriptive qualitative method which aims to examine how the role of the Surakarya Community in the development of handlettering in Surakarta and how to develop the style and work of handlettering in Surakarta. Data analysis was carried out by interviewing several community members, direct observation by means of observation and making a questionnaire, and documenting community activities in the form of pen meet-ups. This research found that the existence of communities in popularizing the arts of handlettering and calligraphy was formed through two aspects, namely the role through several internal and external activities such as exhibitions, belcor (belmen corner), pen meet up, ngangsu kaweruh and lettering camp. The second aspect is in the form of alternative styles and handlettering works that have been developed covering 7 (seven), namely: decorative lettering, script lettering, chalk lettering, watercolor lettering, calligraphy brushes, modern calligraphy and calligraphy blackletter. The art of handlettering is in the form of murals that decorate several cafes and corners of the city of Surakarta, besides the work of the Surakarya community which is applied in the form of media such as helmets, tote bags, packaging, pillow covers and t-shirts. For the Surakarya community in the future it will be more developed and promote the community in cultivating the arts of handlettering and calligraphy both at the local and national levels. 
Kampanye Peduli Sampah Plastik Melalui Desain Komunikasi Visual Qana Fadhila , Adhara; Murtono, Taufik
CITRAWIRA : Journal of Advertising and Visual Communication Vol. 5 No. 1 (2024)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/citrawira.v5i1.4743

Abstract

                                                                                                              Plastik merupakan komponen yang tidak dapat lepas dari kegiatan sehari-hari setiap manusia karena plastik memiliki sifat yang tidak mudah rusak. Hal ini menyebabkan meningkatnya produksi plastik yang mengakibatkan peningkatan jumlah sampah plastik yang dihasilkan dari tahun ke tahun. Diperlukan kampanye sosial yang dapat menyadarkan dan mengedukasi masyarakat tentang bahaya dan dampak penggunaan plastik sekali pakai, selain itu diperlukan iklan kampanye sosial yang optimal agar dapat menyadarkan masyarakat untuk memanejemen sampah plastik salah satunya dengan cara menumbuhkan perilaku mengurangi dan  kesadaran untuk mengelola plastik sekali pakai agar tidak menjadi sampah/limbah plastik. Perancangan kampanye menggunakan metode pengumpulan data, metode analisis data, kemudian menggunakan metode perancangan desain. Media kampanye berupa poster, infografis, media offline (poster, majalah, mural, digital ad), media online (instagram, facebook, press release), dan media pendukung merchandise (buku agenda, t-shirt, totebag, sikat gigi kayu, sedotan stainless stell, tumbler, sabun batang, cup portable, set alat makan dan lunch box). Kampanye ini diharapkan dapat menjadi media yang dapat membantu menyadarkan betapa pentingnya kesadaran untuk peduli terhadap sampah plastik
Perancangan Rupa Huruf Aksara Jawa dan Implementasi Komunikasi Visual di Pura Mangkunegaran Kusuma, Wisnu Adhi; Murtono, Taufik
CITRAWIRA : Journal of Advertising and Visual Communication Vol. 5 No. 1 (2024)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/citrawira.v5i1.4841

Abstract

                                                                                                              Artefak visual berupa aksara Jawa di Pura Mangkunegaran merupakan warisan visual Nusantara yang berharga keberadaannya. Dari sekian banyak artefak, naskah adalah salah satu jenis yang terbanyak. Keberadaannya tersimpan di Perpustakaan Reksa Pustaka. Artefak tipografi tersebut sudah selayaknya diangkat kembali untuk digunakan agar keberadaan aksara Jawa tetap lestari serta menjadi peneguh identitas Pura Mangkunegaran sebagai salah satu pusat peradaban Jawa.Tujuanpenelitianiniuntukmerancang rupa huruf aksara Jawa yang khas berdasarkan temuan aksara di Pura Mangkunegaran untuk selanjutnya diimplementasikan dalam komunikasi visualnya. Perancangan menggunakan metode defining, gathering, ideating, synthesisdan realizing. Secara garis besar struktur aksara Jawa berbeda dengan huruf Latin sehingga digunakan panduan tipografi aksara Jawa. Bentuk implementasi dari aksara disesuaikan dengan kebutuhan penerapan di lokasi penelitian berupa signage, media cetak, merchandise, dan media internet. Hasil penelitian berupa typeface berbasis vektor sehingga masih terbuka peluang pengembangan menjadi font.
Buku Ilustrasi Banten Prayascita Gaya Flat Design Sebagai Sarana Pelestarian Budaya Bali Pada Parisada Hindu Dharma Indonesia Bekasi Cista, Luh Putu Ayu Cista; Murtono, Taufik
CITRAWIRA : Journal of Advertising and Visual Communication Vol. 4 No. 1 (2023)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/citrawira.v4i1.5296

Abstract

This Illustrated Book as a Means of Preserving Balinese Culture was designed after seeing traditions and culture that are slowly being abandoned by the Balinese Hindu community, especially teenagers who are outside the island of Bali. Data collection through observation and interviews with sources from Hindu religious leaders in Bekasi who know about Banten Prayascita. The visual design process for illustration books using the Design Thinking and Style methods in flat design illustrations is taken for its modern, minimalist nature. The illustrations in the book refer to the original form of Banten, Serati Banten as a reference for supporting illustrations, and the color palette is taken from one of the components in Banten such as flowers, leaves, incense and coconut leaves, supergraphics designed from Banten components such as shrimp paste, thread, and so on. The design of promotional media using the work method uses the AISAS method. By designing this Illustrated Book, it is hoped that the Banten Prayascita tradition will be reintroduced to the young Balinese Hindu community and help preserve and inherit the Banten Prayascita tradition.