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Javanese Altruism: Suicide as a Symbol of Political Resistance in Modern Javanese Theatre Novianto, Wahyu; Guntur, Guntur; Jamal, Jamal; Murtono, Taufik; Dayari, Achmad; Aji Kus Indriani, Arrauna Bening
Journal of Urban Society's Arts Vol 12, No 2 (2025): October 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v12i2.17459

Abstract

In this research, the representation of suicide in modern Javanese theatre is analyzed as a symbol of resistance against repressive power, with an emphasis on the altruistic values typical of Javanese culture. Two theatre scripts, KUP (Sego Gurih Theatre Company) and Dumeh (Sedhut Senut Theatre Company), are the focus of this study because they feature main characters who choose suicide. A hermeneutic approach within an interpretive framework and content analysis of the texts have been used. This method finds that suicide in both texts is not meant as a personal act of despair, but rather as a political and spiritual statement grounded in the ethics of self-sacrifice in Javanese cosmology. In this context, harmony, obedience, and self-control assume a resistance-oriented connotation. Modern Javanese-language theatre, therefore, is positioned as a space for emancipatory social critique. Thus, suicide is understood not merely as a tragic act, but as a dramatic and political strategy used to uphold justice and restore collective dignity. This research contributes to studying Javanese culture and theatrical practice as a medium for contemplating the relationship between the body, power, and spirituality.
Exclusive Dakwah and Effective Branding: A Case Study of Majelis Taklim Zaadul Muslim in Examining Jamaah Loyalty Through the Touchpoint Method Rachmad Anwar Nuris; Taufik Murtono
Dinasti International Journal of Education Management And Social Science Vol. 6 No. 3 (2025): Dinasti International Journal of Education Management and Social Science (Febru
Publisher : Dinasti Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.38035/dijemss.v6i3.3878

Abstract

This study examines the phenomenon of the high number of attendees at Majelis Taklim Zaadul Muslim, despite its exclusive and closed-content religious gatherings. This research is important to identify the factors that make this Majelis Taklim highly appealing and to understand how its unique strengths attract specific market segments. The objective of the study is to explain the dissemination of Majelis Taklim Zaadul Muslim's ideas through branding activities. The research employs a qualitative method, utilizing Talcott Parsons' cultural theory to explore participants' in-depth experiences. Alina Wheeler's brand touchpoint theory is used to identify the mediums that connect the attendees. Data were collected through in-depth interviews, participatory observations, and content analysis. The findings reveal that effective brand touchpoints contribute to the increasing number of attendees from diverse backgrounds. The main findings include: 1) The da'wah model of Habib Alwi As-Segaf, which adheres to Asy’ariyah and Maturidiyyah theology, 2) Branding activities that create emotional connections and a strong image, and 3) Positive perceptions of branding among attendees. This study recommends further research using an anthropological approach and can serve as a reference for new Majelis Taklim in implementing branding strategies in their da'wah activities.