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CaLLs : Journal of Culture, Arts, Literature, and Linguistics
Published by Universitas Mulawarman
ISSN : 2460674X     EISSN : 25497707     DOI : -
Core Subject : Education, Social,
Education Languange, Linguistic, Communication & Media Social Sciences
CaLLs (Journal of Culture, Arts, Literature, and Linguistics) published by Fakultas Ilmu Budaya Universitas Mulawarman and published in June and December. CaLLs welcome articles and research reports utilizing an interdisciplinary approach to the study of culture. The object materials of the study may include aspects of language/linguistics, literature, arts (music and traditional arts).
Arjuna Subject : -
Articles 26 Documents
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Search results for , issue "Special Issue "SESANTI 2025"" : 26 Documents clear
RESISTING THE OTHER: WOMEN’S EXISTENTIALISM AGAINST PATRIARCHAL CULTURE IN SELECTED DISNEY PRINCESS SONG LYRICS Muhajir, Fatimah; Tantri, Agra Liz; Yetty, Yetty
CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Special Issue "SESANTI 2025"
Publisher : Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/calls.v11i0.22712

Abstract

This study, “Resisting the Other: Women’s Existentialism Against Patriarchal Culture in Selected Disney Princess Soundtrack Lyrics”, examines existentialist feminist themes in three Disney Princess songs: “Reflection” (Mulan), “Speechless” (Aladdin), and “Touch the Sky” (Brave). Using Simone de Beauvoir’s concept of “the Other” in Feminist Existentialism, the research analyzes how the lyrics reflect women’s struggles against patriarchal culture by asserting identity, autonomy, and freedom. The findings reveal distinct forms of resistance in each song. “Reflection” portrays women’s rejection of objectification and their demand for self-definition against restrictive gender roles. “Speechless” emphasizes an outright refusal of patriarchal silencing, expressing determination to voice resistance and claim agency. “Touch the Sky” highlights the pursuit of individual liberty, underscoring women’s ability to transcend imposed roles and choose their own paths. Collectively, these songs construct narratives of empowerment that resist the relegation of women to “the Other.” They affirm existential freedom and authenticity as essential to women’s self-realization, illustrating how popular culture can serve as a medium of resistance. By foregrounding women’s voices, Disney Princess soundtracks not only reflect evolving portrayals of women but also contribute to wider discourses on gender equality and female agency in contemporary society.
Bahasa dan kebenaran dalam diskursus digital: Perspektif validity claim Habermas Triyoga, Anwar Ibrahim; Hanum, Irma Surayya; Khasri, M. Rodinal Khair; Putra, Surya Adinata
CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Special Issue "SESANTI 2025"
Publisher : Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/calls.v11i0.22724

Abstract

Penyebaran hoaks yang cepat melalui platform digital telah menjadi tantangan signifikan terhadap validitas kebenaran dalam diskursus daring. Data dari Kementerian Komunikasi dan Informatika (Kominfo) mencatat 1.923 konten hoaks sepanjang tahun 2024, dengan peningkatan yang menonjol selama periode pemilu. Survei nasional oleh Asosiasi Penyelenggara Jasa Internet Indonesia (APJII) mengungkapkan bahwa 24,7% hoaks tersebut bersifat politis, yang menegaskan dominasi misinformasi politik di ranah digital. Penelitian ini bertujuan untuk mengeksplorasi bagaimana bahasa dalam ruang digital memengaruhi konstruksi kebenaran dan validitas intersubjektif dengan merujuk pada teori klaim validitas Jürgen Habermas. Penelitian ini menggunakan metode perbandingan artikel, yaitu dengan menelaah dan membandingkan sejumlah studi terdahulu mengenai komunikasi digital, hoaks, dan demokrasi deliberatif, sehingga diperoleh gambaran persamaan, perbedaan, serta kecenderungan temuan yang relevan. Analisis difokuskan pada bagaimana setiap artikel mengidentifikasi klaim kebenaran, validitas normatif, serta relevansi informasi dalam diskursus digital. Temuan menunjukkan bahwa meskipun ada variasi dalam pendekatan penelitian, mayoritas artikel menegaskan bahwa diskursus digital sering kali gagal memenuhi kondisi ideal komunikasi rasional Habermas akibat bias algoritmik dan keterbatasan keterbukaan. Hal ini berimplikasi pada melemahnya konsensus dan rasionalitas. Penelitian ini menyimpulkan bahwa penguatan literasi digital kritis sangat penting untuk memungkinkan individu menilai klaim kebenaran secara lebih efektif, mengurangi penyebaran hoaks, serta meningkatkan validitas diskursus digital.
From structure to ecology: Interpreting Greimas’s actantial model in the Anthropocene Max, Jonathan Irene Sartika Dewi; Ariani, Setya
CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Special Issue "SESANTI 2025"
Publisher : Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/calls.v11i0.22569

Abstract

This study looks at how Greimas' actantial model, ecocriticism, and interpretive research come together to analyze indigenous stories from Southeast Asia in the context of the Anthropocene. While previous applications of the actantial model have focused on heroism, obedience, and resistance in Indonesian folklore, they have not engaged directly with ecocritical perspectives. This research seeks to bridge this gap using interpretive research guided by Ricoeur's hermeneutics. This study explores how indigenous myths construct non-human agency, positioning nature as an active participant rather than a submissive site. The actantial model is applied to narratives such as The Origin of Paddy, The Myth of Batoq Ayau, and The Legend of Hudoq Kawit, and an academic article, Circular Commoning of Dayak Bahau, revealing how actants shape environmental discourse. Additionally, this study reinterprets transitivity, expanding its scope beyond conventional constraints to position environmental actants as central figures in narrative structures. Findings indicate that integrating Greimas' narratology with ecocriticism increases one's knowledge about human-environment interdependency, offering a fresh ecocritical perspective that challenges anthropocentric ideologies. By reframing narratives to reflect mutuality between human and non-human entities, this study contributes to sustainable ecological stewardship, reinforcing the ethical responsibility essential for environmental resilience in the Anthropocene.
‘Barangnya ready ya, wal…!’: Language use of Facebook group as a marketing platform Utomo, Aries; Kuncara, Singgih Daru
CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Special Issue "SESANTI 2025"
Publisher : Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/calls.v11i0.22922

Abstract

This current study aims to explore language use in Facebook groups as a marketing platform, viewed from linguistic and localized features. It was conducted in a qualitative study by involving two Facebook public groups in Samarinda as the research subjects. In collecting data, observation and documentation of FB’s posts and comments were employed. In analyzing data, it was conducted quantitatively and qualitatively. Based on the findings, it can be summarized that language use in the platform can be categorized within several features, namely: (1) lexical and syntactical features. In lexical features, it was primarily found in reduced forms (6 data), word choice (1 data), and spelling (3 data). In contrast, in syntactical features, it was mostly found capitalization (6 data), grammar (1 data), and punctuation (2 data), (2) localized features found from posts and comments in the two selected FB groups as a marketing place in Samarinda are code-switching (1 data), code-mixing (10 data), lexical borrowing (3 data), and shift (2 data), and (3) Banjar and Java language mainly were employed to communicate in those FB groups beside of using Indonesia language.
Digital-traditional knowledge convergence: How hybrid methodologies generate new forms of wisdom in ethnomusicological research Permatasari, Rr. Yudiswara Ayu; Risty, Apfia De Henrietta; Triyoga, Anwar Ibrahim; Kailas, Ruth Cornelia Bidari
CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Special Issue "SESANTI 2025"
Publisher : Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/calls.v11i0.22990

Abstract

Penelitian ini merupakan tinjauan Sitematic Review yang mengeksplorasi konvergensi metode digital dan tradisional dalam etnomusikologi serta dampaknya terhadap kerangka epistemologis. Dengan menggunakan pendekatan epistemologi Bayesian subjektif, studi ini menunjukkan bahwa paradigma komputasional dan kritis memiliki prior beliefs yang kuat dan sering kali saling menolak. Ketegangan ini menjelaskan mengapa data yang sama dapat ditafsirkan secara berbeda dan mengapa ketidakadilan epistemik seperti testimonial dan hermeneutic injustice terus terjadi.Temuan utama mengidentifikasi empat bentuk kebijaksanaan yang muncul dari interaksi digital-tradisional: (1) Objektivitas Kontekstual, di mana algoritma mulai dirancang untuk menghargai konteks budaya lokal; (2) Kerendahan Hati Teknologis, saat peneliti komputasional mulai menempatkan kebutuhan komunitas di atas kemampuan teknologinya; (3) Digital yang Berjiwa Tradisi, ketika pendekatan kritis menyadari potensi teknologi dalam pelestarian budaya tanpa mengorbankan nilai; dan (4) Kebijaksanaan Kolaboratif, yang lahir dari dialog antara paradigma yang berbeda.Pada akhirnya, penelitian ini berpendapat bahwa masa depan etnomusikologi tidak bergantung pada menangnya pendekatan digital atau tradisional, tetapi pada kemampuan untuk menyatukan keduanya secara bermakna. Konvergensi ini menciptakan ruang dialog yang adil, kontekstual, dan transformative menuju etnomusikologi yang peka budaya, beretika, dan adil secara epistemik.
Relasi kuasa dalam materi promosi pariwisata Dayak Setyoko, Aris; Putra, Bayu Arsiadhi; Yohana, Saferi
CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Special Issue "SESANTI 2025"
Publisher : Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/calls.v11i0.22567

Abstract

Promosi pariwisata seharusnya menjadi sarana untuk menampilkan budaya masyarakat adat secara adil dan menghormati keberadaan mereka sebagai subjek aktif. Namun, praktik promosi pariwisata di Kalimantan Timur masih merepresentasikan masyarakat Dayak sebagai figur tradisional yang terikat pada ritual dan pakaian adat, sementara keberadaan mereka dalam konteks modern sering diabaikan. Penelitian ini bertujuan mengkaji secara kritis representasi budaya Dayak dalam promosi pariwisata Mahakam Ulu serta implikasinya terhadap relasi kuasa kolonial non-pribumi. Penelitian dilakukan dengan menggunakan analisis wacana kritis terhadap teks, gambar, dan video promosi pariwisata yang diproduksi lembaga non-Dayak, serta dilengkapi dengan wawancara semi-terstruktur bersama komunitas Dayak Bahau. Sebanyak 7 sampel dipilih secara purposif dari media daring dan arsip lembaga promosi berdasarkan relevansinya. Hasil penelitian menunjukkan bahwa promosi pariwisata cenderung membingkai identitas Dayak dalam bentuk eksotisme dan historisasi, yang pada akhirnya memperkuat legitimasi pihak non-Dayak sebagai pemegang otoritas atas narasi kebudayaan. Di sisi lain, masyarakat Dayak mulai membangun representasi tandingan melalui konten yang menampilkan peran, mata pencaharian, dan identitas kontemporer mereka. Kesimpulannya, promosi pariwisata bukanlah ruang yang netral, melainkan arena kuasa yang dapat memperkuat marginalisasi atau sebaliknya membuka peluang perlawanan masyarakat adat.
No more peaceful spring: An ecocritical reading of D. H. Lawrence Craving for Spring Satria, Ridho Pratama; Septiani, Resty Maudina
CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Special Issue "SESANTI 2025"
Publisher : Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/calls.v11i0.22562

Abstract

This research examines the representation of spring in D. H. Lawrence's poetry entitled “Craving for Spring”. This representation of spring is examined through the lens of ecocriticism theory and the theory of ecological consciousness found by Bannan-Watts. This research is evaluated by applying qualitative method to examine the data. The main data of the research are in the form of sentences related to ecological consciousness portrayed in the poem. This research found there are three kinds of ecological consciousness in the poem: (1) Comprehending the fundamental nature of the environment, (2) Recognizing the interconnectedness of human and nature. (3) Concerning about the condition of the nature. The result of this research indicates a shift in the meaning of spring. In the past, spring was depicted as natural harmony due to the rebirth of new plants after winter. Today, the meaning of spring has shifted. Spring does not represent the natural beauty. Spring becomes a season that brings fear to the people due to the natural disasters that emerge during spring.
Narratives of healing through traditional medicinal knowledge in Indonesian folklore Zamruddin, Mardliya Pratiwi; Prafitri, Wilma
CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Special Issue "SESANTI 2025"
Publisher : Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/calls.v11i0.22581

Abstract

This research examines the intricate relationship between oral traditions and indigenous healing practices across Indonesia. This study uses  Java, Bali, Kalimantan and Sulawesi folktales to examine how myths, legends and ritual narratives encode traditional medicinal knowledge. These stories reveal a comprehensive view of health as a  harmony across physical, spiritual, and environmental realms. Through thematic and symbolic analysis, the study shows ethnobotanical ideas, the sociocultural logic of healing, and the narrative roles of herbal cures and traditional healers. Folklore provides therapeutic knowledge, an ecological ethic and moral compass that helps societies live sustainably and pass down information. The study contributes to worldwide discussions on intangible cultural heritage and knowledge system decolonization by placing these tales in cultural and public health contexts. It concludes that folklore is a living repository of medical epistemologies and a significant resource for culturally grounded health discourse in Indonesia and beyond.
CULTURAL TERMS IN INDONESIAN CHILDREN’S STORIES: A STUDY OF HARI ISTIMEWA SUWIDAK LORO AND MAU MASAK APA, LINTANG? Sudirman, Eka Pratiwi; Muhajir, Fatimah
CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Special Issue "SESANTI 2025"
Publisher : Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/calls.v11i0.22760

Abstract

This study examines how Indonesian cultural identity is represented and rendered in two children’s narratives, Hari Istimewa Suwidak Loro and Mau Masak Apa, Lintang?, through the identification of culture-specific lexical items and the translation strategies applied, based on Newmark’s (1988) framework. The findings indicate that material culture—particularly culinary references such as botok, klepon, and serabi—is the most prevalent category, followed by social culture, which includes kinship terms and communal practices. These categories reflect the translators’ emphasis on tangible and relational aspects of Indonesian life, suggesting that food and familial terms serve as culturally resonant vehicles for transmitting values and traditions to young readers. Six translation strategies were identified, with functional and cultural equivalence being the most frequently employed, indicating a prioritization of accessibility. Meanwhile, transference and amplification were used to preserve cultural specificity. These findings underscore the role of translation in mediating cultural representation and enhancing cross-cultural understanding through children’s literature.
Diskriminasi terhadap interseksionalitas tokoh perempuan di tengah keberagaman masyarakat Papua dalam novel Gadis Pesisir karya Nunuk Y. Kusmiana Giriani, Nella Putri; Fitriyah, Atiqotul; Sholihah, Lailatus
CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Special Issue "SESANTI 2025"
Publisher : Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/calls.v11i0.22616

Abstract

Penelitian ini membahas keberagaman masyarakat Papua dan diskriminasi yang terjadi pada tokoh Halijah dalam novel Gadis Pesisir (2019) karya Nunuk Y. Kusmiana. Diskriminasi yang diterima oleh Halijah dan tokoh perempuan lainnya merupakan akibat dari perbedaan ras, usia, kelas, dan jenis kelamin atau interseksionalitas. Selain itu, adanya negosiasi dan resistensi tokoh perempuan menarik untuk diteliti. Tujuan penelitian ini ialah menampilkan masyarakat Papua yang multietnis dan multikulural dan mengungkap represi yang diterima tokoh perempuan karena keberagaman yang terjadi di Tanah Papua. Analisis dalam penelitian ini menggunakan teori identitas milik Stuart Hall, perspektif feminis multicultural Audre Lorde. Berdasarkan hasil penelitian dapat disimpulkan bahwa novel Gadis Pesisir mencoba melawan bentuk-bentuk diskriminasi yang dialami perempuan karena perbedaan usia, ras, kelas, dan jenis kelamin. Selain itu, memberikan “ruang” yang berbeda untuk “meruntuhkan” pelekatan konstruksi identitas yang buruk terhadap perempuan asli Papua dan memberikan “ruang” baru untuk meruntuhkan tradisi pernikahan dini. 

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