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All Journal PRASI: Jurnal Bahasa, Seni, dan Pengajarannya Grenek: Jurnal Seni Musik Ekspresi: Indonesian Art Journal MUDRA Jurnal Seni Budaya Gondang: Jurnal Seni dan Budaya Batoboh : Jurnal Pengabdian Pada Masyarakat Laga-Laga: Jurnal Seni Pertunjukan Hanifiya: Jurnal Studi Agama-Agama Creativity And Research Theatre Journal Jurnal Iman dan Spiritualitas Educational Journal of Islamic Management (EJIM) Prosiding Seminar Nasional Humaniora Indonesian Research Journal on Education Jurnal Pengabdian Masyarakat Sehati Jurnal Pengembangan dan Pengabdian Masyarakat
Handayani, lusi
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Creation of a Surreal Dramatic Text Based on the Myth of Kramat Bedil from Kedotan Ikhsan Satria Irianto; Dinda Assalia Avero Pramasheilla; Lusi Handayani; Tofan Gustyawan; Dwi Febrianti, Syielvi
Gondang: Jurnal Seni dan Budaya Vol. 9 No. 1 (2025): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2025
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v9i1.64795

Abstract

The myth of Kramat Bedil is a local genius of the Kedotan Village community who has a surreal vision. The creation of a surreal dramatic text based on the myth of Kramat Bedil is an effort to process the cultural wealth of Kedotan Village into a drama that can meet global aesthetic needs. This research is an ethnodramaturgical research oriented towards processing cultural products. The data collection techniques used consist of interviews, observations and literature studies. The data testing technique used is the source triangulation technique. The data analysis techniques used are data reduction techniques, data presentation techniques and conclusion drawing techniques. The drama writing technique used is the writing mechanism of Lajos Agri. The results achieved from this study are surrealistic dramatic texts with a dramatic vision of "subconscious chaos". The drama writing style used is a combination of poetic and realistic styles. Conflict is formulated through subconscious chaos as a symptom of psychological degradation in a gloomy and restless atmosphere. The writing of this surreal dramatic text is an effort to utilize local genius into a dramatic text that is able to reach global aesthetics. This surreal dramatic text based on the Kramat Bedil myth is entitled "La Dalu: Dark Terror in the Circle of Anxiety".
Regenerasi dan Adaptasi sebagai Strategi Pelestarian Wayang Topeng Kelompok Kadaryono di Situbondo, Jawa Timur Rahmayani, Wahdania Nur; Gustyawan, Tofan; Handayani, Lusi; Irianto, Ikhsan Satrio
Ekspresi Vol 14, No 1 (2025)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ekspresi.v14i1.16160

Abstract

AbstrakWayang topeng adalah salah satu jenis teater rakyat tradisional yang berasal dari Situbondo, Jawa Timur, yang kini mengalami penurunan intensitas pertunjukan dibandingkan dengan kesenian ludruk dan ketoprak. Kelompok Wayang Topeng Kadaryono menjadi salah satu representasi penting dalam pelestarian bentuk seni ini. Penelitian ini bertujuan untuk mendeskripsikan keberadaan dan dinamika kelompok Kadaryono dalam mempertahankan eksistensi seni pertunjukan wayang topeng. Dengan menggunakan pendekatan sejarah dan metode kualitatif deskriptif, data diperoleh melalui studi pustaka, observasi, dan wawancara mendalam dengan tokoh seniman lokal. Hasil penelitian menunjukkan bahwa upaya pelestarian wayang topeng didorong oleh inisiatif pelaku seni itu sendiri, terutama Ki Dalang Kadaryono, yang secara aktif menjaga kesinambungan tradisi melalui regenerasi internal dan adaptasi format pementasan. Keberlangsungan kesenian ini membutuhkan kolaborasi antara seniman, masyarakat, dan pemerintah sebagai ekosistem pendukung yang berkelanjutan.Kata kunci: Situbondo, wayang topeng, keberadaan, KadaryonoAbstractRegeneration and Adaptation as Preservation Strategies for the Kadaryono Group's Wayang Topeng in Situbondo, East Java. Wayang topeng is a traditional folk theater in Situbondo, East Java, which has experienced a decline in performance frequency compared to other regional arts such as ludruk and ketoprak. The Kadaryono mask puppet group plays a vital role in preserving this art form. This study aims to describe the presence and cultural significance of the Kadaryono group in maintaining the existence of wayang topeng. Employing a historical approach and qualitative descriptive method, data were collected through literature review, field observation, and in-depth interviews with local art figures. The results indicate that preservation efforts are initiated by the artists themselves, particularly Ki Dalang Kadaryono, who continues to sustain the tradition through internal regeneration and performance adaptation. The sustainability of this cultural heritage relies on the collaborative support of artists, the community, and local authorities. Keywords: Situbondo, puppet mask, existence, Kadaryono
Transkulturasi Naskah Pinangan Anton Chekhov: Eksplorasi Dramaturgi Visual dan Kritik Sosial dalam Teater Indonesia Handayani, Lusi; Pramasheilla, Dinda Assalia Avero; Utami, Yhovy Hendricasri; Rahmayani, Wahdania Nur
Ekspresi Vol 14, No 1 (2025)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ekspresi.v14i1.15849

Abstract

AbstrakArtikel ini membahas proses penafsiran visual dan dramaturgi dalam pertunjukan teater yang merekontekstualisasi naskah The Proposal Karya Anton Chekhov ke dalam konteks budaya Indonesia. Tujuan dari kajian ini adalah mengeksplorasi bagaimana teks drama klasik asal Rusia tersebut dapat diterjemahkan secara artistik ke dalam ruang lokal melalui pendekatan penyutradaraan, pemilihan gaya permainan aktor, desain artistik, serta penggunaan simbol-simbol visual. Topik ini dipilih karena Pinangan mengandung ironi sosial yang relevan dengan dinamika kelas menengah Indonesia kontemporer, namun membutuhkan pembacaan ulang agar dapat diterima oleh penonton lokal Penelitian ini menggunakan pendekatan penciptaan seni (artistic reserch) dengan metode practice- as-research, yaitu metode penciptaan karya yang berangkat dari eksplorasi terhadap teks sastra (naskah Pinangan karya Anton Chekhov), yang kemudian diterjemahkan ke dalam bentuk pertunjukan teater melalui tahapan-tahapan kreatif. Hasil kajian menunjukkan bahwa pertunjukan teater Pinangan versi Indonesia tidak hanya mengubah aspek bahasa dan latar, tetapi juga menambahkan nuansa kritik sosial baru, memperkuat komedi situasional, serta menciptakan dialog antar budaya antara teks asli dan penonton masa kini. Penafsiran dramaturgis yang dilakukan berhasil menampilkan kembali substansi naskah secara segar tanpa kehilangan esensi Chekhovian, sekaligus memperkuat pesan lokal dalam praktik teater Indonesia.Kata kunci: Rekontekstualisasi, Penafsiran Teater, Dramaturgi, Naskah Chekhov, Kritik Sosial AbstractThe Transculturation of Anton Chekhov's The Proposal: Visual Dramaturgy and Social Criticism in Indonesian Theatre. This article discusses the process of visual and dramaturgical interpretation in a theatrical performance that recontextualizes Anton Chekhov's The Proposal script into an Indonesian cultural context. The purpose of this study is to explore how the classic Russian drama text can be artistically translated into a local space through a directorial approach, the selection of actor playing styles, artistic design, and the use of visual symbols. This topic was chosen because Pinangan contains social irony that is relevant to the dynamics of the contemporary Indonesian middle class, but requires rereading in order to be accepted by local audiences. This study uses an artistic research approach with the practice-as-research method, namely a method of creating works that starts from an exploration of literary texts (the Pinangan script by Anton Chekhov), which is then translated into a theatrical performance through creative stages. The results of the study show that the Indonesian version of the Pinangan theatrical performance not only changes the language and setting aspects, but also adds new nuances of social criticism, strengthens situational comedy, and creates an intercultural dialogue between the original text and today's audience. The dramaturgical interpretation carried out successfully re-presents the substance of the script in a fresh way without losing the Chekhovian essence, while strengthening the local message in Indonesian theatrical practice.Keywords: Recontextualization, Theater Interpretation, Dramaturgy, Chekhov's Script, Social Criticism
Co-Authors Adiacma, Yayan Adila, Nurul Agustarma, Febriza Eka Agustina, Rati Elvi Ahmad, Birrijal Al-farisy, Muh. Tegar Amalia, Mita Amrina Rosada, Amrina Arifanisa, Arifanisa Avero Vanacova, Sherin Adelia Azmi, Fathul Nurul Deviyanto, Deviyanto Dwi Febrianti, Syielvi Dwi Kurniawan, Dwi Fitri, Rizky Jamiatul Fitria, Rika Gustyawan, Tofan Hakiki, Dico Albazar Halimaktus, Apriyani Harnika, Harnika Herwanfakhrizal, Herwanfakhrizal IKHSAN SATRIA IRIANTO Iman Darmawan, Iman Indra Gunawan Jufira, Putry Rahmani Juwita, Dwi Kartika, Agustin Mega Kartika, Yeni Widya Khoir, Attabik Al Kurniawan, Dimas Candra Kustana, Kustana Mahdi Bahar Maisulvi, Khofifah Malfirah, Tata Dealian Manurung, Syafril Muhammad Aldi, Muhammad Muhammad Farhan Munandar, Tri Imam Murniza, Murniza Nababan, Eva Daya Novita Sari Nur, Nabila Nurlili, Nurlili Pradana, Arya Pramasheilla, Dinda Assalia Avero Putra, Rio Purnama Putri, Adek Putri, Leni Rahmayani, Wahdania Nur Rifandi, Ilham Riswani Riswani Riswani Riswani Roza Muliati Rusdianti, Ina Saduddin Saaduddin Safitri, Intan Rodiah Sahrul N Sahrul N Saputri, Mareta Julia Sari, Anggun Permata Tofan Gustyawan Utami, Yhovy Hendricasri Utomo Putra, Bagas Wira Wiratsih, Woro Yasir, Toriq Alfan