Claim Missing Document
Check
Articles

Mekanisme Pertahanan Diri sebagai Bentuk Defensi Tokoh Hasan dalam Naskah Drama Sarapan Terakhir Karya Andrian Eka Saputra Nida Amalia Manggala; Rudi Adi Nugroho
GHANCARAN: Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol. 6 No. 2 (2025)
Publisher : Tadris Bahasa Indonesia, Fakultas Tarbiyah, Institut Agama Islam Negeri Madura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19105/ghancaran.v6i2.12215

Abstract

The characters in every literary work have a conflict that makes the character experience anxiety and try to cover up his anxiety through self-defense. Self-defense mechanisms aim to protect a character or individual from external threats or impulses arising from internal anxiety. This form of self-defense is depicted through the character Hasan in the drama script "Sarapan Terakhir". This research aims to describe the self-defense mechanism of the main character Hasan in the drama script “Sarapan Terakhir” by Andrian Eka Saputra. This research uses a qualitative approach with literary psychology methods. The data collection technique used was reading and note-taking techniques. The data source in this research is a drama script in the drama script anthology "Sarapan Terakhir" by Andrian Eka Saputra. The results of this research show that there are four classifications of self-defense mechanisms in Hasan's character, including sublimation, rationalization, reaction formation, and projection.
Abraham Maslow's Humanistic Psychology Study on The Character Ale in The Novel Seporsi Mie Ayam Sebelum Mati  by Brian Khrisna Fathina Karima Arun; S. Sumiyadi; Rudi Adi Nugroho
Jurnal Sastra Indonesia Vol. 14 No. 3 (2025): November
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsi.v14i3.32869

Abstract

This study, entitled “An Analysis of Abraham Maslow's Humanistic Psychology in the Character Ale in Brian Khrisna's Novel Seporsi Mie Ayam Sebelum Mati,” aims to identify the forms of need fulfillment carried out by the main character in accordance with Abraham Maslow's humanistic psychology theory. Maslow's hierarchy of needs includes physiological and psychological needs. Physiological needs include food and drink, clothing, shelter, rest, and sexual needs. Psychological needs include the need for safety, love and belonging, self-esteem, and self-actualization. The method employed in this study is a descriptive qualitative approach, aimed at understanding and describing the phenomenon in depth. The research data sources comprise the dialogues, sentences, phrases, and words of the main character found in the novel Seporsi Mie Ayam Sebelum Mati, published by Gramedia Widiasarana Indonesia (Grasindo) in 2025. The researcher acted as the primary instrument, while data collection was conducted using the read-and-record technique. Based on an analysis of Abraham Maslow's humanistic psychology theory, 30 related data points were identified, indicating that the character Ale made various efforts to fulfill his hierarchy of needs. However, not all of these needs could be fulfilled, particularly the needs for clothing, rest, and sex. Meanwhile, other needs were gradually fulfilled as the story progressed.
Agresi sebagai Mekanisme Pertahanan Dominan pada Diri Wayan Setiawan, Muamar Dwi; Ghani, Raditya Haickal Abdul; Nugroho, Rudi Adi
Alinea: Jurnal Bahasa, Sastra, dan Pengajaran Vol 14, No 2 (2025): Bahasa, Sastra, dan Pengajaran
Publisher : Universitas Suryakanca

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35194/alinea.v14i2.4990

Abstract

This article discusses the personality of Wayan in the drama "Bila Malam Bertambah Malam" by Putu Wijaya using a literary psychology approach based on Sigmund Freud's psychoanalytic theory. This study uses a qualitative descriptive method, with data collection techniques in the form of text analysis and literature study. The main data is in the form of dialogues that reflect Wayan's personality. The results of the analysis show that Wayan's personality structure is dominated by the id aspect, which reflects his desire to fight the injustice of the caste system and regain the love of Gusti Biang. The dynamics of Wayan's personality are influenced by his interactions with other characters and the conflicting instincts of life and death. The anxiety he experiences is largely caused by social pressure symbolized by the character of Gusti Biang. In facing conflict, Wayan relies on defense mechanisms such as aggression, rationalization, and regression, which help convey his anxiety and maintain emotional stability. This study provides new insights into the relationship between character personality and social context in literary works. Keywords: literary psychology; drama script; Sigmund Freud Abstrak Artikel ini membahas kepribadian tokoh Wayan dalam drama ”Bila Malam Bertambah Malam” karya Putu Wijaya menggunakan pendekatan psikologi sastra berdasarkan teori psikoanalisis Sigmund Freud. Penelitian ini menggunakan metode deskriptif kualitatif, dengan teknik pengumpulan data berupa analisis teks dan studi kepustakaan. Data utama berupa dialog yang mencerminkan kepribadian Wayan. Hasil analisis menunjukkan bahwa struktur kepribadian Wayan didominasi oleh aspek id, yang mencerminkan keinginannya untuk melawan ketidakadilan sistem kasta dan mendapatkan kembali cinta Gusti Biang. Dinamika kepribadian Wayan dipengaruhi oleh interaksinya dengan tokoh lain serta naluri kehidupan dan kematian yang saling bertentangan. Kecemasan yang dialaminya sebagian besar disebabkan oleh tekanan sosial yang dilambangkan melalui karakter Gusti Biang. Dalam menghadapi konflik, Wayan mengandalkan mekanisme pertahanan berupa agresi, rasionalisasi, dan regresi, yang membantu menyampaikan kecemasannya serta mempertahankan kestabilan emosional. Penelitian ini memberikan wawasan baru tentang hubungan antara kepribadian tokoh dan konteks sosial dalam karya sastra. Katakunci: psikologi sastra; naskah drama; Sigmund Freud
Co-Authors Aceng Ruhendi Syaifullah Afrilla, Tika Andhini, Alfira Andoyo Sastromiharjo Anggraini, Nurlita Anindya Putri Lesmana Anindya Putri Lesmana Anise Nudianti Apriani, Iit Lita Arba Monita Budiani Arshal Zairuby Harahap Asep Herry Hernawan Asra, Nurul Hafidzah Ayu, Desi Ratna Azhar, Salsa Fatia Azzahrra, Syalla Berliana Alvionita Pratiwi Berliana Alvionita Pratiwi Cahya Laili Agustina Dadang S Anshori Damayanti, Rike Denny Iskandar Encep Kusumah Fadlilah, Afi Fathina Karima Arun Fauziyah, Rahmah Firdaus, Sifa Yuha Fitriah, Annisa Gilang Fuadin, Ahmad Ghani, Raditya Haickal Abdul Halimah Halimah Halimah Halimah Halimah Hana Mumtazia Nurhaq Hanifah, Nida Harahap, Arshal Zairuby Harras, Kholid A Iit Lita Apriani Ilhamida, Julika Lissa Isah Cahyani Iskandar, Ramadhan Attalarik Khoirunnisa, Ananda Siti Kholid Abdullah Harras Lee, Thannia Angelina Lesmana, Anindya Putri Mingga Ratih Mingga Ratih Mochamad Whilky Rizkyanfi Nabila Nufaiza Yusuf Nabila Nufaiza Yusuf Neti Budiwati Nida Amalia Manggala Nuny Sulistiany Idris Nurul Hafidzah Asra Nurulrabihah Mat Noh Pandiangan, Angellica Minarti Martogi Purnamasari, Widiyani Kuspi Ramadhan Attalarik Iskandar Ramadhan Attalarik Iskandar Ramdani, Muhammad Bahagia Rini Utari, Rini Rizmi Nur Andari Samsudin, Didin Saputri, Syaharani Setiawan, Muamar Dwi Sofia, Risnawati Sudarsono, Endah Wilis Sulastri, Teti Sumiyadi Sumiyadi Syifa Ul Qalbi Syifa Ul Qalbi Tedi Permadi Verawati, Selfi Vinka Tiara Aliyya Nurfatwa Winiarti, Winiarti Wulan Fajrideani Wulan Fajrideani Wulansari, Keken Yohana, Tini Yulia Puspita, Yulia Yulianeta