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All Journal Jurnal Ilmiah Psikologi Terapan IBDA` : Jurnal Kajian Islam dan Budaya REKA KARSA LiNGUA: Jurnal Ilmu Bahasa dan Sastra Jurnal Theologia Students´ Journal of Economic and Management Jurnal Online Mahasiswa (JOM) Bidang Ilmu Ekonomi Arabia: Jurnal Pendidikan Bahasa Arab ARABIYAT SHAHIH : Journal of Islamicate Multidisciplinary Asy-Syir'ah: Jurnal Ilmu Syari'ah dan Hukum The Indonesian Biomedical Journal Jurnal Geologi dan Sumberdaya Mineral (Journal of Geology and Mineral Resources) RETORIKA: Jurnal Bahasa, Sastra, dan Pengajarannya Al-I´lam: Jurnal Komunikasi dan Penyiaran Islam FENOMENA KABILAH : Journal of Social Community Al-Ma'rifah : Jurnal Budaya, Bahasa dan Sastra Arab Diklat Review : Jurnal manajemen pendidikan dan pelatihan Jurnal Riset Akuntansi Kontemporer Jurnal Abdi Insani Jurnal Akuntansi, Manajemen, Bisnis dan Teknologi Jurnal Inovasi Penelitian dan Pengabdian Masyarakat JILSA (Jurnal Ilmu Linguistik dan Sastra Arab) Cermin Dunia Kedokteran Journal Of Human And Education (JAHE) Jurnal Pengabdian Masyarakat Bestari (JPMB) TEKNOLOGI NUSANTARA Transform : Journal of English Language Teaching and Learning Research Horizon AL-MAFAZI: JOURNAL OF ISLAMIC EDUCATION MANAGEMENT Jurnal Geologi dan Sumberdaya Mineral (Journal of Geology and Mineral Resources) Lughawiyyat: Jurnal Pendidikan Bahasa dan Sastra Arab ALMUSTOFA: Journal of Islamic Studies and Research Service
Luthfi, Muhammad
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Journal : Transform : Journal of English Language Teaching and Learning

 1 
ABRIDGING SENTENCES OF PRÉCIS WRITING IN AESOP FABLES Muhammad Luthfi Shandy; Muhammad Natsir
TRANSFORM : Journal of English Language Teaching and Learning Vol 2, No 4 (2013)
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (501.691 KB) | DOI: 10.24114/tj.v2i4.952

Abstract

ABSTRACTThis study is concerned with writing, focusing on the abridging sentences ofprécis writing used in Aesop Fables. This study was conducted by using descriptivequalitative design. There are ten fables of Aesop in this study taken from The Book ofAesop (Townsend: 1869). There were 103 forms. The result of data analysis showed thetotal number in types of abridging were: by reducing a clause to a phrase 55.34 %, byreducing a phrase to a word 10.68 %, change the direct speech to indirect speech 16.5%, and by reducing a clause to a word 17.48 %. It means that by reducing a clause to aphrase is the dominant types of abridging sentences used in Aesop fables. It is 52.7 %.The reason why abridging sentences by reducing a clause to a phrase is dominantbecause in all ten of the fables use many long clauses that can be reducing to phrases.There are many clauses which can be reducing to a simpler term of phrases. And theresult based on the context of the form were: human 9.2 %, animal 73.55 %, thing 5.75%, and situation 11.5 %. It means that the context of animal is the most dominantcontext. Then it is found that the ten fables are dominantly use the type of abridging byreducing a clause to a phrase in the context of animal.Keywords: Writing, Précis writing, Abridging Sentences*Graduate
ABRIDGING SENTENCES OF PRÉCIS WRITING IN AESOP FABLES Shandy, Muhammad Luthfi; Natsir, Muhammad
TRANSFORM: Journal of English Language Teaching and Learning Vol. 2 No. 4 (2013): December, 2013
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/tj.v2i4.952

Abstract

ABSTRACTThis study is concerned with writing, focusing on the abridging sentences ofprécis writing used in Aesop Fables. This study was conducted by using descriptivequalitative design. There are ten fables of Aesop in this study taken from The Book ofAesop (Townsend: 1869). There were 103 forms. The result of data analysis showed thetotal number in types of abridging were: by reducing a clause to a phrase 55.34 %, byreducing a phrase to a word 10.68 %, change the direct speech to indirect speech 16.5%, and by reducing a clause to a word 17.48 %. It means that by reducing a clause to aphrase is the dominant types of abridging sentences used in Aesop fables. It is 52.7 %.The reason why abridging sentences by reducing a clause to a phrase is dominantbecause in all ten of the fables use many long clauses that can be reducing to phrases.There are many clauses which can be reducing to a simpler term of phrases. And theresult based on the context of the form were: human 9.2 %, animal 73.55 %, thing 5.75%, and situation 11.5 %. It means that the context of animal is the most dominantcontext. Then it is found that the ten fables are dominantly use the type of abridging byreducing a clause to a phrase in the context of animal.Keywords: Writing, Précis writing, Abridging Sentences*Graduate
Co-Authors -, Irmayanti Abdurrahman, Rezi Adhi Syahbani Ahmidi, Ahmidi Akbar Cita Al Azhar A Aldo Yanuarto, Aldo Yanuarto Alfananda, Rizqi Alfarizi, Muhammad Imam Alfiati Silfi Alhamdani, Alhamdani Ali Akbar Alvi Furwanti Alwie Amie Kusumawardhani, Amie Amri, Taqiyuddin Andi Asadul Islam Anita, Nur Anwar Efendi Harahap Arifuddin Arifuddin Arifudin arifudin Arigi, Dylan Haikal Arummi, Afnan Azahra, Mutiara Azhari, Jihan Dzakiyyah Azwir Nasir Bachtiar, Rini R Bachtiar, Rini R Bahri, Fathul Budu - Bukhari, Agussalim Claudianty, Grandita Satira Daud, Numan AS Delyara, Dea Ayu Desmiyawati Desmiyawati Desmiyawati, Desmiyawati Diah Septia Ningrum Dian Novita Edi Erwan Eva Farhah, Eva Fajar Nugraha Fardah Akil Fatimah Azzahra Fatman, Yenni Fionasari, Dwi Fitriani Agustin, Fitriani Henni Noviasari Himmawan, Gathot Ibrahim Labeda Ilhamjaya Patellongi Inge Triguri Iwan Satriyo Nugroho, Iwan Satriyo Nugroho James Hellyward Juliantoni, Jepri Julita Julita Julita Julita Saidi Karina Andini, Frini Khairul Umam Kusuma, Susanto H Laili, Aizzatul Luqman Hakim, Luqman Hakim M. Rasuli Marcellus Simadibrata Masita, Tuti Syaima Maulana, Gilang Eka Mawaddah, Aidha Maylana, Aninda Nisa Mochammad Hatta Mochammad Rafi, Mochammad Rafi Moh.Ibnu Sholeh Muh. Nasrum Massi Muhammad Alfikri Muhammad Dhiyaurrahman Hanafi Muhammad Iqbal Arrasid Muhammad Natsir Muhammad Natsir Muhammad Ridwan Muhammad Sahdan Siregar, Muhammad Sahdan Siregar Muhammad Yunus Anis Musyrifa, Furaida Ayu Nasir, Yazid Qomar Abdul Nasrizal, Nasrizal Ningsih, Rahmita Budiarti Nita Wahyuni, Nita Nur Azlina Nur Ila Ifawati NUR, siti Nurul Hak Popy Yuliarty, Popy Prastowo, Dwi Ady Prihantono Prihantono Putri, Annie Rafika Ratik Srimurni, Rafika Ratik Srimurni Raja Abelda Gusnawati Ramadhan, Gian Riovi Rantiyo, Rantiyo Regia Dwi Umbara Reza Sukma Nugraha, Reza Sukma Rifai, Amelia Rina Masadah Rinda Nariswati Rizqia, Asa Qubaila Sitta Zidna Rohman Rosdiana Natzir Roseptry, Ricky Samad, Ibrahim Abd. Siti Nur, Siti Nur Suci, Rama Suhadah Suhadah, Suhadah Susilo Toto Raharjo Syahnaz Khairunnisa Syihabuddin Syihabuddin Taufeni Taufik Tjahjadi Robert Tedjasaputra Triyanti Nurul Hidayati Uleng Bahrun, Uleng Varhah, Eva Vebryanti, Vebryanti Widji Indahing Tyas Wildana Wargadinata Yananta Sari, Debyta Yuliana Fatmawati, Yuliana Fatmawati Yusni Maulida Zamzami Dhiyaul Ulum