Garuda - Garba Rujukan Digital

Intergenerational Communication and The Phenomenon of Culture Shock: A Case Study of Member Integration in The Sparko Solo Community Diah Ayu Juliati; Rino Andreas
PERSPEKTIF Vol. 15 No. 2 (2026): PERSPEKTIF April
Publisher : Universitas Medan Area

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31289/perspektif.v15i2.17497

Multigenerational communication in local communities forces individuals to adapt to differences in habits, values, and ways of interacting between generations. This study focuses on the phenomenon of culture shock in the multigenerational integration process in local sports communities, taking the Sparko Solo Community as a case study and the factors that influence the success of social integration within the community. This study uses a descriptive qualitative approach with a case study method. Informants were selected through purposive sampling based on their involvement and experience in the community. Data were obtained through interviews, participant observation, and documentation. Data analysis was carried out through data collection, reduction, presentation, and verification. The results of the study show that culture shock stems from differences in culture, values, communication styles, and participation patterns between generations. Culture shock has four stages: honeymoon, crisis, adjustment, and adaptation. The communication adaptation process, characterized by openness, empathy, and interaction intensity, can strengthen social integration.

How AI-Generated Allegory Functions In Digital Propaganda Rino Andreas; Romi Iriandi Putra; Mahesa Maulana
INJECT (Interdisciplinary Journal of Communication) Vol. 11 No. 2 (2026)
Publisher : FAKULTAS DAKWAH UIN SALATIGA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18326/inject.v11i2.6823

This article examines how AI-generated allegory functions in digital propaganda through a semiotic analysis of the short video White Eagle Alliance vs. The Persian Cats. Produced by China’s CCTV, the video reframes contemporary geopolitical conflict involving Iran, the United States, and its allies through animal allegory, stylized visual narration, and cinematic battle imagery. Using Roland Barthes’ semiotic framework and a qualitative multimodal analysis of fifteen selected scenes, this study investigates how meaning is constructed at the levels of denotation, connotation, and myth. The findings show that the video operates not merely as a representation of conflict but as a myth-making device that organizes political meaning through binaries of aggression and resistance, domination and defense, imperial threat and heroic struggle. Animal allegory functions to soften explicit political messaging while enhancing emotional appeal, ideological clarity, and audience accessibility. The study argues that AI-generated allegorical propaganda marks a significant shift in digital political communication, where automated visual production and symbolic storytelling converge to produce persuasive wartime narratives in highly shareable media formats.

YOUNG MEDIA CREATORS: PEMBERDAYAAN SISWA SMA MELALUI PELATIHAN JURNALISME VIDEO, FOTO, DAN PENULISAN BERITA BERBANTUAN KECERDASAN BUATAN Rino Andreas; Siti Umaiyah; Septi Anggita Kriskartika; Rony Kurniawan Pratama; Muhamad Reznu Firsyawardana; Yudha Wirawanda
Devote: Jurnal Pengabdian Masyarakat Global Vol. 5 No. 2 (2026): Devote : Jurnal Pengabdian Masyarakat Global, June 2026
Publisher : LPPM Institut Pendidikan Nusantara Global

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55681/devote.v5i2.6387

Artificial intelligence (AI) has transformed information production practices among senior high school students. Students of SMA Negeri 1 Pakem Yogyakarta have the potential to become critical, creative, and responsible young media creators, yet they still need guidance in producing journalistic content. This article describes the implementation of Young Media Creators as a student empowerment program through training in video journalism, journalistic photography, and AI-assisted news writing. The program used a participatory approach involving preparation, material delivery, production practice, mentoring, and evaluation. The training covered basic journalism, photo and video production, news writing, media ethics, and the use of AI. The results show improved journalistic understanding, media production skills, and ethical awareness in using AI to create school-based journalistic works. The main contribution of this program lies in the integration of basic journalistic competencies, media ethics, and the responsible use of AI technology. Students are encouraged to become media creators who are not only creative and productive, but also capable of critical thinking and understanding the ethical implications of using digital technology. This program contributes to the development of young human resources who are adaptive to digital transformation while also being able to produce high-quality information content that benefits society.

AKTIVISME DIGITAL DALAM KONFLIK GAZA: ANALISIS BUDAYA JAMMING PADA GERAKAN BOIKOT PRODUK PRO-ISRAEL Rino Andreas
JURNAL ILMU BUDAYA Vol. 14 No. 1 (2026): jurnal ilmu budaya
Publisher : Universitas Hasanuddin

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34050/jib.v14i1.49334

Artikel ini menganalisis fenomena aktivisme digital melalui pendekatan culture jamming dalam gerakan Boikot, Divestasi, dan Sanksi (BDS) terhadap produk-produk yang berafiliasi dengan Israel di tengah konflik Gaza . Studi ini mengadopsi metode deskriptif kualitatif, yang dibingkai melalui lensa teoretis culture jamming seperti yang dipopulerkan oleh Guy Debord. Temuan ini mengungkapkan bahwa para aktivis memproduksi dan memodifikasi gambar dengan merujuk pada identitas merek produk yang diduga berafiliasi dengan atau mendukung Israel dan sekutunya, seperti jaringan makanan cepat saji McDonald’s, perusahaan minuman Pepsi dan Coca-Cola, merek kopi Starbucks, produsen pakaian olahraga Puma, dan waralaba makanan Pizza Hut dan Burger King. Pesan media dibangun melalui wacana satir terhadap produk-produk ini dengan "menambahkan" teks dan elemen visual, menambahkan, memilih, dan memodifikasi tanda dan simbol dengan citra yang mengganggu, seperti darah, bagian tubuh bayi, roket, dan ledakan. Aktivisme digital memungkinkan para "pengganggu" untuk membangun solidaritas kolektif di sekitar tujuan bersama.

Analisis Flaming Terhadap Pendukung Prabowo-Gibran Pasca Pilpres 2024 Pada Komunitas Marah-Marah di Platform X Hanifah Fahirah; Rino Andreas
Jurnal Komunikasi Nusantara Vol 8 No 1 (2026)
Publisher : Unitri Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33366/jkn.v8i1.2510

The phenomenon of flaming on social media is becoming increasingly diverse, especially in the political context, which triggers digital polarization. The Marah-Marah community on platform X serves as a space for users to vent their frustrations and express their political views openly, including against voters of 02, who are supporters of the presidential and vice-presidential candidates number 02 in the 2024 election. This research aims to examine how flaming is manifested and categorized within the Marah-Marah community. This study employs qualitative content analysis methods on posts within this community. The research findings identify four forms of flaming in the Marah-Marah community: Direct Flaming that is frontal, Indirect Flaming that is veiled, Straightforward Flames that are blunt, and Satirical Flames that utilize humor or irony. Each has a distinct communication style but is used to convey anger, disappointment, and rejection of certain political choices, indicating that flaming has evolved into a communication culture within the community, normalizing aggressive expression and reinforcing group identity and emotional solidarity in the digital public space. Abstrak Fenomena flaming di media sosial semakin beragam terutama dalam konteks politik yang memicu polarisasi digital. Komunitas Marah-Marah di platform X menjadi wadah bagi pengguna untuk meluapkan kekesalan dan mengekspresikan pandangan politik secara terbuka termasuk terhadap voters 02, yaitu pendukung pasangan presiden dan wakil presiden nomor urut 02 pada pemilu 2024. Penelitian ini bertujuan untuk mengkaji bagaimana flaming dimanifestasikan dan dikategorikan dalam Komunitas Marah-Marah. Penelitian ini menggunakan metode analisis isi kualitatif terhadap unggahan dalam komunitas tersebut. Hasil penelitian menemukan empat bentuk flaming dalam komunitas Marah-Marah yaitu direct flaming yang bersifat frontal, indirect flaming yang terselubung, straightforward flames yang lugas dan satirical flames yang memanfaatkan humor atau ironi. Masing-masing memiliki gaya komunikasi yang berbeda namun digunakan untuk menyampaikan kemarahan dan kekecewaan serta penolakan terhadap pilihan politik tertentu, menunjukkan bahwa flaming telah berkembang menjadi budaya komunikasi di dalam komunitas, menormalkan ekspresi agresif dan memperkuat identitas serta solidaritas emosional kelompok dalam ruang publik digital.

Analisis Flaming Terhadap Pendukung Prabowo-Gibran Pasca Pilpres 2024 Pada Komunitas Marah-Marah di Platform X Hanifah Fahirah; Rino Andreas
Jurnal Komunikasi Nusantara Vol 8 No 1 (2026)
Publisher : Unitri Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33366/jkn.v8i1.2510

The phenomenon of flaming on social media is becoming increasingly diverse, especially in the political context, which triggers digital polarization. The Marah-Marah community on platform X serves as a space for users to vent their frustrations and express their political views openly, including against voters of 02, who are supporters of the presidential and vice-presidential candidates number 02 in the 2024 election. This research aims to examine how flaming is manifested and categorized within the Marah-Marah community. This study employs qualitative content analysis methods on posts within this community. The research findings identify four forms of flaming in the Marah-Marah community: Direct Flaming that is frontal, Indirect Flaming that is veiled, Straightforward Flames that are blunt, and Satirical Flames that utilize humor or irony. Each has a distinct communication style but is used to convey anger, disappointment, and rejection of certain political choices, indicating that flaming has evolved into a communication culture within the community, normalizing aggressive expression and reinforcing group identity and emotional solidarity in the digital public space. Abstrak Fenomena flaming di media sosial semakin beragam terutama dalam konteks politik yang memicu polarisasi digital. Komunitas Marah-Marah di platform X menjadi wadah bagi pengguna untuk meluapkan kekesalan dan mengekspresikan pandangan politik secara terbuka termasuk terhadap voters 02, yaitu pendukung pasangan presiden dan wakil presiden nomor urut 02 pada pemilu 2024. Penelitian ini bertujuan untuk mengkaji bagaimana flaming dimanifestasikan dan dikategorikan dalam Komunitas Marah-Marah. Penelitian ini menggunakan metode analisis isi kualitatif terhadap unggahan dalam komunitas tersebut. Hasil penelitian menemukan empat bentuk flaming dalam komunitas Marah-Marah yaitu direct flaming yang bersifat frontal, indirect flaming yang terselubung, straightforward flames yang lugas dan satirical flames yang memanfaatkan humor atau ironi. Masing-masing memiliki gaya komunikasi yang berbeda namun digunakan untuk menyampaikan kemarahan dan kekecewaan serta penolakan terhadap pilihan politik tertentu, menunjukkan bahwa flaming telah berkembang menjadi budaya komunikasi di dalam komunitas, menormalkan ekspresi agresif dan memperkuat identitas serta solidaritas emosional kelompok dalam ruang publik digital.

INSTAGRAM DALAM PERSPEKTIF MASYARAKAT TONTONAN “GEJAYAN MEMANGGIL” Rino Andreas
Jurnal Ilmiah Dinamika Sosial Vol 4 No 1 (2020)
Publisher : Universitas Pendidikan Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.38043/jids.v4i1.2259

Aksi Gejayan merupakan demonstrasi yang dilakukan oleh mahasiswa pada 23 September 2019 di Yogyakarta. Mahasiswa melakukan demostrasi sebagai respons terhadap kebijakan pemerintah yang dinilai merugikan masyarakat dan mengancam semangat demokrasi di Indonesia. Media sosial Instagram kemudian dibanjiri dengan postingan foto-foto terkait aksi demonstrasi dengan tagar #GejayanMemanggil. Penelitian ini menggunakan pendekatan kualitatif dengan metode semiotika yang menganalisis tanda dalam level denotasi dan konotasi, serta menggunakan teori masyarakat tontonan, konsep yang dipopulerkan oleh Guy Debord dalam melihat postingan foto-foto aksi Gejayan. Hasilnya, “Gejayan Spectacle” dilihat sebagai fenomena peserta aksi demonstrasi Gejayan yang aktif merepresentasikan dirinya. Mereka juga membangun citra diri sebagai objek yang dilihat dengan membedakan diri terhadap pengguna lain (distingsi). Disinilah peran ‘citra’ dimainkan sedemikian rupa, konsep ‘tontonan’ yang menyatukan masyarakat, menjelaskan bahwa dalam masyarakat tontonan terdapat keragaman penampilan yang berbeda-beda sebagai produk konstruksi sosial. Tontonan jumlah like/love dan komentar juga menjadi hal menarik ketika pengguna merasa diperhatikan dan dilihat, sehingga muncul kebanggaan. Lebih jauh, Gejayan Spectacle tidak hanya citra yang sengaja ditampilkan, melainkan memiliki nilai-nilai subversif. Foto peserta aksi di Instragam menjadi bentuk perlawanan simbolik dalam ruang cyber terhadap “status quo” Kata Kunci: Gejayan, Instagram, Tontonan, Guy Debord

Title

Found 37 Documents
Search

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Title Search

Found 37 Documents Search

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Title

Found 37 Documents
Search